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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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INSTANT PHOTOGRAPHY x POLAROID PHOTOGRAPHY xx PHOTOGRAPHY Tips on using a standard Polaroid camera and 20,000 ISO print film to make instant astrophotos without the need for a telescope. How to turn Polaroid photographs into works of art by manipulating the surface of the film. Tip on using a self-adhesive temperature indicator strip to help determine the processing time for Polaroid films. Instant photo image transfer process. How to transfer a Polaroid image to an ordinary sheet of watercolor paper. A review of the film types available from Polaroid which can be of benefit to the serious photographer. Tips on how a professional photographer uses Polaroid film backs to supplement or replace conventional film. The easiest way to make your own color prints from color slides is with an enlarger and Kodak or Polaroid instant print material. Layered realities. Alternative techniques with Polaroid peel-apart film. Tips from Rosamond Wolff Purcell on how to manipulate Polaroid materials. Films of the world. Part 1. Color negative and instant color film. The phoenix process. Restoring and using the scrap negatives from Polaroid Type 667 film. Using Polaroid test shots when doing large format photography. Tip: How to use the Vivitar Instant Slide Printer and Polaroid Type 665 film to make black and white internegatives from color slides. How to make "instant" pictures on Direct Positive paper without the need for a negative. Instant feedback. A working professional compares the different instant film options from Polaroid and reviews their new E-6 conventional film. A bevy of Polaroids. Overview of the instant 35mm films from Polaroid. Both color and B&W films are reviewed. Make instant color prints from slides by using your enlarger to expose the slide onto Polaroid Type 58-Polacolor 2 film. Instant photography in the darkroom. Part 1. Use an inexpensive Polaroid camera and SX-70 films to produce color prints from 35mm slides. Instant photography in the darkroom. Part 2. How to make manipulated exposures on SX-70 film packs using an enlarger and color slides. Slide printers. A review of commercial printers designed to make colored prints from colored slides onto Polaroid or Kodak instant print material. SX-70 image manipulation. Use stylus-like tools to spread the color dyes. The manipulated image may then be copied to produce conventional color prints. How to make "old-time" photographs using a Polaroid camera and brown toner. Alarm-triggered photos. Adapt a Polaroid "One-Step" camera for remote control. Use as part of an alarm system or to include yourself in photos. Replace the lens in a Polaroid Colorpack II or Square Shooter camera with any 80mm to 105mm lens in a shutter mount. You will have an improved camera with which to teach the importance of shutter and aperature settings. A special issue on Polaroid recording systems. Looks at the history and uses of Polaroid products. Includes charts of cameras and accessories which can use Polaroid film and charts of Polaroid film types which are available. Understanding and using Polaroid Type 105 negative/positive film. Go from camera exposure to multiple prints in under 10 minutes. Combine Polaroid's positive/negative film with stabilization processing of prints. Numerous tips included in article. A shooting guide for Polacolor 2. Tips on exposure and development. Wooden box enclosing a color computer monitor and an 8x10 view camera allows 8x10 color Polaroid pictures to be taken of computer charts, graphs, diagrams, etc. The basic components of the system are pictured and described. Polaroid P/N films on location. These do-it-yourself accessories make processing in the field practical and convenient. A look at Polaroid proofing films. What is available and tips on their use. Make color prints from color slides on Polaroid Polacolor film using an enlarger. Tip for getting the most from the 4x5 sheet version of Polacolor 2 film. More Polaroid film backs available for professional cameras. A list of what is available. Simulate antique photos using Polaroid film. How to cope with hot weather effects on instant film products. How to use instant picture materials during the winter when cold changes the characteristics. Handling instant negative film in the field. More tips on handling Polaroid film in the field, particularly keeping the negatives wet until final processing. Adding Polaroid film backs to large format cameras. Make color prints from slides by inserting the slide into your enlarger and exposing the image directly onto a Polacolor II film pack. Insert film pack back into camera for normal processing. Tips on using filters with Polaroid films. Tips on retouching black & white Polaroid prints. A look at the new professional films from Polaroid. Photos compare the new Type 668 Polacolor 2 film, type 667 black & white film, type 665 positive/negative film and type 664 black and white film with the older films they supplement or replace. Making copies in an instant. Part 1. What equipment you need and how to make your own copy camera setup from a 4x5 camera. Making copies in an instant. Part 2. How to choose the right Polaroid film and get the most out of it. Making copies in an instant. Part 3. How to copy slides and transparencies onto color prints using Polaroid film and a copy camera setup. Making copies in an instant. Part 4. Making line copies with Polaroid high-contrast film. Instant-picture film roundup. Illustrations and a chart tell what films are available