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PHOTOGRAPHY entries in Index to How To Do It Information
Norman Lathrop Enterprises  
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHY
sa   AERIAL PHOTOGRAPHY
sa   ARCHAEOLOGY PHOTOGRAPHY
sa   ARCHITECTURAL PHOTOGRAPHY
sa   ASTRONOMICAL PHOTOGRAPHY
sa   AUTOMOTIVE PHOTOGRAPHY
sa   AVIATION PHOTOGRAPHY
sa   CAMERA
sa   CANDID PHOTOGRAPHY
sa   COMPOSITION IN PHOTOGRAPHY
sa   COPY PHOTOGRAPHY
sa   DANCE PHOTOGRAPHY
sa   DENSITOMETRY & SENSITOMETRY
sa   DEPTH OF FIELD (PHOTOGRAPHIC)
sa   DOCUMENTARY PHOTOGRAPHY
sa   FASHION & GLAMOUR PHOTOGRAPHY
sa   FIGURE PHOTOGRAPHY
sa   FOOD PHOTOGRAPHY
sa   GEMSTONE PHOTOGRAPHY
sa   GLASSWARE PHOTOGRAPHY
sa   HIGH-SPEED PHOTOGRAPHY
sa   HILBURN SYSTEM OF PHOTOGRAPHY
sa   HOLOGRAPHY & LASER PHOTOGRAPHY
sa   INFRARED PHOTOGRAPHY
sa   INSTANT PHOTOGRAPHY
sa   JEWELRY PHOTOGRAPHY
sa   LANDSCAPE & NATURE PHOTOGRAPHY
sa   LARGE FORMAT PHOTOGRAPHY
sa   LEGAL PHOTOGRAPHY
sa   MACRO PHOTOGRAPHY
sa   MICROPHOTOGRAPHY
sa   MODEL & MINIATURE PHOTOGRAPHY
sa   MOTION PICTURE PHOTOGRAPHY
sa   MURAL PHOTOGRAPHY
sa   NIGHT PHOTOGRAPHY
sa   PANORAMIC PHOTOGRAPHY
sa   PERSPECTIVE IN PHOTOGRAPHY
sa   PHOTOGRAPH COLLECTING
sa   PHOTOGRAPH DISPLAY
sa   PHOTOGRAPH PACKAGING & SHIPPING
sa   PHOTOGRAPHIC BATTERY
sa   PHOTOGRAPHIC EXPOSURE METERING
sa   PHOTOGRAPHIC FILM
sa   PHOTOGRAPHIC FILTER
sa   PHOTOGRAPHIC IMAGE STORAGE & PRESERVATION
sa   PHOTOGRAPHIC LIGHTING
sa   PHOTOGRAPHIC PRINT MAKING
sa   PHOTOGRAPHIC STUDIO & SET
sa   PHOTOGRAPHY (COLOR)
sa   PHOTOGRAPHY (DIGITAL)
sa   PHOTOGRAPHY BUSINESS
sa   PHOTOGRAPHY EDUCATION
sa   PHOTOJOURNALISM
sa   PHOTOMICROGRAPHY
sa   PORTRAIT PHOTOGRAPHY
sa   POSTCARD PHOTOGRAPHY
sa   RETOUCHING (PHOTOGRAPHIC)
sa   SCIENTIFIC PHOTOGRAPHY
sa   SILHOUETTE PHOTOGRAPHY
sa   SPECIAL EFFECTS PHOTOGRAPHY
sa   SPORTS PHOTOGRAPHY
sa   STEREO PHOTOGRAPHY
sa   STILL LIFE PHOTOGRAPHY
sa   STOCK PHOTOGRAPHY
sa   SUBMINIATURE PHOTOGRAPHY
sa   TELEPHOTOGRAPHY
sa   TEXTILE PHOTOGRAPHY
sa   THEATRICAL PHOTOGRAPHY
sa   TRANSPARENCY
sa   TRAVEL PHOTOGRAPHY
sa   ULTRAVIOLET PHOTOGRAPHY
sa   VIDEO IMAGE PHOTOGRAPHY
sa   WEDDING PHOTOGRAPHY
sa   WOODWORK PHOTOGRAPHY
sa   YOB SYSTEM OF PHOTOGRAPHY
sa   ZEN SYSTEM OF PHOTOGRAPHY
sa   ZONE SYSTEM OF PHOTOGRAPHY
xx   OPTICS

Photographs as tools for artists. Tips on avoiding color problems, understanding common types of distortions, taking multiple exposures, lighting and equipment.
ARTIST'S MAGAZINE Apr 1991 (v.8#4) pg. 12

