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PHOTOGRAPHIC FILM PROCESSING (COLOR) entries in Index to How To Do It Information
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC FILM PROCESSING (COLOR)
sa   PHOTOGRAPHIC FILM DEVELOPER (COLOR)
xx   PHOTOGRAPHIC FILM (COLOR)
xx   PHOTOGRAPHIC FILM PROCESSING

Processing astroslides yourself. How to use E-6 slide processing kits to process your own color slides.
ASTRONOMY Sep 1986 (v.14#9) pg. 102

Do-it-yourself color slide processing for astrophotos using the E-6 process (Ektachrome, Agfachrome, Fujichrome).
ASTRONOMY Sep 1988 (v.16#9) pg. 84

Tip on reducing development temperature in E-6 processing of Ektachrome Duplicating Film in order to reduce contrast.
CAMERA & DARKROOM Jan 1993 (v.15#1) pg. 8

Two tips for Kodak processing. (1) Prepaid mailers will often be sent to Kodak by your local camera store, thus saving you postage. (2) Photograph your name and address on the first frame of slide film to avoid accidental loss.
CAMERA 35 Dec 1977 (v.21#11) pg. 26

Basic color course. How to process your own color film and make your own color prints. Part 1. Basic theory of color image formation in negatives and transparencies.
CAMERA 35 Jun 1978 (v.23#5) pg. 44

Basic color course. Part 4. Choosing the right darkroom system for processing your own color negatives or slides.
CAMERA 35 Oct 1978 (v.23#9) pg. 62

Basic color course. Part 5. The secret of color film processing is following instructions with precision.
CAMERA 35 Nov 1978 (v.23#10) pg. 34

Photochemistry VII. Color reversal processes. Part 2.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1984 (v.5#1) pg. 31
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1984 (v.5#4) pg. 2

Photochemistry VII. Color reversal processes. Part 3. Color slide film sensitometry and effects of push processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1984 (v.5#2) pg. 41

How to use the Edwal Correct-A-Chrome Kit to rescue a Kodachrome slide which is badly underexposed.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1984 (v.5#5) pg. 19

How to fine tune your development of Kodacolor and Fujicolor color negative films.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1984 (v.5#5) pg. 32

How to push-process Kodacolor and Fujicolor negative films.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1984 (v.5#6) pg. 37

Experiments with E-6 film processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1985 (v.6#3) pg. 36

Questions and answers concerning E-6, C-41, and Ektaprint-2 color processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1985 (v.6#6) pg. 13

Processing E-4 films in E-6 chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1985 (v.6#6) pg. 35
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1986 (v.7#1) pg. 36

C-41 rinse saves bleach. How to make bleach last a year or more by rinsing film between C-41 developer and bleach.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1986 (v.7#1) pg. 26
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1986 (v.7#3) pg. 13
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1986 (v.7#4) pg. 17
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1986 (v.7#5) pg. 9

Tip: How to salvage film exhibiting the "cyan-leuco dye" condition.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1986 (v.7#2) pg. 12

E-6 contrast control. How to apply the conventional Zone System approach to exposure of transparency film. Requires modification of both exposure and processing times.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 18

Discussion of "room temperature" versus 100-degrees F for color film processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1987 (v.8#1) pg. 4
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1987 (v.8#3) pg. 7

Processing experiments with E-6 films. Modified chemistries produce excellent negatives.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1987 (v.8#1) pg. 34

Impact of lengthening bleach time when processing color film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1987 (v.8#4) pg. 7

Effect of bleaching on the masking layers in a color negative film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1987 (v.8#4) pg. 7

Tip on preventing heavy red cast (cyan leucodye) when processing color slide films.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1987 (v.8#4) pg. 11

How to salvage color negative film which missed the bleach step.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1987 (v.8#4) pg. 11

Tips on salvaging E-6 color transparency that was in the reversal bath for too short a time.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1988 (v.9#1) pg. 11

Advice on processing multiple rolls of Vericolor Film in the same (reused) chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1988 (v.9#5) pg. 7

