Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 4

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 5

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 6

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 7

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 8

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 86
PHOTOGRAPHIC NEGATIVE entries in Index to How To Do It Information
Norman Lathrop Enterprises  
nleindex.com | Norman Lathrop Enterprises
Index To How To Do It Information
Lathrop Report On Newspaper Indexes
A profile of Norman Lathrop Enterprises
 
NLEIndex.com
Last Updated
03/31/2019
 
Sitemap
 
  Index Home  |   A-Z Subject Heading Guide    |   Keyword Search  |   Union List 

Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC NEGATIVE
sa   PHOTOGRAPHIC ENLARGER NEGATIVE CARRIER
sa   PHOTOGRAPHIC NEGATIVE CLEANING & RESTORATION
sa   PHOTOGRAPHIC NEGATIVE REDUCTION & INTENSIFICATION
x   INTERNEGATIVE (PHOTOGRAPHIC)
x   NEGATIVE (PHOTOGRAPHIC)
xx   PHOTOGRAPHIC FILM

Tip on reversing the curl in old, tightly-wound 35mm film.
CAMERA & DARKROOM Jun 1991 (v.13#6) pg. 5

Tips on making internegatives of Kodachromes without using a densitometer.
CAMERA & DARKROOM Nov 1991 (v.13#11) pg. 16
Added Info CAMERA & DARKROOM May 1992 (v.14#5) pg. 8

Making internegatives. Converting color slides to black-and-white prints by first making a negative by projecting onto a sheet of film in a 4x5 film holder.
CAMERA & DARKROOM Jan 1993 (v.15#1) pg. 52
Added Info CAMERA & DARKROOM Mar 1993 (v.15#3) pg. 6

Snapshots from slides. Using Fujicolor Reala film and a slide duplicator to produce a color internegative from which a color print can be easily made using a local one-hour lab.
CAMERA & DARKROOM May 1993 (v.15#5) pg. 10

Tip on using T-Max 100 to make b&w negatives from color slides.
CAMERA & DARKROOM Jun 1993 (v.15#6) pg. 6
Added Info CAMERA & DARKROOM Aug 1993 (v.15#8) pg. 4

Build a light box to illuminate large-format plate negatives so that they may be copied in slide format. Also includes instructions for building a device to align the copy camera film plane exactly parallel with the negative being copied.
CAMERA & DARKROOM Jun 1993 (v.15#6) pg. 14

Setup for making b&w internegatives on Polaroid Type 54 film using a 4x5 camera and strobe light.
CAMERA & DARKROOM Apr 1994 (v.16#4) pg. 5

Making masterful color internegatives. Part 1. Duplication principles.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1987 (v.8#3) pg. 22

Making masterful color internegatives. Part 2. Duplication procedures.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1987 (v.8#5) pg. 38

Making masterful color internegatives. Part 3. How to use the system when no gray/white card transparency exists.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1987 (v.8#6) pg. 29

Densitometry and the Beseler/Minolta 45A enlarger light source. Two methods for using the analyzer section of the 45A as a transmission densitometer. Tips on making VIN internegatives using the 45A.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1988 (v.9#4) pg. 19

Zone system expansion film. Using Kodak Professional Copy Film Type 4125 to achive copy negative expansion up to N+6.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1989 (v.10#5) pg. 23
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 3

Handling and caring for color rollfilm. Advice on loading film into the camera, reloading film cartridges, film processing, handling negatives, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 46

Tips on exposing 8x10 B&W sheetfilm with an enlarger.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 20

Tips on making color separation negatives using color printing techniques.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1991 (v.12#3) pg. 3

Making large-format internegatives using inexpensive positive enlarging film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1991 (v.12#6) pg. 75

Applying sensitometric controls to making duplicate or enlarged negatives and platinum prints.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1992 (v.13#1) pg. 46
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1993 (v.14#1) pg. 3

Masterful internegatives revisited. Fine-tuning a process for making color internegatives from slides on Kodak VIF 6011 internegative film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1993 (v.14#1) pg. 24
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1993 (v.14#5) pg. 3

Tip on determining the emulsion side of a negative.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1993 (v.14#6) pg. 17

Tips on making black-and-white paper negatives.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1993 (v.14#6) pg. 17

Stripping for the stars. An interview with Keith Williamson includes tips on negative stripping, masking and multiple printing to produce a composite print or collage like those found on record album covers.
DARKROOM PHOTOGRAPHY May-Jun 1979 (v.1#2) pg. 50

Make grainy prints using the random-dot image method by enlarging a negative onto 8x10 ortho film.
DARKROOM PHOTOGRAPHY May-Jun 1979 (v.1#2) pg. 66

