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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.


Basic rules for making successful films.
BOYS' LIFE Feb 1971 (v.61#2) pg. 12

How to make movies by photographing still pictures or slides from long, medium and close-up range to give the illusion of motion. Use simple copy stands and tripod arrangements.
CAMERA 35 Dec 1973 (v.17#9) pg. 44

Directing non-professional talent.
INDUSTRIAL PHOTOGRAPHY Feb 1970 (v.19#2) pg. 12

Understanding the basic vocabulary of film production.
INDUSTRIAL PHOTOGRAPHY Mar 1970 (v.19#3) pg. 22

How the Western Electric company makes motion pictures from slides.
INDUSTRIAL PHOTOGRAPHY Apr 1970 (v.19#4) pg. 61

A storyboard may improve your film making.
INDUSTRIAL PHOTOGRAPHY Mar 1971 (v.20#3) pg. 24

Tips on making movies from your slides.
INDUSTRIAL PHOTOGRAPHY Mar 1972 (v.21#3) pg. 30

Camera-speed table shows effects on the apparent viewed speed when filming scale models of real objects.
INDUSTRIAL PHOTOGRAPHY Sep 1972 (v.21#9) pg. 50

Management of industrial film production. Part 1. Preparing an estimate of production costs.
INDUSTRIAL PHOTOGRAPHY Sep 1977 (v.26#9) pg. 38

Glossary of motion picture post-production language.
INDUSTRIAL PHOTOGRAPHY Mar 1980 (v.29#3) pg. 37

Biomechanics cinematography. An introduction to this method for analyzing and interpreting athletic performance.
INDUSTRIAL PHOTOGRAPHY Feb 1982 (v.31#2) pg. 43

Storyboarding with stills. How to plan a 16mm motion picture film by taking photographs with a 35mm camera and various lenses.
INDUSTRIAL PHOTOGRAPHY Feb 1984 (v.33#2) pg. 36

Selecting a medium for presentation and distribution. A comparison of videotape and motion picture film.
INDUSTRIAL PHOTOGRAPHY Feb 1985 (v.34#2) pg. 19

Examples of using close-ups in movie sequences for greater impact.
MODERN PHOTOGRAPHY Feb 1966 (v.30#2) pg. 84

Shooting still pictures from moving pictures by re-photographing the image projected on the screen.
MODERN PHOTOGRAPHY Oct 1969 (v.33#10) pg. 32

"For movies, let the action call the shot." Action shots in a soap box derby film illustrate the ideas.
MODERN PHOTOGRAPHY Nov 1969 (v.33#11) pg. 98

Filming a collage of still pictures as it builds up picture-by-picture can produce interesting motion picture results.
MODERN PHOTOGRAPHY Nov 1969 (v.33#11) pg. 108

Improve you own movie making techniques by studying the commercials on television.
MODERN PHOTOGRAPHY Jan 1970 (v.34#1) pg. 100

Storyboard your films to improve quality and save time.
MODERN PHOTOGRAPHY Jun 1970 (v.34#6) pg. 94

Update your movie habits. Some ideas.
MODERN PHOTOGRAPHY Aug 1970 (v.34#8) pg. 94

Tips on when to zoom the lens and when best to dolly the camera for the desired effect.
MODERN PHOTOGRAPHY Mar 1971 (v.35#3) pg. 84

More hints on the correct use of zooming in moving pictures.
MODERN PHOTOGRAPHY Aug 1971 (v.35#8) pg. 39

Tony Galluzzo suggests the best book to read about moving picture photography.
MODERN PHOTOGRAPHY Sep 1971 (v.35#9) pg. 42

Film lending sources through which to get your own pictures shown.
MODERN PHOTOGRAPHY Nov 1971 (v.35#11) pg. 47

Incorporating sequential photography techniques into your movies.
MODERN PHOTOGRAPHY Dec 1971 (v.35#12) pg. 32

Tips on allowing the action and content of a scene dictate the camera placement.
MODERN PHOTOGRAPHY Feb 1972 (v.36#2) pg. 102

