Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

Instructions for making small wall hangings that incorporate wrap-warp weaving and crochet techniques. Some of the ornaments have mirror centers.
BETTER HOMES & GARDENS Dec 1973 (v.51#12) pg. 69, 126

Capture colorful scenes with "landscape weaving". How to make three-dimensional wall hangings inside interesting frames.
CREATIVE CRAFTS & MINIATURES #92 Apr 1983 (v.8#8) pg. 42

How to fingerweave a circular wall hanging from homespun wool.
DECORATING & CRAFT IDEAS Jul-Aug 1977 (v.8#6) pg. 18

An assortment of weaving projects for beginners includes 4 wall hangings.
DECORATING & CRAFT IDEAS Apr 1978 (v.9#3) pg. 26, 74

How to make a weighted warp weaving frame and weave a hanging that incorporates fall leaves, berries, seed pods, and twigs.
DECORATING & CRAFT IDEAS Sep 1980 (v.11#7) pg. 72

How to weave wall hangings from looms you make yourself. Instructions for "Woodland Weaving" and "Sea Foam Hanging".
GOOD HOUSEKEEPING NEEDLECRAFT Spring-Summer 1978 pg. 84, 141

Color sampler wall hanging to weave. Requires a 4-harness loom at least 15" wide. Resulting piece shows over 180 different color squares.
HANDWOVEN Fall-Winter 1979 (v.1#1) pg. 8

How to weave a tapestry hanging.
HANDWOVEN Fall-Winter 1979 (v.1#1) pg. 23, 55

"Sunrise" wall hanging with subtle color shadings is woven in overshot. Warp width: 13.5".
HANDWOVEN Sep 1981 (v.2#4) pg. 49

Woven wall hanging has overshot center panel edged with twill on four sides.
HANDWOVEN Mar-Apr 1984 (v.5#2) pg. 56, 108

Pick-up patterned double weave. Includes information on the history of the weave, suitable designs, equipment, yarns, warp preparation, threading and treadling. Also includes a pattern for a wall hanging and step by step instructions for weaving it.
HANDWOVEN Mar-Apr 1984 (v.5#2) pg. 80

Changing Seasons, a wall hanging that suggests the brilliance of New England's fall foliage. Hangings for the other three seasons also illustrated
HANDWOVEN Nov-Dec 1984 (v.5#5) pg. 61, I-15

Country overshot weave variations. Includes directions for a tablemat, pillow and wall hanging on a four shaft loom.
HANDWOVEN Sep-Oct 1985 (v.6#4) pg. 48, I-7, I-8
Correction HANDWOVEN Jan-Feb 1987 (v.8#1) pg. I-16

Storytelling in boundweave. How to design pictoral records of events using point twill. Instructions are included for (1) an eight-harness wall hanging, 23"x28", called "Salmon Derby" and (2) a British flag done in a six-harness pattern.
HANDWOVEN Mar-Apr 1986 (v.7#2) pg. 35, I-4

Unusual variations of leno. Includes instructions for leno sampler wall hanging, 19"x57", that incorporates 10 variations. Project is woven on three harnesses.
HANDWOVEN Mar-Apr 1986 (v.7#2) pg. 46, I-8

How to weave pictures in Summer-and-Winter pick-up. Includes instructions for weaving a 12"x18" wall hanging of a weaver at a loom, "Weave Truth With Trust," that is the motto of the Weavers' Guild of London. Project can be done on a four-harness loom.
HANDWOVEN Mar-Apr 1986 (v.7#2) pg. 54, I-9

Guatemalan belt weave. Includes instructions and graphs for a calendar graphic for the month of April. Photo shows 12-month calendar wall hangings.
HANDWOVEN Mar-Apr 1986 (v.7#2) pg. 68, I-14

"Blue Chest of Drawers" wall hanging is woven in monk's belt.
HANDWOVEN May-Jun 1987 (v.8#3) pg. 37, I-6
Correction HANDWOVEN Sep-Oct 1987 (v.8#4) pg. I-3

"Tin and Thread" tapestry hanging. The design, suggestive of the rolling hills of a stark winter landscape in Denmark, uses curving black lines to tie together unwoven warps and tapestry squares.
HANDWOVEN May-Jun 1987 (v.8#3) pg. 48, I-9

"Girl and Goose" wall hanging in double weave pickup.
HANDWOVEN Jan-Feb 1988 (v.9#1) pg. 51, I-6

Linen window hanging in an open plain-weave has raffia strips and small bundles of basketry reed to add texture.
HANDWOVEN Sep-Oct 1991 (v.12#4) pg. 59, 94

