Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
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The entries are in alphabetical order by magazine name and then in chronological sequence.
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Swatch collection No. 22. (1) Plaid suit or jacket fabric in an 8-shaft plain weave with an overcheck of 2/2 basket weave that intersects to form double-weave pockets. (2) Eight-shaft jacket fabric features double-weave vertical stripes in a striped plain-weave ground. (3) Six-shaft reversible coat fabric has brushed mohair on one side with vertical double-weave stripes. The other side has vertical stripes but isn't fuzzy. (4) Two-block double plain-weave coat fabric in a large check is woven on 8 shafts.
HANDWOVEN Sep-Oct 1990 (v.11#4) pg. 44, 76

Symmetrical designs. Suggestions on how to translate a design into weaving (inlay, pick-up double weave, tapestry or summer & winter blocks).
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 58

Fabrics for interiors No. 19. (1) Semisheer curtain fabric in plain weave with double-weave blocks. (2) Table runner fabric in eight-shaft double weave in two blocks. (3) Upholstery fabric in a striped plain weave. (4) Rug fabric has alternating warp- and weft-faced areas.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 32, 79

Double weave on four shafts. Basic techniques (two separate layers, tubular, interlocking, stuffed, double-width, quilting) explained.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 38

Double the pleasure. How to weave two-block, plain-weave double weave.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 48

Designing with eight-shaft double-weave blocks.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 51

A four-shaft technique for quilting two double-weave layers together.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 55

Overshot-inspired double weave on eight shafts.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 59

How to weave double weave on a rigid heddle loom.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 62

Four-shaft Finnweave and double-weave pick-up techniques are summarized.
HANDWOVEN Nov-Dec 1993 (v.14#5) pg. 45

How to weave overshot patterns as color-and-weave-effect double weave.
HANDWOVEN Jan-Feb 1994 (v.15#1) pg. 62

More dots. Eight fabrics based on four weaves that create "dots" (small areas in the cloth that are separated from each other by a ground of some other color, yarn or weave structure). (1) Color-and-weave effects. (2) Double-weave dots. (3) Dots made with floats. (4) Dots made of floats formed by supplementary warps or wefts.
HANDWOVEN May-Jun 1995 (v.16#3) pg. 80, 85

Tip suggests how to use a warp stick between layers of double weave to detect crossed threads.
HANDWOVEN Sep-Oct 1996 (v.17#4) pg. 9

Norwegian double weave on a single warp. Two versions are described. (1) A complementary-weft treadling for summer & winter woven on four shafts makes a rectangular grid. (2) "Lisbon Star", a six-shaft summer & winter draft, looks like damask when treadled with complementary wefts.
HANDWOVEN Sep-Oct 1996 (v.17#4) pg. 52, 102

Double weave pick-up. Basic instructions and a chart for weaving a double weave pick-up sampler and pincushion.
HANDWOVEN Jan-Feb 1999 (v.20#1) pg. 36, 67

A visual approach to pictorial designs in double weave pick-up without having to use a graph and count threads.
HANDWOVEN Jan-Feb 1999 (v.20#1) pg. 44

Hand-painted double weave vest fabric woven on four shafts.
HANDWOVEN Jan-Feb 1999 (v.20#1) pg. 50, 64

The magic of double weave. Exercises for weaving samples of several options (two separate layers, tubular forms , Finn weave pick up and double-width weaving.)
SHUTTLE, SPINDLE & DYEPOT #87 Summer 1991 (v.22#3) pg. 34

Double weave sampler includes ten finger-manipulated lace techniques on a solid backing.
SHUTTLE, SPINDLE & DYEPOT #101 Winter 1994-95 (v.26#1) pg. 54

An introduction to four-shaft double weave. Basic instructions, tie-up, four basic forms of cloth and a discussion of warp color choices. Two sample projects are included, a ruana and a tubular pillow.
SHUTTLE, SPINDLE & DYEPOT #117 Winter 1998-99 (v.30#1) pg. 48

Dolled up with double weave. How to double-weave a cloth doll on a four-shaft loom.
SHUTTLE, SPINDLE & DYEPOT #118 Spring 1999 (v.30#2) pg. 43

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