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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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PHOTOGRAPHIC FILM PROCESSING (COLOR) sa PHOTOGRAPHIC FILM DEVELOPER (COLOR) xx PHOTOGRAPHIC FILM (COLOR) xx PHOTOGRAPHIC FILM PROCESSING Processing astroslides yourself. How to use E-6 slide processing kits to process your own color slides. Do-it-yourself color slide processing for astrophotos using the E-6 process (Ektachrome, Agfachrome, Fujichrome). Tip on reducing development temperature in E-6 processing of Ektachrome Duplicating Film in order to reduce contrast. Two tips for Kodak processing. (1) Prepaid mailers will often be sent to Kodak by your local camera store, thus saving you postage. (2) Photograph your name and address on the first frame of slide film to avoid accidental loss. Basic color course. How to process your own color film and make your own color prints. Part 1. Basic theory of color image formation in negatives and transparencies. Basic color course. Part 4. Choosing the right darkroom system for processing your own color negatives or slides. Basic color course. Part 5. The secret of color film processing is following instructions with precision. Photochemistry VII. Color reversal processes. Part 2. Photochemistry VII. Color reversal processes. Part 3. Color slide film sensitometry and effects of push processing. How to use the Edwal Correct-A-Chrome Kit to rescue a Kodachrome slide which is badly underexposed. How to fine tune your development of Kodacolor and Fujicolor color negative films. How to push-process Kodacolor and Fujicolor negative films. Experiments with E-6 film processing. Questions and answers concerning E-6, C-41, and Ektaprint-2 color processing. Processing E-4 films in E-6 chemistry. C-41 rinse saves bleach. How to make bleach last a year or more by rinsing film between C-41 developer and bleach. Tip: How to salvage film exhibiting the "cyan-leuco dye" condition. E-6 contrast control. How to apply the conventional Zone System approach to exposure of transparency film. Requires modification of both exposure and processing times. Discussion of "room temperature" versus 100-degrees F for color film processing. Processing experiments with E-6 films. Modified chemistries produce excellent negatives. Impact of lengthening bleach time when processing color film. Effect of bleaching on the masking layers in a color negative film. Tip on preventing heavy red cast (cyan leucodye) when processing color slide films. How to salvage color negative film which missed the bleach step. Tips on salvaging E-6 color transparency that was in the reversal bath for too short a time. Advice on processing multiple rolls of Vericolor Film in the same (reused) chemistry. Previsualizing color. No-Mask Cibachrome contrast control. Techniques for custom color reversal exposure and development to produce a transparency designed for printing with Cibachrome. Part 1. Film tests to provide corrected exposure index and measurable changes in contrast for different first-developer times. Previsualising color. No-Mask Cibachrome contrast control. Part 2. Determining the contrast range required for the print material. Previsualizing color. No-Mask Cibachrome contrast control. Part 3. A highlight-based exposure system to ensure accurate subject exposure. Applying contrast control techniques when processing color negative films. How to conduct a series of control tests which compare in-house and custom lab C-41 processing of film. Basic approach to crossover detection and reduction in the color film development process. Tips on cross-processing Ektachrome film in color-negative chemicals. Processing infrared slides as negatives by adding a prehardener to the C-41 process. Determining if inadequate bleaching is causing higher negative density than desired. Pushing the ASA of your color film can greatly expand your low-light shooting flexibility, if you know the limits. Some tips. Developing color negatives at home. Easy E-6. What you need to know to process color slide film using the E-6 (Ektachrome) process. Tips on using the "Hobby-Pacs" from Kodak to process color film and color prints. Control strips. How to make and use pre-exposed control strips for use in checking your color processing equipment and/or techniques. Test results on push processing of color negative films. Tip on developing C-41 process film without prewetting. The Kodachrome process. A description of the film layers and the sixteen-step development process. Film acceleration. A procedure that can be used to give more grain than the ordinary amount produced by push-processing a fast color-negative film. Using this technique, any photographer can create images in the visual style of Seurat. Fujichrome professional update. A look at the color-balance problems affecting Fujichrome professional reversal film and/or professional E-6 process laboratories. A user prepared color negative developer and processing procedure for Kodacolor II and Vericolor II films. Semi-official Kodak C-41 process for processing Kodacolor II, Vericolor II and Kodacolor 400 films. Includes formulas and time/temperature chart. Ektachrome E-6 tricks and processing. How to load and process your own Ektachrome film. No-worry push processing works for color films. How to use hydrogen peroxide technique on Ektachrome film. New push and pull processing information for Kodak Ektachrome films. Computer program written in BASIC calculates the amount of replenishment to add to E-6 color slide chemicals based on the number of rolls or sheets of various size film which have been processed. Breaking the speed barrier. Push and pull processing of E-6 process ISO 400 color reversal films. Results of testing 17 different films. Processing on the road. Put together a simple "portable darkroom" to process Ektachrome on location. Becoming creative with color films. (1) Process E-6 film in C-41 chemistry to change the colors. (2) Solarization of E-6 film. (3) Increasing graininess. Processing control strips, the key to laboratory quality. The use of E-6 process control strips as the simplest means of maintaining processing quality. A second chance for slides. Advice on using the Colorbrite brand of pre-mixed color slide density and color reducers. Clip (snip) testing of color slide films. How to make a simple template for cutting off a few frames of exposed film, protect the balance of the film from fogging, and process the test strip prior to