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PHOTOGRAPHIC PRINT TONING entries in Index to How To Do It Information
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC PRINT TONING
x   TONING (PHOTOGRAPHIC)
xx   PHOTOGRAPH COLORING
xx   PHOTOGRAPHIC PRINT PROCESSING

Tip on using selenium toner.
CAMERA & DARKROOM May 1991 (v.13#5) pg. 5
Added Info CAMERA & DARKROOM Aug 1991 (v.13#8) pg. 4

Blue tone intensity. Simple formula and technique for blue toning of black-and-white silver prints.
CAMERA & DARKROOM Apr 1992 (v.14#4) pg. 38

Tips on toning Kodak Polycontrast Rapid III RC paper.
CAMERA & DARKROOM Nov 1992 (v.14#11) pg. 8
Correction CAMERA & DARKROOM Feb 1993 (v.15#2) pg. 14

Selectively bleaching and toning of black-and-white prints.
CAMERA & DARKROOM Jul 1993 (v.15#7) pg. 48

Split toning the hard way. How to selenium-tone a b&w print, followed by bleaching, redeveloping, and further selenium toning to exaggerate the split.
CAMERA & DARKROOM Jan 1994 (v.16#1) pg. 10

Selenium toner. Use it to tone prints or intensify negatives.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1985 (v.6#3) pg. 14
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1985 (v.6#5) pg. 2

Toning for color. Comparing four tried and true formulas for changing the color of a black-and-white print.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1985 (v.6#5) pg. 25

Classic toning methods. Altering the character of the print. Equipment, chemicals and techniques are reviewed.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1986 (v.7#5) pg. 24
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 6

Formulas for selenium toners and tips on their use.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1987 (v.8#1) pg. 6

Formula of Bleach Part A for the Kodak sepia toner.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1987 (v.8#6) pg. 15

Chemical reaction in gold/thiocyanate toners explained. Includes formula for Ruzicka gold toner.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 8

Tips on handling multiple prints, toning and washing to achieve archival processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1992 (v.13#2) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1992 (v.13#3) pg. 4

Chemistry of achieving a silvery/sepia color on photographic prints by immersing in a mixed solution of developer and fixer.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1994 (v.15#5) pg. 4

A fine tone. How to tone Kodak Polycontrast Rapid RC paper with Kodak Sepia Toner.
DARKROOM PHOTOGRAPHY Sep 1979 (v.1#4) pg. 55

Breaking rules with sepia toner. Tips on when NOT to follow the instructions.
DARKROOM PHOTOGRAPHY Sep 1980 (v.2#5) pg. 62
Added Info DARKROOM PHOTOGRAPHY Jan-Feb 1981 (v.3#1) pg. 12

How to add color to black-and-white prints through controlled selective toning.
DARKROOM PHOTOGRAPHY Mar-Apr 1981 (v.3#2) pg. 61

Use toners to add color to black-and-white photographs.
DARKROOM PHOTOGRAPHY May-Jun 1981 (v.3#3) pg. 74

Tip on using coffee, beet juice and grape juice to tone photographic prints.
DARKROOM PHOTOGRAPHY Oct 1981 (v.3#6) pg. 15

Using the "Berg Color-Tone" line of toning and retouching chemicals. Some tips.
DARKROOM PHOTOGRAPHY Sep-Oct 1983 (v.5#6) pg. 76

How to make gold toned prints. Includes formulas for preparing your own chemicals.
DARKROOM PHOTOGRAPHY Mar-Apr 1984 (v.6#2) pg. 24

Add color to B&W prints with rubber cement and your favorite toners. The rubber cement forms a "mask" to allow multiple-color toning.
DARKROOM PHOTOGRAPHY Sep 1984 (v.6#5) pg. 72

Archival toning. How one photographer tones B&W photographs to make them more permanent.
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 75

Tips on using the Edwal Colorvir Colorizing Kit. The basic kit contains practically everything you need to tone and dye black-and-white prints in a wide range of colors and also enables you to selectively color parts of the image and to "solarize" it chemically.
DARKROOM PHOTOGRAPHY Dec 1984 (v.6#8) pg. 78

Toning from A to Z. Includes a buying guide to available toners.
DARKROOM PHOTOGRAPHY Jan-Feb 1985 (v.7#1) pg. 38
Added Info DARKROOM PHOTOGRAPHY May-Jun 1985 (v.7#3) pg. 6

Photographic gestures. Bleaching, toning, and redeveloping for painterly effects.
DARKROOM PHOTOGRAPHY Jul-Aug 1986 (v.8#4) pg. 16
Added Info DARKROOM PHOTOGRAPHY Oct 1986 (v.8#6) pg. 8

Local toning of photographs relies on using liquid frisket to protect areas not to be bleached.
DARKROOM PHOTOGRAPHY Sep 1987 (v.9#5) pg. 60

Formula for sepia toning solution.
DARKROOM PHOTOGRAPHY Jan-Feb 1988 (v.10#1) pg. 10

Toning black-and-white prints to protect them from harmful gases and increase their permanence.
DARKROOM PHOTOGRAPHY Jan-Feb 1988 (v.10#1) pg. 46
Added Info DARKROOM PHOTOGRAPHY Nov 1988 (v.10#4) pg. 7
Added Info DARKROOM PHOTOGRAPHY May 1989 (v.11#5) pg. 6

