Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 4

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 5

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 6

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 7

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 8

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 86
PORTRAIT PHOTOGRAPHY entries in Index to How To Do It Information
Norman Lathrop Enterprises  
nleindex.com | Norman Lathrop Enterprises
Index To How To Do It Information
Lathrop Report On Newspaper Indexes
A profile of Norman Lathrop Enterprises
 
NLEIndex.com
Last Updated
03/31/2019
 
Sitemap
 
  Index Home  |   A-Z Subject Heading Guide    |   Keyword Search  |   Union List 

Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PORTRAIT PHOTOGRAPHY
sa   FASHION & GLAMOUR PHOTOGRAPHY
sa   PORTRAIT PHOTOGRAPHY LIGHTING
sa   WEDDING PHOTOGRAPHY
xx   FASHION & GLAMOUR PHOTOGRAPHY
xx   FIGURE PHOTOGRAPHY
xx   PHOTOGRAPHY

How to turn black and white snapshots into portraits through the use of hand-tinting. Includes eight tips for taking great photos of children.
ARTIST'S MAGAZINE Oct 1994 (v.11#10) pg. 58

Portrait tips from a pro. Building a portrait around a story.
CAMERA & DARKROOM Aug 1992 (v.14#8) pg. 9

Taking portraits using infrared film can often eliminate the need for extensive retouching.
CAMERA 35 Aug 1977 (v.21#7) pg. 42

How to either avoid flare, or use flare for romantic color portraits.
CAMERA 35 Mar 1979 (v.24#3) pg. 14

Controlling contrast in indoor or outdoor color portraiture.
CAMERA 35 Sep 1980 (v.25#9) pg. 16

Fine portraits from the kitchen. An interview with G. Paul Bishop, a master portrait photographer, who uses his kitchen as his darkroom. Some tips.
DARKROOM PHOTOGRAPHY Mar-Apr 1979 (v.1#1) pg. 54

Suggestions for taking portraits with an 8x10 camera.
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 49

Perceptive portraits. Printing techniques to fine-tune your black-and-white portraits.
DARKROOM PHOTOGRAPHY Jan-Feb 1985 (v.7#1) pg. 62

High-contrast portraits are achieved using regular film, paper, and developer.
DARKROOM PHOTOGRAPHY Jul-Aug 1987 (v.9#4) pg. 62
Added Info DARKROOM PHOTOGRAPHY Mar-Apr 1988 (v.10#2) pg. 10

The Zen system. Portraits that make a difference. Photographing people in their own environment.
DARKROOM PHOTOGRAPHY Jan 1990 (v.12#1) pg. 14

How to take great pictures of your kids. Some tips from Kodak.
FAMILY CIRCLE May 8 1984 (v.97#7) pg. 48

Executive portraiture. Part 1.
INDUSTRIAL PHOTOGRAPHY Jun 1971 (v.20#6) pg. 26

Executive portraiture. Part 2. How to analyze the personality of your subject.
INDUSTRIAL PHOTOGRAPHY Jul 1971 (v.20#7) pg. 26

Life magazine photographer gives tips on taking portraits which make company management happy.
INDUSTRIAL PHOTOGRAPHY Oct 1972 (v.21#10) pg. 22

Tips on taking people pictures that editors will publish. Suggestions for getting "believable" people into pictures involving machines or technology.
INDUSTRIAL PHOTOGRAPHY Jul 1974 (v.23#7) pg. 28

Streamlined passport photography for the industrial photographer. Tips on equipment and layout to make good passport photos in an economical and timely way.
INDUSTRIAL PHOTOGRAPHY Jun 1978 (v.27#6) pg. 34

Some practical tips on arranging a photographic session to take pictures of your boss, or any other executive.
INDUSTRIAL PHOTOGRAPHY Feb 1980 (v.29#2) pg. 10

Industrial portrature. Portrait photographer suggests following established, strictly formalized light patterns, facial angles, and head tilts.
INDUSTRIAL PHOTOGRAPHY Jul 1980 (v.29#7) pg. 23

A look at IBM's peer recognition program. Views the program and the mounting techniques used.
INDUSTRIAL PHOTOGRAPHY Mar 1981 (v.30#3) pg. 24

Shooting the boss. Portraiture at the executive level. Tips on photographing both male and female executives.
INDUSTRIAL PHOTOGRAPHY May 1984 (v.33#5) pg. 38

Psychological portraiture. How to capture the essence of your subjects personality.
INDUSTRIAL PHOTOGRAPHY Nov 1985 (v.34#11) pg. 26

Taking a shot at the top. Getting the most from executive portraiture sessions. Some tips.
INDUSTRIAL PHOTOGRAPHY May 1987 (v.36#5) pg. 22

The executive portrait. Photographic techniques of Don Busath used to capture the subject in the correct environment.
INDUSTRIAL PHOTOGRAPHY Apr 1990 (v.39#4) pg. 24