Advice on how to take and use photo references for paintings.
ARTIST'S MAGAZINE Oct 1991 (v.8#10) pg. 87

Making ends meet. Money-saving tips for photographers.
CAMERA & DARKROOM Apr 1992 (v.14#4) pg. 64

How to beat photographer's block by undertaking a photographic exercise that limits you to one camera, one lens, and one roll of film per week (for eight weeks). Then, you must pick only ONE picture from each roll's proof sheet for a big print (16x20).
CAMERA & DARKROOM Jul 1993 (v.15#7) pg. 12

Tips on getting started in industrial photography.
CAMERA 35 Apr 1973 (v.17#3) pg. 46

David Vestal's Book of Craft. Chapter 18. Calling your shots. What to photograph and how to photograph it.
CAMERA 35 May 1974 (v.18#3) pg. 46

A master check list of photographic and personal equipment you might need to take on a photographic outing.
CAMERA 35 May 1975 (v.19#3) pg. 30

Improve your photography by giving yourself an "assignment" to produce a picture that fits a predefined need.
CAMERA 35 Dec 1975 (v.19#9) pg. 14

When testing or comparing two different lenses, cameras, film, etc., it is essential to eliminate every variable except one. Some tips.
CAMERA 35 Sep 1980 (v.25#9) pg. 14

Automating exposure and development. An exposure/development computer program for a Radio Shack PC-5 (or PC-6) pocket computer. Program is optimized for Tri-X film developed in D-76 (or HC-110) and printed on Ilford Multigrade FB paper. Also works with Plus-X film and other papers. Program follows general format of the Zone system.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1987 (v.8#2) pg. 38
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1987 (v.8#3) pg. 4
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1987 (v.8#4) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1987 (v.8#5) pg. 47
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1987 (v.8#6) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1988 (v.9#3) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1988 (v.9#5) pg. 5
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 26
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 3
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1989 (v.10#3) pg. 3
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1991 (v.12#1) pg. 6

Problem solving for photographers. Part 1. Introduction to statistical design as an experimental method that allows photographers to evaluate the results of tests concerning lenses, photochemistry, lighting, exposure, film emulsions, development, sensitometry, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1988 (v.9#2) pg. 48

Problem solving for photographers. Part 2. Multiple variables. Examples of a design for three variables and 15 variables.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1988 (v.9#3) pg. 26

Real world sharpness. Opinions and qualitiative judgements on the theme of perceived sharpness and what validity and consideration it has in photography. Part 1. Magnification and viewing distance.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1992 (v.13#4) pg. 22
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1992 (v.13#5) pg. 3

Real world sharpness. Part 2. A more realistic calculation of resolution using a simple computer model.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1992 (v.13#5) pg. 49

Photographic principles. Part 1. The choice of what to photograph and guiding principles in exposing and developing b&w film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1994 (v.15#5) pg. 49

A medium format primer. Looks at concept, metering, focusing, cameras, film, shutters, lenses, slides, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1995 (v.16#6) pg. 24

Masters of photography. Interview with Sid Kaplan
DARKROOM PHOTOGRAPHY Nov 1980 (v.2#7) pg. 45

Fanning the flame. How to keep your love for photography up to fever pitch.
DARKROOM PHOTOGRAPHY May-Jun 1986 (v.8#3) pg. 56

Tip on using white ink to write on black borders of prints and color transparency films.
DARKROOM PHOTOGRAPHY Jan-Feb 1988 (v.10#1) pg. 17

Logarithms in sight and sound. Logarithms pervade photography. How and why they are used. Looks at measurements of decibel, DIN, ASA, f-stops, EV, densitometry, Zone system, etc.
DARKROOM PHOTOGRAPHY Dec 1988 (v.10#5) pg. 14

Thinking about photography. Discussion about the psychological, sociological, and perceptual processes of photography.
DARKROOM PHOTOGRAPHY Jun 1990 (v.12#6) pg. 58

Beyond the snapshot. Part 1. An exercise in modeling the photographer's mind that is designed to put the complex process of making photographs into perspective.
DARKROOM PHOTOGRAPHY Jul 1990 (v.12#7) pg. 26

Beyond the snapshot. Part 2.
DARKROOM PHOTOGRAPHY Aug 1990 (v.12#8) pg. 56

Trolling for chance. Image fishing: The active search for unusual effects in black-and-white photography. Advice on pushing your equipment, materials and technique out along the boundaries of practicality.
DARKROOM PHOTOGRAPHY Oct 1990 (v.12#10) pg. 14