from Polaroid, and what cameras they will fit. Two versions of a pinhole camera which use Polaroid film. How to take table-top photos using a Polaroid camera. Make an old film pack into a ground glass viewer and other tips. Two tips for controlling contrast and tonal problems with Polaroid film and cameras. (1) Convert the SX-70 flashbar into a bare bulb flash unit by removing the reflectors from the bar. (2) Pre-expose or pre-flash Polaroid film using a flashlight. How to make test exposures on a single piece of Polaroid film, just like a test strip in the darkroom, with different parts of the same image exposed for different amounts of time. Use this test picture to determine the correct exposure for your regular film. Works with both 4x5 Polaroid backs or medium format backs which have either dark slides or use envelopes. Tips on adapting Kodaks instant camera the "Handle" into a film back for using Kodak PR-10 instant film on a larger, professional camera, such as a 4x5. How to salvage and use the Polaroid paper negative which is usually discarded. Colored photographs taken on Polaroid Type 108 color pack film can be stripped down to a very thin emulsion and used in decoupage. Adding homemade screens and masks to those metal and plastic film packs used in some Polaroid and Kodak instant cameras. Long exposures can lead to color reversal with some instant films. Description of the method used. Make color prints from slides by exposing the slides directly onto one of the instant camera films. Use an enlarger and the back from an instant camera. How to do solarization without a darkroom by using Polaroid type 55 positive-negative film. A quick and thorough rundown on the hows, whens and wheres of hand coloring Polaroid prints. Make color prints from slides by projecting the slide onto an instant camera film pack using your enlarger. The slide is put in the enlarger, and the film pack is placed on the copy board. The camera is not needed. Produce your own instant stereoptican photographs by taking pictures with two identical Polaroid cameras mounted side-by-side. Includes instructions for making a dead Flash Bar when taking flash photos with two cameras. Breaking the color pods in Polaroid SX-70 or Kodak PR-10 films, either before or after exposure will result in interesting pictures and patterns. How to bypass the fail-safe devices on instant cameras in order to make double exposures. How to insert the new Polaroid 600 film packs into an SX-70 camera and then use a neutral density filter to compensate for the higher ASA speed. Polaroid b&w materials are evaluated according to their contrast. A different approach to seeing, rating and using Polaroid's black and white films. How to integrate a Polaroid SX-70 camera to work with a studio flash or other generic flash outfit. Tips on filtering tungsten light when photographing with instant panchromatic black-and-white films. Tips on using a Polaroid Spectra film pack battery to power toys, a slide viewer, desk fan, etc. A used film pack battery will provide up to an hour's worth of electricity. Tips on transfering an exposed Polaroid negative image to watercolor paper (instead of the standard receiver sheet supplied with the film). Polaroid land, a series to better explain Polaroid film characteristics and uses. Part 1. Polacolor film. Polaroid land, a series to better explain Polaroid film characteristics and uses. Part 2. The transparency materials. Polaroid land, a series to better explain Polaroid film characteristics and uses. Part 3. Black and white materials. Polaroid land, a series to better explain Polaroid film characteristics and uses. Part 4. Advantages of making test shots on Polaroid materials prior to shooting with other films, especially color. How to prefog or flash Polaroid Land Type 57 film for use in connection with CRT trace recording. Polaroid MP-4 system. Part 1. Extending the usefulness of the system into instrumentation and high-speed photography. Includes a suggested data sheet to speed up record keeping. Polaroid MP-4 system. Part 2. Using the MP-4 to produce stereo images. Polaroid MP-4 system. Part 3. External rotating mirror converts MP-4 camera for streak photography. Using the Daylab II to create Polaroid images for image transfer. Image transfer is the result of the Polaroid emulsion being applied to a different surface (such as watercolor paper). Chart gives the Polaroid Exposure Number and the equivalent shutter speed/aperature combination for a Model 95A Polaroid camera. Create large-format "instant" color images using Cibachrome print material in the camera instead of film. Shows how to filter the light, make the exposure, and process the result. Instant camera copies of a 11x14 b&w print, result in sepia effect photos that have a soft, "antique" look. This article includes diagrams of several lighting setups for photographing one or two live models. The blitz printer. Adapting an enlarger to use electronic flash as the light source. Best suited for making color enlargements on Kodak and Polaroid instant print films. Includes easel for instant film and paper. SX-70 photodistortion. How to manipulate instant images. Instant photograms. How to make color photograms using an inexpensive instant-film camera and a consistent light source (such as an enlarger). One-minute photo lab in your briefcase. A review of the Polaroid 35mm color and b&w instant slide system. Going beyond Polaroid. Michael Going explains his technique for producing "manipulated" Polaroid prints. Vintage New York "PolaGraphs". Brown-toned color prints are made from Polaroid PolaGraph b&w 35mm slide film negatives. Some