Previsualizing color. No-Mask Cibachrome contrast control. Techniques for custom color reversal exposure and development to produce a transparency designed for printing with Cibachrome. Part 1. Film tests to provide corrected exposure index and measurable changes in contrast for different first-developer times.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 20
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 3
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1991 (v.12#3) pg. 30 (Simplified testing & calibration)

Previsualising color. No-Mask Cibachrome contrast control. Part 2. Determining the contrast range required for the print material.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 28

Previsualizing color. No-Mask Cibachrome contrast control. Part 3. A highlight-based exposure system to ensure accurate subject exposure.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1989 (v.10#3) pg. 22

Applying contrast control techniques when processing color negative films.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 54

How to conduct a series of control tests which compare in-house and custom lab C-41 processing of film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 14

Basic approach to crossover detection and reduction in the color film development process.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1991 (v.12#6) pg. 17

Tips on cross-processing Ektachrome film in color-negative chemicals.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1993 (v.14#2) pg. 21

Processing infrared slides as negatives by adding a prehardener to the C-41 process.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1994 (v.15#2) pg. 28

Determining if inadequate bleaching is causing higher negative density than desired.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1995 (v.16#2) pg. 16

Pushing the ASA of your color film can greatly expand your low-light shooting flexibility, if you know the limits. Some tips.
DARKROOM PHOTOGRAPHY Nov 1979 (v.1#6) pg. 70

Developing color negatives at home.
DARKROOM PHOTOGRAPHY Jan 1982 (v.4#1) pg. 52

Easy E-6. What you need to know to process color slide film using the E-6 (Ektachrome) process.
DARKROOM PHOTOGRAPHY May-Jun 1983 (v.5#4) pg. 26

Tips on using the "Hobby-Pacs" from Kodak to process color film and color prints.
DARKROOM PHOTOGRAPHY Sep 1985 (v.7#5) pg. 47

Control strips. How to make and use pre-exposed control strips for use in checking your color processing equipment and/or techniques.
DARKROOM PHOTOGRAPHY May-Jun 1987 (v.9#3) pg. 54

Test results on push processing of color negative films.
DARKROOM PHOTOGRAPHY Jul 1988 (v.10#3) pg. 15

Tip on developing C-41 process film without prewetting.
DARKROOM PHOTOGRAPHY Nov 1988 (v.10#4) pg. 8

The Kodachrome process. A description of the film layers and the sixteen-step development process.
DARKROOM PHOTOGRAPHY Jan 1989 (v.11#1) pg. 12

Film acceleration. A procedure that can be used to give more grain than the ordinary amount produced by push-processing a fast color-negative film. Using this technique, any photographer can create images in the visual style of Seurat.
DARKROOM PHOTOGRAPHY May 1989 (v.11#5) pg. 41
Added Info DARKROOM PHOTOGRAPHY Jul 1990 (v.12#7) pg. 3

Fujichrome professional update. A look at the color-balance problems affecting Fujichrome professional reversal film and/or professional E-6 process laboratories.
DARKROOM PHOTOGRAPHY Jan 1990 (v.12#1) pg. 50
Added Info DARKROOM PHOTOGRAPHY May 1990 (v.12#5) pg. 3

A user prepared color negative developer and processing procedure for Kodacolor II and Vericolor II films.
DARKROOM TECHNIQUES Fall 1979 pg. 53
Correction DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 63
Added Info DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 2

Semi-official Kodak C-41 process for processing Kodacolor II, Vericolor II and Kodacolor 400 films. Includes formulas and time/temperature chart.
DARKROOM TECHNIQUES Fall 1979 pg. 56

Ektachrome E-6 tricks and processing. How to load and process your own Ektachrome film.
DARKROOM TECHNIQUES Jun 1981 (v.2#2) pg. 33

No-worry push processing works for color films. How to use hydrogen peroxide technique on Ektachrome film.
DARKROOM TECHNIQUES Jun 1982 (v.3#2) pg. 16

New push and pull processing information for Kodak Ektachrome films.
DARKROOM TECHNIQUES Dec 1982 (v.3#4) pg. 72

