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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

MACRO PHOTOGRAPHY
sa   MACRO PHOTOGRAPHY LIGHTING
x   CLOSE-UP PHOTOGRAPHY
x   PHOTOMACROGRAPHY
xx   PHOTOGRAPHY

Applied depth of field. Part 6. Depth of field in near-object photography.
CAMERA & DARKROOM Aug 1991 (v.13#8) pg. 42

Applied depth of field. Part 7. Depth of field in close-up and photomacrography.
CAMERA & DARKROOM Sep 1991 (v.13#9) pg. 40

Improvised close-up photography. Part 1. Using teleconverters and an extension tube.
CAMERA & DARKROOM Jul 1993 (v.15#7) pg. 60

How to calculate the "effective aperture" and correct exposure settings when doing close-up photography with a view camera.
CAMERA & DARKROOM Aug 1993 (v.15#8) pg. 13

Improvised close-up photography. Part 2. Lens reversal, tandem lenses, and tilted wide-angle closeups.
CAMERA & DARKROOM Aug 1993 (v.15#8) pg. 52

Interesting patterns attained by photographing ice cubes in color with the techniques described.
CAMERA 35 Feb-Mar 1976 (v.20#1) pg. 66

A brief look at the four basic methods of taking close-up pictures. The use of extension tubes, bellows, close-up lenses and the macro lens. Advantages of macro lenses are cited.
CAMERA 35 Mar 1977 (v.21#2) pg. 15

Convert a telephoto or super-telephoto lens to macro (close-up) capability by using extension tubes or a set of bellows.
CAMERA 35 Oct 1977 (v.21#9) pg. 44

How to be sharp close up. A step-by-step guide to making very sharp close up photos.
CAMERA 35 Jul 1980 (v.25#7) pg. 30

Close-up and macrophotography. Part 1. Lens extension, extension tubes, and bellows.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1985 (v.6#6) pg. 18

Close-up and macrophotography. Part 2. Lenses.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1986 (v.7#1) pg. 22

Close-up and macrophotography. Part 3. Lighting, focusing screens, finders, and camera supports.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1986 (v.7#2) pg. 38

Relationship between lens opening and depth-of-field when taking macro (1:1) nature photos.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1988 (v.9#1) pg. 17
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1988 (v.9#4) pg. 15, 17

Macro photography of living insects. Some tips.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1988 (v.9#5) pg. 47

Approaches to low-cost macrophotography including piggy-backing two camera lenses and reverse mounting camera and cine (movie) lenses.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 12

Depth-of-field in close-up photography. Part 1. Differential focusing.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1989 (v.10#3) pg. 46

Calculating depth-of-field for macro lenses and lenses with close-up diopters
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 18

Depth-of-field in close-up photography. Part 2. Effective aperture, perception and photomacrography.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 22

Nature photography up-close. Using a copy-bellows and lens setup that allows 1:1 (lifesize) images on the film plane at a distance of 10 ft. from the subject. An alternative technique to making macro-photos of plants, flowers, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1992 (v.13#3) pg. 42
Added Info PHOTO TECHNIQUES May-Jun 1996 (v.17#3) pg. 20

How to take extreme close-up pictures by mounting TWO lenses at the same time on your SLR camera. The second lens (taped front-to-front) with a telephoto serves as a high powered supplementary lens.
DARKROOM PHOTOGRAPHY Jul-Aug 1983 (v.5#5) pg. 43

Micro/macro photography. Part 1. A look at equipment and illumination.
INDUSTRIAL PHOTOGRAPHY Feb 1971 (v.20#2) pg. 36

Micro/macro photography. Part 2. Special techniques along with basic information on equipment.
INDUSTRIAL PHOTOGRAPHY Apr 1971 (v.20#4) pg. 28

A primer on close-up photography. Part 1. A look at terminology, magnification, scale, lens-to-film distance, effective aperature, etc.
INDUSTRIAL PHOTOGRAPHY May 1973 (v.22#5) pg. 23

A primer on close-up photography. Part 2. A practical approach to close-up photography. A look at supplementary lenses and the principles of photomacrography.
INDUSTRIAL PHOTOGRAPHY Jun 1973 (v.22#6) pg. 31

The delicate difference. Working close-in with small objects. Some suggestions on equipment and handling techniques for close-up photography of very small objects.
INDUSTRIAL PHOTOGRAPHY Apr 1974 (v.23#4) pg. 17