Tips on capturing all the action essential to make a successful documentary.
MODERN PHOTOGRAPHY Jun 1972 (v.36#6) pg. 92

Short movies (1 to 3 minutes) can be made by shooting still photographs of all key images, then refilming the photographs or portions of them onto movie film.
MODERN PHOTOGRAPHY Nov 1972 (v.36#11) pg. 108

The do's and don'ts of entering your movies in movie festival competitions.
MODERN PHOTOGRAPHY Aug 1973 (v.37#8) pg. 49

How to film sections of a single photograph and convert it into a kind of "motion picture". Includes tips on camera setup and lighting.
MODERN PHOTOGRAPHY Aug 1973 (v.37#8) pg. 108

How to eliminate boredom in home movies by varying the camera angle, distance, composition, etc.
MODERN PHOTOGRAPHY Sep 1973 (v.37#9) pg. 110

Enhance your movies with slides. Various means of shooting movies of colored slide images and tips on using them along with regular movie footage.
MODERN PHOTOGRAPHY Jun 1975 (v.39#6) pg. 80

Equipment and techniques for getting an enlarged print of a single frame from movie film.
MODERN PHOTOGRAPHY Jan 1976 (v.40#1) pg. 108

(1) Instant action stories without scripts. (2) Panning methods with and without tripods.
MODERN PHOTOGRAPHY Nov 1976 (v.40#11) pg. 76

Film notebook II. Basic guide to a complete movie. How to construct a visual mood or atmosphere for a film.
MODERN PHOTOGRAPHY Mar 1977 (v.41#3) pg. 62

How to photograph slides with a motion picture camera to achieve "stop action" or "frame freeze" effects. Several simple techniques for projecting the slide and re-photographing it with a movie camera are described.
MODERN PHOTOGRAPHY Oct 1978 (v.42#10) pg. 64

Field shooting: 20 indispensable items that should be carried in your ditty bag whenever you go into the field to shoot motion pictures.
MODERN PHOTOGRAPHY Apr 1979 (v.43#4) pg. 93

How to time shots as you shoot them.
MODERN PHOTOGRAPHY May 1979 (v.43#5) pg. 83

Foul weather filming tips.
MODERN PHOTOGRAPHY May 1979 (v.43#5) pg. 83

Nine tips to improve a short (3 minute) movie.
MODERN PHOTOGRAPHY Jan 1980 (v.44#1) pg. 49

Tips for the still photographer getting started in movies.
PHOTO METHODS FOR INDUSTRY Apr 1972 (v.15#4) pg. 54

Filmmakers' workshop. Part 8. Kids make movies. Tips on working with children in the production of a movie.
PHOTOGRAPHIC Jan 1978 (v.6#9) pg. 49

How to shoot a continuous action sequence.
PHOTOGRAPHIC Jun 1979 (v.8#2) pg. 32

Focus on filmmaking. Tips on matching action between distant and close-up shots of people.
PHOTOGRAPHIC Aug 1979 (v.8#4) pg. 10

Filmmaker's workshop. How to film a holiday. Tips on improving your Christmas movies.
PHOTOGRAPHIC Dec 1979 (v.8#8) pg. 44

Seven steps to better travel movies. Covers planning, packing, film, titles, filming technique, editing in the camera, and sound recording.
PHOTOGRAPHIC May 1980 (v.9#1) pg. 42

Tips on filmmaking in remote areas.
PHOTOMETHODS Sep 1976 (v.19#9) pg. 46

Let's get into the movies. Part 1 of a three part series which initiates the still photographer into motion picture work.
PHOTOMETHODS Feb 1977 (v.20#2) pg. 45

Let's get into the movies. Part 2.
PHOTOMETHODS Mar 1977 (v.20#3) pg. 42

Glossary of television and film production terms. Part 1. A-C.
PHOTOMETHODS Oct 1980 (v.23#10) pg. 72

Glossary of television and film production terms. Part 2. C-D.
PHOTOMETHODS Jan 1981 (v.24#1) pg. 44

Glossary of television and film production terms. Part 3. D-F.
PHOTOMETHODS Feb 1981 (v.24#2) pg. 58

