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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

CARVING DESIGNS & PATTERNS
xx   CARVING
xx   DESIGNS & PATTERNS

Oversize wooden arrow fits through the neck of a bottle. The point is inside and the fins are outside.
BOYS' LIFE Oct 1982 (v.72#10) pg. 44

How to carve a Tudor rosette (a six-petalled flower head used to decorate woodwork).
CANADIAN HOME WORKSHOP Feb 2000 (v.23#4) pg. 18

Compositions in wood. The basics of woodcarving. A brief description of eight of the most common methods used. Guidelines on composition, balance, shape, tension, framing and horizon.
CANADIAN WORKSHOP Dec 1992 (v.16#3) pg. 25

Decorative designs for carving on furniture. Tips on drawing your own designs.
CHIP CHATS Mar-Apr 1990 (v.37#2) pg. 56

Design and tips for carving a miniature work boot.
CHIP CHATS Jul-Aug 1990 (v.37#4) pg. 80

Four ways to enlarge or reduce a pattern for carving.
CHIP CHATS Jan-Feb 1991 (v.38#1) pg. 30

Tip explains how to transfer a photocopy of a pattern to be carved onto wood.
CHIP CHATS Sep-Oct 1991 (v.38#5) pg. 23

Pattern and instructions for carving a Viking ship prow (10"x14") based on a Norwegian drawing made in 1885.
CHIP CHATS Jan-Feb 1992 (v.39#1) pg. 22

Aid to relief carving. How to use a slide projector to trace a pattern for relief woodcarving of a house.
CHIP CHATS Jul-Aug 1992 (v.39#4) pg. 70

A survey of carving being done in the Siberian region of Russia. Includes front and profile sketches of 15 figures to carve.
CHIP CHATS Jul-Aug 1993 (v.40#4) pg. 22

Woodcarving along the Danube River in Europe. Includes two-view patterns for several figurines, a drinking cup, a loving spoon, and two small boxes.
CHIP CHATS Jan-Feb 1994 (v.41#1) pg. 65

How to carve anything you wish. Learning how to draw is the most important step in visualizing what you want to carve.
CHIP CHATS Mar-Apr 1994 (v.41#2) pg. 26

Heat-iron pattern transfer techniques using copy machine prints of a pattern.
CHIP CHATS Mar-Apr 1995 (v.42#2) pg. 34

Tip on making relief carvings of the endless interlaced ribbon patterns favored by the Celts.
CHIP CHATS May-Jun 1996 (v.43#3) pg. 89

Four-view pattern for carving a miniature chainsaw.
CHIP CHATS Jul-Aug 1996 (v.43#4) pg. 77

How to come up with design ideas for relief carving. Advice on where to look for ideas.
CHIP CHATS Jul-Aug 1996 (v.43#4) pg. 109

Techniques for basic decorative design of woodcarvings. Part 1. How to create symmetrical patterns in segments using "C" and "S" scroll elements.
CHIP CHATS Mar-Apr 1997 (v.44#2) pg. 108

Roses and scrollwork relief carving pattern.
CHIP CHATS Mar-Apr 1997 (v.44#2) pg. 148

Techniques for basic decorative design of woodcarvings. Part 2. Parchment scrolls as a design element.
CHIP CHATS May-Jun 1997 (v.44#3) pg. 54

Fireman's boot woodcarving pattern.
CHIP CHATS Jul-Aug 1997 (v.44#4) pg. 16

Techniques for basic decorative design of woodcarvings. Part 3. Stretcher elements and background treatments.
CHIP CHATS Jul-Aug 1997 (v.44#4) pg. 80

Techniques for basic decorative design of woodcarvings. Part 4. Objectives to follow when putting a design together.
CHIP CHATS Sep-Oct 1997 (v.44#5) pg. 133

Leaf Northwind pattern.
CHIP CHATS Jul-Aug 1998 (v.45#4) pg. 140

Roman cornice. Pattern for a mythical animal features a bird's head, clawed hands, human-like arms, wings, and fish tail (which merges into a leaf motif).
CHIP CHATS Mar-Apr 1999 (v.46#2) pg. 164

Sketch of a fluted shell design suitable for carving.
CHIP CHATS Jan-Feb 2000 (v.47#1) pg. 140

A box for Jackie. Tips on adapting and personalizing a pattern for chip carving on a basswood jewelry box. Includes carving tips.
CHIP CHATS Sep-Oct 2000 (v.47#5) pg. 96

Sketch of an ornate scroll which forms a carved decoration on the corner of a picture frame.
CHIP CHATS Jan-Feb 2001 (v.48#1) pg. 164

Carving design decisions. Questions which a woodcarver should answer before he begins a sculpture in wood.
FINE WOODWORKING #1 Winter 1975 pg. 28

Gothic tracery. Working with intriguing medieval designs in doing wood panels, table tops, stretchers, etc. Tips on tracing the design and then carving out the panels.
FINE WOODWORKING #5 Winter 1976 pg. 44