Basics of photomacrography. Part 1. Lenses.
INDUSTRIAL PHOTOGRAPHY May 1975 (v.24#5) pg. 15

Basics of photomacrography. Part 2. Emphasis on magnification and its effects on image definition and exposure.
INDUSTRIAL PHOTOGRAPHY Jun 1975 (v.24#6) pg. 15

Make your own lens extension tubes out of plastic plumbing pipe.
INDUSTRIAL PHOTOGRAPHY Mar 1976 (v.25#3) pg. 40

T-shaped holder supports camera and two small manual strobes for close-up shots of fingerprints, etc. at a 1:1 ratio. Holder is made from a piece of aluminum shelving support. Est. cost: $6.
INDUSTRIAL PHOTOGRAPHY Sep 1978 (v.27#9) pg. 56

Creative tabletop photography. Some tips for a system compatible with a limited space and budget.
INDUSTRIAL PHOTOGRAPHY Nov 1979 (v.28#11) pg. 32

Take a closer look. Equipment and techniques for close-up and macro photography.
INDUSTRIAL PHOTOGRAPHY Mar 1985 (v.34#3) pg. 31

Going to pieces. Analysis and careful preparation are the keys to successfully "exploded view" photography.
INDUSTRIAL PHOTOGRAPHY Mar 1986 (v.35#3) pg. 20

Close encounters. Extend the power of your normal lens by means of a supplementary close-up lens. Includes a chart giving subject-to-len distances and field-of-view for close-up lens diopters +1 through +10.
INDUSTRIAL PHOTOGRAPHY Nov 1987 (v.36#11) pg. 24

Zero perspective imaging. Scanning photomacrography yields optimum sharpness with unlimited depth of field. How to build your own scanning photomacrography system.
INDUSTRIAL PHOTOGRAPHY Mar 1988 (v.37#3) pg. 30

Couple an old double-extension bellows camera with a 35mm SLR to take extreme close-up photographs.
MECHANIX ILLUSTRATED #461 Oct 1966 (v.62) pg. 110

Taking close-up photos using low cost +1, +2, and +3 auxiliary lenses.
MECHANIX ILLUSTRATED #576 May 1976 (v.72) pg. 64

How to adapt a universal bellows to your camera.
MECHANIX ILLUSTRATED #630 Nov 1980 (v.76) pg. 130

Build a 35mm SLR view camera. This special bellows unit uses a 50mm flat-field lens that can swing, tilt and/or shift. Used to make closeup photos that are in focus throughout an extreme depth of field.
MODEL RAILROADER Aug 1996 (v.63#8) pg. 70

Super close-ups using a SLR camera, slide projector for lighting, and movie lenses for greater magnification.
MODERN PHOTOGRAPHY Feb 1966 (v.30#2) pg. 50

How to make critically sharp close-ups with any single lens reflex camera. Tips on lighting, lenses, and exposure.
MODERN PHOTOGRAPHY Apr 1967 (v.31#4) pg. 66

Build your own large format (4x5, 5x7, 8x10) close-up camera. Part 1.
MODERN PHOTOGRAPHY May 1967 (v.31#5) pg. 40

Build your own large format (4x5, 5x7, 8x10) close-up camera. Part 2. Finishing, plus tips on using the camera.
MODERN PHOTOGRAPHY Jun 1967 (v.31#6) pg. 118

Tips on taking close-ups with a super-8 camera.
MODERN PHOTOGRAPHY Sep 1967 (v.31#9) pg. 78

Tips on using colored construction paper as backgrounds in close-up photography.
MODERN PHOTOGRAPHY Feb 1970 (v.34#2) pg. 68

Close-up exposure is simpler if you understand more about the camera lens.
MODERN PHOTOGRAPHY Mar 1970 (v.34#3) pg. 78

Using moving zoom lenses on still camera to get magnifications up to 6X.
MODERN PHOTOGRAPHY Oct 1972 (v.36#10) pg. 90

Macro setups: What works best? A comparison of macro vs. regular lens, normal and reversed, and extended and not-extended.
MODERN PHOTOGRAPHY Sep 1975 (v.39#9) pg. 78

Larger than life. Setups for making pictures larger than 1:1.
MODERN PHOTOGRAPHY Sep 1975 (v.39#9) pg. 80

A review of the selection and use of macro or micro lenses for close-up photography.
MODERN PHOTOGRAPHY Apr 1976 (v.40#4) pg. 102