Beyond the snapshot. Part 3.
DARKROOM PHOTOGRAPHY Oct 1990 (v.12#10) pg. 60

How to take great pictures. Excerpts from "The Joy of Photography".
FAMILY CIRCLE Aug 5 1980 (v.93#11) pg. 46

Computer-aided calculations. Program your personal computer to determine view camera exposure information. Includes a program written in BASIC.
INDUSTRIAL PHOTOGRAPHY Jan 1986 (v.35#1) pg. 36

Hostile environments. Turn those obstacles and difficult shooting conditions to your advantage with these simple suggestions.
INDUSTRIAL PHOTOGRAPHY Apr 1986 (v.35#4) pg. 28

Finding historical stock footage. Description of three archives which offer archival footage at "reasonable rates for in-house and industrial use."
INDUSTRIAL PHOTOGRAPHY Feb 1987 (v.36#2) pg. 8

Personal computer meets photography. BASIC language computer program does the necessary calculations to determine exposure times when making enlargements. Requires a densitometer to measure the highlight density of each negative to be printed. Program can select paper grade and calculate exposure time and f-stop for any size print.
KILOBAUD MICROCOMPUTING #30 Jun 1979 pg. 114

An H8 computer in the darkroom. BASIC program converts the Heath H8 computer into a photo timer by using the LED's, keypad, and front-panel speaker.
KILOBAUD MICROCOMPUTING #41 May 1980 pg. 34

Darkroom computerist. (1) Calculates a table of exposure times for various combinations of f-stop and enlarger heights when making enlargements with various papers. (2) Make title slides by photographing text from video terminal.
KILOBAUD MICROCOMPUTING #46 Oct 1980 pg. 75

TRS-80 in the darkroom. Use a computer for programmed timing of multi-step processes, such as color photo processing. Includes a process program written in BASIC.
KILOBAUD MICROCOMPUTING #49 Jan 1981 (v.5#1) pg. 118

Shootin' leather. Ten tips for taking better photos of leathercraft projects.
LEATHER CRAFTERS JOURNAL Jan-Feb 1991 (v.1#1) pg. 46

Tips on taking pictures from a moving automobile.
MECHANIX ILLUSTRATED #572 Jan 1976 (v.72) pg. 50

How to take better pictures.
MECHANIX ILLUSTRATED #618 Nov 1979 (v.75) pg. 74

Various methods of altering and simplifying standard photogaphic images to produce graphic design by photography.
MODERN PHOTOGRAPHY Mar 1966 (v.30#3) pg. 58

Photo instructor Harry Callahan illustrates eight important steps for the beginning photographer to learn about taking pictures.
MODERN PHOTOGRAPHY Jun 1969 (v.33#6) pg. 92

Some tips from judges of the Life magazine photographic contest. What they look for in a photograph.
MODERN PHOTOGRAPHY Mar 1971 (v.35#3) pg. 14

The willingness to experiment and to write down what you did is essential to becoming a good photographer. Some tips.
MODERN PHOTOGRAPHY Apr 1971 (v.35#4) pg. 46

Tips on getting the best black and white sharpness your equipment is capable of producing.
MODERN PHOTOGRAPHY Apr 1972 (v.36#4) pg. 12

Sample pictures and the equipment needed to achieve them in the style of French photographer Francisco Hidalgo.
MODERN PHOTOGRAPHY Apr 1974 (v.38#4) pg. 78

How safe is your camera. A practical guide to protecting and insuring your photographic equipment.
MODERN PHOTOGRAPHY Jun 1975 (v.39#6) pg. 70

The Harbutt Workshop. Part 4. Your way.
MODERN PHOTOGRAPHY Apr 1976 (v.40#4) pg. 106

Glossary of photographic abbreviations.
MODERN PHOTOGRAPHY Feb 1977 (v.41#2) pg. 36

An overall view of all of the factors which add up to produce what is known as "image quality" in a photograph.
MODERN PHOTOGRAPHY May 1979 (v.43#5) pg. 108

How to shoot like a pro. Lisl Dennis shares her secrets for creating photos with professional panache.
MODERN PHOTOGRAPHY Jan 1980 (v.44#1) pg. 90

Image contrast. What is it, how does it affect your pictures, and how do we measure it?
MODERN PHOTOGRAPHY Apr 1980 (v.44#4) pg. 110

How to shoot reflections.
MODERN PHOTOGRAPHY Apr 1981 (v.45#4) pg. 98

How to determine the cause for fuzzy pictures.
MODERN PHOTOGRAPHY Jan 1983 (v.47#1) pg. 112

How to read a photograph. Learning to appreciate others pictures can be a way of improving your own.
MODERN PHOTOGRAPHY Apr 1985 (v.49#4) pg. 56

