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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

TRANSPARENCY
sa   TRANSPARENCY COMPOSITE & SANDWICH
sa   TRANSPARENCY DISPLAY & PRESENTATION
sa   TRANSPARENCY DUPLICATING
sa   TRANSPARENCY MOUNTING
sa   TRANSPARENCY PRINT MAKING
sa   TRANSPARENCY PROJECTOR & VIEWER
sa   TRANSPARENCY TITLES & GRAPHICS
x   SLIDE (PHOTOGRAPHIC)
xx   PHOTOGRAPHY

Advice from an art exhibition juror on how to produce first-class slides that can help you get into an exhibition.
ARTIST'S MAGAZINE Aug 1990 (v.7#8) pg. 56

Making slides of black-and-white pictures. Three methods noted.
CAMERA & DARKROOM May 1993 (v.15#5) pg. 5

How to make filmstrips for fun and for profit. Planning, executing and editing a filmstrip.
CAMERA 35 Jul 1975 (v.19#5) pg. 44

Simple step-by-step outline on making 8x10 color transparencies with color print film. Color enlarger, processing drum, film and chemicals are needed. Use to make pseudo stained glass windows.
CAMERA 35 Dec 1976 (v.20#9) pg. 50

Retouching color slides.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1985 (v.6#3) pg. 32

Transparency retouching. Basic techniques reviewed.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1986 (v.7#3) pg. 45

How to rescue rejected slides by dyeing and bleaching.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 62

Adding color to slides made from B&W artwork. Toning, direct color, and auto-coupling.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1988 (v.9#1) pg. 47

Controlling color balance (when taking color slides). Part 1. Neutral balance, selective absorption. Effects of exposure and filters are viewed.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1988 (v.9#3) pg. 46
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1988 (v.9#5) pg. 3

Controlling color balance (when taking color slides). Part 2. Metering, consistency, duplication.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1988 (v.9#4) pg. 26

Precise transparency exposure control method that helps compare and place subject brightness.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 48

Tips on producing continuous-tone black-and-white slides.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1994 (v.15#6) pg. 20

Tip: Convert "bad" color slides into more interesting slides by applying heat to cause the colors to change.
DARKROOM PHOTOGRAPHY Dec 1983 (v.5#8) pg. 60

Add color to your b&w transparencies. Techniques for making multicolored derivations.
DARKROOM TECHNIQUES Mar 1982 (v.3#1) pg. 18

How the Western Electric company makes motion pictures from slides.
INDUSTRIAL PHOTOGRAPHY Apr 1970 (v.19#4) pg. 61

Tips on making movies from your slides.
INDUSTRIAL PHOTOGRAPHY Mar 1972 (v.21#3) pg. 30

Think negative. Part 2. Using techniques like solarization and Sabattier effects in order to produce more interesting slides.
INDUSTRIAL PHOTOGRAPHY Sep 1974 (v.23#9) pg. 30

Guide to filmstrip production. Part 1. The forgotten medium.
INDUSTRIAL PHOTOGRAPHY May 1976 (v.25#5) pg. 22

Guide to filmstrip production. Part 2. Scripting, shooting and editing.
INDUSTRIAL PHOTOGRAPHY Jun 1976 (v.25#6) pg. 26

Guide to filmstrip production. Part 3. Bringing it all together.
INDUSTRIAL PHOTOGRAPHY Aug 1976 (v.25#8) pg. 26

How to create the "soft drop shadow" effect in color slides.
INDUSTRIAL PHOTOGRAPHY May 1986 (v.35#5) pg. 14

Tips on the various processes available for producing black-and-white slides.
INDUSTRIAL PHOTOGRAPHY May 1986 (v.35#5) pg. 23
Added Info INDUSTRIAL PHOTOGRAPHY Aug 1986 (v.35#8) pg. 14

A glossary of terms and materials used in optical slide production.
INDUSTRIAL PHOTOGRAPHY Jul 1986 (v.35#7) pg. 18

Building a library of colors for your slides. How to devise a repeatable system of available colors to incorporate into your slides. Involves the use of a dichroic colorhead.
INDUSTRIAL PHOTOGRAPHY Sep 1986 (v.35#9) pg. 24

How to create your own dramatic "star field" slides.
INDUSTRIAL PHOTOGRAPHY Feb 1987 (v.36#2) pg. 14

Black-and-white slides. A cross section of available methods for producing 35mm slides of monochrome originals and the advantages and disadvantages of each.
INDUSTRIAL PHOTOGRAPHY Nov 1991 (v.40#11) pg. 18

Tip on making "transparencies" of agate and other translucent gem materials that are suitable for use in a slide projector.
LAPIDARY JOURNAL Mar 1990 (v.43#12) pg. 77

How to shoot good color slides at home with existing light and with more controlled studio lights.
MODERN PHOTOGRAPHY Nov 1972 (v.36#11) pg. 90

Make black and white or color slides from old photographic prints by re-photographing on reversal type film, or by processing negative film as positive. Tips on lenses, lighting, film, filters and processing.
MODERN PHOTOGRAPHY Jan 1976 (v.40#1) pg. 108

Tips on getting the correct exposure when shooting color transparencies in large format cameras (4x5 and above). Save film by shooting only one shot of each scene.
MODERN PHOTOGRAPHY Apr 1979 (v.43#4) pg. 20