How to take better pictures (portraits) of your family.
MECHANIX ILLUSTRATED #573 Feb 1976 (v.72) pg. 35

Using a doorway as a "studio" for portraits.
MODERN PHOTOGRAPHY Mar 1971 (v.35#3) pg. 76

Tips on taking color portraits outdoors.
MODERN PHOTOGRAPHY May 1971 (v.35#5) pg. 16

Try soft focus on color portraits and flowers to create a romantic effect.
MODERN PHOTOGRAPHY Jun 1971 (v.35#6) pg. 16

Considerations which must be given to color portraiture in the home or studio.
MODERN PHOTOGRAPHY Nov 1971 (v.35#11) pg. 36

Eight ways of taking portraits of your children at home.
MODERN PHOTOGRAPHY Mar 1973 (v.37#3) pg. 82

Informal portraits. Jill Krementz shows how you can make attention-getting portraits even when your subject's time and the location are limited.
MODERN PHOTOGRAPHY Jan 1976 (v.40#1) pg. 110

How to take your own passport photos.
MODERN PHOTOGRAPHY Mar 1976 (v.40#3) pg. 94

Take a look at yourself. Ideas for self-portraiture.
MODERN PHOTOGRAPHY Jun 1981 (v.45#6) pg. 108

How to form unusual facial portraits by cutting, tearing and pasting up a composite image.
MODERN PHOTOGRAPHY Jul 1981 (v.45#7) pg. 98

Flattering portraits and landscapes may require a softer (less-sharp) image. How to deliberately diffuse all or part of your lens.
MODERN PHOTOGRAPHY Nov 1982 (v.46#11) pg. 94

High quality head shots (portraiture) requires careful preparation. Some tips.
MODERN PHOTOGRAPHY Apr 1984 (v.48#4) pg. 12

Shoot professional-looking protraits with simple equipment.
MODERN PHOTOGRAPHY Feb 1985 (v.49#2) pg. 10

Tips on photographing children.
MODERN PHOTOGRAPHY May 1986 (v.50#5) pg. 12

Using wide-angle lenses to make portraits. Some tips
MODERN PHOTOGRAPHY Jul 1988 (v.52#7) pg. 28

Cherchez La Femme. Converting a black-and-white headshot (taken against a black background) into a color image with a color background using Photoshop.
PHOTO ELECTRONIC IMAGING Jul 1999 (v.42#7) pg. 40

Improved portrait printing. Using masks for background control.
PHOTOGRAPHIC Feb 1978 (v.6#10) pg. 42

Infrared portraiture, an impressionistic technique. Black-and-white portraits can often be greatly improved by using IR film.
PHOTOGRAPHIC Nov 1978 (v.7#7) pg. 42

Twelve tips for better portraits. Picture your subjects as they see themselves.
PHOTOGRAPHIC Jan 1979 (v.7#9) pg. 52

Creative portraiture. Picture subjects as they see themselves.
PHOTOGRAPHIC Aug 1979 (v.8#4) pg. 38

Environmental portraits. Loretta Ayeroff gives some tips on photographing people in a natural, relaxed mood.
PHOTOGRAPHIC Oct 1980 (v.9#6) pg. 50

How to take a simple, informal afternoon portrait on any sunny day.
PHOTOGRAPHIC Aug 1981 (v.10#4) pg. 14

How to create multiple exposure portraits using a 4x5 view camera.
PHOTOGRAPHIC Jan 1984 (v.12#9) pg. 80

The other side of portraiture. The importance of knowing what the subject of the portrait wants the picture to "say".
PHOTOGRAPHIC Feb 1984 (v.12#10) pg. 18

A child's world. An illustrator's guide to photographing kids.
PHOTOGRAPHIC Mar 1984 (v.12#11) pg. 58

Collins on basics. Add mood by decreasing shutter speed.
PHOTOGRAPHIC Mar 1984 (v.12#11) pg. 64

Child portraiture. Hints on posing, focusing, lighting and equipment.
PHOTOGRAPHIC Apr 1984 (v.12#12) pg. 32

Environmental portraits. Tips on producing a portrait in which the environment that surrounds the subject is as important to the picture as the subject itself.
PHOTOGRAPHIC Jun 1984 (v.13#2) pg. 76

How to take portraits like a professional. Get the most from the new color print films.
PHOTOGRAPHIC Mar 1985 (v.13#11) pg. 24

Implied portraiture. How to capture the essence of a portrait by photographing silhouettes.
PHOTOGRAPHIC Apr 1985 (v.13#12) pg. 40

The art and intimacy of self-portraiture. Some tips.
PHOTOGRAPHIC Jun 1985 (v.14#2) pg. 20

Documentary portraiture. Some photographic techniques from Senator Barry Goldwater.
PHOTOGRAPHIC Oct 1985 (v.14#6) pg. 46

