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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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PHOTOGRAPHIC NEGATIVE sa PHOTOGRAPHIC ENLARGER NEGATIVE CARRIER sa PHOTOGRAPHIC NEGATIVE CLEANING & RESTORATION sa PHOTOGRAPHIC NEGATIVE REDUCTION & INTENSIFICATION x INTERNEGATIVE (PHOTOGRAPHIC) x NEGATIVE (PHOTOGRAPHIC) xx PHOTOGRAPHIC FILM Tip on reversing the curl in old, tightly-wound 35mm film. Tips on making internegatives of Kodachromes without using a densitometer. Making internegatives. Converting color slides to black-and-white prints by first making a negative by projecting onto a sheet of film in a 4x5 film holder. Snapshots from slides. Using Fujicolor Reala film and a slide duplicator to produce a color internegative from which a color print can be easily made using a local one-hour lab. Tip on using T-Max 100 to make b&w negatives from color slides. Build a light box to illuminate large-format plate negatives so that they may be copied in slide format. Also includes instructions for building a device to align the copy camera film plane exactly parallel with the negative being copied. Setup for making b&w internegatives on Polaroid Type 54 film using a 4x5 camera and strobe light. Making masterful color internegatives. Part 1. Duplication principles. Making masterful color internegatives. Part 2. Duplication procedures. Making masterful color internegatives. Part 3. How to use the system when no gray/white card transparency exists. Densitometry and the Beseler/Minolta 45A enlarger light source. Two methods for using the analyzer section of the 45A as a transmission densitometer. Tips on making VIN internegatives using the 45A. Zone system expansion film. Using Kodak Professional Copy Film Type 4125 to achive copy negative expansion up to N+6. Handling and caring for color rollfilm. Advice on loading film into the camera, reloading film cartridges, film processing, handling negatives, etc. Tips on exposing 8x10 B&W sheetfilm with an enlarger. Tips on making color separation negatives using color printing techniques. Making large-format internegatives using inexpensive positive enlarging film. Applying sensitometric controls to making duplicate or enlarged negatives and platinum prints. Masterful internegatives revisited. Fine-tuning a process for making color internegatives from slides on Kodak VIF 6011 internegative film. Tip on determining the emulsion side of a negative. Tips on making black-and-white paper negatives. Stripping for the stars. An interview with Keith Williamson includes tips on negative stripping, masking and multiple printing to produce a composite print or collage like those found on record album covers. Make grainy prints using the random-dot image method by enlarging a negative onto 8x10 ortho film. 10 tips for salvaging thin negatives. How to turn a black & white negative into a four color posterization using Kodaks EB-3 process to turn negatives into dye-accepting masters. How to color black-and-white negatives with food coloring and then make color prints on Ektacolor 74 RC paper. Print manipulation with paper negatives. Use ordinary printing paper to make "negatives" for full-size contact prints. The paper negative can be manipulated to add or delete images, help dodge and burn, etc. How to make "bias relief" photographic prints by using high-contrast ortho film in place of enlarging paper to make full-size contact negatives. Cracking up in the kitchen. How to reticulate color negatives to produce surreal images. Tips on methods for making an 11x14 negative from a 4x5 negative. Positively negative. How to make an interpositive negative on Kodak Technical Pan 2415 film for the purpose of making a "negative image" print. How to make or select slides or negatives suitable for sandwiching when making prints. How to create duplicate b&w negatives by using Kodak Professional Direct Duplicating Film SO-015. Guidelines and suggestions for producing high quality black and white copy negatives. Using Kodalith high contrast film for making copy negatives, and black and white negatives from color transparencies. Using D-76 developer converts Kodalith to a continuous-tone film. Some tips. Tips on making black-and-white negatives from color slides using Ilford XP1 film and an Omega B color head. Tricks of the trade. (1) Modify a flash meter to work from a PC cord. (2) How to process eight 4x5 prints, four 5x7 or two 8x10s in a standard 11x14 drum. (3) Use opaquing pens or rubylith material to eliminate (knock out) backgrounds on medium or large format negatives. Preserving the past. Tips on preserving old photographic images by making modern copy negatives. Stop-action stills. How to produce quality still images from high speed motion picture film. Automatic film dater. Put your name, month and year on each of your cut film negatives. How to salvage and use the Polaroid paper negative which is usually discarded. Tip: How to mark negatives for sending out to a laboratory to have enlargements or additional prints made. Tip: Use felt-tip pens for opaquing negatives or litho film. Tip: Use a paper punch to identify negatives selected for printing. Identify large-format images by imprinting directly on film with this slick trick. Tips on printing from an old, tightly-wound roll of 35mm negative. "Bad" negatives make great sandwiches. How to use Kodak Professional Direct Duplicating Film SO-015 and simple masking techniques to produce sheet-film size negatives (from 35mm negs) that are suitable for sandwiching. How to use Kodak Rapid Process Copy Film and Professional Direct Duplicating Film which develops directly to a positive in b&w chemistry. Make b&w slides from prints or television images. Make duplicate negatives. A simple and fast method of printing thin and/or flat negatives. Make a duplicate negative on a higher contrast scale than the original. Requires only an enlarger. How to convert a normal paper print into a "negative" for use in making other prints. The advantage of using a "paper negative" is that you can do a lot of retouching with oil paints and pencils to improve the picture. An excellent process for producing technical photographs. Improving negatives, film-to-film. How to restore and improve important negatives whose technical quality is low by making a large size transparency from the original negative, eliminate the dust and scratches with spotting techniques, then make a final copy negative on 4x5 film. It is possible to improve on even small 35mm negatives with this process. Simple approaches to the background dropout. Opaque the negative or make a photographic mask at the time the picture is taken. Copying from film-to-film. Create a corrected duplicate negative which can be handed to any competent printer with instructions for printing it straight. The new negative can eliminate flaws like scratches and spots as well as improving underexposed areas on the original. Cutting silhouettes. Improve black-and-white product photographs by printing on a clean white background. Eliminate background by masking it with red masking film. Creative ways to make and use paper negatives. Doing the Dead Sea Scrolls. Description of a project to copy several thousand 5x7 negatives to make 4x5 positives. Includes user tips for the Jobo AutoLab ATL-3 processor. How to take good quality 110 size black-and-white negatives which can be enlarged. Save "impossible" negatives. How print flashing can help you cut excessive contrast. How to make solarized negatives from resin-coated paper. Tip on using a philatelic stamp-mount cutter to trim photographic negatives. How to thoroughly examinine your photo negatives to determine if they are good or bad. Requires the use of a good 10X magnifier. Simple chart indicates which 35mm film you can use to make both a slide and negative from an existing color slide, color negative, or b&w negative. Read a good negative lately? Interpreting what you see upon close inspection of processed color-negative film. Includes picture taking advice dealing with overexposure, color filtration, fluorescent lighting, color conversion filters, and unsharp negatives. Easy-to-make viewer lets you see your negatives as positives. From color slide to B&W negative in 30 seconds. How to modify an old Polaroid #250 camera for use in printing slides onto Polaroid 665 film. The power of negative thinking. By presenting a color negative as your final image, you give the viewer a new frame of reference. Some tips. Formats and aspect ratios. An explanation and chart illustrates the relationship between 51 different negative image areas and the standard 8"x10" print. Easy techniques for making paper negatives. Making a workable paper neg from a low contrast color slide is the fastest way to produce b&w prints of your slides. Making duplicate color negatives and slides. | |||||||||
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