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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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COMPOSITE PHOTOGRAPHY sa COMPOSITE PHOTOGRAPHY (DIGITAL) sa POSTERIZATION (PHOTOGRAPHIC) sa TEXTURE SCREEN (PHOTOGRAPHIC) sa TRANSPARENCY COMPOSITE & SANDWICH x MONTAGE (PHOTOGRAPHIC) x MOSAIC (PHOTOGRAPHIC) x MULTIPLE-IMAGE PHOTOGRAPHY xx COLLAGE & MONTAGE xx SPECIAL EFFECTS PHOTOGRAPHY Piece-by-piece astrophotography. How small CCD images can be combined into larger images using digital mosaicking techniques. Blue steel. The Cyanotypes of Suzanna Steel. How to make photo collages using both the Cyanotype (blue) and Van Dyke (brown) process. The multiple image print. Description of a registration easel and glass shelf for an enlarger that allows the combining of images from two (or more) negatives onto a single b&w print using a system of masking and projections. How to make photo-montages, the combining of two or more images into a single image which looks realistic. Niklas Deak describes his process of producing color graphics using equidensities and sandwich-montages of chromoginically developed contact prints. His method does not require expensive registration equipment. Dazzling diazo. How to create posterization color effects by making contact prints on colored diazo film. The diazo film can be sandwiched for added effect. Image modification. Using lithographic copy films and slide duplication films to modify images. Looks at silhouettes, neon glow effect, overlays, posterization, etc. Photocomposites for the professional. Tom Skrivan explains his technique for inserting "minicomposites" into an architectural photo. Combination (multiple-image) printing in the darkroom. How to select two separate images that interrelate (through texture, shape, light, ... etc.) and produce a single black-and-white print that combines the images. Simple combination printing. A personal approach to multiple-negative imagery. Stripping for the stars. An interview with Keith Williamson includes tips on negative stripping, masking and multiple printing to produce a composite print or collage like those found on record album covers. Tips on multiple-image printing using the vignetting method. Multiple images. Printing two or more identical images on a single sheet of paper, and then selectively adding color using colored pencils. Other multiple image techniques also discussed. The magic of blends. How one photographer combines two different negatives on a single sheet of paper to create alluring photographic visions. Make novel color prints (collages) by contact printing magazine pages onto color slide paper. Make unique pictures by sandwiching lithographic sheet film prints with colorful painted backing sheets. Use a lightbox as the "stage" or backdrop for photo collages. Both two- and three-dimensional objects may be combined into one photograph. The surreal sandwich. Tips on preparing composite negatives. Multiples in the making. How one photographer pre-exposes negatives of one scene, stores them for up to 4 years, and then takes a second (double) exposure to produce "in camera" composites. Lithomontage. How to combine montage techniques with litho film to produce striking high-contrast images. Includes instructions for converting an enlarger into a process camera by reversing the normal function of the optical system. Pin registration demystified. An in-depth look at a simple technique that can help you in applications ranging from posterization to contrast-controlled color printing. Leaving reality behind. How one photographer combines posterization with montage to create dramatic color images. Includes description of a homemade duping system which is used in connection with a Beseler 45M enlarger to form a copy camera. Strip-ins, frame-ups and mandalas. Three simple manipulations to transform (rearrange) an existing image. Altered image file. Three examples of special-effect techniques viewed. (1) Sabattier, (2) positive-negative sandwich, and (3) painting with flash. Making music in your darkroom. How to combine photomontage with B&W posterization. How to make exposures from multiple negatives onto the same photographic print without a pin-registration system. Radial collage. Use a simple rotating easel to create a photographic collage in a circular (radial) form. Make new images from old negatives with composite printing. How to combine two or more negatives onto the same print. Color poetry. Part 1. The medium and the method of making composites. Part 2. Overcoming darkroom difficulties in composite printing. How to make or select slides or negatives suitable for sandwiching when making prints. Dramatic images through derivative photography (forming a single picture from separate photographic images). Homemade lightbox, illuminated by electronic flash and featuring pin registration, is described. Front-projection techniques for taking action photographs of models. Detailed instructions for taking the background photos, setting up a front-projection system using a slide projector, and incorporating the model into the final picture. The in-camera masking way to multiple color imagery. Modifying sheet film cameras to achieve multiple exposure effects with minimal fuss. Using traditional graphic arts methods to make multiple image composites. Combining separate film images of many distinct types, on a single sheet of film, in perfect register. Emulsion stripping. One technique for combining two different photographs into a composite. Multiple exposures, lighting with colored slides, and other techinques used to highlight colored photographs of industrial tools. The trick is in careful advanced planning to achieve the desired reslut. Alan Zenreich on special effects. Combining photographic and computergraphic images. Some tips. Making light of the darkroom. How to make a "photo composite" of yourself (or anyone else) in the darkroom. The result is several images of a person, in various sizes and