Reverse your zoom lens to get larger than 1X photos.
MODERN PHOTOGRAPHY Sep 1976 (v.40#9) pg. 136

Build a "budget". This monorail-like device allows you to make hand-held close-up shots, in daylight with exposure times up to 1 second. Both camera and object being photographed are fastened to a common base so that if one moves the other moves correspondingly.
MODERN PHOTOGRAPHY Mar 1977 (v.41#3) pg. 80

Basic rules of close-up photography are described and illustrated with diagrams and charts.
MODERN PHOTOGRAPHY Sep 1977 (v.41#9) pg. 114

How to take table-top photos using a Polaroid camera. Make an old film pack into a ground glass viewer and other tips.
MODERN PHOTOGRAPHY Jan 1978 (v.42#1) pg. 50

Tip: Clear, transparent plastic wrap forms an ideal stage for making shadowless white-background photomacrographs.
MODERN PHOTOGRAPHY Jun 1979 (v.43#6) pg. 119

Tips on using inexpensive accessories and lenses for special but infrequent requirements, such as close-up photography, wide angle photography, etc.
MODERN PHOTOGRAPHY Jun 1980 (v.44#6) pg. 72

Inexpensive setup for occasional macro photographs uses a bellows, extension tube, miniature flash, and short-mount macro lens. The flash moves in unison with lens to allow for precalculated exposures.
MODERN PHOTOGRAPHY Feb 1981 (v.45#2) pg. 88

The delights and pitfalls of 28mm to 80, 85 and 90mm macro zooms. Includes tips on using them for close-up copying.
MODERN PHOTOGRAPHY Sep 1982 (v.46#9) pg. 50

Tip: Use a piece of colored plastic laminate to isolate small flowers or plants from surrounding enviroment when taking close-up photos.
MODERN PHOTOGRAPHY Jan 1985 (v.49#1) pg. 63

Make photographs through dewdrops and raindrops using close-up equipment.
MODERN PHOTOGRAPHY Feb 1985 (v.49#2) pg. 8

Use an adjustable lens hood as a focusing platform in photomacrography or slide copying.
MODERN PHOTOGRAPHY Mar 1985 (v.49#3) pg. 55

How to shoot high-magnification macro in the field (from 1X to 10X) with a super hand-held rig you assemble from stock camera accessories.
MODERN PHOTOGRAPHY Jun 1986 (v.50#6) pg. 44

Tip on quickly positioning your camera at 17" and 36" when making close-up shots.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 26

Tip: Use 35mm lenses to make photomacrograph on a large-format camera.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 28

Make a close-up frame (focal frame) from a coat hanger and block of wood.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 36

Tips on controlling the background when taking macro shots of insects.
MODERN PHOTOGRAPHY Feb 1988 (v.52#2) pg. 42

Build your own macro bellows-and-lens setup from scrap wood and paper.
MODERN PHOTOGRAPHY Apr 1988 (v.52#4) pg. 84
Added Info MODERN PHOTOGRAPHY Oct 1988 (v.52#10) pg. 4

Macro vs. micro photography. Part 1. An overview of the different terminologies, physical setups, and techniques used in photomicrography and photomacrography.
PHOTO ELECTRONIC IMAGING 1994 (v.37#11) pg. 50

Macro vs. micro photography. Part 2. The pros and cons of macro vs. micro magnified imaging.
PHOTO ELECTRONIC IMAGING 1994 (v.37#12) pg. 48

Calculating the camera-to-object distance to produce a specific image magnification.
PHOTO METHODS FOR INDUSTRY Apr 1971 (v.14#4) pg. 30

Lens extension calculations without mathematics (a graphical approach).
PHOTO METHODS FOR INDUSTRY May 1971 (v.14#5) pg. 18

Use pictures of flame patterns on the bottoms of copper-clad pots as the basis for abstract color photos.
PHOTOGRAPHIC Feb 1978 (v.6#10) pg. 68

Tip: Make a guide card which you can carry with you that shows the subject size and subject-to-film-plane distance for all possible combinations of your lenses and close-up accessories. Describes a simple test target for determining subject size.
PHOTOGRAPHIC Jun 1978 (v.7#2) pg. 124

Macro in monochrome. The use of black-and-white films in close-up photography. Review of equipment, film choice, lighting, exposure control, focusing and composition.
PHOTOGRAPHIC Sep 1978 (v.7#5) pg. 60

Tip: Use a pencil for focusing when doing close-up or table-top photography.
PHOTOGRAPHIC Dec 1978 (v.7#8) pg. 120

