MOTION PICTURE FILM SPLICING
x SPLICING (MOTION PICTURE FILM)
xx MOTION PICTURE EDITING
xx MOTION PICTURE FILM
Tip: How to turn an old card table into a workbench for editing home movies. Rewinds and splicer/editor are bolted to the table. Includes cutting openings in the tabletop to hold a bag for film cuttings, bottles of film cement and cleaner, and a built-in backlit ground glass area. FAMILY HANDYMAN #201 Sep 1979 (v.29#7) pg. 44
Tips on splicing movie film using inexpensive splicers. MODERN PHOTOGRAPHY Sep 1969 (v.33#9) pg. 73
Tips on selecting and using a film splicer. MODERN PHOTOGRAPHY Sep 1972 (v.36#9) pg. 90
Editing. Part 1. The equipment and techniques to get good splices. MODERN PHOTOGRAPHY Apr 1976 (v.40#4) pg. 26
Editing. Part 2. All about cement splicing. MODERN PHOTOGRAPHY Jun 1976 (v.40#6) pg. 32
Tips on using inexpensive splicers, both wet (glue) and dry (tape) models. POPULAR PHOTOGRAPHY Jan 1970 (v.66#1) pg. 118
Homemade splicer using tape splices is made from spring-type clothespins. POPULAR PHOTOGRAPHY Dec 1972 (v.71#6) pg. 140
Splicing, the craft behind the art of editing. POPULAR PHOTOGRAPHY Mar 1979 (v.84#3) pg. 101
Improve the value and increase the enjoyment of film collecting by editing and splicing your films. SUPER-8 FILMAKER Jan-Feb 1980 (v.8#1) pg. 39
Tip: Proper scraping of emulsion important to a good splice. SUPER-8 FILMAKER Mar-Apr 1980 (v.8#2) pg. 8
Tips on avoiding the white lines that result from spreading splices. SUPER-8 FILMAKER May 1980 (v.8#3) pg. 10
Make your own film cement applicator. SUPER-8 FILMAKER Jun 1980 (v.8#4) pg. 12
Tips on repairing damaged sprocket holes. SUPER-8 FILMAKER Jun 1980 (v.8#4) pg. 14
Use a fingernail polish bottle and brush for storing and dispensing of splicing cement. SUPER-8 FILMAKER Sep-Oct 1980 (v.8#6) pg. 12
Tip: How to catch the punched tape chaff from the Ciro film splicer. SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 14
Basics workshop. Know when to use cement and when to use tape to achieve a good film splice. SUPER-8 FILMAKER Jun 1981 (v.9#4) pg. 16
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