activities, on a single print. Anatomy of a shoot. How to create the background illusion of sunrise on a hot summer morning (red sun against an orange sky) inside a studio. How to superimpose the foreground against the "sky" by means of multiple exposures. Adding a background moonrise to an image without the need for pin registration equipment. Anatomy of a shoot. Composite image resulting from the sandwiching of two negatives shows an "idea" superimposed on the head of a person. Anatomy of a shoot. Double exposure image shows nuts and bolts "raining down" on an umbrella. Basic photocomposition technique utilizing masks is described and illustrated. Multiple exposures onto enlarging paper, of the same image, at increasing sizes, can produce interesting "zoom" effect. Rephotographing the image formed by projecting two slide images on the same screen can produce interesting effects. Photos illustrate various techniques for making multiple images on the same print. They include sandwiching, masking, double exposing, etc. Cut and paste creations. Make collages and composite pictures from unused photographic prints. Multiples make it. Techniques for making multiple exposures with almost any camera are revealed by five experts. How to form unusual facial portraits by cutting, tearing and pasting up a composite image. How to make composite color prints from sandwiched negatives. Expanding your view. How to assemble your own expanded field collage. Tip: Enhance simple photograph by collaging small items onto the surface of the picture. How to capture the essence of a flower by making in-camera multiple exposures. Homemade rotary shutter is used to photograph multiple, overlapping images of moving objects on a single frame of film. The wonderful, wild world of multiple-image printing. Tips on selecting and preparing the negative and making the print. How to make soft focus images of static subjects with a normal lens and no additional attachments. Requires a camera capable of multiple exposures. How to create a montage using Adobe Photoshop 3.0's Layer Mask tools. Lighting for digital. Part 3. Compositing foregrounds with backgrounds. How to create the image of a monkey falling into a deep well using Photoshop. Enchanted forest. Tutorial on using Photoshop and Kai's Power Tools to place a decorated egg image on a park bench. Grow your own. Using Photoshop and Alien Skin Software's Xenofex filter set to overlay images on the face of a TV picture tube image. Create a Y2K bug. Combine the image of a beetle with a computer circuit board using Photoshop. Techniques for multiple printing. Shirley I. Fisher tells how she achieves multiple exposure prints. Multiple-image photography. Explore in-camera techniques. Double exposures the lazy man's way. Use two or more slide projectors to superimpose images on a screen. Then photograph the resulting image with a camera equipped with a telephoto lens. With this method you will have greater control over the resulting image. How to create a symmetrical world. Photo syllogisms are made from two regular prints and two mirror-image prints of the same negative. They are cut and pasted together to form the finished image. Create rainbow colors by making three multiple exposures through different filters. The rainbow effect is most noticeable in photos of clouds, steam, smoke, and water. How to create Rorschach-type pictures by photographing interesting patterns (such a tree branches against the sky), developing, making high-contrast negatives and taping 2 negatives together to get a desired image. How to make your own dual-image filter and use it to photograph two images on the same frame. Cut-and-paste. Part 1. Create special-effect photographs the easy way, by cutting images apart and pasting them up in a different arrangement. Cut-and-paste. Part 2. Kodalith photo-collages. How to make high-contrast images out of old slides. Enhance old black-and-white photos by superimposing a colored three-dimensional object on top of the photo (such as colored rocks, flowers, jewelry, etc.) and rephotographing the resulting image onto colored film. How to use beam splitters to combine two images onto a single negative with only one exposure. Montage X3. Three techniques for producing photographic montages. Phantastic photographic profiles. How to make composite profiles of the human head, but substitute images of other objects for the person's skin. How to make topographical contour maps (isophote maps) out of your best slides or negatives. Generate a series of high-constrast separation negatives and rephotograph thru color filters. Make "mirror-image montage" photograpic prints from a single negative. How to create a photographic illustration using the technique of on-camera masking to produce a single image with multiple viewpoints. How to make "Rorschach" photographs (mirror-images, "inkblot" images) in the darkroom. Moon shots. How to place the moon into photographs where you want it. Two techniques: Sandwiching and double exposure. Special effect secrets. Use a combination of slide sandwiches, masking and rear projection to do your own matte photography. Step into the montage zone. How to create a photo montage. Superpositions. Superposing or sandwiching two or more negatives or transparencies to form a photo-montage. Using simple pin registered masks and an original photograph, create a surreal illustration by dropping in various backgrounds. Photograph the wind. How to produce a vast number of multiple exposures on a single 35mm frame. Liquid lenses. How to take photographs through water droplets. Photographs through multiple droplets results in multiple images of the same object, each from a slightly different perspective. How to make your own vignetter masks to take selective double exposures. Visual incongruities. A lesson in how to "see" photographically. How to combine two or more visual incongruities in a single photograph. Bubbles in a bag. How to add bubbles to a photograph by placing a bag of oil between the camera and a