How to draw and carve the decorative fans which are a part of Queen Anne, Georgian and Chippendale furniture.
FINE WOODWORKING #7 Summer 1977 pg. 60

Cockleshell. Giant carving gives a corner cupboard "class". One-fourth of a hollow sphere over 17" in radius is built up from laminated layers of wood. It is then hand carved to form a giant cockleshell pattern which enhances the top shelf of an elegant corner cupboard.
FINE WOODWORKING #12 Sep 1978 pg. 74

How to design, laminate and carve the apparently complex fan and shell carvings on heirloom furniture.
FINE WOODWORKING #15 Mar-Apr 1979 pg. 76

Tips from a London carving shop. The secret to carving scrolls, foliage and other ornaments on furniture is a good working drawing. Five-step approach to carving an ornate frame for a wall mirror is illustrated.
FINE WOODWORKING #50 Jan-Feb 1985 pg. 60

Crowning glory. Hand carving pineapple and flame finials like those found on 18th-century furniture.
FINE WOODWORKING #57 Mar-Apr 1986 pg. 36

Carving a scallop shell, a popular detail on English and Colonial furniture throughout the 18th century.
FINE WOODWORKING #61 Nov-Dec 1986 pg. 47

Tip on using masking tape and a soft pencil to transfer a carving pattern from the original.
FINE WOODWORKING #90 Sep-Oct 1991 pg. 12

How to make a basic parchment-fold panel, the simplest form of linenfold carving. This was developed by medieval Gothic joiners to decorate the panels of doors, cabinets, and wainscoting.
FINE WOODWORKING #136 May-Jun 1999 pg. 100

Carving the classic Newport shell motif often found on Newport furniture in the 18th century.
FINE WOODWORKING #138 Sep-Oct 1999 pg. 112

Making 'moon faces' is an interesting beginners carving project. Use them on necklaces, key chains, etc.
INDUSTRIAL EDUCATION Sep 1980 (v.69#6) pg. 26

How to carve a pretzel.
NATIONAL CARVERS REVIEW Aug 1977 (v.8#3) pg. 7

How to put the arrow through a stump. A solid wooden arrow with a point and feathers larger than the hole in another piece through which it is passes. This article tells how to pass the arrow through the smaller hole.
NATIONAL CARVERS REVIEW Nov 1977 (v.8#4) pg. 34
Added Info NATIONAL CARVERS REVIEW Spring-Summer 1978 (v.9#2) pg. 4

Whittling three interlocked rings from a single block of wood.
NATIONAL CARVERS REVIEW Feb 1978 (v.9#1) pg. 16

High-button shoe pattern shows front, back, and two side views.
NATIONAL CARVERS REVIEW Fall-Winter 1978 (v.9#4) pg. 6

The bookworm. A front and side profile.
NATIONAL CARVERS REVIEW Fall-Winter 1978 (v.9#4) pg. 36

Pattern for a "gnome" with hands in his pocket. Carve from pine or basswood.
NATIONAL CARVERS REVIEW Spring 1979 (v.10#1) pg. 6

Tip: An irregular shaped block of wood, carved with miscellaneous patterns and featuring a tag reading "You MAY handle this" will liven up a carving show.
NATIONAL CARVERS REVIEW Spring 1979 (v.10#1) pg. 13

How to incorporate the grain pattern of wood into the finished design. Some tips.
NATIONAL CARVERS REVIEW Spring 1979 (v.10#1) pg. 14

Fun with a jackknife. (1) Whittle a wooden chain connected to a wooden cage with a round ball inside. (2) Whittle a pair of wooden scissors or wooden pliers. (3) Whittle a bird in a bird cage.
NATIONAL CARVERS REVIEW Spring-Summer 1979 (v.10#2) pg. 6

A variation on the "ball-in-cage" whittling. This one features a wheel and axle that rolls back and forth inside a cage. Carved from a single piece of wood about 5" long and 1" square.
NATIONAL CARVERS REVIEW Winter 1979 (v.10#4) pg. 14

Pattern for a beautiful mantlepiece display features a stylized carved sailboat mounted on a wood base with a background in the shape of a billowing cloud.
NATIONAL CARVERS REVIEW Winter 1979 (v.10#4) pg. 20

Carve a shoe with the toe worn out and five toes exposed to view.
NATIONAL CARVERS REVIEW Winter 1979 (v.10#4) pg. 27

Step-by-step instructions on how to carve a gable-end shell ornament and how to build a gable fan.
OLD-HOUSE JOURNAL May-Jun 1989 (v.17#3) pg. 27

Three wood-carved novelty dolls. (1) A pipe smoking man incense burner. (2) "Otto the Drunk", a liquor bottle cap which "drinks" from a wine bottle. (3) "Fritz and Frieda" bottle stopper. They kiss when lever is pulled.
POPULAR MECHANICS Jan 1966 (v.125#1) pg. 164

Beginner's relief carving project. Pattern and instructions for carving a design which incorporates a grapevine and wine glass.
POPULAR WOODWORKING #45 Oct 1988 (v.8#3) pg. 48