Glossary of television and film production terms. Part 4. F-Q.
PHOTOMETHODS Mar 1981 (v.24#3) pg. 81

Glossary of television and film production terms. Part 5. Q-S.
PHOTOMETHODS Jun 1981 (v.24#6) pg. 81

Glossary of television and film production terms. Part 6. S-Z.
PHOTOMETHODS Jul 1981 (v.24#7) pg. 49

Film budgeting. This detailed estimate guide will help you control your costs.
PHOTOMETHODS Jan 1984 (v.27#1) pg. 33

Tips on making moving camera shots on roller skates, escalators, autos, and by panning, dollying, etc.
POPULAR PHOTOGRAPHY Oct 1967 (v.61#4) pg. 122

Taking motion pictures of abstract images.
POPULAR PHOTOGRAPHY Feb 1969 (v.64#2) pg. 105

Twelve books which are required reading for neophyte film makers.
POPULAR PHOTOGRAPHY Mar 1970 (v.66#3) pg. 91

How to sharpen up the focus of your movies.
POPULAR PHOTOGRAPHY Aug 1970 (v.67#2) pg. 112

Making movie pictures while riding on a seesaw, swing or slide.
POPULAR PHOTOGRAPHY Sep 1970 (v.67#3) pg. 110

Create a motion picture by rephotographing snapshots on movie film.
POPULAR PHOTOGRAPHY Jun 1971 (v.68#6) pg. 112

Tips on how to zoom at the right time and on the right subject.
POPULAR PHOTOGRAPHY Jul 1971 (v.69#1) pg. 102

Suggestions on how to make big, majestic things like mountains actually appear big on the home movie screen.
POPULAR PHOTOGRAPHY Jan 1972 (v.70#1) pg. 114

Photographing signs and signboards in movies.
POPULAR PHOTOGRAPHY Apr 1972 (v.70#4) pg. 100

Who needs 16mm? A comparison of the roles of super 8mm and 16mm.
POPULAR PHOTOGRAPHY Jun 1972 (v.70#6) pg. 116

Film makers should shoot exercise films to assist them in developing a style of their own. Pick simple themes, like a movie about a street.
POPULAR PHOTOGRAPHY Jul 1972 (v.71#1) pg. 108

The dissolve, how to create and use this technique.
POPULAR PHOTOGRAPHY Aug 1972 (v.71#2) pg. 94

Camera techniques to produce the fade-out and fade-in.
POPULAR PHOTOGRAPHY Oct 1972 (v.71#4) pg. 94

Tips on making the transition from one scene to another.
POPULAR PHOTOGRAPHY Nov 1972 (v.71#5) pg. 120

A comparison of videotape and super 8 for the moving picture photographer.
POPULAR PHOTOGRAPHY Sep 1973 (v.73#3) pg. 112

Improve your film's pace and mood by changing the fps speed for certain types of scenes.
POPULAR PHOTOGRAPHY Feb 1974 (v.74#2) pg. 100

Lessons you can learn about film making from television commercials.
POPULAR PHOTOGRAPHY Sep 1974 (v.75#3) pg. 114

How to film TV pictures using a Kodak Ektasound movie camera.
POPULAR PHOTOGRAPHY Nov 1974 (v.75#5) pg. 30

Tips on making the transition from still photography to motion pictures.
POPULAR PHOTOGRAPHY Nov 1975 (v.77#5) pg. 46

The filmmaker's eye. Part 1. How to develop visual sensitivity to your surroundings.
POPULAR PHOTOGRAPHY Jan 1977 (v.80#1) pg. 114

The filmmaker's eye. Part 2. Sharpen your perception with these practice self-assignments.
POPULAR PHOTOGRAPHY Feb 1977 (v.80#2) pg. 106

How to make a film of your vacation travels.
POPULAR PHOTOGRAPHY Aug 1977 (v.81#2) pg. 126

Tips for shooting movies at amusement parks.
POPULAR PHOTOGRAPHY May 1978 (v.82#5) pg. 114

Shooting super-8 with black and white film. Six ways to creatively manipulate b&w movies, use filters, mix lighting, etc.
POPULAR PHOTOGRAPHY Jun 1978 (v.82#6) pg. 112