How to take your own passport photos.
PHOTOGRAPHIC Nov 1985 (v.14#7) pg. 37

The kid chronicles. A documentary approach to baby photography.
PHOTOGRAPHIC Nov 1985 (v.14#7) pg. 62

Photographing faces in foreign places. The technique and the etiquette of taking travel portraits.
PHOTOGRAPHIC Feb 1986 (v.14#10) pg. 30

How to photograph adolescents.
PHOTOGRAPHIC Nov 1986 (v.15#7) pg. 32

Characters. Tips on bringing out your subject's personality and energy (character) when photographing people.
PHOTOGRAPHIC Jan 1987 (v.15#9) pg. 44

Quick and easy studio portraiture. Some tips.
PHOTOGRAPHIC Mar 1987 (v.15#11) pg. 50

The power of the profile. Reviving an early 20th Century vision of portraiture. Some tips.
PHOTOGRAPHIC Jun 1987 (v.16#2) pg. 36

Comp book. Environmental portrait. Produce a portrait of a person in his working environment which illustrates the drama or uniqueness of his job or personality.
PHOTOGRAPHIC Jul 1987 (v.16#3) pg. 62

Comp book. Annual report illustration. Photograph a person in a simulated workplace and show importance and significance of their occupation.
PHOTOGRAPHIC Sep 1987 (v.16#5) pg. 70

No-fluff portraiture for an acting and modeling portfolio. Some tips.
PHOTOGRAPHIC Apr 1988 (v.16#12) pg. 12

Professional photographer explains his preference for 35mm color slide film in portrait work.
PHOTOGRAPHIC May 1988 (v.17#1) pg. 12

Tips on posing of hands in portrait photos.
PHOTOGRAPHIC Jul 1988 (v.17#3) pg. 14

Total portraiture. How to arrange and execute a series of photo sessions with talented artists, craftspeople, collectors and others with a great passion for their interests.
PHOTOGRAPHIC Sep 1988 (v.17#5) pg. 54

Portrait photographer shares his techniques in this photographic portfolio of well-known photographers.
PHOTOGRAPHIC Dec 1988 (v.17#8) pg. 22

Native portraiture. Building a relationship with your subject makes informal portaits possible when photographing in foreign countries.
PHOTOGRAPHIC Jan 1989 (v.17#9) pg. 33

Beauty is in the grain. Utilizing film grain to enhance fashion and portrait photographs.
PHOTOGRAPHIC Apr 1989 (v.17#12) pg. 24

Jonathan Exley describes his equipment, film and techniques for taking portraits of "superstars".
PHOTOGRAPHIC Jan 1990 (v.18#9) pg. 32

Stars at home. Environmental portraiture at its most glamorous. Tips on making relaxed portraits of famous people in their own homes.
PHOTOGRAPHIC Feb 1990 (v.18#10) pg. 14

Wide-angle portraiture. Tips on using the "wrong" lens to take a picture of a person and his or her environment.
PHOTOGRAPHIC Mar 1990 (v.18#11) pg. 74

Stylized portraits. Breath fresh new life into your people pictures.
PHOTOGRAPHIC Dec 1990 (v.19#8) pg. 50

Head-shots. Equipment and techniques for being successful in this unique photographic business.
PHOTOGRAPHIC Jun 1992 (v.21#2) pg. 28

Simple solutions for subjects who can't stand still. Advice on photographing children and babies.
PHOTOGRAPHIC Feb 1994 (v.22#10) pg. 38

The art of composition. A look at the four distinct points that the viewer's eye gravitate toward and the implications for the portrait photographer.
PHOTOGRAPHIC Mar 1994 (v.22#11) pg. 10

A parent's guide to photographing kids (special advertising section).
PHOTOGRAPHIC Dec 1994 (v.23#8) pg. 77

How to take great portraits with a point-and-shoot camera.
PHOTOGRAPHIC Sep 1996 (v.25#5) pg. 20

Ten easy portrait techniques.
PHOTOGRAPHIC Feb 1997 (v.25#10) pg. 50

How to take great portraits with a point-and-shoot camera.
PHOTOGRAPHIC Jan 1998 (v.26#9) pg. 16

Photographing mothers with children using a compact camera. Some tips for both portraits and candids.
PHOTOGRAPHIC May 1999 (v.28#1) pg. 56

Creating dynamic self-portraits.
PHOTOGRAPHIC Oct 1999 (v.28#6) pg. 34

The environmental portrait. How to take portraits of business leaders, politicians, artists, etc. in those settings which represent "their world".
PHOTOMETHODS Sep 1982 (v.25#9) pg. 23

The new corporate portrait. An insightful look into executive portraiture.
PHOTOMETHODS Jun 1986 (v.29#6) pg. 22

Posing stool and armrest table keep a subject comfortable during a long portrait taking session. Stool adjusts up or down to accommodate subject. Add a top to the armrest table and you have a platform for small-object photography.
POPULAR MECHANICS Nov 1974 (v.142#5) pg. 64