Exploring flowers. Simple tools and techniques which assist in the close-up photography of flowers.
PHOTOGRAPHIC Jun 1979 (v.8#2) pg. 46

Taking underwater close-up photos. Tips on equipment and techniques used.
PHOTOGRAPHIC Jul 1979 (v.8#3) pg. 60

Build a portable subject holder for close up photography. Camera bolts to one end of a short wooden stick and a spring type clothes pin at the other end holds the object being photographed.
PHOTOGRAPHIC Aug 1979 (v.8#4) pg. 50

How to photograph mushrooms close-up.
PHOTOGRAPHIC Oct 1979 (v.8#6) pg. 53

Profile of the Galvin 2-1/4x3-1/4 view camera along with a discussion of the benefits of using a view camera in macro photography.
PHOTOGRAPHIC Oct 1980 (v.9#6) pg. 98

Tip: Make a lightweight macro stand out of wooden spring-type clothespins.
PHOTOGRAPHIC Nov 1980 (v.9#7) pg. 62

Macro magic. Simple uses of teleconverters and diopters.
PHOTOGRAPHIC Mar 1981 (v.9#11) pg. 42
Added Info PHOTOGRAPHIC Jun 1981 (v.10#2) pg. 4

Another flower article. How to photograph wildflowers in their natural surroundings.
PHOTOGRAPHIC Jul 1981 (v.10#3) pg. 43

Flowers close-up. How to make and use an improvised setup for photographing enhanced flowers and other small objects close-up.
PHOTOGRAPHIC Oct 1981 (v.10#6) pg. 75

Mystic leaves. How to take highly detailed close-up photographs of plant leaves.
PHOTOGRAPHIC Dec 1981 (v.10#8) pg. 65

Fantastic plastic. Tips on taking unique close-up pictures of industrial plastics, in all shapes and sizes.
PHOTOGRAPHIC Jul 1982 (v.11#3) pg. 42

Shooting monochromatic glassware. How to take close-up photos of colored bottles.
PHOTOGRAPHIC Nov 1982 (v.11#7) pg. 46

Space invasion. How to take close-ups without getting close by using an extension tube and a 2X tele-extender on a macro-zoom lens.
PHOTOGRAPHIC Jan 1983 (v.11#9) pg. 13

How to build a lens reversing ring. Use a reversed 50mm lens to make close-up photographs.
PHOTOGRAPHIC Jul 1983 (v.12#3) pg. 65

The art of active perception. Close-up photos of colorful drinking straws are used as a stepping stone to more creative photography.
PHOTOGRAPHIC Jul 1984 (v.13#3) pg. 22

Build an inexpensive studio fixture (frame) to support small products for macro photography. Built mostly of wood. Est. cost: $30.
PHOTOGRAPHIC Sep 1984 (v.13#5) pg. 70

Through a butterfly's eye. Simple equipment modifications for making soft-focus close-up photographs of plants, flowers, etc.
PHOTOGRAPHIC Apr 1985 (v.13#12) pg. 42

The window filter. Using clear, textured acrylic plastic panels to create impressionistic close-up photographs of flowers, plants, etc.
PHOTOGRAPHIC May 1985 (v.14#1) pg. 22

SPECIAL SECTION on 35mm single-lens reflex photography. Close-up equipment, tripods and camera cases.
PHOTOGRAPHIC Oct 1985 (v.14#6) pg. A (42+)

35mm SLR super course. Part 8. Close-up equipment, tripods and camera cases.
PHOTOGRAPHIC May 1987 (v.16#1) pg. A

Comp book. Macro dimensional view. Photograph a dimensional object off axis with a magnification ratio at least 1:1 (life-size).
PHOTOGRAPHIC Aug 1987 (v.16#4) pg. 52

Photographing birefringent crystals without complicated techniques or elaborate equipment. Includes instructions for making the crystals.
PHOTOGRAPHIC Jan 1988 (v.16#9) pg. 44

School of photography. Lesson 7. Camera accessories. Part 2. Close-up lenses, extension tubes, bellows units, macro lenses, lens-reversing rings, close-up shooting tips, camera supports, carrying cases, etc.
PHOTOGRAPHIC Jul 1988 (v.17#3) pg. 42+

Bug portraits. Taking close-up photos of insects caged between two pieces of glass in a "vivarium".
PHOTOGRAPHIC Aug 1988 (v.17#4) pg. 42