Six shooting errors (flaws) seen most often by photo magazine editors.
MODERN PHOTOGRAPHY Jan 1986 (v.50#1) pg. 24

Picture pointers. A potpourri of picture ideas from a team of talented professionals.
MODERN PHOTOGRAPHY Oct 1986 (v.50#10) pg. 36

Modern Photography's mail order tips. Concise answers to most asked questions on ordering photographic equipment and supplies by mail.
MODERN PHOTOGRAPHY Dec 1986 (v.50#12) pg. 36

SPECIAL ISSUE: How to do almost anything in photography. Ingenious and different practical picture taking hints, tips, and solutions.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 2

Tips on products to temporarily fasten or support things you want to photograph.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 15

Tip: How to make lights in photos look real.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 24
Added Info MODERN PHOTOGRAPHY Aug 1987 (v.51#8) pg. 33

How to find a great camera store.
MODERN PHOTOGRAPHY Jan 1988 (v.52#1) pg. 43

Tips on overcoming "photographer's block".
MODERN PHOTOGRAPHY Mar 1988 (v.52#3) pg. 8

Photography and visual perceptions. How to interpret an opinion panel's responses when determining the quality of photos.
PHOTO ELECTRONIC IMAGING Jun 1992 (v.35#6) pg. 14
Added Info PHOTO ELECTRONIC IMAGING Aug 1992 (v.35#8) pg. 8 (Purkinje shift)

How to get the most out of Kodak's Photo CD technology. Brief step-by-step process to improve the appearance of most Photo CD images using Adobe Photoshop software.
PHOTO ELECTRONIC IMAGING 1996 (v.39#2) pg. 10

A brief review of laws affecting photographers and some law books which should be in a photographer's library.
PHOTO METHODS FOR INDUSTRY Apr 1972 (v.15#4) pg. 8

Photos illustrate 14 uses of self-adhesive tape in photography.
PHOTO METHODS FOR INDUSTRY Nov 1972 (v.15#11) pg. 40

There is a camera store on every corner. Tips on using many items found in hardware stores, variety stores, and other specialty shops as photographic equipment or props.
PHOTOGRAPHIC Apr 1978 (v.6#12) pg. 58

Make your own photographer's log. A pad of especially printed forms which you carry with you to describe the contents of each roll of film along with pertinent technical data about each exposure.
PHOTOGRAPHIC Oct 1978 (v.7#6) pg. 99

Tips on getting your pictures printed in the Gallery section of Petersen's Photographic magazine.
PHOTOGRAPHIC Feb 1981 (v.9#10) pg. 12

Calculators for photographers. Suggested uses for the handheld electronic calculator include metric conversion, darkroom exposure calculations, close-up exposure calculations, etc.
PHOTOGRAPHIC Sep 1981 (v.10#5) pg. 75

How to locate a photo lab you can count on and then handle them like a professional.
PHOTOGRAPHIC Mar 1982 (v.10#11) pg. 57

Evolution of an idea. How to be a creative photographer. Some tips.
PHOTOGRAPHIC Apr 1982 (v.10#12) pg. 68

Seven photo myths exposed. Part 1. (1) Skylight filters. (2) Depth of field. (3) Tripods. (4) Focal length and depth of field.
PHOTOGRAPHIC Jun 1982 (v.11#2) pg. 41

Seven photo myths exposed. Part 2. (5) Shutter speeds in flash photography. (6) Built-in meters. (7) SLR viewfinder images.
PHOTOGRAPHIC Jul 1982 (v.11#3) pg. 65

No-fault photography. 3 simple ways to acheive perfectly exposed photographs every time. Tips for amature, advanced, and master photographer.
PHOTOGRAPHIC Jul 1983 (v.12#3) pg. 25

Self-critique. Learning to critique your own photographs and develop your own standards.
PHOTOGRAPHIC Dec 1983 (v.12#8) pg. 18

How to achieve grainy b&w photos reminiscent of Renaissance paintings.
PHOTOGRAPHIC Feb 1984 (v.12#10) pg. 70

Simple outdoor product illustration.
PHOTOGRAPHIC Jun 1984 (v.13#2) pg. 20

How to attain the softer image. Consideration given to lighting angle, lighting quality, exposure, film, format, and diffusers.
PHOTOGRAPHIC Nov 1984 (v.13#7) pg. 16

Sharp shootin'. Ten sure-fire tips to improve your 35mm images.
PHOTOGRAPHIC Aug 1985 (v.14#4) pg. 34