tips. Polaroid transfers. Jose Picayo shares his technique for taking Polaroid images and transfering them to watercolor paper. Polaroid transfer, a means of transferring the dyes from a piece of partially developed Polaroid film onto watercolor paper. Tips on manipulating Polaroid images. The process involves the use of the Polaroid 600 Alter Image film which is receptive to pencil, crayon, charcoal and other artistic media. Polaroid MP-4 system. Part 4. Modifications and accessories to make the MP-4 system even more versatile. The definitive run-down on Polaroid backs for the Hasselbland camera. Film high speed particles on Polaroid film by placing a rotating mirror in front of the lens and illuminating the particles with a strobe flash of short exposure. A profile of the usefulness of the Kodak motorized instant film back equipped for use with a Graflok back. Typical applications shown. Other uses for the Polaroid MP-4 Camera System including direct color slide duplication, small-object photography using a light box, instant studio camera, photomicrography, etc. How to salvage SX-70 negative images by opening up the print pack. Tips on altering contrast of Polaroid b&w prints through the use of filters. Tips on making black-and-white slides without a darkroom using Polaroid film. How to remove P/N or any Polaroid film from the 545 Film Holder without processing. This allows you to shoot in the field, but process later in your studio where you can control the temperature and/or have other supplies readily available. Taking the systems approach to Polaroid proofing. Refining studio proofing procedures using Polaroid instant film in order to check exposure, camera focus, composition, lighting, etc. Integrated circuit photo development timer is ideal for use with Polaroid camera. Provides an audible alarm at the end of either 15 seconds or 2 minutes. Est. cost: $15. The Polapulse battery. A look at the 6-volt wafer battery which is built into Polaroid SX-70 film packs. Fun with Polaroid's SX70 color film. How to peel the rubbery emulsion from the plastic covers and stretch it, pictures and all, around strange shaped objects. Using Polaroid film to take test photographs before using expensive sheet color film. Includes chart for exposure calculations. How to intensify, bleach, and tone black and white Polaroid Land prints. Discussion of the wide variety and uses of Polaroid Land films. Instant color enlarging without trays. Use Polaroid color film to make enlargements from 8-, 16-, or 35-mm color film. Instant black and white prints from slides. Make black and white enlargements from color slides by using Polaroid film. Using the inexpensive Polaroid Colorpack Land Camera to do close-ups, slide copying, multiple exposures and photomicrography. Equipment and a chemical formula to clear and harden the Polaroid 55 and 105 film negative, in the field or darkroom, with a minimum of effort. How to reduce hot-spots, soften illumination and add color to instant flash pictures. Sanding the flash bars, coloring them with permanent marking pens, or covering them with transparant tape can improve their performance or produce interesting results. How to use the Kodak 4x5 instant film back to make color prints from color slides using your enlarger. Use Polaroid Type 55 positive-negative film to make oversize blowups of stamps, coins, old photos, etc. How to create impressionistic art by manipulating Polaroid SX-70 prints. Rubbing the surface of a new print will cause the soft emulsion to move and blend together. Using your instant camera to make interesting color prints in your darkroom. Project image onto color film pack (using enlarger) and then develop it in the camera. A simple, do-it-yourself technique for mounting and displaying instant camera prints. Using Kodak PR10 instant film for scientific and technical projects. Tips on taking instant pictures, outdoors, during cold weather. Polaroid's instant 35mm slide films offer fast processing and a wide range of creative image options. What is available and tips on their use. Emulsion transfer. A way of creating different images using Polaroid film. Peel the emulsion from a Polaroid print and adhere it to a different substrate. How to be a Polaroid expert. Guide to Polaroid picture troubles and how to cure them. Using Polaroid image transfers in food photography. How to transfer the exposed negative side of a Poloroid print onto a textured surface (such as watercolor paper) and combine this image of food with real food in the final picture. Sound waves and radio waves are recorded on Polaroid film by means of a precooling process. Sound waves, microwaves and mechanical vibrations may be visually recorded by this process. A guide to Polaroid art. How to peel apart a Polacolor print and transfer the image to paper, cloth, wood, etc. From color slide to B&W negative in 30 seconds. How to modify an old Polaroid #250 camera for use in printing slides onto Polaroid 665 film. Large-format photography in b&w using Polaroid Type 55 P/N. Some tips. Unique Polaroid transfers. How to separate the color emulsion from the base of Polacolor ER films and apply it to another surface. Building your own Polaroid test camera. How to adapt an inexpensive Lubitel twin-lens reflex camera to utilize a Polaroid back. Making Polaroid color prints from slides using an enlarger and the back from a cheap Polaroid camera. Used to make color corrected copies from astronomical photographs taken with a telescope using Ektachrome slide film. How to make astrophotographs using the Polaroid One-Step camera. | |||||||||
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