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POSTERIZATION (PHOTOGRAPHIC) entries in Index to How To Do It Information
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

POSTERIZATION (PHOTOGRAPHIC)
xx   COMPOSITE PHOTOGRAPHY
xx   PHOTODRAWING
xx   PHOTOGRAPHIC PRINT MAKING
xx   SPECIAL EFFECTS PHOTOGRAPHY

A study in contrasts. Adding visual interest to your photographs with litho film. High-contrast photography processes (posterization, bas relief, and tone line) which require only basic darkroom equipment. Includes a homemade copy stand for copying large transparencies onto 35mm slides.
CAMERA & DARKROOM Mar 1991 (v.13#3) pg. 34

Posterization made easy, and less expensive. Build your own registration frame and modify your enlarger to permit multiple exposures from multiple negatives. The system described is the Kodalith-registration method.
CAMERA 35 Jul 1975 (v.19#5) pg. 36

Dazzling diazo. How to create posterization color effects by making contact prints on colored diazo film. The diazo film can be sandwiched for added effect.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1984 (v.5#2) pg. 48

Sabattier effect, plus special color posterization formulas.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1984 (v.5#3) pg. 22
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1984 (v.5#5) pg. 2

Image modification. Using lithographic copy films and slide duplication films to modify images. Looks at silhouettes, neon glow effect, overlays, posterization, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1986 (v.7#2) pg. 32

A 6-step recipe for posterization.
DARKROOM PHOTOGRAPHY Mar-Apr 1979 (v.1#1) pg. 60

How to turn a black & white negative into a four color posterization using Kodaks EB-3 process to turn negatives into dye-accepting masters.
DARKROOM PHOTOGRAPHY Jul-Aug 1979 (v.1#3) pg. 56

Using Agfa TP6 Rapidoprint high-contrast graphic arts paper to get posterization-like prints.
DARKROOM PHOTOGRAPHY Mar-Apr 1980 (v.2#2) pg. 58

Color posterization. Use a simple glass registration board and strobes fitted with colored filters to make dramatic colored posterizations in the camera.
DARKROOM PHOTOGRAPHY May-Jun 1980 (v.2#3) pg. 45

Pen-and-ink posterization. Combine a continuous-tone negative with a high-contrast positive for an exciting photo graphic.
DARKROOM PHOTOGRAPHY Oct 1981 (v.3#6) pg. 66

Pin-registered negative carrier you can make yourself allows you to make first-rate posterizations.
DARKROOM PHOTOGRAPHY Jan 1983 (v.5#1) pg. 48

Use diazo film to make a multi-tone color posterization of a photograph. Requires making at least 6 tone separations from your original b&w negative or color slide onto lithographic film.
DARKROOM PHOTOGRAPHY Sep-Oct 1983 (v.5#6) pg. 62

Technique for creating B&W prints which are partially posterized and partially converted to "tone-lines".
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 55
Added Info DARKROOM PHOTOGRAPHY Jan-Feb 1985 (v.7#1) pg. 16

What is available in litho film, how to process the film, and tips on using litho film to make texture screens, posterizations, bas relief, etc.
DARKROOM PHOTOGRAPHY Nov 1984 (v.6#7) pg. 58

How to make high-impact color graphics from your original slides or negatives using the bleach/etch techniques. High contrast black-and-white photos are colored using food coloring.
DARKROOM PHOTOGRAPHY Sep 1985 (v.7#5) pg. 57

Leaving reality behind. How one photographer combines posterization with montage to create dramatic color images. Includes description of a homemade duping system which is used in connection with a Beseler 45M enlarger to form a copy camera.
DARKROOM PHOTOGRAPHY Dec 1985 (v.7#8) pg. 19

Tips on simple processing and registering techniques for high-contrast film in posterization color work.
DARKROOM PHOTOGRAPHY May-Jun 1986 (v.8#3) pg. 12

