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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC ENLARGER EASEL
xx   EASEL
xx   PHOTOGRAPHIC ENLARGER

Tip on using suede fabric mat board on your enlarger base and bottom of enlarging easel to prevent accidental movement.
CAMERA & DARKROOM Jun 1991 (v.13#6) pg. 4

Tip on making a focusing and measuring test print in order to accurately align the blades on an easel.
CAMERA & DARKROOM May 1993 (v.15#5) pg. 13

Tip on using magnets to keep the edges of heavy-weight fiber-base paper pressed flat against a steel easel.
CAMERA & DARKROOM Oct 1993 (v.15#10) pg. 4

The multiple image print. Description of a registration easel and glass shelf for an enlarger that allows the combining of images from two (or more) negatives onto a single b&w print using a system of masking and projections.
CAMERA & DARKROOM Jan 1994 (v.16#1) pg. 22

Vacuum easel for custom-sized photo prints is made from perforated hardboard and plywood.
CAMERA & DARKROOM May 1994 (v.16#5) pg. 4

How to make darkroom pin registration systems to align film (or paper) during exposure.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1984 (v.5#2) pg. 40

Seventy-four enlarging easels and their prices are briefly noted.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1985 (v.6#4) pg. 14

Testing easel color. Tests of various-color easels reveal no differences in color prints.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1986 (v.7#2) pg. 41
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1986 (v.7#5) pg. 4

Correcting perspective in the darkroom. Describes simple techniques for tilting your enlarging easel to eliminate or exaggerate the perspective, especially in architectural photography.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1987 (v.8#2) pg. 61

Build a ringaround easel for making both test prints and multiple prints on 8x10 paper.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1991 (v.12#3) pg. 63

Tip: Tape a piece of graph paper to enlarger easel to help guarantee straight horizons.
DARKROOM PHOTOGRAPHY May-Jun 1979 (v.1#2) pg. 14

Tip: Description of a cardboard easel which allows four 4x5 prints to be made on a single 8x10 before processing.
DARKROOM PHOTOGRAPHY Jul-Aug 1979 (v.1#3) pg. 10

Tip: Use a piece of clear Mylar, covered with spray mount artist's adhesive, as an "easel" when making borderless prints. The adhesive will hold the paper during exposure but release it cleanly when finished.
DARKROOM PHOTOGRAPHY Nov 1979 (v.1#6) pg. 14

Build a vacuum enlarging easel from wood and hardboard.
DARKROOM PHOTOGRAPHY Jul-Aug 1980 (v.2#4) pg. 60

Cheap and easy color test easel. Used to make four color print test exposures on a single sheet of paper.
DARKROOM PHOTOGRAPHY Nov 1980 (v.2#7) pg. 60

Tip: Easy-to-make borderless easel made from plywood, felt, and 3M Scotch "Post-It" tape.
DARKROOM PHOTOGRAPHY May-Jun 1981 (v.3#3) pg. 15

Tip: Use a 3M Post-It Bulletin Board as the easel for borderless prints.
DARKROOM PHOTOGRAPHY Sep 1981 (v.3#5) pg. 14

Homemade color test strip printer (easel) made from cardboard. Use to make eight different test prints on a single 8x10 sheet of paper.
DARKROOM PHOTOGRAPHY Jan 1982 (v.4#1) pg. 6

Darkroom basics. A good printing easel can simplify your life in the darkroom. How to pick one for your specific needs.
DARKROOM PHOTOGRAPHY Nov 1982 (v.4#7) pg. 64

Build a multi-purpose printing easel. It allows you to print four images on one 8x10 sheet of paper.
DARKROOM PHOTOGRAPHY Mar-Apr 1984 (v.6#2) pg. 88

Three handy enlarger accessories you can make. (1) Slide carrier. (2) "Sticky" easel which holds paper flat. (3) Focus knob extender.
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 64
Added Info DARKROOM PHOTOGRAPHY Sep 1985 (v.7#5) pg. 6

Easy-to-build test strip easel that will produce four images on a half sheet of 8x10 paper or eight images on a whole sheet.
DARKROOM PHOTOGRAPHY Nov 1984 (v.6#7) pg. 64

Pin registration demystified. An in-depth look at a simple technique that can help you in applications ranging from posterization to contrast-controlled color printing.
DARKROOM PHOTOGRAPHY Oct 1985 (v.7#6) pg. 33

Ideas for simple borderless enlarging easels.
DARKROOM PHOTOGRAPHY Nov 1986 (v.8#7) pg. 15