Creative attitude. 15 steps toward your next creative breakthrough. A look at common attitudes that prevent many photographers from reaching their full creative potential.
PHOTOGRAPHIC Jun 1986 (v.15#2) pg. 54

Long exposures in full sunlight. Both still and moving objects (especially water) can produce interesting results.
PHOTOGRAPHIC Dec 1986 (v.15#8) pg. 24

Computer programs for photographers. Tips on using a computer to inventory your negatives or slides, produce invoices, generate photo captions, etc.
PHOTOGRAPHIC Feb 1987 (v.15#10) pg. 32

Illusion of sharpness. How to achieve razor-sharp black-and-white photographs.
PHOTOGRAPHIC Dec 1987 (v.16#8) pg. 40

Ultimate simplicity. Suggested assignment to improve your photographs by limiting yourself to one camera, one lens, one subject, and one technique.
PHOTOGRAPHIC Mar 1992 (v.20#11) pg. 86

Seeing. Advice from a professional on developing your own unique way of viewing the world and capturing that view in your photos.
PHOTOGRAPHIC Jun 1992 (v.21#2) pg. 78

Shooting below zero. Outdoor photography in below zero temperatures. Tips on equipment and clothing.
PHOTOGRAPHIC Dec 1992 (v.21#8) pg. 56

Ten self-assignments to help develop your own unique photographic style.
PHOTOGRAPHIC Jan 1993 (v.21#9) pg. 38

Photographers in the mist. How to take good photos in fog and mist.
PHOTOGRAPHIC Apr 1993 (v.21#12) pg. 44

Ten self assignments that will help you improve your photographic "eye".
PHOTOGRAPHIC Jan 1994 (v.22#9) pg. 20

Six quick ways to improve your photography.
PHOTOGRAPHIC Jan 1994 (v.22#9) pg. 46

Ten photographic self-assignments to spark creativity, hone your technical skills and develop your visual acuity.
PHOTOGRAPHIC Jan 1995 (v.23#9) pg. 22

Designs in nature. Training your eye to find a photograph in every situation is one step toward becoming a good photographer.
PHOTOGRAPHIC Oct 1996 (v.25#6) pg. 60

Photography and the computer. Part 2.
PHOTOGRAPHIC Feb 1997 (v.25#10) pg. 20

Photography and the computer. Part 3.
PHOTOGRAPHIC Mar 1997 (v.25#11) pg. 36

Photography and the computer. Part 4.
PHOTOGRAPHIC Apr 1997 (v.25#12) pg. 14

You can do it. A collection of 15 articles originally printed 1979-1983 which provide a refresher course for your photographic thinking. Includes advice on composition, camera operation, exposure, etc.
PHOTOGRAPHIC Apr 1997 (v.25#12) pg. 61

Photography and the computer. Part 5.
PHOTOGRAPHIC Jun 1997 (v.26#2) pg. 16

Photography and the computer. Part 6.
PHOTOGRAPHIC Jul 1997 (v.26#3) pg. 52

Photography and the computer. Part 7.
PHOTOGRAPHIC Aug 1997 (v.26#4) pg. 28

Photography and the computer. Part 8.
PHOTOGRAPHIC Sep 1997 (v.26#5) pg. 24

Photography and the computer. Part 9.
PHOTOGRAPHIC Oct 1997 (v.26#6) pg. 14

Outdoor photography. Tips for getting started in photographing animals, birds, scenics, trees and flowers, people, and architecture.
PHOTOGRAPHIC Oct 1997 (v.26#6) pg. 64

Photography and the computer. Part 10.
PHOTOGRAPHIC Dec 1997 (v.26#8) pg. 20

Photography and the computer. Using the image sharpening tools.
PHOTOGRAPHIC May 1998 (v.27#1) pg. 32

Photography and the computer. Using the channel or layer tools found in professional-level image-manipulation software.
PHOTOGRAPHIC Jun 1998 (v.27#2) pg. 16

Seven tips to get great summer photographs.
PHOTOGRAPHIC Jul 1998 (v.27#3) pg. 14

Problem solver, Ken Kay, illustrates how he has made some of his more difficult "problem" photographs.
PHOTOMETHODS Apr 1975 (v.18#4) pg. 50

The hand-held calculator may be the best thing that ever happened to the working photographer. How to use it in photographic work.
PHOTOMETHODS Jul 1976 (v.19#7) pg. 32

Product photography. It is important to supply top-quality photographs that will capture the reader's eye and help the viewer learn more about the product.
PHOTOMETHODS Jun 1984 (v.27#6) pg. 41

10 tips to keep your photo equipment from being ripped off.
PHOTOMETHODS May 1988 (v.31#5) pg. 49