How to get off spot free. Tips on eliminating dust spots on slides or prints.
MODERN PHOTOGRAPHY Jun 1979 (v.43#6) pg. 104

A back-to-basics checklist for troubleshooting your (and your camera's) mistakes when shooting color slides.
MODERN PHOTOGRAPHY Sep 1984 (v.48#9) pg. 64

Making black and white slides using Kodak high speed duplicating film #2575 in the copy camera.
PHOTO METHODS FOR INDUSTRY Jan 1972 (v.15#1) pg. 43

Tip: How to keep track of the order in which film was exposed, keep notes on what is on each roll and get the film back from the processor so that the film and the notes can be matched up.
PHOTOGRAPHIC Apr 1978 (v.6#12) pg. 61

Tips on producing both positive and negative black-and-white slides.
PHOTOGRAPHIC Jul 1978 (v.7#3) pg. 76

How to increase the apparent graininess of color slides.
PHOTOGRAPHIC Jul 1978 (v.7#3) pg. 90

How to retouch 35mm color slides.
PHOTOGRAPHIC Feb 1981 (v.9#10) pg. 26

One-minute photo lab in your briefcase. A review of the Polaroid 35mm color and b&w instant slide system.
PHOTOGRAPHIC Jun 1985 (v.14#2) pg. 34

White, gray, and black. Tips from an advanced color theory class on lighting for each specific area when shooting color transparencies in the studio.
PHOTOGRAPHIC Mar 1988 (v.16#11) pg. 24

Altered images. Using a razor blade and food coloring to alter a color transparency.
PHOTOGRAPHIC Sep 1988 (v.17#5) pg. 62

An easy way to make black and white transparencies using Kodak Projector Slide Plates.
PHOTOMETHODS Sep 1974 (v.17#9) pg. 14

How to prepare black & white 35mm slides using the diazo process.
PHOTOMETHODS Apr 1976 (v.19#4) pg. 17

How to make overhead projector transparencies.
PHOTOMETHODS Feb 1979 (v.22#2) pg. 30

How to make slides that bloom, bounce and jump. Canada's Proulx Brothers share some of their methods.
PHOTOMETHODS Jul 1979 (v.22#7) pg. 46

Basic techniques for special effects slides.
PHOTOMETHODS Jan 1980 (v.23#1) pg. 36

Make instant transparencies by the diffusion transfer process using a graphic arts (process) camera.
PHOTOMETHODS Apr 1980 (v.23#4) pg. 35

Where to buy and how to use stock slides.
PHOTOMETHODS Jul 1981 (v.24#7) pg. 16

Double exposure without color shift. How to eliminate multiple color separations in slide making.
PHOTOMETHODS Jan 1984 (v.27#1) pg. 29

Controlling costs in AV (audio-visual) production. Some tips.
PHOTOMETHODS Jul 1984 (v.27#7) pg. 21

Black-and-white slides have replaced color, particularly where long-term image stability or superior resolution is required.
PHOTOMETHODS Feb 1985 (v.28#2) pg. 26

Tips on making black-and-white slides without a darkroom using Polaroid film.
PHOTOMETHODS Nov 1985 (v.28#11) pg. 15

Tip: Use Polaroid film holders as contact frames to make instant proof sheets of 35mm slides.
PHOTOMETHODS Sep 1989 (v.32#9) pg. 12

Ten ways to save bad slides including masking, duping, re-composing, etc.
POPULAR PHOTOGRAPHY Feb 1973 (v.72#2) pg. 116

Improve your chances of getting the best color transparency by bracketing your exposures.
POPULAR PHOTOGRAPHY Feb 1974 (v.74#2) pg. 92

How to turn your kid on to photography. Project 3. Color slides without a camera. How to "lift" pictures from books or magazines and make them into transparencies.
POPULAR PHOTOGRAPHY Sep 1975 (v.77#3) pg. 93

Tips on exposure considerations which must be kept in mind when a black & white photographer is also doing color transparencies.
POPULAR PHOTOGRAPHY Feb 1977 (v.80#2) pg. 12

Chrome flambe'. Heating colored slides can turn rejects into unusual and attractive manipulations.
POPULAR PHOTOGRAPHY Jun 1983 (v.90#6) pg. 36

Three ways to beat high contrast when shooting color slides. (1) Use a polarizer, (2) use fill flash, or (3) meter for the highlights.
POPULAR PHOTOGRAPHY Jun 1988 (v.95#6) pg. 14
Added Info POPULAR PHOTOGRAPHY Oct 1988 (v.95#10) pg. 78

Turn ordinary black-and-white resin-coated photos or b&w transparencies into spectacular color using the "Colorvir" or "Jaffeux" toning process from France. Includes tips on using the toners.
POPULAR PHOTOGRAPHY Mar 1995 (v.59#3) pg. 64

Experiments with Edwin Land's method of getting color out of black and white by making black and white transparencies through color filters and then projecting them superimposed on a screen with a single filter. Includes a Color Checker chart to use in the experiments.
SCIENTIFIC AMERICAN Jun 1979 (v.240#6) pg. 189

Solutions to common problems when photographing artworks to produce slides.
SHUTTLE, SPINDLE & DYEPOT #66 Spring 1986 (v.17#2) pg. 61

Slides into animation - Tips on how to turn mundane slides into action movies.
SUPER-8 FILMAKER Sep-Oct 1980 (v.8#6) pg. 46