Super-8 filming for the 35mm photographer.
POPULAR PHOTOGRAPHY Jul 1978 (v.83#1) pg. 102

Super-8 for 35mm photographers. The still -vs- movie sequence. How to overcome the static nature of still pictures when making movies.
POPULAR PHOTOGRAPHY Sep 1978 (v.83#3) pg. 120

Bring your stills to life. How to make a motion picture by re-photographing prints. Use zooms and panning to make the still picture appear to move.
POPULAR PHOTOGRAPHY Dec 1979 (v.85#6) pg. 114

How to incorporate slide images into your motion pictures.
POPULAR PHOTOGRAPHY Feb 1980 (v.86#2) pg. 40

Tips and devices for making a photographic print from a single frame of motion picture film.
POPULAR PHOTOGRAPHY Nov 1980 (v.87#5) pg. 86

Take your camera skiing. How to safely film the thrills and beauty. Shows how to mount your movie camera on a helmet or on your ski's.
POPULAR PHOTOGRAPHY Jan 1981 (v.88#1) pg. 92

Tips for backpacking and using your movie gear in the woods.
POPULAR PHOTOGRAPHY Jul 1981 (v.88#7) pg. 84

Capturing the chaos of Christmas. Memorable movies of Christmas morning require advanced planning.
POPULAR PHOTOGRAPHY Dec 1986 (v.93#12) pg. 52

Making movies through your car's windshield.
POPULAR SCIENCE Mar 1965 (v.186#3) pg. 120

Helpful hints on winter shooting.
SUPER-8 FILMAKER Jan-Feb 1980 (v.8#1) pg. 32

Good advice on making a print from a film.
SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 10

A few general guidelines on planning film-to-finished production ratios.
SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 10

How to make sure that your film has been completely exposed.
SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 11

How to achieve precision focusing.
SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 43

Basics workshop. Thirteen ways to do it better. Tips on making a quality film.
SUPER-8 FILMAKER May 1980 (v.8#3) pg. 15

Tips on getting the most accurate focus.
SUPER-8 FILMAKER Jun 1980 (v.8#4) pg. 14

Summer shooting tips.
SUPER-8 FILMAKER Jun 1980 (v.8#4) pg. 33

A comparison of the advantages and disadvantages of film and videotape.
SUPER-8 FILMAKER Jun 1980 (v.8#4) pg. 44

Tips on keeping your subject in focus as it moves steadily toward the camera.
SUPER-8 FILMAKER Sep-Oct 1980 (v.8#6) pg. 10

To avoid loss of film, take a shot of your name and address at either the beginning or end of your roll.
SUPER-8 FILMAKER Sep-Oct 1980 (v.8#6) pg. 12

Basics workshop. Dramatic coverage: The whole story.
SUPER-8 FILMAKER Dec 1980 (v.8#8) pg. 15

Tip: To compensaate for low light in underwater scenes use Ektachrome 160 and an XL camera.
SUPER-8 FILMAKER Jan-Feb 1981 (v.9#1) pg. 10

Tip on using short footage ends to film close-ups of the characters for use later as transfer scenes.
SUPER-8 FILMAKER Jan-Feb 1981 (v.9#1) pg. 12

Basics workshop. Achive continuity in filming through attention to camera position, framing and action.
SUPER-8 FILMAKER Jan-Feb 1981 (v.9#1) pg. 15

Tip: Use gaffer's tape or electrical tape as an aid in pulling focus when following a moving subject.
SUPER-8 FILMAKER Mar-Apr 1981 (v.9#2) pg. 14

Create a realistic fight scene through slow motion action and fast motion filming.
SUPER-8 FILMAKER Mar-Apr 1981 (v.9#2) pg. 14

Tips on the proper manners when doing cross-cultural (ethnographic) filmmaking.
SUPER-8 FILMAKER May 1981 (v.9#3) pg. 22

Fades that produce a fade out to white instead of black.
SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 12

Basics workshop. How to make dissolves.
SUPER-8 FILMAKER Jul-Aug 1981 (v.9#5) pg. 16