Added Info DARKROOM PHOTOGRAPHY May 1989 (v.11#5) pg. 5
A new approach to toning. Included in an article on the work of photographer Jeff Dunas.
DARKROOM PHOTOGRAPHY Sep 1989 (v.11#9) pg. 42
Selective toning of black & white prints.
DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 25
Toning the black & white image. How to use the Berg Brilliant Blue Toner and the Berg Brown/Copper Toning solutions.
DARKROOM TECHNIQUES Spring 1980 (v.1#2) pg. 34
The fine tuned sepia print.
DARKROOM TECHNIQUES Spring 1980 (v.1#2) pg. 66
Expressive toning. The use of color toners as an abstracting, conceptual photographic tool.
DARKROOM TECHNIQUES Oct 1980 (v.1#3) pg. 20
More on color toning of b&w prints using Berg Color-Tone solutions.
DARKROOM TECHNIQUES Oct 1980 (v.1#3) pg. 27
How to add color to your black & white prints by toning them. Toners available in red, yellow, brown, sepia, green, and blue. Other colors are available through mixing and making your own toning chemicals.
MODERN PHOTOGRAPHY Nov 1980 (v.44#11) pg. 114
Try the latest generation of print toners for marvelous colors and spectacular special effects. Some tips on their use.
MODERN PHOTOGRAPHY Oct 1984 (v.48#10) pg. 74
Create reliable duotones using Adobe Photoshop.
PHOTO ELECTRONIC IMAGING 1995 (v.38#12) pg. 44
Toning Ilford Glossy Multigrade Warmtone paper using Kodak Rapid Selenium toner.
PHOTO TECHNIQUES Jan-Feb 1999 (v.20#1) pg. 21
Digital equivalents to alternative photographic processes. Using Photoshop to split-tone an image.
PHOTO TECHNIQUES Nov-Dec 1999 (v.20#6) pg. 62
Tone while you print using a fumeless process. Produces a unique brown-toned print.
PHOTOGRAPHIC May 1981 (v.10#1) pg. 86
Tone your resin-coated b&w prints with food coloring.
PHOTOGRAPHIC Nov 1981 (v.10#7) pg. 56
Using the Colorvir Colorizing Kit toning process to change a black-and-white print into a single or multicolored image.
PHOTOGRAPHIC May 1983 (v.12#1) pg. 32
Copper split collectibles. Transform b&w negatives into elegant prints using Berg's Brown/Copper controlled toning process on a silver print.
PHOTOGRAPHIC Sep 1984 (v.13#5) pg. 38
Add impact to your b&w prints with toners. Some tips.
PHOTOGRAPHIC Mar 1999 (v.27#11) pg. 24
How to intensify, bleach, and tone black and white Polaroid Land prints.
POPULAR PHOTOGRAPHY Feb 1967 (v.60#2) pg. 84
Tip on using selenium-tone to intensify dark areas and give black and white prints more life.
POPULAR PHOTOGRAPHY Jan 1972 (v.70#1) pg. 16
How to use the classic toners to give black and white prints a distinctive look and improve their permanence.
POPULAR PHOTOGRAPHY Oct 1973 (v.73#4) pg. 106
Some "oddball" tips include (1) using DuPont image control solution with Kodak papers and (2) using Kodak Rapid Selenium toner.
POPULAR PHOTOGRAPHY Oct 1976 (v.79#4) pg. 52
Add color to black & white prints by soaking in a color bath. A good way for children to make "color" pictures. Uses common household food and chemicals as the coloring agent.
POPULAR PHOTOGRAPHY Oct 1977 (v.81#4) pg. 56
Advice on which of four toning processes work the best on five different brands of b&w RC enlarging papers.
POPULAR PHOTOGRAPHY Jul 1992 (v.99#7) pg. 32
Turn ordinary black-and-white resin-coated photos or b&w transparencies into spectacular color using the "Colorvir" or "Jaffeux" toning process from France. Includes tips on using the toners.
POPULAR PHOTOGRAPHY Mar 1995 (v.59#3) pg. 64
Black-and-white darkroom primer. Part 2. Creative uses of color toning on b&w prints.
SHUTTERBUG #266 Nov 1992 (v.22#1) pg. 12
Creative color casting. Ten ways to sepia toning.
SHUTTERBUG #324 Sep 1997 (v.26#11) pg. 66
Toner transformations to alter the mood of your black-and-white prints.
SHUTTERBUG #337 Oct 1998 (v.27#12) pg. 116
Mastering black and white. Four techniques for working digitally with black and white photographs. (1) Converting a color image to B&W. (2) How to achieve a full, rich tonal range. (3) How to create a pattern simulating film grain. (4) How to enchance B&W photos by adding a subtle tone, such as sepia brown.
SHUTTERBUG #353 Feb 2000 (v.29#4) pg. 32
Darkroom magic. A primer on toning black and white prints.
SHUTTERBUG #361 Oct 2000 (v.29#12) pg. 162