light box. Use polarizing filters to further enhance the images. Splits and fractures. Salvage mediocre photographs by cutting them up and rearranging the pieces to form more unique images. Rainbow strobo. Using a stroboscope and colored gels to achieve multiple-image colored photographs. Includes instructions on making a "bicycle wheel flash sequencer." Spacious sky. Use double printing techniques to put the desired background in your photographs. Tips on photographing sky/cloud patterns and combining them with other images during the printing stage. Comp book. Dusk dawn. Produce an image by the use of creative filtration and multiple exposures. Learn how to create night scenes under daylight conditions. Comp book. Using in-camera masking techniques to allow a maximum amount of control to produce composite images. Earthscapes. Use NASA's free photograph of earth from space in your own creative multiple exposure prints. Conceptual Cibachromes. Techniques for creating multi-image prints. Comp book. Dusk-to-dark double exposures. Includes basic daylight exposure guide. Darkroom magic. Using multiple printing to make the images you couldn't take. Building a registration easel to hold print masks, making the masks, and printing the multiple exposures. Includes suggestions for producing master negatives on duplicating film. Comp book. Create a photograph depicting fireworks over a city skyline in winter. Composite photo shows a welder working on the front suspension of a "moving" automobile. Six great ways to incorporate grain into color photos in order to achieve a more "artistic" appearance. Comp book. Space music. Create a high-tech theme assemblage using in-camera multiple-exposure techniques. Composite photograph shows "lightning" arcing between a screwdriver and the head of a screw. Comp book. Double print / Shadow masking. Making two separate exposures with two different negatives on one piece of paper. Combining a close-up portrait on color film with a mask on high-contrast b&w film. Multiple images in the darkroom. Technique described involves a separate exposure onto photo paper for each negative to be used. A sketch helps in placement of images on finished print. Try the moire effect by combining two negatives of the same image to make the print. Special effects using simple equipment. Tips on using a camera rotating bracket, camera filters and a simple wooden matte box to produce multiple exposure images. Tip on adding a moon image to a photograph on 4x5 film using your enlarger. Creative electronic flash. Stroboscopic effects in rainbow colors. An easy solution to the problem of subject movement when attempting stroboscopic tracing combined with a single front flash illumination. Award-winning photographers tell their secrets. Using Kodalith masks to produce composite photographs. How to make a montage from a collection of small photographs. How pros take those "impossible" photos. Lighting set-ups for high-speed, multiple exposure, close-up, and "painting with light" photos. Photographic special effects. (1) Drop-shutter exposures. Includes tips on building your own drop-shutter. (2) Reflective distortion. (3) Double exposure. (4) Panning. Using trick prisms and other techniques to get multiple images on the same sheet of film. How to take multiple images of a single person's face by the use of prisms, mirrors, etc. How to create pictures showing a full moon in the background by pre-exposing a roll of film with the moon image, and then re-exposing the foreground material. Multiple exposure techniques. "Building" a print by using several exposures at different times and with different filters, masking out those portions of the print not to be exposed. Creative darkroom techniques. Multiple images the easy way, by putting two negatives in the enlarger at the same time. Make multiple image photos or slides by placing a multi-faceted clear plastic or crystal ball on the slide or object being photographed. The ball is available at the notions counter in a sewing supply store. How to make multiple exposures through color filters to produce unusual pictures. Masters of the darkroom. How Jerry Uelsmann creates his multiple image prints by combining many different negatives to form the final print. Masters of the darkroom. How Duane Michals creates his mystical masterpieces. How to make multiple-image photos using two or more small electronic-flash units. Includes description for a simple intervalometer to trip several flash units in succession. The Hattersley class for beginners. Make montages the easy way by sandwiching your negatives. The Hattersly class for beginners. How to shoot double exposures by running the same roll of film through the camera twice. Shoot motion using the "motion stroboscopics" technique developed by Bruce Curtis. Tip on taking multiple exposures on a single frame when using a camera equipped with a rapid winder. Glassograms. How to create whimsical, abstract designs by combining textured glass with colored acetate and photographing the resulting patterns on top of a light box. Tips on creating photo montage or collage. Cut and combine images from various photographs into one image. Moon shots. Double-exposure technique lets the moon rise over any night scene you want to shoot. How to make in-camera multiple-image photographs. Have fun combining photos with paintings, sculptures, or other images. Projecting the past. Projecting two or more slide images on the walls of empty rooms, and photographing the results, produces unique composite images. Multiple takes. Add fantasy and fun to your photos by making several exposures on one frame of film. Tips on making in-camera multiple exposures. Shoot multiple exposures with any camera. Simply rewind and reload the same film using a simple registration technique. How to combine day and night images on the same negative or make moonlit time exposures. Tips on making several types of in-camera multiple exposures. | |||||||||
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