Tips on making acceptable ID photos for passports, permits and licenses.
POPULAR MECHANICS Nov 1976 (v.146#5) pg. 149

How to shoot flattering portraits with proven techniques and simple gear.
POPULAR MECHANICS Jul 1988 (v.165#7) pg. 95

Tips on posing, lighting, printing, and retouching to get flattering portraits.
POPULAR PHOTOGRAPHY Feb 1968 (v.62#2) pg. 16

The Hattersley Class. Suggestions an photographing babies.
POPULAR PHOTOGRAPHY Feb 1968 (v.62#2) pg. 23

Using filters, dodging, bleaching, etc. to improve the print made from a portrait negative taken on a gray day.
POPULAR PHOTOGRAPHY Feb 1968 (v.62#2) pg. 67

The Hattersley Class. Suggestions on photographing children taking a bath.
POPULAR PHOTOGRAPHY Apr 1968 (v.62#4) pg. 73

Tips on photographing children to produce natural pictures.
POPULAR PHOTOGRAPHY Jul 1970 (v.67#1) pg. 70

Using 85mm and 90mm lenses for portraiture.
POPULAR PHOTOGRAPHY Nov 1970 (v.67#5) pg. 32

Tips on making really good family pictures.
POPULAR PHOTOGRAPHY Aug 1971 (v.69#2) pg. 38

The Hattersley Class: Meaningful portraiture.
POPULAR PHOTOGRAPHY Dec 1971 (v.69#6) pg. 122

The Hattersley Class: Photographing children.
POPULAR PHOTOGRAPHY May 1972 (v.70#5) pg. 90

Requirements for passport photos and how to take your own.
POPULAR PHOTOGRAPHY Jun 1972 (v.70#6) pg. 94

Perspective in portraiture. How the focal length of the lens and the postion of the camera affect the resulting image.
POPULAR PHOTOGRAPHY Nov 1973 (v.73#5) pg. 102

Techniques to add a touch of flattery in portraits and friends. Print making tips on softening facial lines and other features which might detract from the person's image.
POPULAR PHOTOGRAPHY Jun 1974 (v.74#6) pg. 30

How to make portraits of children as a part time job, on weekends. Tips on locating jobs and taking the type of picture which sells.
POPULAR PHOTOGRAPHY Dec 1975 (v.77#6) pg. 86

Tips on photographing children.
POPULAR PHOTOGRAPHY Feb 1977 (v.80#2) pg. 115

How to take warm, caring pictures of the people in your world. How to improve your portraits of people close to you.
POPULAR PHOTOGRAPHY Mar 1977 (v.80#3) pg. 32

The Hattersley class for beginners. Try self-portraits. Learn about lighting, posing, composing and focusing by taking pictures of yourself.
POPULAR PHOTOGRAPHY Jun 1977 (v.80#6) pg. 110

The Hattersley class for beginners. Natural portraiture of children.
POPULAR PHOTOGRAPHY Nov 1978 (v.83#5) pg. 138

Put yourself on a magazine cover. Make a photographic composite of a magazine cover and a favorite portrait.
POPULAR PHOTOGRAPHY Jan 1979 (v.84#1) pg. 98

The 35mm portrait. Here's what one photojournalist can teach you about working fast, in difficult lighting situations, with all kinds of people.
POPULAR PHOTOGRAPHY Feb 1979 (v.84#2) pg. 75

How to get closer for people pictures. Moving in closer when taking pictures of people will improve your photographs.
POPULAR PHOTOGRAPHY Jun 1979 (v.84#6) pg. 112

A lesson in portraiture from a master. A look over Arnold Newman's shoulder as he photographs Dr. Francis Crick.
POPULAR PHOTOGRAPHY Dec 1979 (v.85#6) pg. 100

The Hattersley class for beginners. How to pose people for portraits.
POPULAR PHOTOGRAPHY Feb 1981 (v.88#2) pg. 72

The Hattersley class for beginners. What's in a portrait? Tips on portraying people as they feel.
POPULAR PHOTOGRAPHY Sep 1981 (v.88#9) pg. 108

Taking successful portraits with limited time.
POPULAR PHOTOGRAPHY Oct 1981 (v.88#10) pg. 108

Seven ways to take better portraits of people.
POPULAR PHOTOGRAPHY Feb 1982 (v.89#2) pg. 96

Making a good portrait requires preparation and some basic techniques.
POPULAR PHOTOGRAPHY Jul 1982 (v.89#7) pg. 12

How to control perspective when taking portraits. Part 1.
POPULAR PHOTOGRAPHY Aug 1982 (v.89#8) pg. 14

How to control perspective when taking portraits. Part 2. How to make portraits look good.
POPULAR PHOTOGRAPHY Sep 1982 (v.89#9) pg. 48

How to make great portraits of children. Some tips.
POPULAR PHOTOGRAPHY Sep 1983 (v.90#9) pg. 18