35mm color posterization made easy. Creating colorful, graphic effects with small format film using a simple registration technique.
DARKROOM PHOTOGRAPHY Nov 1986 (v.8#7) pg. 26

Making music in your darkroom. How to combine photomontage with B&W posterization.
DARKROOM PHOTOGRAPHY Dec 1987 (v.9#8) pg. 22

Color posterization. How to make a simple three tone separation onto high contrast b&w film from a color transparency and then print the result onto color negative print paper.
DARKROOM TECHNIQUES Fall 1979 pg. 15

Posterization, a form of photgraphic conversion based on tonal separation.
INDUSTRIAL PHOTOGRAPHY Nov 1970 (v.19#11) pg. 16

Posterization, a tone separation technique (also known as density masking) can be accomplished with continuous-tone negatives, a contact printer, or vacuum frame, or a photographic enlarger.
INDUSTRIAL PHOTOGRAPHY Feb 1978 (v.27#2) pg. 25

Image posterization. Part 1.
INDUSTRIAL PHOTOGRAPHY Jul 1979 (v.28#7) pg. 38

Image posterization. Part 2.
INDUSTRIAL PHOTOGRAPHY Sep 1979 (v.28#9) pg. 39

Create a wide variety of slide graphics, including pin-registered multiple exposures. All you need is a 35mm camera with macro capabilities and this $30 'black box' which you build. Use it to do slide posterizations, neon effects, etc.
INDUSTRIAL PHOTOGRAPHY Nov 1980 (v.29#11) pg. 36

The technique of semi-posterization. Uses diazo film which is available in various colors and is developed using ammonia vapor. Basically, a colored diazo mask is sandwiched with the original transparency to produce the desired effect.
PHOTOGRAPHIC May 1978 (v.7#1) pg. 44

How to use Kwik-Print materials to make color separation negatives or abstract and multicolored posterized prints.
PHOTOGRAPHIC Dec 1978 (v.7#8) pg. 42

Ingenious images. Color posterization made easier than ever.
PHOTOGRAPHIC Mar 1984 (v.12#11) pg. 34

Posterization. 3M's Color Key film lets you make B&W posterizations in a single exposure using a slide sandwich.
PHOTOGRAPHIC Sep 1984 (v.13#5) pg. 80

Simple posterization technique involves combining a series of high contrast b&w positives and negatives with color transparency film and exposing onto colored paper.
PHOTOGRAPHIC May 1985 (v.14#1) pg. 64

Playing with posterization. Part 1. How to make posterized color transparencies. Includes ideas for making your own light box, registered printing easel, processing equipment, etc.
PHOTOGRAPHIC Mar 1986 (v.14#11) pg. 56

Playing with posterization. Part 2.
PHOTOGRAPHIC Apr 1986 (v.14#12) pg. 66

Personal posterization. How to make "posterlike" images in your darkroom. Includes construction of a film holder for developing six 35mm single-frame separation lithos at one time.
PHOTOGRAPHIC Dec 1987 (v.16#8) pg. 64

Nitty gritty posterization. A cheap and easy process for producing color posterized slides without a color darkroom or special materials.
PHOTOGRAPHIC Jan 1989 (v.17#9) pg. 42

How to make colored posterizations from a single negative by using color-proofing materials. Both diazo film and 3 M's Color Key material are explored.
PHOTOMETHODS Feb 1982 (v.25#2) pg. 18

Litho: How and why. The fine art of using litho film as a background masking medium or as the source of strong graphics for posterized images.
PHOTOMETHODS Jul 1986 (v.29#7) pg. 48

The Hattersley class. Posterization, a study in beauty and ugliness. Includes instructions on making your own pin-register easel.
POPULAR PHOTOGRAPHY Dec 1975 (v.77#6) pg. 106

Creative darkroom techniques. A posterization primer.
SHUTTERBUG #337 Oct 1998 (v.27#12) pg. 66