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PHOTOGRAPHIC FILM (COLOR) entries in Index to How To Do It Information
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC FILM (COLOR)
sa   PHOTOGRAPHIC FILM PROCESSING (COLOR)
xx   PHOTOGRAPHIC FILM
xx   PHOTOGRAPHY (COLOR)

Getting the most from color slide films used in astrophotography. Looks at hypersensitizing, developing and printing.
ASTRONOMY Jan 1983 (v.11#1) pg. 35

Konica SR-V 3200 color negative film proves useful for astrophotography. Test results of both "Hypered" and normal SR 1600 and SR-V 3200 film are detailed.
ASTRONOMY Nov 1987 (v.15#11) pg. 78

The revolution in fast film makes astrophotography faster. What is available and tips on their use.
ASTRONOMY Nov 1988 (v.16#11) pg. 100

Fuji's new color negative film (Super HG 400) offers high speed, outstanding color rendition, and extremely fine grain. A preliminary look at its application in astrophotography.
ASTRONOMY Sep 1990 (v.18#9) pg. 62

Selecting the right slide film for astrophotography. A review of 24 different color transparency films.
ASTRONOMY Oct 1992 (v.20#10) pg. 69

Life in the fast lane. A comparison of three ultra fast slide films for astrophotography (Fuji Provia 1600, Kodak Ektachrome P1600, and ScotchChrome 400).
ASTRONOMY May 1995 (v.23#5) pg. 77
Added Info ASTRONOMY Sep 1995 (v.23#9) pg. 14

The new Kodachromes: One man's opinion. A look at Kodachrome 25 and Kodachrome 64 films. How they compare to each other and to Kodachrome II.
CAMERA 35 Jan 1975 (v.18#10) pg. 66

How to determine your own E.I. (exposure index) for your camera. How to perform exposure tests using your camera and light meter which will compensate for inaccuracies in either device when shooting color film.
CAMERA 35 Feb 1978 (v.22#1) pg. 14

Basic color course. How to process your own color film and make your own color prints. Part 1. Basic theory of color image formation in negatives and transparencies.
CAMERA 35 Jun 1978 (v.23#5) pg. 44

Basic color course. Part 2. Accurate exposure plus effective contrast control are first steps to excellent color prints or transparencies.
CAMERA 35 Jul 1978 (v.23#6) pg. 58

Basic color course. Part 3. Choosing film types, filters and polarizers to improve your color slides.
CAMERA 35 Sep 1978 (v.23#8) pg. 48

A review of Kodak Photomicrography Color Film (PCF) 2483. Correct filtration allows this high contrast and high resolving film to be used for general pictoral photography.
CAMERA 35 Nov 1979 (v.24#11) pg. 54

Profile of Kodak Ektachrome SO-366. A New duplicating film for flash exposures.
CAMERA 35 May 1980 (v.25#5) pg. 58

Comparison of the new Fujichrome 400 slide film with Ektachrome 400 slide film.
CAMERA 35 Oct 1980 (v.25#10) pg. 28

Picking the right color film. Tips from one professional photographer.
CAMERA 35 Nov 1980 (v.25#11) pg. 24

3M's 640 Tungsten Color film examined.
CAMERA 35 Dec 1981 (v.26#12) pg. 64

A description of Kodak Ektachrome Duplicating Film 6121 and Kodak Vericolor Print Film 4111 which are designed for making exhibition-size color transparencies.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1984 (v.5#1) pg. 18

Kodak Ektaflex PCT Color Transparency material for overhead projectors.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1984 (v.5#2) pg. 16

Films of the world. Part 1. Color negative and instant color film.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1985 (v.6#3) pg. 20

Cibachrome color microfilm. Includes tips on processing, filters, lighting, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1985 (v.6#4) pg. 34

Films of the world. Part 2. Color reversal film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1985 (v.6#4) pg. 41

Consumer tests of color transparency films. Part 1.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1985 (v.6#5) pg. 49

New Fuji large-format color films. Looks at Fujichrome (50D, 100D, 64T) and Fujicolor 160 Professional S&L. Tips on use and processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1986 (v.7#2) pg. 36

Kodacolor VR-G color negative films. A look at its selective enhancement of color contrast and a comparison with the previous VR films.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1986 (v.7#4) pg. 32, 38

Agfacolor Printfilm for making display transparencies directly from color negatives. What is available and tips on its use.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1986 (v.7#4) pg. 36