Using zoom lenses in portrait photography.
POPULAR PHOTOGRAPHY Jul 1984 (v.91#7) pg. 73

Using teleconverters in portrait photography.
POPULAR PHOTOGRAPHY Aug 1984 (v.91#8) pg. 70

Exploring the realm of self-portraiture.
POPULAR PHOTOGRAPHY Apr 1985 (v.92#4) pg. 27

Learn how to make use of various techniques so the good aspects of faces will really come through, along with character and personality.
POPULAR PHOTOGRAPHY May 1985 (v.92#5) pg. 19

Traveler's camera. Breaking the "people barrier." Tips on how, when and where to make portraits.
POPULAR PHOTOGRAPHY May 1986 (v.93#5) pg. 22

How to make striking black-and-white portraits outdoors in the sunlight.
POPULAR PHOTOGRAPHY Jul 1986 (v.93#7) pg. 50

Portrait artist tells how he photographs ordinary people using the vintage 1930s and 1940s props, costumes and hairstyles associated with Hollywood glamour photos. Lighting and camera setup are described.
POPULAR PHOTOGRAPHY Jan 1988 (v.95#1) pg. 58

Shake and shoot. Shake hands with your subject while you photograph him or her. Results in unique, relaxed portraits.
POPULAR PHOTOGRAPHY Jul 1988 (v.95#7) pg. 62

Tip on using a tinsel-topped stick when photographing cats or babies to attract their attention.
POPULAR PHOTOGRAPHY Jan 1990 (v.97#1) pg. 57

How to shoot informal group portraits.
POPULAR PHOTOGRAPHY Oct 1991 (v.98#10) pg. 49

How to photograph people. A nontechnical approach to shooting both candids and portraits of the world's most challenging subjects.
POPULAR PHOTOGRAPHY Mar 1992 (v.99#3) pg. 36

How to take head shots.
POPULAR PHOTOGRAPHY Sep 1992 (v.99#9) pg. 42

How to photograph kids. All you need to know from the grab shot to posed studio photo.
POPULAR PHOTOGRAPHY Feb 1994 (v.58#2) pg. 40

How to photograph babies.
POPULAR PHOTOGRAPHY Oct 1994 (v.58#10) pg. 45

How to reduce contrast when shooting outdoor portraits on a bright day. Tips on film, fill flash, and polarizing filters.
POPULAR PHOTOGRAPHY Oct 1994 (v.58#10) pg. 52

Six easy-to-employ portrait tips.
POPULAR PHOTOGRAPHY Jul 1995 (v.59#7) pg. 70

How to shoot your own passport photos to meet official requirements.
POPULAR PHOTOGRAPHY Sep 1996 (v.60#9) pg. 63

How to take your own portrait.
POPULAR PHOTOGRAPHY Sep 1996 (v.60#9) pg. 66

How to take better casual portraits.
POPULAR PHOTOGRAPHY Oct 1997 (v.61#10) pg. 67

Tips on photographing toddlers. Included in a profile of an amateur photographer.
POPULAR PHOTOGRAPHY Jan 1998 (v.62#1) pg. 28

Portraiture. Advice on placement of camera and subject to achieve the most pleasing result.
POPULAR PHOTOGRAPHY Sep 1999 (v.63#9) pg. 66

Six tips for better portraits. Better people pictures require only a moderate tele or zoom and a few basic guidelines.
POPULAR PHOTOGRAPHY Mar 2000 (v.64#3) pg. 44

Simple tips for pro portraits. How to make artistic and professional portraits with an SLR, a hot-shoe flash, bedsheets, cardboard and some odds and ends.
POPULAR PHOTOGRAPHY May 2000 (v.64#5) pg. 102

How to soften a "too sharp" lens when taking portraits.
POPULAR PHOTOGRAPHY Jun 2000 (v.64#6) pg. 82

Shoot your own self-portrait. Advice from a musician who prepares his own artwork for CD album covers.
POPULAR PHOTOGRAPHY Apr 2002 (v.66#4) pg. 20

Perfect portrait exposures. This black-and-white exposure system produces three "perfect" negatives by bracketing exposure and film developing time.
POPULAR PHOTOGRAPHY & IMAGING Apr 2003 (v.67#4) pg. 70

Portraiture from the heart. Intellectually planned portraits start with emotions. Michael Libutti shares his philosophy and techniques.
PROFESSIONAL PHOTOGRAPHER #2133 Feb 1990 (v.117) pg. 26

Anatomy of a portrait sale. The use of multiple slide projectors, background music, a comfortable viewing room and "creative" sales techniques result in increased sales of portrait prints.
PROFESSIONAL PHOTOGRAPHER #2133 Feb 1990 (v.117) pg. 44

1994 marketing outlook. Part 1. Profitable portrait photography trends.
PROFESSIONAL PHOTOGRAPHER #2180 Jan 1994 (v.121) pg. 31

