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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

xx   SOUND

Tips on selecting microphones and recording sound on location for movies or videotape.
INDUSTRIAL PHOTOGRAPHY Mar 1974 (v.23#3) pg. 32

Some suggestions for developing effective low-cost soundtracks for movies.
INDUSTRIAL PHOTOGRAPHY Mar 1975 (v.24#3) pg. 18

Sound systems for Super-8. When to use which system and what equipment you will need.
INDUSTRIAL PHOTOGRAPHY Mar 1976 (v.25#3) pg. 28

The basics of home sound movies. A look at equipment available for the amateur photographer.
MECHANIX ILLUSTRATED #583 Dec 1976 (v.72) pg. 62

Tips for getting the most from your Kodak Ektasound camera, plus tips on editing the pre-striped film.
MODERN PHOTOGRAPHY Mar 1974 (v.38#3) pg. 64

Review of Super 8 Sound and Cine-Slave movie system equipment and techniques.
MODERN PHOTOGRAPHY Jun 1974 (v.38#6) pg. 114

Sound considerations when shooting instant action stories without scripts.
MODERN PHOTOGRAPHY Dec 1976 (v.40#12) pg. 36

A primer on microphones used with sound movie cameras.
MODERN PHOTOGRAPHY Christmas 1976 (v.40#13) pg. 36

Shoot for the best film sound you can get. Tips on getting good sound onto sound movies.
MODERN PHOTOGRAPHY Aug 1977 (v.41#8) pg. 64

How to edit sound-on-film footage using a sound editor to locate precise cutting points.
MODERN PHOTOGRAPHY Jan 1981 (v.45#1) pg. 12

Tip: Use a small clip-on style microphone to improve the sound when making movies.
MODERN PHOTOGRAPHY Feb 1981 (v.45#2) pg. 110

Filmmakers' workshop. Part 9. Techniques for adding a soundtrack to super-8 movies. A review of types of sound, editing, recording equipment considerations, etc.
PHOTOGRAPHIC Aug 1978 (v.7#4) pg. 65

Tips on selecting microphones and controlling acoustics in motion picture sound recording.
PHOTOMETHODS Sep 1975 (v.18#9) pg. 40

Putting the audio into audiovisual. Training your ears to be sound-critical. Tips on using microphones and loudspeakers.
PHOTOMETHODS Jan 1981 (v.24#1) pg. 35

Sound track your home movies.
POPULAR MECHANICS Oct 1963 (v.120#4) pg. 196

How to put the magnetic stripe on your own 8mm films using inexpensive equipment. Est. cost: $.01 to $.02 per foot, plus equipment.
POPULAR PHOTOGRAPHY Jun 1968 (v.62#6) pg. 126

How to make sound movies where lip synchronization is not critical.
POPULAR PHOTOGRAPHY Aug 1968 (v.63#2) pg. 102

Tips on editing lip-synch sound movies made with the Bell & Howell Filmosound system.
POPULAR PHOTOGRAPHY Jun 1969 (v.64#6) pg. 100.

Good films require thinking about the sound needed before taking the pictures.
POPULAR PHOTOGRAPHY May 1971 (v.68#5) pg. 47

Example of post-recording the dialog of participants in a movie or slide sequence as an interesting way to add sound.
POPULAR PHOTOGRAPHY Jan 1972 (v.70#1) pg. 21

Improve your shows with background music.
POPULAR PHOTOGRAPHY Mar 1972 (v.70#3) pg. 116

Tips on what it takes to build a sound track using recorders with automatic level recording.
POPULAR PHOTOGRAPHY Jul 1972 (v.71#1) pg. 52

A partial listing of musical composers and their works which seem to fit well into moving pictures.
POPULAR PHOTOGRAPHY Apr 1973 (v.72#4) pg. 104

How to find "add-on" sound for your sound movies when the setting is silent and the subject has nothing to say. Selecting background sound for home movies.
POPULAR PHOTOGRAPHY Apr 1974 (v.74#4) pg. 112

The filmmaker's eye. Part 3. Let's shoot a documentary on fear. Includes tips on tape recording techniques for interviewing or making sound tracks for documentaries.
POPULAR PHOTOGRAPHY Mar 1977 (v.80#3) pg. 116

Tips on conducting better interviews for sound motion pictures.
POPULAR PHOTOGRAPHY Jan 1979 (v.84#1) pg. 24

How to shoot better Super-8 sound movies. A little juggling of mikes and fine-tuning of acoustics can make a big difference.
POPULAR PHOTOGRAPHY Sep 1979 (v.85#3) pg. 96

Shooting sound-on-film presents obstacles, but several ways to overcome them are discussed.
POPULAR PHOTOGRAPHY Jun 1980 (v.86#6) pg. 126

Add sound to silent Super-8 films. Prerecord on tape recorder and then dub onto the film's magnetic oxide stripe.
POPULAR PHOTOGRAPHY Apr 1981 (v.88#4) pg. 92

Add sound to your home movies. How to interface a stereo tape recorder to a movie camera and movie projector to produce a synchronized sound track. Est. cost: $75.
RADIO-ELECTRONICS Aug 1977 (v.48#8) pg. 45

Synchronize your film action to your sound track by recording your sound on a reel of film that has numbers filmed on corresponding frames. Then, using a sound editor you can easily identify the beginning and end frames of each sound.
SUPER-8 FILMAKER Jan-Feb 1980 (v.8#1) pg. 12

Basics workshop. Sound film editing.
SUPER-8 FILMAKER Jan-Feb 1980 (v.8#1) pg. 15

Basics workshop. Creating sound tracks.
SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 15

In search of Supersound-8. A look at the complete sound aspect of motion picture filming. Part 1. Sound equipment.
SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 25

In search of Supersound-8. Part 2. Build a windscreen and a barney. Also, tips on recording live.
SUPER-8 FILMAKER May 1980 (v.8#3) pg. 32

Inexpensive sound synchronization for animation.
SUPER-8 FILMAKER Jul-Aug 1980 (v.8#5) pg. 46

How to repair a cracked or peeling sound stripe.
SUPER-8 FILMAKER Sep-Oct 1980 (v.8#6) pg. 10

Tip: Use imageless sound leaders and links between scenes to produce effective sound transitions.
SUPER-8 FILMAKER Dec 1980 (v.8#8) pg. 8

Cut down on camera noise in recordings by using heavily draped backgrounds or by recording the sound in a separate room.
SUPER-8 FILMAKER Jan-Feb 1981 (v.9#1) pg. 12
Added Info SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 14

How to add voices to your animated characters after filming. A look at planning and recording.
SUPER-8 FILMAKER Mar-Apr 1981 (v.9#2) pg. 36

How to synchronize the recording speed on a editor with the playback speed of a projector.
SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 14

Setting up a versatile sound system for Super-8. Consists of two interlocked projectors, magnetic film recorder, cassette recorder, equalizer and turntable.
SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 18

Use a stereo-to-mono adapter plug along with headphones for better camera sound monitoring.
SUPER-8 FILMAKER Jul-Aug 1981 (v.9#5) pg. 15