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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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MOTION PICTURE PHOTOGRAPHY sa ANIMATION sa MOTION PICTURE CAMERA sa MOTION PICTURE EDITING sa MOTION PICTURE FILM sa MOTION PICTURE PROJECTOR sa MOTION PICTURE SOUND sa MOTION PICTURE SPECIAL EFFECTS sa MOTION PICTURE TITLING sa OPTICAL PRINTING xx PHOTOGRAPHY Basic rules for making successful films. How to make movies by photographing still pictures or slides from long, medium and close-up range to give the illusion of motion. Use simple copy stands and tripod arrangements. Directing non-professional talent. Understanding the basic vocabulary of film production. How the Western Electric company makes motion pictures from slides. A storyboard may improve your film making. Tips on making movies from your slides. Camera-speed table shows effects on the apparent viewed speed when filming scale models of real objects. Management of industrial film production. Part 1. Preparing an estimate of production costs. Glossary of motion picture post-production language. Biomechanics cinematography. An introduction to this method for analyzing and interpreting athletic performance. Storyboarding with stills. How to plan a 16mm motion picture film by taking photographs with a 35mm camera and various lenses. Selecting a medium for presentation and distribution. A comparison of videotape and motion picture film. Examples of using close-ups in movie sequences for greater impact. Shooting still pictures from moving pictures by re-photographing the image projected on the screen. "For movies, let the action call the shot." Action shots in a soap box derby film illustrate the ideas. Filming a collage of still pictures as it builds up picture-by-picture can produce interesting motion picture results. Improve you own movie making techniques by studying the commercials on television. Storyboard your films to improve quality and save time. Update your movie habits. Some ideas. Tips on when to zoom the lens and when best to dolly the camera for the desired effect. More hints on the correct use of zooming in moving pictures. Tony Galluzzo suggests the best book to read about moving picture photography. Film lending sources through which to get your own pictures shown. Incorporating sequential photography techniques into your movies. Tips on allowing the action and content of a scene dictate the camera placement. Tips on capturing all the action essential to make a successful documentary. Short movies (1 to 3 minutes) can be made by shooting still photographs of all key images, then refilming the photographs or portions of them onto movie film. The do's and don'ts of entering your movies in movie festival competitions. How to film sections of a single photograph and convert it into a kind of "motion picture". Includes tips on camera setup and lighting. How to eliminate boredom in home movies by varying the camera angle, distance, composition, etc. Enhance your movies with slides. Various means of shooting movies of colored slide images and tips on using them along with regular movie footage. Equipment and techniques for getting an enlarged print of a single frame from movie film. (1) Instant action stories without scripts. (2) Panning methods with and without tripods. Film notebook II. Basic guide to a complete movie. How to construct a visual mood or atmosphere for a film. How to photograph slides with a motion picture camera to achieve "stop action" or "frame freeze" effects. Several simple techniques for projecting the slide and re-photographing it with a movie camera are described. Field shooting: 20 indispensable items that should be carried in your ditty bag whenever you go into the field to shoot motion pictures. How to time shots as you shoot them. Foul weather filming tips. Nine tips to improve a short (3 minute) movie. Tips for the still photographer getting started in movies. Filmmakers' workshop. Part 8. Kids make movies. Tips on working with children in the production of a movie. How to shoot a continuous action sequence. Focus on filmmaking. Tips on matching action between distant and close-up shots of people. Filmmaker's workshop. How to film a holiday. Tips on improving your Christmas movies. Seven steps to better travel movies. Covers planning, packing, film, titles, filming technique, editing in the camera, and sound recording. Tips on filmmaking in remote areas. Let's get into the movies. Part 1 of a three part series which initiates the still photographer into motion picture work. Let's get into the movies. Part 2. Glossary of television and film production terms. Part 1. A-C. Glossary of television and film production terms. Part 2. C-D. Glossary of television and film production terms. Part 3. D-F. Glossary of television and film production terms. Part 4. F-Q. Glossary of television and film production terms. Part 5. Q-S. Glossary of television and film production terms. Part 6. S-Z. Film budgeting. This detailed estimate guide will help you control your costs. Tips on making moving camera shots on roller skates, escalators, autos, and by panning, dollying, etc. Taking motion pictures of abstract images. Twelve books which are required reading for neophyte film makers. How to sharpen up the focus of your movies. Making movie pictures while riding on a seesaw, swing or slide. Create a motion picture by rephotographing snapshots on movie film. Tips on how to zoom at the right time and on the right subject. Suggestions on how to make big, majestic things like mountains actually appear big on the home movie screen. Photographing signs and signboards in movies. Who needs 16mm? A comparison of the roles of super 8mm and 16mm. Film makers should shoot exercise films to assist them in developing a style of their own. Pick simple themes, like a movie about a street. The dissolve, how to create and use this technique. Camera techniques to produce the fade-out and fade-in. Tips on making the transition from one scene to another. A comparison of videotape and super 8 for the moving picture photographer. Improve your film's pace and mood by changing the fps speed for certain types of scenes. Lessons you can learn about film making from television commercials. How to film TV pictures using a Kodak Ektasound movie camera. Tips on making the transition from still photography to motion pictures. The filmmaker's eye. Part 1. How to develop visual sensitivity to your surroundings. The filmmaker's eye. Part 2. Sharpen your perception with these practice self-assignments. How to make a film of your vacation travels. Tips for shooting movies at amusement parks. Shooting super-8 with black and white film. Six ways to creatively manipulate b&w movies, use filters, mix lighting, etc. Super-8 filming for the 35mm photographer. Super-8 for 35mm photographers. The still -vs- movie sequence. How to overcome the static nature of still pictures when making movies. Bring your stills to life. How to make a motion picture by re-photographing prints. Use zooms and panning to make the still picture appear to move. How to incorporate slide images into your motion pictures. Tips and devices for making a photographic print from a single frame of motion picture film. Take your camera skiing. How to safely film the thrills and beauty. Shows how to mount your movie camera on a helmet or on your ski's. Tips for backpacking and using your movie gear in the woods. Capturing the chaos of Christmas. Memorable movies of Christmas morning require advanced planning. Making movies through your car's windshield. Helpful hints on winter shooting. Good advice on making a print from a film. A few general guidelines on planning film-to-finished production ratios. How to make sure that your film has been completely exposed. How to achieve precision focusing. Basics workshop. Thirteen ways to do it better. Tips on making a quality film. Tips on getting the most accurate focus. Summer shooting tips. A comparison of the advantages and disadvantages of film and videotape. Tips on keeping your subject in focus as it moves steadily toward the camera. To avoid loss of film, take a shot of your name and address at either the beginning or end of your roll. Basics workshop. Dramatic coverage: The whole story. Tip: To compensaate for low light in underwater scenes use Ektachrome 160 and an XL camera. Tip on using short footage ends to film close-ups of the characters for use later as transfer scenes. Basics workshop. Achive continuity in filming through attention to camera position, framing and action. Tip: Use gaffer's tape or electrical tape as an aid in pulling focus when following a moving subject. Create a realistic fight scene through slow motion action and fast motion filming. Tips on the proper manners when doing cross-cultural (ethnographic) filmmaking. Fades that produce a fade out to white instead of black. Basics workshop. How to make dissolves. | |||||||||
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