Computer program written in BASIC calculates the amount of replenishment to add to E-6 color slide chemicals based on the number of rolls or sheets of various size film which have been processed.
INDUSTRIAL PHOTOGRAPHY Feb 1983 (v.32#2) pg. 37

Breaking the speed barrier. Push and pull processing of E-6 process ISO 400 color reversal films. Results of testing 17 different films.
INDUSTRIAL PHOTOGRAPHY Oct 1986 (v.35#10) pg. 25

Processing on the road. Put together a simple "portable darkroom" to process Ektachrome on location.
INDUSTRIAL PHOTOGRAPHY Apr 1987 (v.36#4) pg. 26

Becoming creative with color films. (1) Process E-6 film in C-41 chemistry to change the colors. (2) Solarization of E-6 film. (3) Increasing graininess.
INDUSTRIAL PHOTOGRAPHY Apr 1990 (v.39#4) pg. 10

Processing control strips, the key to laboratory quality. The use of E-6 process control strips as the simplest means of maintaining processing quality.
INDUSTRIAL PHOTOGRAPHY Oct 1990 (v.39#10) pg. 14

A second chance for slides. Advice on using the Colorbrite brand of pre-mixed color slide density and color reducers.
INDUSTRIAL PHOTOGRAPHY Mar 1991 (v.40#3) pg. 34

Clip (snip) testing of color slide films. How to make a simple template for cutting off a few frames of exposed film, protect the balance of the film from fogging, and process the test strip prior to processing the entire roll of film.
INDUSTRIAL PHOTOGRAPHY Feb 1992 (v.41#2) pg. 8

Process management (quality control) advice for E-6 processing laboratories.
INDUSTRIAL PHOTOGRAPHY Sep 1992 (v.41#9) pg. 6

Clip test for greater accuracy. An old concept that is still the best technique for saving color-filming assignments that are next to impossible to reshoot for technical or financial reasons.
INDUSTRIAL PHOTOGRAPHY Aug 1993 (v.42#8) pg. 6

Avoiding E-6 pitfalls. Tips on being aggressive about preventing problems.
INDUSTRIAL PHOTOGRAPHY Dec 1994 (v.43#12) pg. 6

How to develop slides at home without a darkroom. A look at the Cibachrome process and Ciba's $24 Discovery Kit.
MECHANIX ILLUSTRATED #618 Nov 1979 (v.75) pg. 82

Tips on processing your own color film.
MODERN PHOTOGRAPHY Mar 1968 (v.32#3) pg. 44

Tips on loading stainless steel wire reels and developing your own color negatives or transparency film.
MODERN PHOTOGRAPHY Jun 1969 (v.33#6) pg. 110

Tips on push processing of color films when you process yourself.
MODERN PHOTOGRAPHY Mar 1973 (v.37#3) pg. 56

A review of Unichrome, an all-liquid chemistry for processing any color transparency except Kodachrome. Tips on using the chemicals and the accompanying instruction sheets.
MODERN PHOTOGRAPHY Aug 1973 (v.37#8) pg. 16

Stretch your eyes. Part 1. Regain some enthusiasm for taking color pictures by experimenting with new colors created by pushing conventional user-processed positive transparency films.
MODERN PHOTOGRAPHY Nov 1976 (v.40#11) pg. 12

Stretch your eyes. Part 2. Experimenting with new color combinations.
MODERN PHOTOGRAPHY Christmas 1976 (v.40#13) pg. 17

How far can you push E-6 processed Ektachrome. Tips on processing your own pushed film and the results are illustrated in color photos.
MODERN PHOTOGRAPHY Jan 1977 (v.41#1) pg. 110

Tips on why you can get dark images when doing your own E-6 processing of color slides.
MODERN PHOTOGRAPHY Jul 1978 (v.42#7) pg. 37

First aid for ailing slides. Color error, exposure goofs, and processing faults can often be cured using chemicals sold under the name Sav-A-Chrome or Colorbrite. These are bleaches which will correct for under exposure as well as color balance problems. Tips on their use.
MODERN PHOTOGRAPHY Mar 1979 (v.43#3) pg. 100