The forest floor. Shooting the details and intricate patterns of nature's abstracts.
PHOTOGRAPHIC Jan 1989 (v.17#9) pg. 56

One frosty morning. Tips on photographing the frost patterns on trees and plants using just one film and one lens.
PHOTOGRAPHIC Nov 1989 (v.18#7) pg. 30

Macro bubbles. How to pull the viewer into your close-ups by using an aquarium to include a bubbling liquid in the picture.
PHOTOGRAPHIC Jul 1990 (v.19#3) pg. 52

The art of ice. Taking macro photographs of ice formations found in nature.
PHOTOGRAPHIC Dec 1990 (v.19#8) pg. 53

Elemental Cibachromes. Jay Dunitz describes his technique for using chemical electrolysis to "paint" on sheet metal and macrophotographing the colorful results.
PHOTOGRAPHIC Jan 1991 (v.19#9) pg. 36

Water drop lenses. How to take macro photos of images viewed through water drops.
PHOTOGRAPHIC May 1992 (v.21#1) pg. 27

Close-up photography. Special section of ideas and techniques. (1) Shooting soap bubbles. (2) Equipment options. (3) Using natural light. (4) Insect photography.
PHOTOGRAPHIC Sep 1993 (v.22#5) pg. 59

Small world. Close-up (macro) photography of spiders, insects, frogs, ... etc. indoors in a controlled studio environment.
PHOTOGRAPHIC Aug 1995 (v.24#4) pg. 40

Tip on creating a Christmas centerpiece by placing a string of colored lights inside a large clear glass vase and then photographing the results using a close-up lens.
PHOTOGRAPHIC Jan 1997 (v.25#9) pg. 54

Basic how-to information for taking close-up photos.
PHOTOGRAPHIC May 1997 (v.26#1) pg. 46

Close-up photography. An illustrated guide to close-up accessories for the camera, lighting, picture ideas, etc.
PHOTOGRAPHIC Sep 1997 (v.26#5) pg. 63

Optimum techniques of photomacrography. A review of the salient points vital to success.
PHOTOMETHODS Feb 1975 (v.18#2) pg. 25

Personal comparison tests to find out the most practical way to make large photographs of small objects reveals some surprises and suggestions.
PHOTOMETHODS May 1976 (v.19#5) pg. 26

Tip: Use a 35mm camera lens or a 50mm-80mm enlarger lens as a temporary close-up lens for use with a view camera.
PHOTOMETHODS Jun 1983 (v.26#6) pg. 55

Closeup photography, from concepts to tools.
PHOTOMETHODS Jan 1986 (v.29#1) pg. 21

Autofocus closeup photography.
PHOTOMETHODS Jan 1986 (v.29#1) pg. 27

6x6 format photomacrography. Using your medium-format camera for larger-than-life imaging.
PHOTOMETHODS Feb 1986 (v.29#2) pg. 28

Macro photography setup combines a modified Armatar 200 flash with a Vivitar Series-1 105mm f/2.5 macro lens.
PHOTOMETHODS Mar 1990 (v.33#3) pg. 26

Constructing a nomograph for selecting a proper-power supplementary lens for closeup photography.
PHOTOMETHODS Oct 1990 (v.33#10) pg. 12

Rail mount for stereo and close-up work.
POPULAR MECHANICS Sep 1963 (v.120#3) pg. 162

Build a light-tight lens tube to attach to a 35mm single lens reflex camera to produce extreme close-up photographs.
POPULAR MECHANICS Nov 1970 (v.134#5) pg. 155

Put a square wooden top on an up and down adjustable ironing board to produce an adjustable table for close-up or still life photos.
POPULAR MECHANICS Nov 1972 (v.138#5) pg. 14

How to make an adjustable, reversible lens focusing tube for extra-sharp close-up photography.
POPULAR MECHANICS Jan 1973 (v.139#1) pg. 56

Tips on taking close-ups supplementary lenses and extensions.
POPULAR PHOTOGRAPHY Jan 1966 (v.58#1) pg. 2C (62+)

Making the proper calculations for close-up photography, especially color.
POPULAR PHOTOGRAPHY Jun 1966 (v.58#6) pg. 24

Take close-ups utilizing two new front lenses.
POPULAR PHOTOGRAPHY Aug 1966 (v.59#2) pg. 78

Graphs enable you to take behind-the-lens metered close-up photos without calculating an exposure compensation. Merely adjust to a lower ASA speed by means of this chart.
POPULAR PHOTOGRAPHY Dec 1969 (v.65#6) pg. 92