Tips on the use of selenium toner to improve the permanence of black-and-white prints.
DARKROOM PHOTOGRAPHY Feb 1989 (v.11#2) pg. 5
Added Info DARKROOM PHOTOGRAPHY May 1989 (v.11#5) pg. 5

A new approach to toning. Included in an article on the work of photographer Jeff Dunas.
DARKROOM PHOTOGRAPHY Sep 1989 (v.11#9) pg. 42

Selective toning of black & white prints.
DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 25

Toning the black & white image. How to use the Berg Brilliant Blue Toner and the Berg Brown/Copper Toning solutions.
DARKROOM TECHNIQUES Spring 1980 (v.1#2) pg. 34

The fine tuned sepia print.
DARKROOM TECHNIQUES Spring 1980 (v.1#2) pg. 66

Expressive toning. The use of color toners as an abstracting, conceptual photographic tool.
DARKROOM TECHNIQUES Oct 1980 (v.1#3) pg. 20

More on color toning of b&w prints using Berg Color-Tone solutions.
DARKROOM TECHNIQUES Oct 1980 (v.1#3) pg. 27

How to add color to your black & white prints by toning them. Toners available in red, yellow, brown, sepia, green, and blue. Other colors are available through mixing and making your own toning chemicals.
MODERN PHOTOGRAPHY Nov 1980 (v.44#11) pg. 114

Try the latest generation of print toners for marvelous colors and spectacular special effects. Some tips on their use.
MODERN PHOTOGRAPHY Oct 1984 (v.48#10) pg. 74

Create reliable duotones using Adobe Photoshop.
PHOTO ELECTRONIC IMAGING 1995 (v.38#12) pg. 44

Toning Ilford Glossy Multigrade Warmtone paper using Kodak Rapid Selenium toner.
PHOTO TECHNIQUES Jan-Feb 1999 (v.20#1) pg. 21

Digital equivalents to alternative photographic processes. Using Photoshop to split-tone an image.
PHOTO TECHNIQUES Nov-Dec 1999 (v.20#6) pg. 62

Tone while you print using a fumeless process. Produces a unique brown-toned print.
PHOTOGRAPHIC May 1981 (v.10#1) pg. 86

Tone your resin-coated b&w prints with food coloring.
PHOTOGRAPHIC Nov 1981 (v.10#7) pg. 56

Using the Colorvir Colorizing Kit toning process to change a black-and-white print into a single or multicolored image.
PHOTOGRAPHIC May 1983 (v.12#1) pg. 32

Copper split collectibles. Transform b&w negatives into elegant prints using Berg's Brown/Copper controlled toning process on a silver print.
PHOTOGRAPHIC Sep 1984 (v.13#5) pg. 38

Add impact to your b&w prints with toners. Some tips.
PHOTOGRAPHIC Mar 1999 (v.27#11) pg. 24

How to intensify, bleach, and tone black and white Polaroid Land prints.
POPULAR PHOTOGRAPHY Feb 1967 (v.60#2) pg. 84

Tip on using selenium-tone to intensify dark areas and give black and white prints more life.
POPULAR PHOTOGRAPHY Jan 1972 (v.70#1) pg. 16

How to use the classic toners to give black and white prints a distinctive look and improve their permanence.
POPULAR PHOTOGRAPHY Oct 1973 (v.73#4) pg. 106

Some "oddball" tips include (1) using DuPont image control solution with Kodak papers and (2) using Kodak Rapid Selenium toner.
POPULAR PHOTOGRAPHY Oct 1976 (v.79#4) pg. 52

Add color to black & white prints by soaking in a color bath. A good way for children to make "color" pictures. Uses common household food and chemicals as the coloring agent.
POPULAR PHOTOGRAPHY Oct 1977 (v.81#4) pg. 56

Advice on which of four toning processes work the best on five different brands of b&w RC enlarging papers.
POPULAR PHOTOGRAPHY Jul 1992 (v.99#7) pg. 32

Turn ordinary black-and-white resin-coated photos or b&w transparencies into spectacular color using the "Colorvir" or "Jaffeux" toning process from France. Includes tips on using the toners.
POPULAR PHOTOGRAPHY Mar 1995 (v.59#3) pg. 64

Black-and-white darkroom primer. Part 2. Creative uses of color toning on b&w prints.
SHUTTERBUG #266 Nov 1992 (v.22#1) pg. 12

Creative color casting. Ten ways to sepia toning.
SHUTTERBUG #324 Sep 1997 (v.26#11) pg. 66

Toner transformations to alter the mood of your black-and-white prints.
SHUTTERBUG #337 Oct 1998 (v.27#12) pg. 116

Mastering black and white. Four techniques for working digitally with black and white photographs. (1) Converting a color image to B&W. (2) How to achieve a full, rich tonal range. (3) How to create a pattern simulating film grain. (4) How to enchance B&W photos by adding a subtle tone, such as sepia brown.
SHUTTERBUG #353 Feb 2000 (v.29#4) pg. 32

Darkroom magic. A primer on toning black and white prints.
SHUTTERBUG #361 Oct 2000 (v.29#12) pg. 162