Results of push processing Kodachrome 25 and 64 at EI 2000.
MODERN PHOTOGRAPHY Sep 1979 (v.43#9) pg. 80

How to save a roll of color film that has been shot at the wrong ASA by running a "clip test" to determine correct time of development and push-processing that might be needed.
MODERN PHOTOGRAPHY Dec 1979 (v.43#12) pg. 43

How to determine the cause of low-contrast E-6 transparencies with a green cast when doing your own color processing.
MODERN PHOTOGRAPHY Feb 1981 (v.45#2) pg. 40

Third annual survey of color processing labs looks at the level of photofinishing quality.
MODERN PHOTOGRAPHY Mar 1982 (v.46#3) pg. 82

How to perform a "clip test" on Ektachrome film which you process yourself. You process a short length of the roll and then determine how much to push or pull the processing of the remainder.
MODERN PHOTOGRAPHY Oct 1982 (v.46#10) pg. 28

How to process Ektachrome slide film to produce a negative suitable for making black-and-white prints.
MODERN PHOTOGRAPHY Sep 1983 (v.47#9) pg. 126

Tips on processing Ektachrome film in the home darkroom using the E-6 process.
MODERN PHOTOGRAPHY Feb 1984 (v.48#2) pg. 8

Kodak's Hobby-Pac color slide processing kits are compared with laboratory processing.
MODERN PHOTOGRAPHY Aug 1985 (v.49#8) pg. 50

Pull-processing (underdevelopment) of color slide films. How and when to use this technique.
MODERN PHOTOGRAPHY Feb 1987 (v.51#2) pg. 8

Tips on controlling time and temperature when home-processing color film.
MODERN PHOTOGRAPHY Jan 1988 (v.52#1) pg. 53

Automatic processing is the key to consistently good results when processing color slides. Comments on the importance of automatic temperature control and automated agitation.
MODERN PHOTOGRAPHY Nov 1988 (v.52#11) pg. 20

Processing E-6 (Ektachrome or equivalent) film at home is as easy as black-and-white film processing. Step by step instructions using Unicolor chemicals. Includes chart for push- and pull-processing.
PHOTOGRAPHIC Apr 1979 (v.7#12) pg. 44

Basic color darkroom. Processing color film.
PHOTOGRAPHIC Jan 1981 (v.9#9) pg. 29

Tips on using the Edwal "Correct-A-Chrome" kit to save underexposed Kodachromes.
PHOTOGRAPHIC Oct 1984 (v.13#6) pg. 34

Advice on the purpose of push- and pull-processing of color film.
PHOTOGRAPHIC Nov 1994 (v.23#7) pg. 10

A color reversal film speed system. How to determine accurate speed values with "pushed" exposures. Uses a method developed by NASA.
PHOTOMETHODS Sep 1975 (v.18#9) pg. 46

Do-it-yourself color processing. One photographer describes how he does his own E-6 slide film processing in less time than it would take to deliver the film to a commercial laboratory. Includes tips on equipment, technique, chemicals and mounting the finished slides.
PHOTOMETHODS Nov 1978 (v.21#11) pg. 58

One photographer's portable lab for quality processing of E-6 color film in a very remote location.
PHOTOMETHODS Feb 1979 (v.22#2) pg. 20

How and when to work with a custom color lab to have a "clip test" performed.
PHOTOMETHODS Mar 1984 (v.27#3) pg. 6

Tips on improving consistency when processing E6 films using a small drum system.
PHOTOMETHODS Feb 1990 (v.33#2) pg. 44

How to save underexposed slides by using chemical color reducers.
POPULAR PHOTOGRAPHY Jun 1967 (v.60#6) pg. 30

Color processing, anytime, anywhere. A description of what is needed and even tips on processing while traveling.
POPULAR PHOTOGRAPHY Jul 1971 (v.69#1) pg. 90