Using gallery albums as a marketing tool in portrait studios.
PROFESSIONAL PHOTOGRAPHER #2181 Feb 1994 (v.121) pg. 36

1994 marketing outlook. Part 2. Profitable trends in photography views sets, props, pretouching and new technology.
PROFESSIONAL PHOTOGRAPHER #2181 Feb 1994 (v.121) pg. 46

"Perceived value" is a studio necessity. Portrait presentation techniques and terminology can result in increased profits. Some tips.
PROFESSIONAL PHOTOGRAPHER #2181 Feb 1994 (v.121) pg. 74

Window display for a portrait photographer uses rear-projection of slide proofs. Tips on equipment, screen, slide preparation, etc.
PROFESSIONAL PHOTOGRAPHER #2181 Feb 1994 (v.121) pg. 80

Photographing the stars. Spontaneity is the key to successful celebrity portraits.
PROFESSIONAL PHOTOGRAPHER #2183 Apr 1994 (v.121) pg. 29

Ten tips for marketing your portrait business based on value and quality.
PROFESSIONAL PHOTOGRAPHER #2183 Apr 1994 (v.121) pg. 35

From inspiration to realization. Tips for capturing your creative portraiture visions on film.
PROFESSIONAL PHOTOGRAPHER #2183 Apr 1994 (v.121) pg. 34

Legends Tour 1994. The art of making money. Famous photographers share their experience on career moves, tips to increase studio business, and lighting and photo secrets. Part 1. Al Gilbert.
PROFESSIONAL PHOTOGRAPHER #2185 Jun 1994 (v.121) pg. 26

Legends Tour 1994. The art of making money. Part 2. Monte Zucker
PROFESSIONAL PHOTOGRAPHER #2186 Jul 1994 (v.121) pg. 38

Taking portraits with emphasis on getting the subject's eyes to be the center of attention.
PROFESSIONAL PHOTOGRAPHER #2187 Aug 1994 (v.121) pg. 39

Tips on getting started in the executive portrait business.
PROFESSIONAL PHOTOGRAPHER #2187 Aug 1994 (v.121) pg. 60

Props for tots. Charming sets for endearing children's photography.
PROFESSIONAL PHOTOGRAPHER #2189 Oct 1994 (v.121) pg. 42

Reaching for the stars. Portfolio photography for models and actors. How to get started in this unique market.
PROFESSIONAL PHOTOGRAPHER #2189 Oct 1994 (v.121) pg. 78

"Peek-a-boo" sitting with Santa for children places Santa in the background and eliminates the tears which often accompany photos on Santa's knee.
PROFESSIONAL PHOTOGRAPHER #2190 Nov 1994 (v.121) pg. 44

uccess in portraiture. The pre-portrait counseling session.
RANGEFINDER Dec 1989 (v.38#12) pg. 16

Contemporary portrait techniques: Selling the modern look. Four lighting and background setups are illustrated.
RANGEFINDER Dec 1989 (v.38#12) pg. 54

Tips on creating outdoor, daylight portraits, including the use of supplemental lighting.
RANGEFINDER Feb 1990 (v.39#2) pg. 8

TV ads for portrait studios. Tips on selecting the images, writing the copy, etc.
RANGEFINDER Feb 1990 (v.39#2) pg. 12

Develop a studio blueprint for future growth. Part 1. A systematic approach in developing a strategic business plan for your studio.
RANGEFINDER Feb 1990 (v.39#2) pg. 43

The portrait planning session. Advice on educating your clients as to appropriate clothing and other items which result in the desired image.
RANGEFINDER Mar 1990 (v.39#3) pg. 32

How to change your photographic business to better attract and serve the more "socially elite" client.
RANGEFINDER Mar 1990 (v.39#3) pg. 56

Help for selling close-up (head shot) portraits by understanding the mirror-image viewing perspective in which each person sees themselves, versus how others see us.
RANGEFINDER Mar 1990 (v.39#3) pg. 64

Develop a studio blueprint for future growth. Part 2. Developing tools for a comprehensive marketing program.
RANGEFINDER Apr 1990 (v.39#4) pg. 48

How to overcome the most common objections raised concerning senior portraits.
RANGEFINDER Apr 1990 (v.39#4) pg. 72

On-location corporate portraiture. Part 1. Three different sessions are explored.
RANGEFINDER May 1990 (v.39#5) pg. 30

The art of saving the sale. How to effectively handle buyers' remorse. Tips on listening to a client's concerns and adapting the sale to fit both their budget and desires.
RANGEFINDER May 1990 (v.39#5) pg. 40

On-location corporate portraiture. Part 2. Black and white images. Three different setups are studied.
RANGEFINDER Jun 1990 (v.39#6) pg. 24

SPECIAL ISSUE: Portraiture 1990's style.
RANGEFINDER Jul 1990 (v.39#7) pg. 3

Using children's picture books to get children in the proper mood for having their portrait taken.
RANGEFINDER Jul 1990 (v.39#7) pg. 36