Two-point perspective for relief carving. Part 1. How to develop a pattern that uses shadow and optical illusion to portray the fullness of the subject matter. Includes a pattern for a California fishing boat.
POPULAR WOODWORKING #52 Jan 1990 (v.9#4) pg. 72

Two-point perspective for relief carving. Part 2. Techniques of foreshortening and three-dimensional depth perspective.
POPULAR WOODWORKING #53 Mar 1990 (v.9#5) pg. 76

Two-point perspective for relief carving. Part 3. Carving a California fishing boat.
POPULAR WOODWORKING #54 May 1990 (v.9#6) pg. 77

Step-by-step relief carving of a grape and leaf design is illustrated.
WOOD MAGAZINE #27 Feb 1989 (v.6#1) pg. 36
Added Info WOOD MAGAZINE #28 Apr 1989 (v.6#2) pg. 11
Added Info WOOD MAGAZINE #30 Aug 1989 (v.6#4) pg. 10

Pattern and tips for carving a pair of miniature cowboy boots.
WOOD MAGAZINE #28 Apr 1989 (v.6#2) pg. 72

Tips on learning to draw your own woodcarving patterns, even if you are not "artistically inclined."
WOODCARVING #8 Mar-Apr 1994 pg. 6

Drawing as preparation for carving in the round. Learning to sketch will improve your woodcarvings.
WOODCARVING #9 May-Jun 1994 pg. 70

Drawing power. Advice on learning how to draw well enough to produce the patterns needed in woodcarving.
WOODCARVING #15 Apr 1995 pg. 28

Relief patterns. Hints on creating patterns for relief carving. Also includes instructions for making and using a pantograph.
WOODCARVING #16 May 1995 pg. 18

A model example. Tips on making a clay model of a 3-D carving project prior to starting.
WOODCARVING #17 Jun 1995 pg. 61

Simple jig for tracing around a three-dimensional object (such as a small sculpture) in order to produce an outline (pattern) for carving a reproduction.
WOODCARVING #19 Sep 1995 pg. 5

Cartoon characters. John Marshall explains how he transfers his drawings of comic figures to wood.
WOODCARVING #23 Jan-Feb 1996 pg. 32

Tip suggests how to use the grain structure of wood to make and highlight a carving design.
WOODCARVING #29 Sep 1996 pg. 5

Research, your best tool. How vital research is the best tool when carving bird and animal figures, both lifelike and stylized. Part 1.
WOODCARVING #40 Mar-Apr 1998 pg. 25

Research, your best tool. How vital research is the best tool when carving bird and animal figures, both lifelike and stylized. Part 2. Where to go for specimens and samples.
WOODCARVING #41 May-Jun 1998 pg. 25

Making maquettes (a small model of a planned sculpture). Part 1. Materials for making maquettes.
WOODCARVING #42 Jul-Aug 1998 pg. 68

Making maquettes (a small model of a planned sculpture). Part 2. How to make plaster casts and molds to simulate the finished carving.
WOODCARVING #43 Sep 1998 pg. 62

Tip on using an inexpensive opague projector, mounted on the ceiling, to continuously project the carving pattern directly on the work piece.
WOODCARVING #49 Jul-Aug 1999 pg. 57

Pattern for carving the acanthus leaf, one of the most consistent motifs of decoration in the history of art and architecture.
WOODWORKER #1080 Nov 1983 (v.87) pg. 702

Zigzags, chevrons and billets. A survey of the bold and uncomplicated motifs of England's earliest carvers.
WOODWORKER #1085 Apr 1984 (v.88) pg. 234

Carving a thunderbird panel. Adapted from the woodworking culture of America's northwestern Indians.
WOODWORKER #1089 Aug 1984 (v.88) pg. 496

Terracotta angels. A Victorian pattern for the woodcarver.
WOODWORKER #1090 Sep 1984 (v.88) pg. 601

How to relief-carve the Tudor rose symbol.
WOODWORKER Nov 1987 (v.91#11) pg. 996

Wooden panel features a religious carving of a lamb and cross.
WOODWORKER Dec 1989 (v.93#12) pg. 1182

Incised carving creates a decorative wheat pattern.
WOODWORKER'S JOURNAL Jul-Aug 1987 (v.11#4) pg. 22

Carved pineapple is a traditional symbol of hospitality in New England. A good relief-carving project.
WOODWORKER'S JOURNAL Sep-Oct 1990 (v.14#5) pg. 50

Linenfold carving. Using planes and chisels to replicate ecclesiastical woodcarvings designed to duplicate the pattern formed by draped altar cloths.
WOODWORKER'S JOURNAL Nov-Dec 1992 (v.16#6) pg. 28

Hand carved knife and ladle.
WORKBENCH May-Jun 1964 (v.20#3) pg. 28

How to carve "pierced" wood panels. Patterns for grape vine and wheat stalk included.
WORKBENCH Jul-Aug 1970 (v.26#4) pg. 16