Tip: Make inexpensive easels from four-ply matboard.
DARKROOM PHOTOGRAPHY Mar-Apr 1987 (v.9#2) pg. 18

Build vacuum easels in custom sizes. Built from perforated hardboard. Uses a bonnet-type hair dryer or an old canister-style vacuum cleaner as a source of vacuum.
DARKROOM PHOTOGRAPHY Mar-Apr 1988 (v.10#2) pg. 47
Added Info DARKROOM PHOTOGRAPHY Jan 1989 (v.11#1) pg. 8

Tip on making a perspective-control easel support.
DARKROOM PHOTOGRAPHY Aug 1989 (v.11#8) pg. 3

Radial collage. Use a simple rotating easel to create a photographic collage in a circular (radial) form.
DARKROOM PHOTOGRAPHY Sep 1989 (v.11#9) pg. 12

Tip on preventing light reflection back through the printing paper from the white base of a printing frame.
DARKROOM PHOTOGRAPHY Aug 1990 (v.12#8) pg. 16

Vacuum easel enlarging frame uses an old vacuum cleaner fan and motor unit mounted in a cardboard box.
DARKROOM TECHNIQUES Sep 1981 (v.2#3) pg. 51

Build your own adjustable borderless easel.
DARKROOM TECHNIQUES Dec 1981 (v.2#4) pg. 66

Step and repeat printing frame allows 4 or 8 prints on one sheet of 8x10 paper.
MECHANIX ILLUSTRATED #440 Jan 1965 (v.61) pg. 97

Make a borderless easel with simple materials.
MODERN PHOTOGRAPHY Jan 1970 (v.34#1) pg. 32

Make your own borderless easel which uses double sided tape to hold the paper securely.
MODERN PHOTOGRAPHY Feb 1980 (v.44#2) pg. 113

Changing your enlarging easel to get better paper flatness may dramatically improve your image quality. A comparision of vacuum easels with mechanical easels.
MODERN PHOTOGRAPHY May 1980 (v.44#5) pg. 12

Test stripping your way to the perfect print. Make a precisely-cut easel mask and sliding guide to create five test exposures of the SAME area of the negative with the exposure time automatically printed on the top of the image.
MODERN PHOTOGRAPHY Sep 1980 (v.44#9) pg. 106

Tip: Make a borderless enlarging easel by covering a piece of plywood with 3M Post-It Tile.
MODERN PHOTOGRAPHY Jun 1983 (v.47#6) pg. 132

Build this easel for exposing 4 wallet-size prints on one sheet of 5"x8" paper.
MODERN PHOTOGRAPHY Oct 1983 (v.47#10) pg. 81

Make a magnetic easel for boardless prints.
MODERN PHOTOGRAPHY Feb 1985 (v.49#2) pg. 68

Build a leveling board to tilt an enlarger easel in the appropriate direction to correct distortation, particularly lines that are not parallel.
MODERN PHOTOGRAPHY Aug 1985 (v.49#8) pg. 55

Tip: Use Scotch Brand 565 "Post-It Tiles" to hold photo paper when making borderless prints.
MODERN PHOTOGRAPHY Mar 1986 (v.50#3) pg. 53

How to make a borderless enlarging easel which uses masking tape to hold paper in place. Separate frames are made for each standard size of paper.
PHOTOGRAPHIC Jul 1979 (v.8#3) pg. 37
Added Info PHOTOGRAPHIC Dec 1979 (v.8#8) pg. 16

Make your own single-size enlarging easels out of plywood and hardboard.
PHOTOGRAPHIC Aug 1979 (v.8#4) pg. 52

Tip: Use a carpenters square as a borderless easel.
PHOTOGRAPHIC Sep 1979 (v.8#5) pg. 98

How to make an exposure analyzer for determining correct exposure time when making a color print from a color slide. This special enlarging easel will produce an 8x10 color print showing a range of five different exposure times, each of which is from the central part of the color slide to be printed.
PHOTOGRAPHIC Oct 1979 (v.8#6) pg. 97

Dye transfer for beginners. Part 1. Introduction to a color print process which is at least ten times more stable than ordinary color prints. Includes complete instructions and plans for building a vacuum register frame and transfer easel.
PHOTOGRAPHIC Jan 1980 (v.8#9) pg. 34

Homemade easel from hardboard, duct tape, and 3M "post-it" tape to hold the photo paper.
PHOTOGRAPHIC May 1980 (v.9#1) pg. 81