Promotion and how it applies to a portrait studio. Tips on photographing and displaying prints of prominent local people (such as politicians) as one method of promoting your business.
RANGEFINDER Jul 1990 (v.39#7) pg. 51

Teach your photo studio staff how to sell. Part 1. Selling senior portrait services.
RANGEFINDER Jul 1990 (v.39#7) pg. 54

Contemporary portrait techniques: Getting started. Four posing, lighting and background techniques are illustrated.
RANGEFINDER Aug 1990 (v.39#8) pg. 22

Teach your photo studio staff how to sell. Part 2. Training.
RANGEFINDER Aug 1990 (v.39#8) pg. 34

Marketing strategies to reach the market for high school senior portraits.
RANGEFINDER Aug 1990 (v.39#8) pg. 50

Senior portraits, a different perspective. Tips on getting young people to express themselves to avoid "cookie-cutter" senior pictures.
RANGEFINDER Oct 1990 (v.39#10) pg. 16

Fifteen ways to increase portrait income.
RANGEFINDER Oct 1990 (v.39#10) pg. 54

Pictorial portraits of children. Tips on the business and technique of children's portraiture.
RANGEFINDER Jan 1994 (v.43#1) pg. 27

Difficult clients. How to handle them with ease. Some tips.
RANGEFINDER Feb 1994 (v.43#2) pg. 47

Handling family group portraits, both large and small. Tips on lighting, props, backgrounds, etc.
RANGEFINDER Jun 1994 (v.43#6) pg. 28

Enlarge your advertising exposure. Using cooperative direct mail advertising to attract new portrait business.
RANGEFINDER Jun 1994 (v.43#6) pg. 36

Example of a simple written "studio policy" agreement designed to eliminate misunderstandings between a portrait photographer and his/her clients.
RANGEFINDER Jun 1994 (v.43#6) pg. 44

Creative visualization. Tips on getting mentally prepared for both a filming session and the sales presentation.
RANGEFINDER Jul 1994 (v.43#7) pg. 12

Black-and-white is back in vogue. Tips on promoting and selling b&w portraits.
RANGEFINDER Jul 1994 (v.43#7) pg. 48

Portraits of Appreciation program offered by Kodak is described. An ideal way to stimulate business during slow periods.
RANGEFINDER Aug 1994 (v.43#8) pg. 10

Avoiding the "head and shoulder syndrome" in high school seniors' portraits.
RANGEFINDER Aug 1994 (v.43#8) pg. 30

Tips for taking child portraits focus on the importance of sensitivity and patience.
RANGEFINDER Aug 1994 (v.43#8) pg. 34

Portrait grouping ideas when working with an extended family group of parents, children, grandchildren, etc.
RANGEFINDER Aug 1994 (v.43#8) pg. 40

Portrait niches. Tips on finding a niche market which a small studio can fill.
RANGEFINDER Aug 1994 (v.43#8) pg. 48

Marketing in the 1990's. How photographic businesses must emphasize customer service to survive.
RANGEFINDER Sep 1994 (v.43#9) pg. 28

Suggested questions to include in a questionnaire designed to evaluate your photographic business.
RANGEFINDER Sep 1994 (v.43#9) pg. 40

Using slide proofs (instead of paper proofs) as a way to increase portrait sales.
RANGEFINDER Sep 1994 (v.43#9) pg. 52

Photographing trick-or-treaters on Halloween evening as part of an advertising/promotional campaign which offers a complementary photo of each child.
RANGEFINDER Oct 1994 (v.43#10) pg. 58

Capture soft portraits. Twelve tips on how to capture that soft look in portraiture.
SHUTTERBUG #260 May 1992 (v.21#7) pg. 24

Taking children's portraits. Some tips.
SHUTTERBUG #260 May 1992 (v.21#7) pg. 36

High school photo shoots. Observations from a professional in this unique portrait business. Part 1. Girls.
SHUTTERBUG #266 Nov 1992 (v.22#1) pg. 38

High school photo shoots. Observations from a professional in this unique portrait business. Part 2. Boys.
SHUTTERBUG #267 Dec 1992 (v.22#2) pg. 52

Backyard group portraits made easy. Some tips.
SHUTTERBUG #277 Oct 1993 (v.22#12) pg. 44

Using a farm site as the setting for outdoor portraits. Some tips.
SHUTTERBUG #284 May 1994 (v.23#7) pg. 14

Selecting and using a zoom lens for portrait photography. Includes tip on making multiple-exposure portraits and blur portraits using the zoom capability.
SHUTTERBUG #284 May 1994 (v.23#7) pg. 30

Monte portraits. Thirteen steps used by pro photographer Monte Zucker to achieve his "signature" portraits.
SHUTTERBUG #284 May 1994 (v.23#7) pg. 38

