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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

WEAVING -- SUMMER & WINTER
x   SUMMER & WINTER WEAVE
xx   WEAVING

Adapting Jacob Angstadt's weaving patterns to eight-shaft looms. Describes how summer & winter and Bronson lace block weaves can be used as substitutes for multiblock twills.
HANDWOVEN Nov-Dec 1990 (v.11#5) pg. 57
Added Info HANDWOVEN Jan-Feb 1991 (v.12#1) pg. 8

Summer & winter weave. How to coax four blocks from four shafts.
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 45

Polychrome summer & winter weaves in which two pattern wefts are used.
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 51

Designing in blocks for summer and winter. Diagrams show how to create patterns for four, eight and 16-shafts.
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 56

Symmetrical designs. Suggestions on how to translate a design into weaving (inlay, pick-up double weave, tapestry or summer & winter blocks).
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 58

An explanation of the weave structure of single three-tie unit weave, a structure closely related to summer & winter.
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 61

Swatch collection No. 25. (1) Fabric for a striped jacket in a 3/1 twill woven on four-shafts. (2) Reversible skirt or jacket checked fabric woven in summer & winter pattern. (3) Asymmetrically striped fabric for a dress or shirt with white stripes against a twill background. (4) Tattersall check fabric woven on six shafts.
HANDWOVEN Mar-Apr 1992 (v.13#2) pg. 36, 80
Correction HANDWOVEN May-Jun 1992 (v.13#3) pg. 79

Fabrics for Interiors No. 19, Striped fabrics in rich colors for a bedroom are all woven on four shafts. (1) Pillowcase fabric in plain weave with a chenille honeycomb border. (2) Duvet or comforter cover in plain weave with heavy warp accent threads. (3) Accent fabric for pillow shams, draperies, dust ruffle or upholstery in a summer & winter threading chenille blocks of texture on the border. (4) Upholstery fabric uses chenille in a traditional summer & winter pattern.
HANDWOVEN Nov-Dec 1992 (v.13#5) pg. 52, 87

Dress fabric is woven in eight-shaft summer & winter polychrome. A metallic yarn weft is used to create vertical stripes and leaf motif border.
HANDWOVEN Nov-Dec 1993 (v.14#5) pg. 50, 86

Fabrics for interiors No.21, all based on traditional four-shaft weaves. (1) Cotton toweling in M's & O's. (2) Cotton toweling in a reverse skip twill. (3) Carpeting fabric in Summer & Winter weave structure. (4) Plain-weave, warp faced carpeting.
HANDWOVEN Nov-Dec 1993 (v.14#5) pg. 74, 91
Correction HANDWOVEN Mar-Apr 1994 (v.15#2) pg. 79

How to redesign a summer & winter pattern to fit a loom with fewer shafts. Shows an adaptation of "paper dolls" pattern.
HANDWOVEN May-Jun 1996 (v.17#3) pg. 73

Norwegian double weave on a single warp. Two versions are described. (1) A complementary-weft treadling for summer & winter woven on four shafts makes a rectangular grid. (2) "Lisbon Star", a six-shaft summer & winter draft, looks like damask when treadled with complementary wefts.
HANDWOVEN Sep-Oct 1996 (v.17#4) pg. 52, 102

Summer & winter vest fabric woven on seven shafts using an interplay between mercerized and unmercerized black cotton to create a subdued background pattern. Geometric patterns are created by inlays of pearl cotton in bright colors.
HANDWOVEN May-Jun 1998 (v.19#3) pg. 43, 104

A summer & winter sampler with textural variations produced by variations in treadling.
HANDWOVEN May-Jun 1998 (v.19#3) pg. 54

How to weave Snail's Trails and Cat's Tracks overshot patterns in a polychrome summer & winter weave structure. Includes profile drafts, threading and treadling units.
HANDWOVEN May-Jun 1998 (v.19#3) pg. 71

Summer-and-Winter weave structure. Its history, an explanation of the weave, and suggestions on warp and weft yarns. Profile draft and treadlings for the Pine Tree and Snowball pattern given, along with treadling variations.
SHUTTLE, SPINDLE & DYEPOT #109 Winter 1996-97 (v.28#1) pg. 51