Basic color darkroom. Make a color ring-around box. A test box, paper safe and easel combination unit lets you make 10 test exposures on a single 8x10 sheet. Made from an old 8x10 paper box.
PHOTOGRAPHIC Apr 1981 (v.9#12) pg. 57

Kaleidoscopic printing. How to make and use a revolving easel.
PHOTOGRAPHIC Dec 1986 (v.15#8) pg. 40

Darkroom magic. Using multiple printing to make the images you couldn't take. Building a registration easel to hold print masks, making the masks, and printing the multiple exposures. Includes suggestions for producing master negatives on duplicating film.
PHOTOGRAPHIC Sep 1989 (v.18#5) pg. 22

Enlarging easel holds paper in place with vacuum pressure. Built from perforated hardboard and an old furnace blower.
POPULAR MECHANICS Nov 1968 (v.130#5) pg. 200

Two easy ways to make borderless prints. (1) Use white cardboard and masking tape. (2) An easily-constructed print easel.
POPULAR MECHANICS Mar 1970 (v.133#3) pg. 142

Simple borderless easel made from perforated hardboard.
POPULAR MECHANICS Nov 1972 (v.138#5) pg. 15

How to make an adjustable borderless enlarging easel large enough to hold an 8x10 sheet.
POPULAR MECHANICS Feb 1973 (v.139#2) pg. 46

Inexpensive 16"x20" enlarging easel made of plywood with metal edging to hold down paper.
POPULAR MECHANICS Jun 1973 (v.139#6) pg. 58

How to make an inexpensive proofing easel from a 9"x12" picture frame with glass, a piece of 1/2" plywood and a square of indoor-outdoor carpet. Est. cost: $3.
POPULAR MECHANICS Sep 1973 (v.140#3) pg. 60

Simple rack holds your enlarger easel on the wall when not in use.
POPULAR MECHANICS Apr 1974 (v.141#4) pg. 64B

Small frame of wood, with magnets in each end, holds down small pieces of print paper when making test prints.
POPULAR MECHANICS Apr 1975 (v.143#4) pg. 58

Cardboard with holes in it and some masking tape, makes a simple easel to hold paper when making borderless prints.
POPULAR MECHANICS Dec 1977 (v.148#6) pg. 62

Plywood easel for making four small enlargements on a sheet of 8x10 paper.
POPULAR PHOTOGRAPHY Feb 1973 (v.72#2) pg. 82

Borderless print easel made from plywood. Uses double-sided tape to hold paper.
POPULAR PHOTOGRAPHY Feb 1973 (v.72#2) pg. 82

Rubber mat under your enlarging easel will keep it from creeping.
POPULAR PHOTOGRAPHY Jan 1974 (v.74#1) pg. 143

Six darkroom projects. (1) cardboard light box, (2) floating tray lids, (3) spacer for focus magnifier, (4) press for flattening prints, (5) borderless enlarging easel and (6) enlarger light intensity control.
POPULAR PHOTOGRAPHY Jan 1976 (v.78#1) pg. 96

Tip: Easels used in color enlarging work should be painted matte-black.
POPULAR PHOTOGRAPHY Jun 1978 (v.82#6) pg. 84

For better prints, don't make test strips. Instead, make small test prints of the entire frame. Includes instructions for converting a two-bladed enlarging easel into one capable of making four full-frame exposures on the same sheet of 8x10 paper.
POPULAR PHOTOGRAPHY Jul 1979 (v.85#1) pg. 76

Build a custom easel. Make multiple images, test strips, and unique print shapes with this simple masking easel.
POPULAR PHOTOGRAPHY Sep 1982 (v.89#9) pg. 106

Tip on using antiskid rug material to keep an enlarging easel from sliding.
POPULAR PHOTOGRAPHY Nov 1991 (v.98#11) pg. 40

Making a dedicated easel for 4"x5" test prints using the Kodak Projection Print Scale.
POPULAR PHOTOGRAPHY Feb 1996 (v.60#2) pg. 136

Vacuum easel makes copying easy and lets you make borderless prints on your enlarger. Uses a vacuum cleaner.
POPULAR SCIENCE Feb 1967 (v.190#2) pg. 128

The multi-purpose easel. How to improve the versatility of the common adustable enlarging easel by using paper masks and pre-drawn alignment guides.
SHUTTERBUG #310 Jul 1996 (v.25#9) pg. 102