Tips on close-up photography.
POPULAR PHOTOGRAPHY Mar 1970 (v.66#3) pg. 94

Using the inexpensive Polaroid Colorpack Land Camera to do close-ups, slide copying, multiple exposures and photomicrography.
POPULAR PHOTOGRAPHY Aug 1970 (v.67#2) pg. 98

What you've always wanted to know about close-up photography.
POPULAR PHOTOGRAPHY Feb 1971 (v.68#2) pg. 76

Things you should know about depth of field and depth of focus.
POPULAR PHOTOGRAPHY Aug 1971 (v.69#2) pg. 26

Pupillary problems. More about depth of field and depth of focus.
POPULAR PHOTOGRAPHY Sep 1971 (v.69#3) pg. 24

Pupillary problems. More data for close-up photography.
POPULAR PHOTOGRAPHY Oct 1971 (v.69#4) pg. 28

More tips on shooting close-up pictures outdoors using Kodak high speed Ektachrome with push processing (ASA 400) or black and white with push processing to avoid the need for a tripod.
POPULAR PHOTOGRAPHY Jul 1973 (v.73#1) pg. 20

Tips on close-up photography of mushrooms, mosses, lichens, etc.
POPULAR PHOTOGRAPHY Aug 1974 (v.75#2) pg. 78

Tele-converters. Use for extra detail with telephoto lens or for extra magnification in close-up work.
POPULAR PHOTOGRAPHY Sep 1974 (v.75#3) pg. 86

How to shoot underwater close-ups.
POPULAR PHOTOGRAPHY Sep 1974 (v.75#3) pg. 106

Simple, freewheeling tools and approaches for making close-ups.
POPULAR PHOTOGRAPHY Oct 1974 (v.75#4) pg. 48

How to use supplementary close-up lenses.
POPULAR PHOTOGRAPHY Oct 1974 (v.75#4) pg. 94

The Hattersley class: Basic techniques for tabletop photography. Tips on basic lighting setups. Photographing shells, leaves, plants, etc. against a background of sand.
POPULAR PHOTOGRAPHY Jun 1975 (v.76#6) pg. 70

How to get close, closer, closest with any zoom lens. Using a close-up accessory lens or tele-converter along with a zoom lens to get even closer to the object being photographed.
POPULAR PHOTOGRAPHY Feb 1977 (v.80#2) pg. 96

Taking close-up pictures underwater. A look at equipment and techniques.
POPULAR PHOTOGRAPHY Aug 1977 (v.81#2) pg. 90

The Hattersley class for beginners. Junk can be beautiful. How to find it, light it, shoot it and print it.
POPULAR PHOTOGRAPHY Nov 1977 (v.81#5) pg. 118

How to use a slide-duplicating machine as a close-up camera.
POPULAR PHOTOGRAPHY Apr 1978 (v.82#4) pg. 16

Shooting close-ups with extension tubes. Part 1. Fully automatic extension tubes are reviewed.
POPULAR PHOTOGRAPHY Jun 1978 (v.82#6) pg. 56

Shooting close-ups with extension tubes. Part 2. Low-cost extension tubes, light metering and tripod supports.
POPULAR PHOTOGRAPHY Jul 1978 (v.83#1) pg. 62

The Hattersley Class for Beginners. How to shoot close-ups. You need an SLR camera, a few accessories, and some basic know-how.
POPULAR PHOTOGRAPHY Jan 1980 (v.86#1) pg. 98

How to take close-up flower pictures with a macro lens.
POPULAR PHOTOGRAPHY Feb 1980 (v.86#2) pg. 36

Five ways to make your normal lens "supernormal". Using +3 supplement, teleconverter, polarizer, deep-yellow filter, and reverse adapter.
POPULAR PHOTOGRAPHY Jul 1980 (v.87#1) pg. 88

Get soft, sharp and macro focus with inexpensive lenses and a bellows.
POPULAR PHOTOGRAPHY Jan 1981 (v.88#1) pg. 88

No-fuss tools for ground-level outdoor closeups.
POPULAR PHOTOGRAPHY Aug 1981 (v.88#8) pg. 114

Tips to improve close-up photography.
POPULAR PHOTOGRAPHY Sep 1981 (v.88#9) pg. 232

More magnification from your macro lens. How to use a supplementary lens, extension tube or teleconverter along with your macro lens.
POPULAR PHOTOGRAPHY Aug 1982 (v.89#8) pg. 92