Tips on how and why to use the standard negative or transparency manufactured by Kodak (called a Shirley) in establishing your own color processing and color printing procedures.
POPULAR PHOTOGRAPHY Mar 1977 (v.80#3) pg. 50

Why and how to process your own E-6 (Ektachrome) color slides.
POPULAR PHOTOGRAPHY Jun 1978 (v.82#6) pg. 116

Why you should process your own color films and make your own color prints.
POPULAR PHOTOGRAPHY Jul 1982 (v.89#7) pg. 28

A comparison of the results from processing Kodak Ektachrome slide film in 4 different E-6 processing kits (Kodak, Beseler and Unicolor).
POPULAR PHOTOGRAPHY Aug 1982 (v.89#8) pg. 28

How to process color-negative film using the C-41 processing kit.
POPULAR PHOTOGRAPHY Nov 1983 (v.90#11) pg. 74

How to use Kodak's C-41 control strips to test your own color-negative film processing.
POPULAR PHOTOGRAPHY Mar 1984 (v.91#3) pg. 31

Tips on using Kodak's new easy-to-mix all-liquid E-6 color film processing kit.
POPULAR PHOTOGRAPHY Aug 1984 (v.91#8) pg. 29

The three basic color-film processing-agitation techniques.
POPULAR PHOTOGRAPHY Apr 1985 (v.92#4) pg. 28

How to process E-6 color slides to get better-quality results, push film speed, get it done quickly, and save money.
POPULAR PHOTOGRAPHY Nov 1985 (v.92#11) pg. 33

Push processing primer. What to do when you need more speed than your film's ISO rating allows. Tips for color slide, color negative, and b&w film.
POPULAR PHOTOGRAPHY Oct 1987 (v.94#10) pg. 66

Push processing of color negative film. A look at the pros and cons.
POPULAR PHOTOGRAPHY Nov 1992 (v.99#11) pg. 14

Ringing the changes. How to test color slide films and processing labs for consistency.
POPULAR PHOTOGRAPHY Feb 1993 (v.100#2) pg. 42

How to choose and use custom color labs.
POPULAR PHOTOGRAPHY Oct 1993 (v.57#6) pg. 49

Daylight Slide Polerization, a technique for creating special effect slides with the bold colors of a posterized print, the tone reversals of a solarized print, and the edge enchancments (Mackie lines) of the Sabattier Effect. Requires that you develop your own E-6 process color slide film.
POPULAR PHOTOGRAPHY Apr 1994 (v.58#4) pg. 16

Cross processing of color slide film in chemicals usually used to develop color negatives results in unique images.
POPULAR PHOTOGRAPHY Apr 1995 (v.59#4) pg. 46

Tips for developing your own Ektachrome-X or high-speed Ektachrome color film using the Kodak E-4 kit. Up to 24 rolls of 35mm film can be processed for about $12.
POPULAR SCIENCE Apr 1968 (v.192#4) pg. 130

Seven steps to selecting a professional photography lab.
PROFESSIONAL PHOTOGRAPHER #2182 Mar 1994 (v.121) pg. 41

E-6 (Ektachrome color slide) processing in home labs. An overview of the available options and advice on techniques.
SHUTTERBUG #268 Jan 1993 (v.22#3) pg. 106

Processing Kodak's E-6 films. Some advice.
SHUTTERBUG #275 Aug 1993 (v.22#10) pg. 54

Crossover in E-6 films. How to avoid crossover problems when processing E-6 color-slide films. A look at the importance of pH and specific gravity values in color developers.
SHUTTERBUG #280 Jan 1994 (v.23#3) pg. 80

Processing C-41 color negative film at home.
SHUTTERBUG #294 Mar 1995 (v.24#5) pg. 162

Cross-processing fun. Putting slide film in negative chemicals and vice versa.
SHUTTERBUG #300 Sep 1995 (v.24#11) pg. 48

E-6 color slide processing for beginners.
SHUTTERBUG #318 Mar 1997 (v.26#5) pg. 204

Processing medium format C-41 film.
SHUTTERBUG #340 Jan 1999 (v.28#3) pg. 248