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POSTERIZATION (PHOTOGRAPHIC) entries in Index to How To Do It Information
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A study in contrasts. Adding visual interest to your photographs with litho film. High-contrast photography processes (posterization, bas relief, and tone line) which require only basic darkroom equipment. Includes a homemade copy stand for copying large transparencies onto 35mm slides.
CAMERA & DARKROOM Mar 1991 (v.13#3) pg. 34

Posterization made easy, and less expensive. Build your own registration frame and modify your enlarger to permit multiple exposures from multiple negatives. The system described is the Kodalith-registration method.
CAMERA 35 Jul 1975 (v.19#5) pg. 36

Dazzling diazo. How to create posterization color effects by making contact prints on colored diazo film. The diazo film can be sandwiched for added effect.

Sabattier effect, plus special color posterization formulas.
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1984 (v.5#5) pg. 2

Image modification. Using lithographic copy films and slide duplication films to modify images. Looks at silhouettes, neon glow effect, overlays, posterization, etc.

A 6-step recipe for posterization.
DARKROOM PHOTOGRAPHY Mar-Apr 1979 (v.1#1) pg. 60

How to turn a black & white negative into a four color posterization using Kodaks EB-3 process to turn negatives into dye-accepting masters.
DARKROOM PHOTOGRAPHY Jul-Aug 1979 (v.1#3) pg. 56

Using Agfa TP6 Rapidoprint high-contrast graphic arts paper to get posterization-like prints.
DARKROOM PHOTOGRAPHY Mar-Apr 1980 (v.2#2) pg. 58

Color posterization. Use a simple glass registration board and strobes fitted with colored filters to make dramatic colored posterizations in the camera.
DARKROOM PHOTOGRAPHY May-Jun 1980 (v.2#3) pg. 45

Pen-and-ink posterization. Combine a continuous-tone negative with a high-contrast positive for an exciting photo graphic.
DARKROOM PHOTOGRAPHY Oct 1981 (v.3#6) pg. 66

Pin-registered negative carrier you can make yourself allows you to make first-rate posterizations.
DARKROOM PHOTOGRAPHY Jan 1983 (v.5#1) pg. 48

Use diazo film to make a multi-tone color posterization of a photograph. Requires making at least 6 tone separations from your original b&w negative or color slide onto lithographic film.
DARKROOM PHOTOGRAPHY Sep-Oct 1983 (v.5#6) pg. 62

Technique for creating B&W prints which are partially posterized and partially converted to "tone-lines".
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 55
Added Info DARKROOM PHOTOGRAPHY Jan-Feb 1985 (v.7#1) pg. 16

What is available in litho film, how to process the film, and tips on using litho film to make texture screens, posterizations, bas relief, etc.
DARKROOM PHOTOGRAPHY Nov 1984 (v.6#7) pg. 58

How to make high-impact color graphics from your original slides or negatives using the bleach/etch techniques. High contrast black-and-white photos are colored using food coloring.
DARKROOM PHOTOGRAPHY Sep 1985 (v.7#5) pg. 57

Leaving reality behind. How one photographer combines posterization with montage to create dramatic color images. Includes description of a homemade duping system which is used in connection with a Beseler 45M enlarger to form a copy camera.
DARKROOM PHOTOGRAPHY Dec 1985 (v.7#8) pg. 19

Tips on simple processing and registering techniques for high-contrast film in posterization color work.
DARKROOM PHOTOGRAPHY May-Jun 1986 (v.8#3) pg. 12

35mm color posterization made easy. Creating colorful, graphic effects with small format film using a simple registration technique.
DARKROOM PHOTOGRAPHY Nov 1986 (v.8#7) pg. 26

Making music in your darkroom. How to combine photomontage with B&W posterization.
DARKROOM PHOTOGRAPHY Dec 1987 (v.9#8) pg. 22

Color posterization. How to make a simple three tone separation onto high contrast b&w film from a color transparency and then print the result onto color negative print paper.

Posterization, a form of photgraphic conversion based on tonal separation.
INDUSTRIAL PHOTOGRAPHY Nov 1970 (v.19#11) pg. 16

Posterization, a tone separation technique (also known as density masking) can be accomplished with continuous-tone negatives, a contact printer, or vacuum frame, or a photographic enlarger.
INDUSTRIAL PHOTOGRAPHY Feb 1978 (v.27#2) pg. 25

Image posterization. Part 1.
INDUSTRIAL PHOTOGRAPHY Jul 1979 (v.28#7) pg. 38

Image posterization. Part 2.
INDUSTRIAL PHOTOGRAPHY Sep 1979 (v.28#9) pg. 39

Create a wide variety of slide graphics, including pin-registered multiple exposures. All you need is a 35mm camera with macro capabilities and this $30 'black box' which you build. Use it to do slide posterizations, neon effects, etc.
INDUSTRIAL PHOTOGRAPHY Nov 1980 (v.29#11) pg. 36

The technique of semi-posterization. Uses diazo film which is available in various colors and is developed using ammonia vapor. Basically, a colored diazo mask is sandwiched with the original transparency to produce the desired effect.
PHOTOGRAPHIC May 1978 (v.7#1) pg. 44

How to use Kwik-Print materials to make color separation negatives or abstract and multicolored posterized prints.
PHOTOGRAPHIC Dec 1978 (v.7#8) pg. 42

Ingenious images. Color posterization made easier than ever.
PHOTOGRAPHIC Mar 1984 (v.12#11) pg. 34

Posterization. 3M's Color Key film lets you make B&W posterizations in a single exposure using a slide sandwich.
PHOTOGRAPHIC Sep 1984 (v.13#5) pg. 80

Simple posterization technique involves combining a series of high contrast b&w positives and negatives with color transparency film and exposing onto colored paper.
PHOTOGRAPHIC May 1985 (v.14#1) pg. 64

Playing with posterization. Part 1. How to make posterized color transparencies. Includes ideas for making your own light box, registered printing easel, processing equipment, etc.
PHOTOGRAPHIC Mar 1986 (v.14#11) pg. 56

Playing with posterization. Part 2.
PHOTOGRAPHIC Apr 1986 (v.14#12) pg. 66

Personal posterization. How to make "posterlike" images in your darkroom. Includes construction of a film holder for developing six 35mm single-frame separation lithos at one time.
PHOTOGRAPHIC Dec 1987 (v.16#8) pg. 64

Nitty gritty posterization. A cheap and easy process for producing color posterized slides without a color darkroom or special materials.
PHOTOGRAPHIC Jan 1989 (v.17#9) pg. 42

How to make colored posterizations from a single negative by using color-proofing materials. Both diazo film and 3 M's Color Key material are explored.
PHOTOMETHODS Feb 1982 (v.25#2) pg. 18

Litho: How and why. The fine art of using litho film as a background masking medium or as the source of strong graphics for posterized images.
PHOTOMETHODS Jul 1986 (v.29#7) pg. 48

The Hattersley class. Posterization, a study in beauty and ugliness. Includes instructions on making your own pin-register easel.
POPULAR PHOTOGRAPHY Dec 1975 (v.77#6) pg. 106

Creative darkroom techniques. A posterization primer.
SHUTTERBUG #337 Oct 1998 (v.27#12) pg. 66