processing the entire roll of film. Process management (quality control) advice for E-6 processing laboratories. Clip test for greater accuracy. An old concept that is still the best technique for saving color-filming assignments that are next to impossible to reshoot for technical or financial reasons. Avoiding E-6 pitfalls. Tips on being aggressive about preventing problems. How to develop slides at home without a darkroom. A look at the Cibachrome process and Ciba's $24 Discovery Kit. Tips on processing your own color film. Tips on loading stainless steel wire reels and developing your own color negatives or transparency film. Tips on push processing of color films when you process yourself. A review of Unichrome, an all-liquid chemistry for processing any color transparency except Kodachrome. Tips on using the chemicals and the accompanying instruction sheets. Stretch your eyes. Part 1. Regain some enthusiasm for taking color pictures by experimenting with new colors created by pushing conventional user-processed positive transparency films. Stretch your eyes. Part 2. Experimenting with new color combinations. How far can you push E-6 processed Ektachrome. Tips on processing your own pushed film and the results are illustrated in color photos. Tips on why you can get dark images when doing your own E-6 processing of color slides. First aid for ailing slides. Color error, exposure goofs, and processing faults can often be cured using chemicals sold under the name Sav-A-Chrome or Colorbrite. These are bleaches which will correct for under exposure as well as color balance problems. Tips on their use. Results of push processing Kodachrome 25 and 64 at EI 2000. How to save a roll of color film that has been shot at the wrong ASA by running a "clip test" to determine correct time of development and push-processing that might be needed. How to determine the cause of low-contrast E-6 transparencies with a green cast when doing your own color processing. Third annual survey of color processing labs looks at the level of photofinishing quality. How to perform a "clip test" on Ektachrome film which you process yourself. You process a short length of the roll and then determine how much to push or pull the processing of the remainder. How to process Ektachrome slide film to produce a negative suitable for making black-and-white prints. Tips on processing Ektachrome film in the home darkroom using the E-6 process. Kodak's Hobby-Pac color slide processing kits are compared with laboratory processing. Pull-processing (underdevelopment) of color slide films. How and when to use this technique. Tips on controlling time and temperature when home-processing color film. Automatic processing is the key to consistently good results when processing color slides. Comments on the importance of automatic temperature control and automated agitation. Processing E-6 (Ektachrome or equivalent) film at home is as easy as black-and-white film processing. Step by step instructions using Unicolor chemicals. Includes chart for push- and pull-processing. Basic color darkroom. Processing color film. Tips on using the Edwal "Correct-A-Chrome" kit to save underexposed Kodachromes. Advice on the purpose of push- and pull-processing of color film. A color reversal film speed system. How to determine accurate speed values with "pushed" exposures. Uses a method developed by NASA. Do-it-yourself color processing. One photographer describes how he does his own E-6 slide film processing in less time than it would take to deliver the film to a commercial laboratory. Includes tips on equipment, technique, chemicals and mounting the finished slides. One photographer's portable lab for quality processing of E-6 color film in a very remote location. How and when to work with a custom color lab to have a "clip test" performed. Tips on improving consistency when processing E6 films using a small drum system. How to save underexposed slides by using chemical color reducers. Color processing, anytime, anywhere. A description of what is needed and even tips on processing while traveling. Tips on how and why to use the standard negative or transparency manufactured by Kodak (called a Shirley) in establishing your own color processing and color printing procedures. Why and how to process your own E-6 (Ektachrome) color slides. Why you should process your own color films and make your own color prints. A comparison of the results from processing Kodak Ektachrome slide film in 4 different E-6 processing kits (Kodak, Beseler and Unicolor). How to process color-negative film using the C-41 processing kit. How to use Kodak's C-41 control strips to test your own color-negative film processing. Tips on using Kodak's new easy-to-mix all-liquid E-6 color film processing kit. The three basic color-film processing-agitation techniques. How to process E-6 color slides to get better-quality results, push film speed, get it done quickly, and save money. Push processing primer. What to do when you need more speed than your film's ISO rating allows. Tips for color slide, color negative, and b&w film. Push processing of color negative film. A look at the pros and cons. Ringing the changes. How to test color slide films and processing labs for consistency. How to choose and use custom color labs. Daylight Slide Polerization, a technique for creating special effect slides with the bold colors of a posterized print, the tone reversals of a solarized print, and the edge enchancments (Mackie lines) of the Sabattier Effect. Requires that you develop your own E-6 process color slide film. Cross processing of color slide film in chemicals usually used to develop color negatives results in unique images. Tips for developing your own Ektachrome-X or high-speed Ektachrome color film using the Kodak E-4 kit. Up to 24 rolls of 35mm film can be processed for about $12. Seven steps to selecting a professional photography lab. E-6 (Ektachrome color slide) processing in home labs. An overview of the available options and advice on techniques. Processing Kodak's E-6 films. Some advice. Crossover in E-6 films. How to avoid crossover problems when processing E-6 color-slide films. A look at the importance of pH and specific gravity values in color developers. Processing C-41 color negative film at home. Cross-processing fun. Putting slide film in negative chemicals and vice versa. E-6 color slide processing for beginners. Processing medium format C-41 film. | |||||||||
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