Triple-layered "Winter Harvest" transparency is woven with monofilament nylon. The panels (each 18"x 32") feature assorted snowflake motifs in 2/2 inlay on opposites ("Finnish" inlay) on a plain-weave ground. Finished panels are hung one in front of another from acrylic rods.
HANDWOVEN May-Jun 1994 (v.15#3) pg. 44, 83

How to weave true transparencies by using monofilament for the background warp and weft.
HANDWOVEN May-Jun 1994 (v.15#3) pg. 45

Brooks Bouquet window hanging. Rows of lacy medallions are outlined with a subtle novelty yarn and separated by dried grass stems.
HANDWOVEN May-Jun 1994 (v.15#3) pg. 61, 87

Hopi embroidery weave technique explained. "Ancient Spirits Roaming the Cliffs" wall hanging combines Hopi embroidery weave and overshot weaving.
HANDWOVEN Sep-Oct 1995 (v.16#4) pg. 52, 84

Ceremonial corn god wall hanging (6"x49"). Two-shaft tapestry includes simple geometric shapes of Rio Grande-style figures.
HANDWOVEN Mar-Apr 1996 (v.17#2) pg. 59, 87

Two wall or window hangings. (1) Hanging of random-spaced wrapped circles is 18" square. (2) Woven hanging has widely spaced warp, weft-faced blocks and lots of open space.
LADIES HOME JOURNAL NEEDLE & CRAFT Fall-Winter 1978 (v.9#1) pg. 88, 115

Two tapestry needlewoven hangings. (1) Birch trees (18"x15"). (2) Circular geometric weaving (24" diameter).
McCALLS NEEDLEWORK & CRAFTS Fall 1978 (v.23#3) pg. 138, 202

Sanctuary wall hanging is woven on a frame or tapestry loom and is worked entirely in the Soumak technique.
NEEDLECRAFT FOR TODAY Mar-Apr 1979 (v.2#2) pg. 37, 50

Wall hanging of "Spanish lace" is woven in black cotton on a table loom.
NEEDLECRAFT FOR TODAY May-Jun 1983 (v.6#3) pg. 9, 40

Warp stenciling. Weave a Valentine wall hanging.
NEEDLECRAFT FOR TODAY Jan-Feb 1984 (v.7#1) pg. 52

The Macroweave Effect. Using bars or rods as weft elements in lieu of yarn to create wall hangings and window blinds that are three-dimensional. Includes instructions for making a crossbar loom.
SHUTTLE, SPINDLE & DYEPOT #46 Spring 1981 (v.12#2) pg. 16

A color lesson for weavers. "Pond on a Summer Day" hanging uses colors that are antagonistic. Woven in a 10-harness Summer and Winter pattern.
SHUTTLE, SPINDLE & DYEPOT #54 Spring 1983 (v.14#2) pg. 76

Wire your wall hangings. Use copper tubing to reinforce woven, three-dimensional wall hangings before removing them from the loom.
SHUTTLE, SPINDLE & DYEPOT #57 Winter 1983 (v.15#1) pg. 100

Warpfaced blocks of color are woven using balanced plain weave. Includes suggestions for planning designs. Instructions for "Cross Purposes" wall hanging (32"x48") are furnished as a project to practice the technique.
SHUTTLE, SPINDLE & DYEPOT #83 Summer 1990 (v.21#3) pg. 48

Woven rainbows. Fleece is dyed in six primary colors, spun and plied into six solid color and six two-tone yarns and then woven in overshot into a "rainbow" wall hanging, 32"x48".
SPIN-OFF Summer 1989 (v.13#2) pg. 27

Corkscrew weave, a twill derivative woven into a warp face fabric. Includes instructions for (1) Corkscrew rug woven on 4 harnesses. (2) Corkscrew placemats woven on 7 harnesses. (3) Corkscrew wall hanging on 12 harnesses.
WEAVER'S JOURNAL #17 Summer 1980 (v.5#1) pg. 16

Weaving a city skyline. Wall hanging features stylized buildings in silhouette against a colored background.
WEAVER'S JOURNAL #25 Summer 1982 (v.7#1) pg. 30

"Blue beak embers" tapestry woven in clasped weft technique.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 16

Wall hanging woven in colonial overshot.
WEAVER'S JOURNAL #33 Summer 1984 (v.9#1) pg. 53

Copyright © by Norman Lathrop Enterprises. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means (electronic, mechanical, print photocopying, recording or otherwise) without the prior expressed permission of Norman Lathrop Enterprises, except as permitted by law.