Photo management software. An overview of computer programs available to provide the "paperwork" support required in running a photographic business.
PHOTOMETHODS May 1989 (v.32#5) pg. 22

Stock photography software. An overview of computer programs available to caption, track and inventory photographic libraries.
PHOTOMETHODS Jun 1989 (v.32#6) pg. 30

Photo math software. An overview of computer programs available to solve photographic and darkroom problems.
PHOTOMETHODS Jul 1989 (v.32#7) pg. 32

Fundamental techniques to bring professional results to your photographs and video movies.
POPULAR MECHANICS Jan 1987 (v.164#1) pg. 95

The Hattersley Class. Learning to get and adapt ideas for pictures to take.
POPULAR PHOTOGRAPHY Apr 1966 (v.58#4) pg. 106

Tricks of the trade. Gadgets and ideas used by Dan Wynn.
POPULAR PHOTOGRAPHY Sep 1966 (v.59#3) pg. 70

The Hattersley Class. Technique of photographing an all white, all black, or all gray subject.
POPULAR PHOTOGRAPHY Nov 1966 (v.59#5) pg. 67

How to take a soft or diffused picture with an ordinarily very sharp focusing lens.
POPULAR PHOTOGRAPHY Aug 1968 (v.63#2) pg. 84

Twenty photographic rules you should break.
POPULAR PHOTOGRAPHY Dec 1968 (v.63#6) pg. 113

Tips on keeping notes of photographic locations and data when taking pictures.
POPULAR PHOTOGRAPHY Aug 1969 (v.65#2) pg. 16

The Hatterley Class: By photographing things which obsess you, it is possible to conquer them.
POPULAR PHOTOGRAPHY Jan 1970 (v.66#1) pg. 99

The Hattersley Class: How to live with a photographic hang-up.
POPULAR PHOTOGRAPHY Apr 1970 (v.66#4) pg. 86

Problems and peculiarities of black and white photography.
POPULAR PHOTOGRAPHY Jun 1970 (v.66#6) pg. 94

A directory of stores which sell photographic equipment of years gone by.
POPULAR PHOTOGRAPHY Nov 1970 (v.67#5) pg. 66

Tips on how to save money in photography.
POPULAR PHOTOGRAPHY Dec 1970 (v.67#6) pg. 46

The Hattersley Class: Liberation, the problems involved in expanding interpretative possibilities.
POPULAR PHOTOGRAPHY Dec 1970 (v.67#6) pg. 116

Tips on protecting your camera equipment from theft, especially while traveling.
POPULAR PHOTOGRAPHY Feb 1975 (v.76#2) pg. 70

Ten ways to stretch your photo budget and beat inflation. Tips on saving money on chemicals, film, paper, etc.
POPULAR PHOTOGRAPHY Jun 1975 (v.76#6) pg. 86

Tips on protecting your camera gear from being stolen.
POPULAR PHOTOGRAPHY Mar 1976 (v.78#3) pg. 53

A portable electronic calculator in the gadget bag of a photographer can assist in making many of the needed calculations for good picture taking. Typical problems and solutions shown.
POPULAR PHOTOGRAPHY May 1976 (v.78#5) pg. 100

David Vestal's photo workbook. Handout 9. Density and contrast. Basic definitions of density and contrast as it applies in film, print and the subject being photographed.
POPULAR PHOTOGRAPHY Nov 1977 (v.81#5) pg. 65

How to use light, exposure, filters, flash, darkroom techniques and your own two feet to make better black & white photographs.
POPULAR PHOTOGRAPHY Aug 1978 (v.83#2) pg. 24

Compile your own data clip book. A three ring notebook containing data sheets from film, paper and chemicals, magazine articles, miscellaneous photo information being kept for reference, etc.
POPULAR PHOTOGRAPHY Jan 1979 (v.84#1) pg. 122

Thirty ways photography is "good for you".
POPULAR PHOTOGRAPHY Feb 1980 (v.86#2) pg. 87

The Hattersley Class for Beginners. Six ways to control contrast. How to do it before, during, and after you shoot the picture. Choice of paper and film, film development, lighting, print flashing, etc. are all methods to control contrast.
POPULAR PHOTOGRAPHY Jun 1980 (v.86#6) pg. 102

How to be happy though hyperopic. A look at several ways to solve farsightedness and other vision problems that plague photographers.
POPULAR PHOTOGRAPHY Jan 1984 (v.91#1) pg. 78
Added Info POPULAR PHOTOGRAPHY Apr 1984 (v.91#4) pg. 6