10 tips for salvaging thin negatives.
DARKROOM PHOTOGRAPHY May-Jun 1979 (v.1#2) pg. 74

How to turn a black & white negative into a four color posterization using Kodaks EB-3 process to turn negatives into dye-accepting masters.
DARKROOM PHOTOGRAPHY Jul-Aug 1979 (v.1#3) pg. 56

How to color black-and-white negatives with food coloring and then make color prints on Ektacolor 74 RC paper.
DARKROOM PHOTOGRAPHY Jul-Aug 1981 (v.3#4) pg. 76

Print manipulation with paper negatives. Use ordinary printing paper to make "negatives" for full-size contact prints. The paper negative can be manipulated to add or delete images, help dodge and burn, etc.
DARKROOM PHOTOGRAPHY Dec 1981 (v.3#8) pg. 50

How to make "bias relief" photographic prints by using high-contrast ortho film in place of enlarging paper to make full-size contact negatives.
DARKROOM PHOTOGRAPHY Mar-Apr 1983 (v.5#3) pg. 42

Cracking up in the kitchen. How to reticulate color negatives to produce surreal images.
DARKROOM PHOTOGRAPHY Jul-Aug 1984 (v.6#4) pg. 54

Tips on methods for making an 11x14 negative from a 4x5 negative.
DARKROOM PHOTOGRAPHY Mar-Apr 1986 (v.8#2) pg. 16

Positively negative. How to make an interpositive negative on Kodak Technical Pan 2415 film for the purpose of making a "negative image" print.
DARKROOM TECHNIQUES Spring 1980 (v.1#2) pg. 26

How to make or select slides or negatives suitable for sandwiching when making prints.
DARKROOM TECHNIQUES Dec 1981 (v.2#4) pg. 11

How to create duplicate b&w negatives by using Kodak Professional Direct Duplicating Film SO-015.
DARKROOM TECHNIQUES May-Jun 1983 (v.4#3) pg. 26

Guidelines and suggestions for producing high quality black and white copy negatives.
INDUSTRIAL PHOTOGRAPHY Nov 1973 (v.22#11) pg. 22

Using Kodalith high contrast film for making copy negatives, and black and white negatives from color transparencies. Using D-76 developer converts Kodalith to a continuous-tone film. Some tips.
INDUSTRIAL PHOTOGRAPHY May 1977 (v.26#5) pg. 8

Tips on making black-and-white negatives from color slides using Ilford XP1 film and an Omega B color head.
INDUSTRIAL PHOTOGRAPHY Apr 1983 (v.32#4) pg. 41

Tricks of the trade. (1) Modify a flash meter to work from a PC cord. (2) How to process eight 4x5 prints, four 5x7 or two 8x10s in a standard 11x14 drum. (3) Use opaquing pens or rubylith material to eliminate (knock out) backgrounds on medium or large format negatives.
INDUSTRIAL PHOTOGRAPHY Apr 1984 (v.33#4) pg. 25

Preserving the past. Tips on preserving old photographic images by making modern copy negatives.
INDUSTRIAL PHOTOGRAPHY Aug 1984 (v.33#8) pg. 14

Stop-action stills. How to produce quality still images from high speed motion picture film.
INDUSTRIAL PHOTOGRAPHY Aug 1984 (v.33#8) pg. 20

Automatic film dater. Put your name, month and year on each of your cut film negatives.
MECHANIX ILLUSTRATED #461 Oct 1966 (v.62) pg. 124

How to salvage and use the Polaroid paper negative which is usually discarded.
MODERN PHOTOGRAPHY Aug 1978 (v.42#8) pg. 24

Tip: How to mark negatives for sending out to a laboratory to have enlargements or additional prints made.
MODERN PHOTOGRAPHY Mar 1982 (v.46#3) pg. 90

Tip: Use felt-tip pens for opaquing negatives or litho film.
MODERN PHOTOGRAPHY Jun 1982 (v.46#6) pg. 108

Tip: Use a paper punch to identify negatives selected for printing.
MODERN PHOTOGRAPHY Oct 1982 (v.46#10) pg. 97

Identify large-format images by imprinting directly on film with this slick trick.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 26

Tips on printing from an old, tightly-wound roll of 35mm negative.
PHOTO TECHNIQUES May-Jun 1996 (v.17#3) pg. 8
Added Info PHOTO TECHNIQUES Sep-Oct 1996 (v.17#5) pg. 17

"Bad" negatives make great sandwiches. How to use Kodak Professional Direct Duplicating Film SO-015 and simple masking techniques to produce sheet-film size negatives (from 35mm negs) that are suitable for sandwiching.
PHOTOGRAPHIC May 1982 (v.11#1) pg. 49