Home portraits in black-and-white. Lesson 3. Shooting three portraits (close-up, head and shoulders, and three-quarters or full length).
SHUTTERBUG #284 May 1994 (v.23#7) pg. 120

Using zoom lenses when taking studio portraits of children. Some tips
SHUTTERBUG #285 Jun 1994 (v.23#8) pg. 22

Choosing the "perfect" film for portrait and wedding photography.
SHUTTERBUG #290 Nov 1994 (v.24#1) pg. 32

Creative group portrait ideas.
SHUTTERBUG #291 Dec 1994 (v.24#2) pg. 48

Shooting outdoor portraits during any season of the year, even in cold climates. Some tips.
SHUTTERBUG #291 Dec 1994 (v.24#2) pg. 52

Quality head shots for all occasions. Tips on camera, lighting, film, clothing, makeup, background, etc.
SHUTTERBUG #300 Sep 1995 (v.24#11) pg. 122

SPECIAL ISSUE on portraiture. Articles include (1) successful children's portraiture, (2) 1930s-1940s style portraits, (3) props and backgrounds, (4) home studio tips, and (5) on-location children's portraits.
SHUTTERBUG #301 Oct 1995 (v.24#12) pg. 14, 40, 42, 50, 60

On location gear guide for people pictures.
SHUTTERBUG #312 Sep 1996 (v.25#11) pg. 18

Real people. Add a personal touch to portraits by showing people as they see themselves, their lifestyle, etc. Some tips.
SHUTTERBUG #312 Sep 1996 (v.25#11) pg. 62

On the cheap. How to make economical 8"x10" portraits using an 8x10 camera and contact printing. Tips on equipment, film, lighting, focusing, etc.
SHUTTERBUG #312 Sep 1996 (v.25#11) pg. 186

Reach out and touch someone. Tips on taking family group photos for holiday gifts.
SHUTTERBUG #315 Dec 1996 (v.26#2) pg. 52

Travel portraiture. Pro tips and magic tricks.
SHUTTERBUG #324 Sep 1997 (v.26#11) pg. 20

Put on the best face. Basic make-up kit for portrait photographers.
SHUTTERBUG #324 Sep 1997 (v.26#11) pg. 174

Terrific textures. Using texture screens to create unique portrait prints. Includes tips on making your own screens.
SHUTTERBUG #330 Mar 1998 (v.27#5) pg. 14

Kid stuff. Tips from professionals on making portraits of children.
SHUTTERBUG #336 Sep 1998 (v.27#11) pg. 10

Groups of two. Tips on making portraits of two people.
SHUTTERBUG #336 Sep 1998 (v.27#11) pg. 14

On location portrait photography. Some tips.
SHUTTERBUG #336 Sep 1998 (v.27#11) pg. 62

Digital compositing. Creating blue screen portraits.
SHUTTERBUG #336 Sep 1998 (v.27#11) pg. 66

Child photography. Getting parent involvement is the key to good portraits of children.
SHUTTERBUG #336 Sep 1998 (v.27#11) pg. 94

Try it out on the kids. Five "rules" to improve your adult portrait skills that you can first try out on your children.
SHUTTERBUG #336 Sep 1998 (v.27#11) pg. 120

People pictures. Tips on photographing both strangers and friends.
SHUTTERBUG #336 Sep 1998 (v.27#11) pg. 206

The portrait lens. Finding the focal length which best fits your style of portrait photography.
SHUTTERBUG #342 Mar 1999 (v.28#5) pg. 130

Analyzing portraits. Using enlarger analyzers to achieve perfect skin tone densities when printing portraits.
SHUTTERBUG #342 Mar 1999 (v.28#5) pg. 222

Breaking the rules. Fresh techniques for people photography including a wider view, different angle, unconventional lighting, etc.
SHUTTERBUG #355 Apr 2000 (v.29#6) pg. 74

Taking portraits with absolutely no depth of field by shooting with the lens wide-open. Some tips.
SHUTTERBUG #358 Jul 2000 (v.29#9) pg. 108

Break the rules. 7 tips for the modern portrait photographer.
SHUTTERBUG #364 Jan 2001 (v.30#3) pg. 162

A pro's touch. Using digital image software (Photoshop 6.0) to remove an existing background from an informal portrait and replace it with a solid-color background.
SHUTTERBUG #366 Mar 2001 (v.30#5) pg. 138

Simple steps to elegant portraiture.
SHUTTERBUG #369 Jun 2001 (v.30#8) pg. 20

Using a telephoto lens for outdoor portraits.
SHUTTERBUG #370 Jul 2001 (v.30#9) pg. 20

Basic studio portraiture.
SHUTTERBUG #372 Sep 2001 (v.30#11) pg. 20

Getting skin tones right when shooting digital portraits.
SHUTTERBUG #379 Apr 2002 (v.31#6) pg. 90

How to take a family portrait with you (the photographer) also in the picture.
SHUTTERBUG #396 Sep 2003 (v.32#11) pg. 30