How to introduce your children to the hobby of photography.
POPULAR PHOTOGRAPHY Mar 1984 (v.91#3) pg. 28

Tips on protecting camera equipment from thieves.
POPULAR PHOTOGRAPHY Jul 1984 (v.91#7) pg. 105

Tips on shooting through the window of an airplane, bus, car, etc.
POPULAR PHOTOGRAPHY Aug 1984 (v.91#8) pg. 35

Special shooting exercises for beginning photographers will help "loosen them up" visually.
POPULAR PHOTOGRAPHY Jul 1985 (v.92#7) pg. 30

Improve your photography by making groups of pictures on self-assigned themes. Some ideas to get you started.
POPULAR PHOTOGRAPHY Feb 1986 (v.93#2) pg. 21

How to photograph images that are reflected off of windows, mirrors, water, chrome, etc.
POPULAR PHOTOGRAPHY Mar 1986 (v.93#3) pg. 36

Tips on improving the sharpness of your photographs.
POPULAR PHOTOGRAPHY Apr 1986 (v.93#4) pg. 66

Tips for increasing your knowledge about exposure, especially when using automatic cameras.
POPULAR PHOTOGRAPHY Jul 1986 (v.93#7) pg. 32

Seven outdoor shooting tips.
POPULAR PHOTOGRAPHY Jul 1986 (v.93#7) pg. 56

Advice on taking good black-and-white photos in place of (or in addition to) color photos.
POPULAR PHOTOGRAPHY Feb 1987 (v.94#2) pg. 30

Through a lens, softly. A wide range of lenses, techniques, and attachments that can help you create beautiful soft-focus effects.
POPULAR PHOTOGRAPHY Mar 1987 (v.94#3) pg. 38

A short course in making sense of photo jargon (f-stop, EV, ISO, etc.).
POPULAR PHOTOGRAPHY Aug 1987 (v.94#8) pg. 70

Advice on purchasing photo equipment via mail order.
POPULAR PHOTOGRAPHY Mar 1989 (v.96#3) pg. 75
Added Info POPULAR PHOTOGRAPHY Jul 1989 (v.96#7) pg. 42

Ten tips for winning photo contests.
POPULAR PHOTOGRAPHY Jul 1990 (v.97#7) pg. 56

The case for black-and-white. A comparison of several pairs of identical photos in both b&w and color is used to examine the role of b&w images in modern photography.
POPULAR PHOTOGRAPHY Jan 1991 (v.98#1) pg. 36

How to get the sharpest picture. A checklist of 22 items which may affect or improve photo sharpness.
POPULAR PHOTOGRAPHY Sep 1992 (v.99#9) pg. 37

Weather or not. How to dress for a photographic outing in both cold and hot weather, high humidity, or dust. Includes tips on protecting your equipment.
POPULAR PHOTOGRAPHY Apr 1993 (v.100#4) pg. 51

Advice on recapturing the excitement of taking exciting, creative pictures indoors. The secret involves foregoing camera automation and zoom lenses.
POPULAR PHOTOGRAPHY May 1993 (v.57#1) pg. 10

Computer imaging. An photographer's introductory guide to the use of imaging software.
POPULAR PHOTOGRAPHY Sep 1993 (v.57#5) pg. 38

The ABC's of photography. A glossary of photo abbreviations.
POPULAR PHOTOGRAPHY Sep 1994 (v.58#9) pg. 56

How to learn about taking good photos by carefully studying a picture.
POPULAR PHOTOGRAPHY Oct 1994 (v.58#10) pg. 41

Best how-to tips to win photo contests.
POPULAR PHOTOGRAPHY Oct 1998 (v.62#10) pg. 84

Taking the sharpest photographs. Twelve tips.
POPULAR PHOTOGRAPHY Oct 1999 (v.63#10) pg. 78

Seven cold weather shooting tips.
POPULAR PHOTOGRAPHY Oct 2001 (v.65#10) pg. 9

It's the law. What you can and can't photograph and when you're likely to be sued.
POPULAR PHOTOGRAPHY & IMAGING Mar 2003 (v.67#3) pg. 71

Taking pictures that do a job for you.
POPULAR SCIENCE Jun 1964 (v.184#6) pg. 128

Tips on judging and controlling contrasts in your photographs.
POPULAR SCIENCE May 1965 (v.186#5) pg. 120

The rights of "private subjects" vs. the rights of photographers when taking pictures in both public and private places.
RANGEFINDER Aug 1994 (v.43#8) pg. 54

