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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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RETOUCHING (PHOTOGRAPHIC) x SPOTTING (PHOTOGRAPHIC) xx PHOTOGRAPHY Tips on eliminating darkroom dust and spotting prints to eliminate dust spots when working with larger (4x5) negatives. Tip on using nonprescription reading glasses to help in spotting prints. Tip on bleaching out little black spots on archival prints. Using permanganate bleach to spot black spots out of b&w and color prints. Tip on making spotting dyes easier to control by using them in a "dry" mode. Retouching color slides. Color negative retouching. What photographers should know. Dye retouching method is detailed. Transparency retouching. Basic techniques reviewed. Fighting photo flaws. How to prevent or correct problems in photographic prints, negatives, mount boards, etc. Iodine/thiourea reducing (spotting) formula for prints. Tips on spotting b&w prints in order to prevent a change in color (reflectance) of the spotted print. Tip: Use a #2 pencil and the red enlarging filter to eliminate dark spots caused by pinholes in negatives. Tip: Retouch with an ordinary sharp pencil. Tip: Use a contact lens case for spotting solutions. Using potassium ferricyanide (bleach) to eliminate flare from a black & white print. How to use powder dyes (Kodak Retouching Colors) to enhance color photographs. Tip: Use water-soluble felt-tip pens to touch up white spots on b&w prints. Color-dye spotting. How to banish those awful white spots from your color prints. Tips on using the photo-oils, retouching colors and pencils originated by the John G. Marshall Company. Using the "Berg Color-Tone" line of toning and retouching chemicals. Some tips. How to do "corrective" print spotting to remove blemishes from black and white prints. Tip on using water-based retouching liquids with resin-coated papers. The acrylic alternative to color touch-up. How to use acrylic mediums when touching-up colored prints. How to prepare your prints for showing. How to spot, mount, frame and mat your photos. Complete instructions. Spotting and retouching color prints is easy. Reasonable care and the right materials work wonders. Some tips. Airbrushing: what every photographer should know about it. Airbrushing is the art of applying soft, subtle, tonal progressions through the use of compressed air or gas. Darkroom tips from a professional laboratory. Includes PVC pipe containers for film clip tests, using lipstick to retouch a contact negative, a flashlight hung from the ceiling, and a shop-built camera to make 4x5 dupe negatives from 35mm color slides. The finishing re-touch. Improving nature's imperfections through negative and print retouching. How to rescue your image. An overview of techniques and materials that will help you salvage almost any photograph. Tips on using a reducer, scratch eliminator, spotting and retouching. Spotting prints is simple and can be done quickly. The basic facts on how to do it. How to remove black spots from prints. How to retouch RC papers. Tips on retouching black & white Polaroid prints. How to spot and bleach your own color prints. Tip: Retouching RC papers is easier with a wooden toothpick rather than a brush. Tip: Use Spotone dye to correct "red eye" on color prints and slides. Tips on spotting black-and-white prints. Retouching both black and white scratch lines which appear on black-and-white prints if scratches in the negative have not been fixed. Basic darkroom. Retouching and mounting prints. How to retouch 35mm color slides. The portable viewer that lights up. Build a versatile retouching supply case that doubles as a viewer for your slides. Basic color darkroom. Retouching and mounting color prints. How to retouch large and medium format negatives. The idealized image. Etch and dye black-and-white print retouching. Getting the most out of Kodak's color retouching dyes. Tip: Use neutral eyewash solutions as a carrier for spotting and retouching dyes instead of water. How to convert a normal paper print into a "negative" for use in making other prints. The advantage of using a "paper negative" is that you can do a lot of retouching with oil paints and pencils to improve the picture. An excellent process for producing technical photographs. A systematic approach to print spotting makes it easier to deal with this necessary evil. Trouble spots. Print spotting and retouching pointers. Tip: Use an ink stick for retouching. Tips on retouching black and white negatives using Spotone. Negative retouching stand. Negative holder can be rotated. Est. cost: $5. Tips on bleaching black and white prints. Tips on using an etching knife to remove paper emulsion as one means of toning down facial lines in portraits. After etching, the paper is waxed to protect the surface. The Hattersley Class: Basic print making. The secrets of spotting and retouching black and white prints. The Hattersley class: Portrait retouching. All it takes is know-how, practice, a steady hand, plus the basic retouching materials. A review of some rather simplified, special methods of chemically retouching black & white prints. When and how to spot your color prints. The Hattersley class for beginners. How to spot and retouch black and white prints. David Vestal's photo workbook. Handout 11. Spotting prints. Tips for easier and better spotting of black-and-white prints. How to retouch color prints, or add color to black-and-white prints, using retouching colors. Both large-area and small-area retouching techniques are described and illustrated. Tip: Ordinary supermarket products have photographic uses. How to spot black-and-white prints. Idea for keeping small Spotone retouching-dye bottles from tipping over. Retouching for duffers. Fix up your flawed color prints using colored pencils and a few simple tricks. How to spot color prints. Tip on eliminating the pin-holes in black-and-white negatives which cause black spots on prints. Retouch photo hot spots with dye, oil color, pencils, or chalk. Some tips. The art of "hands-on" retouching of color negatives is described. Retouching prints and negatives. Some tips on getting started. Retouching and hand coloring materials. An overview of what is currently available. How to fix those annoying photo flaws using Mastertouch Retouching Inks. Some tips. Color in, color out. Tips on using SpotPens to color or retouch photographic prints. Retouching eyeglass glare using Photoshop. The basics of digital photo retouching. | |||||||||
Copyright © by Norman Lathrop Enterprises. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means (electronic, mechanical, print photocopying, recording or otherwise) without the prior expressed permission of Norman Lathrop Enterprises, except as permitted by law. |
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