Tips on taking close-ups of insects using a zoom lens and bellows.
POPULAR PHOTOGRAPHY Feb 1983 (v.90#2) pg. 12

How to get started in close-up photography by use of a lightweight, inexpensive lens-reversing adapter.
POPULAR PHOTOGRAPHY Mar 1984 (v.91#3) pg. 130

Tips on using two-element close-up attachments that fit over a normally mounted lens.
POPULAR PHOTOGRAPHY Apr 1984 (v.91#4) pg. 19

Close up (macro) shooting with your video camera. Some tips.
POPULAR PHOTOGRAPHY Feb 1985 (v.92#2) pg. 55

Nature studio. Bring the outdoors inside where you can be in control. Tips on close-up photography of flowers, fruits, vegetables, and other natural subjects.
POPULAR PHOTOGRAPHY Aug 1985 (v.92#8) pg. 50

Improve your closeup photos by magnifying the image more when taking the picture. Tips on selecting and using lenses, reversers, extension tubes, etc.
POPULAR PHOTOGRAPHY Apr 1986 (v.93#4) pg. 68

Crystals close up. Simple setup, without a microscope, reveals abstract patterns and surrealistic beauty of crystals.
POPULAR PHOTOGRAPHY Jun 1986 (v.93#6) pg. 60

Off-beat, low-cost ideas to go deeper into the closeup world. Includes lens coupling, extenders, and reversing lenses.
POPULAR PHOTOGRAPHY Aug 1986 (v.93#8) pg. 22

Printing with photography's magic numbers. How to recalculate your enlarger exposure time when you change the size of your enlargement. Understanding the concept of f-stop numbers. The concept can also be applied to close-up flash photography.
POPULAR PHOTOGRAPHY Dec 1986 (v.93#12) pg. 26

Close encounters. Using a teleconverter on a macro lens. Some tips.
POPULAR PHOTOGRAPHY Apr 1987 (v.94#4) pg. 16

Using closeup lenses on a zoom lens is a good alternative to using macro lenses or extension tubes. Some tips.
POPULAR PHOTOGRAPHY Sep 1987 (v.94#9) pg. 26

At close range. Modern macro lenses make it easy to create ultrasharp, full-frame images of tiny subjects. What is available and tips on their use.
POPULAR PHOTOGRAPHY Nov 1987 (v.94#11) pg. 71

You don't have to be that close to shoot closeups. Tips on using extension tubes and longer lenses (100mm-200mm) to provide more working distance for close-up photos.
POPULAR PHOTOGRAPHY Dec 1987 (v.94#12) pg. 56

Double-duty 2X extenders, with removable optics, double as simple extension tubes for close-up photography.
POPULAR PHOTOGRAPHY May 1988 (v.95#5) pg. 34

Use a focusing rail for close-up focusing, without frustration. Some tips.
POPULAR PHOTOGRAPHY Sep 1988 (v.95#9) pg. 32

Macro rail focuser. Build a simple wooden mount for macrophotography which holds the subject and camera in alignment and allows long shutter speeds (up to two seconds).
POPULAR PHOTOGRAPHY Sep 1988 (v.95#9) pg. 61

Focus in on the essence of winter. Tips on shooting the elusive snowflake.
POPULAR PHOTOGRAPHY Dec 1988 (v.95#12) pg. 38

Macro floral photography. Tips on films and techniques for great colors. Includes ideas on some abstract approaches.
POPULAR PHOTOGRAPHY May 1989 (v.96#5) pg. 28

Build a better bubble machine for soap-film photography. Also includes plans for an electronic flash housing equipped with a modeling light.
POPULAR PHOTOGRAPHY Jun 1989 (v.96#6) pg. 60

Taking close-up nature photographs using a telephoto/tele-extender (telemacro) lens assembly.
POPULAR PHOTOGRAPHY Sep 1990 (v.97#9) pg. 34

Inside flowers. Advice for taking close-up (macro) photos of flowers. Includes information on lighting, bracketing exposures, etc.
POPULAR PHOTOGRAPHY Jul 1991 (v.98#7) pg. 46

Simple procedure for photographing coins.
POPULAR PHOTOGRAPHY Nov 1991 (v.98#11) pg. 184

High-quality supplementary close-up lenses. Advice on their selection and use.
POPULAR PHOTOGRAPHY Jul 1992 (v.99#7) pg. 26
Added Info POPULAR PHOTOGRAPHY Sep 1992 (v.99#9) pg. 60