Five photos on one piece of film.
SCIENCE & MECHANICS Mar 1964 (v.35#3) pg. 82

Sharpen your image. An overview of all of the various factors (film, lens, lighting, camera support, etc.) which taken together will determine the sharpness of a photograph.
SHUTTERBUG #258 Mar 1992 (v.21#5) pg. 60

Starting a camera club. Some project and program tips.
SHUTTERBUG #258 Mar 1992 (v.21#5) pg. 88

Shooting in bad weather. Tips and techniques.
SHUTTERBUG #259 Apr 1992 (v.21#6) pg. 62

Seeing in black-and-white. Advice on learning to view a scene as a monochrome and see the variety of tones which will make a good b&w picture.
SHUTTERBUG #262 Jul 1992 (v.21#9) pg. 16

Photography on a budget. A comprehensive article of advice on selecting good photographic equipment and film at non-professional prices.
SHUTTERBUG #268 Jan 1993 (v.22#3) pg. 56

Do you have a photo addiction? Advice on improving your photography by actually taking photographs and making prints, instead of acquiring more equipment.
SHUTTERBUG #280 Jan 1994 (v.23#3) pg. 68

Getting the best from 35mm. Advice on selecting a standard film/developer combination, knowing your camera and lenses, shooting habits, processing, etc.
SHUTTERBUG #281 Feb 1994 (v.23#4) pg. 66

Banish boring photos. Ten steps to maximize viewer appeal and revitalize your photographs.
SHUTTERBUG #284 May 1994 (v.23#7) pg. 52

Developing your own photographic style. Ideas about finding the equipment, film, and processes that will help you develop a unique style.
SHUTTERBUG #286 Jul 1994 (v.23#9) pg. 72

Be your own best critic. Tips on objectively evaluating your photographs in terms of subject matter, composition, lighting, technical quality, etc.
SHUTTERBUG #288 Sep 1994 (v.23#11) pg. 50

Foul weather can be a friend to the creative photographer. Tips on filming in rain, snow, and sleet.
SHUTTERBUG #291 Dec 1994 (v.24#2) pg. 50

Introduction to black-and-white photography.
SHUTTERBUG #293 Feb 1995 (v.24#4) pg. 82

Go kids, go! Starting children in photography. Advice on camera selection, darkroom work, etc.
SHUTTERBUG #304 Jan 1996 (v.25#3) pg. 186

Ten tips for high impact images.
SHUTTERBUG #305 Feb 1996 (v.25#4) pg. 34

Eighty practical tips for photography. A special compilation for Shutterbug's 25th anniversary.
SHUTTERBUG #305 Feb 1996 (v.25#4) pg. 76

Explore your local possibilities. Unique photographic opportunities close to home. Ideas for photographing wildlife, architecture, skies, sports, parades, ... etc.
SHUTTERBUG #309 Jun 1996 (v.25#8) pg. 86

Helping hands. Photography as a public service. How to use your photo talents to further a local history collection, document your town, advise local school children, etc.
SHUTTERBUG #311 Aug 1996 (v.25#10) pg. 46

Maximizing sharpness in photos by using the right combination of equipment, film, and exposure.
SHUTTERBUG #321 Jun 1997 (v.26#8) pg. 66

A helping hand. How to introduce a friend to photography.
SHUTTERBUG #328 Jan 1998 (v.27#3) pg. 212

Putting passion back in photography. Advice on achieving photographic art.
SHUTTERBUG #329 Feb 1998 (v.27#4) pg. 98

Get in control. Mastering your skills in black-and-white medium format photography. Covers film selection, exposure, processing, and printing.
SHUTTERBUG #330 Mar 1998 (v.27#5) pg. 50

Avoiding the seven biggest mistakes in 35mm photography.
SHUTTERBUG #332 May 1998 (v.27#7) pg. 58

Avoiding Murphy's law. Advice from a professional photographer for getting consistently good photos using 35mm.
SHUTTERBUG #332 May 1998 (v.27#7) pg. 84

Back to basics for black-and-white photography. Tips on film, exposure, processing, printing, etc.
SHUTTERBUG #333 Jun 1998 (v.27#8) pg. 210

Final frames. Advice on using the last few frames on a roll of film to experiment. Ideas include checking film latitude, comparing metering techniques, unusual shutter speeds, etc.
SHUTTERBUG #351 Dec 1999 (v.29#2) pg. 256

Photography ABCs. Winter photography.
SHUTTERBUG #364 Jan 2001 (v.30#3) pg. 140

Ten tips for taking and printing terrific black and white photos.
SHUTTERBUG #365 Feb 2001 (v.30#4) pg. 72

Six kinds of contrast. How each affect photographic image quality.
SHUTTERBUG #394 Jul 2003 (v.32#9) pg. 36