How to use Kodak Rapid Process Copy Film and Professional Direct Duplicating Film which develops directly to a positive in b&w chemistry. Make b&w slides from prints or television images. Make duplicate negatives.
PHOTOGRAPHIC Jan 1983 (v.11#9) pg. 62

A simple and fast method of printing thin and/or flat negatives. Make a duplicate negative on a higher contrast scale than the original. Requires only an enlarger.
PHOTOMETHODS Oct 1976 (v.19#10) pg. 48

How to convert a normal paper print into a "negative" for use in making other prints. The advantage of using a "paper negative" is that you can do a lot of retouching with oil paints and pencils to improve the picture. An excellent process for producing technical photographs.
PHOTOMETHODS Dec 1977 (v.20#12) pg. 34

Improving negatives, film-to-film. How to restore and improve important negatives whose technical quality is low by making a large size transparency from the original negative, eliminate the dust and scratches with spotting techniques, then make a final copy negative on 4x5 film. It is possible to improve on even small 35mm negatives with this process.
PHOTOMETHODS Mar 1978 (v.21#3) pg. 46

Simple approaches to the background dropout. Opaque the negative or make a photographic mask at the time the picture is taken.
PHOTOMETHODS Sep 1978 (v.21#9) pg. 34

Copying from film-to-film. Create a corrected duplicate negative which can be handed to any competent printer with instructions for printing it straight. The new negative can eliminate flaws like scratches and spots as well as improving underexposed areas on the original.
PHOTOMETHODS Oct 1978 (v.21#10) pg. 40

Cutting silhouettes. Improve black-and-white product photographs by printing on a clean white background. Eliminate background by masking it with red masking film.
PHOTOMETHODS Sep 1981 (v.24#9) pg. 71

Creative ways to make and use paper negatives.
PHOTOMETHODS Oct 1984 (v.27#10) pg. 4

Doing the Dead Sea Scrolls. Description of a project to copy several thousand 5x7 negatives to make 4x5 positives. Includes user tips for the Jobo AutoLab ATL-3 processor.
PHOTOMETHODS Aug 1990 (v.33#8) pg. 30

How to take good quality 110 size black-and-white negatives which can be enlarged.
POPULAR PHOTOGRAPHY Mar 1976 (v.78#3) pg. 96

Save "impossible" negatives. How print flashing can help you cut excessive contrast.
POPULAR PHOTOGRAPHY Feb 1979 (v.84#2) pg. 108

How to make solarized negatives from resin-coated paper.
POPULAR PHOTOGRAPHY Feb 1988 (v.95#2) pg. 26

Tip on using a philatelic stamp-mount cutter to trim photographic negatives.
POPULAR PHOTOGRAPHY Aug 1990 (v.97#8) pg. 99

How to thoroughly examinine your photo negatives to determine if they are good or bad. Requires the use of a good 10X magnifier.
POPULAR PHOTOGRAPHY Dec 1990 (v.97#12) pg. 26

Simple chart indicates which 35mm film you can use to make both a slide and negative from an existing color slide, color negative, or b&w negative.
POPULAR PHOTOGRAPHY Jan 1991 (v.98#1) pg. 154

Read a good negative lately? Interpreting what you see upon close inspection of processed color-negative film. Includes picture taking advice dealing with overexposure, color filtration, fluorescent lighting, color conversion filters, and unsharp negatives.
POPULAR PHOTOGRAPHY Jun 1997 (v.61#6) pg. 82

Easy-to-make viewer lets you see your negatives as positives.
POPULAR SCIENCE Jul 1967 (v.191#1) pg. 84

From color slide to B&W negative in 30 seconds. How to modify an old Polaroid #250 camera for use in printing slides onto Polaroid 665 film.
SHUTTERBUG #277 Oct 1993 (v.22#12) pg. 48

The power of negative thinking. By presenting a color negative as your final image, you give the viewer a new frame of reference. Some tips.
SHUTTERBUG #280 Jan 1994 (v.23#3) pg. 42

Formats and aspect ratios. An explanation and chart illustrates the relationship between 51 different negative image areas and the standard 8"x10" print.
SHUTTERBUG #308 May 1996 (v.25#7) pg. 176

Easy techniques for making paper negatives. Making a workable paper neg from a low contrast color slide is the fastest way to produce b&w prints of your slides.
SHUTTERBUG #313 Oct 1996 (v.25#12) pg. 66

Making duplicate color negatives and slides.
SHUTTERBUG #355 Apr 2000 (v.29#6) pg. 219