Using wide-angle lenses to take macro photos. Techniques include using the minimum focusing distances (often 8" to 12"), reversing the lens on the camera, and utilizing the hyperfocal distance for your lens.
POPULAR PHOTOGRAPHY Sep 1992 (v.99#9) pg. 28

How to shoot close-ups using relatively inexpensive accessories.
POPULAR PHOTOGRAPHY Sep 1992 (v.99#9) pg. 39

Supermicro closeup photography using the Raynox MicroExplorer Lens Set. Some tips.
POPULAR PHOTOGRAPHY Nov 1994 (v.58#11) pg. 20

Tips on determining the correct stacking order for close-up lenses on your camera.
POPULAR PHOTOGRAPHY Jan 1995 (v.59#1) pg. 22

Professional nature photographers share advice on taking close-up photographs of tiny creatures.
POPULAR PHOTOGRAPHY Feb 1997 (v.61#2) pg. 36

Using selective focus for flower close-ups.
POPULAR PHOTOGRAPHY Jul 1999 (v.63#7) pg. 94

Specialist in taking macro photos of water drops shares his secrets.
POPULAR PHOTOGRAPHY Mar 2002 (v.66#3) pg. 62

Picture taking at three feet or less.
POPULAR SCIENCE Apr 1963 (v.182#4) pg. 146

Taking close-up photos. A look at seven different types of lenses or camera accessories which are used in close-up photography.
POPULAR SCIENCE Dec 1980 (v.217#6) pg. 91

Close-up photography on a budget. How to study insects and plants using a camera and simple accessories.
SCIENCE PROBE! Nov 1992 (v.2#4) pg. 87

The Leica M. Part 9. How to fabricate adapters to attach non-Leica lenses to a Visoflex housing.
SHUTTERBUG #258 Mar 1992 (v.21#5) pg. 96

Shooting outdoors with macro lens. An overview of the various equipment options to produce good-quality close-up photos of flowers and other natural objects.
SHUTTERBUG #271 Apr 1993 (v.22#6) pg. 62

Macrophotography with a camcorder. Set-up and lighting tips.
SHUTTERBUG #273 Jun 1993 (v.22#8) pg. 172

Photographing wildflowers. A collection of 15 tips to improve your close-up photos.
SHUTTERBUG #274 Jul 1993 (v.22#9) pg. 33

Mastering close-ups using supplementary optics.
SHUTTERBUG #287 Aug 1994 (v.23#10) pg. 18

Extreme closeups. Lens options for macro photography. Selecting and using supplementary close-up lenses.
SHUTTERBUG #299 Aug 1995 (v.24#10) pg. 50

Building your own close-up lens for photomacrography using a lens from a 110 camera, a lens from a disc camera, plastic film cans, tape and glue.
SHUTTERBUG #312 Sep 1996 (v.25#11) pg. 162

Up close and personal. A macro photography equipment primer.
SHUTTERBUG #320 May 1997 (v.26#7) pg. 82

Macro photography with a large-format camera. Some tips.
SHUTTERBUG #330 Mar 1998 (v.27#5) pg. 227

The basics of macro. Try low cost alternatives before buying specialized equipment.
SHUTTERBUG #335 Aug 1998 (v.27#10) pg. 202

Choosing and using macro lenses for 35mm and 120 cameras.
SHUTTERBUG #347 Aug 1999 (v.28#10) pg. 152

Ode to a leaf. 20 pointers for taking outstanding macro photos of fall colors in leaves.
SHUTTERBUG #349 Oct 1999 (v.28#12) pg. 40

Make a cardboard variable-length extension tube to take close-up photos.
SHUTTERBUG #364 Jan 2001 (v.30#3) pg. 18

Photography ABCs. Extreme close-up photography (macro photography).
SHUTTERBUG #372 Sep 2001 (v.30#11) pg. 106

A macro photography primer.
SHUTTERBUG #395 Aug 2003 (v.32#10) pg. 90

The power of layer masks in Photoshop. How to merge two digital macro images of the same object, with extremely shallow depth of field, so that everything is in sharp focus
SHUTTERBUG #399 Dec 2003 (v.33#2) pg. 18

Wood identification. Taking extreme close-up photographs of wood grain without need of a microscope by combining a telephoto lens and a wide angle lens.
WOODWORKER Nov 1989 (v.93#11) pg. 1066