Kodachrome Professional 200 film. Results of testing and evaluation, plus tips on exposure.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1986 (v.7#5) pg. 48
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 6

Kodachrome 64. 120 and 35mm formats are compared.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 20

Kodak's Duratrans Material for backlit prints. What is available and tips on its use.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 49
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1987 (v.8#3) pg. 6

Oriental Display film (CPS-RT). What is available and tips on its use.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1987 (v.8#1) pg. 33

3M Translucent Display Film. What is available, costs, and tips on use.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1987 (v.8#3) pg. 26

How conventional color films work. A look at dye layers, filter layers, anti-halation layers, etc. How these various layers impact film processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1987 (v.8#5) pg. 16

Desperately seeking film speed. User test of Konica 3200 35mm color negative film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1988 (v.9#2) pg. 45

Comparing old and new Fujichrome 50D and 100D, an E-6 professional film.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1988 (v.9#3) pg. 33
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1988 (v.9#5) pg. 15

Evaluating Kodak Ektachrome Plus professional reversal film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1988 (v.9#4) pg. 46

Previsualizing color. No-Mask Cibachrome contrast control. Techniques for custom color reversal exposure and development to produce a transparency designed for printing with Cibachrome. Part 1. Film tests to provide corrected exposure index and measurable changes in contrast for different first-developer times.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 20
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 3
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1991 (v.12#3) pg. 30 (Simplified testing & calibration)

Photographer's guide to most films, papers and display materials available in the USA.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 34

Previsualising color. No-Mask Cibachrome contrast control. Part 2. Determining the contrast range required for the print material.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 28

Advice on exposing color slide films for longer-than-recommended times.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1989 (v.10#3) pg. 18

Previsualizing color. No-Mask Cibachrome contrast control. Part 3. A highlight-based exposure system to ensure accurate subject exposure.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1989 (v.10#3) pg. 22

Color reproduction in negative films. Part 1. Dye deficiencies.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 48

Color reproduction in negative films. Part 2. Testing procedures.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1989 (v.10#5) pg. 38
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 2

Handling and caring for color rollfilm. Advice on loading film into the camera, reloading film cartridges, film processing, handling negatives, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 46

Explanation of the dye-forming process in Kodachrome and Ektachrome are compared.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1990 (v.11#3) pg. 11

Photographer's guide to wet-process film and paper. Both color and B&W are included.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1990 (v.11#3) pg. 38
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 3

Testing color negative films. How to objectively measure and quantify important color negative characteristics.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1990 (v.11#3) pg. 44

Depth-of-field and film definition. How Kodak's new Ektar film compares with Kodacolor in depth-of-field tests.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1990 (v.11#3) pg. 48

Kodak Ektar films. A comparison test of Ektar 25, Ektar 125, Ektar 1000 and Kodacolor Gold 400 color print films.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 29

Gray and white card substitute. A valid alternative standard. Using the "Expo/Disc" diffuser to make a full-frame control negative on every roll of color print film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 34

Photographer's guide to wet-process films, papers, and display materials.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1994 (v.15#3) pg. 32

Simple procedure for establishing a color zone system for camera, lenses, film and spotmeter when shooting color reversal film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1994 (v.15#4) pg. 11

Photographer's guide to pictorial slide and negative films (both color and b&w).
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1995 (v.16#3) pg. 42

Comparison tests attempt to find ONE color film from which color slides, color prints, and b&w prints can be derived.
DARKROOM PHOTOGRAPHY Nov 1983 (v.5#7) pg. 58

A look at three different types of film that yield negative color, and ways of using them to get surreal effects.
DARKROOM PHOTOGRAPHY Nov 1985 (v.7#7) pg. 56

Instant feedback. A working professional compares the different instant film options from Polaroid and reviews their new E-6 conventional film.
DARKROOM PHOTOGRAPHY Jan-Feb 1986 (v.8#1) pg. 36

Fujichrome 50 color slide film is compared with Kodachrome 64. Fujichrome 50 uses E-6 processing.
DARKROOM PHOTOGRAPHY Mar-Apr 1986 (v.8#2) pg. 56

Tungsten films indoors and out. Tips on selecting, using and processing tungsten-balanced color films, both slide and negative.
DARKROOM PHOTOGRAPHY Nov 1986 (v.8#7) pg. 46

Test of four new color films from Kodak. (1) 35mm Kodachrome 200. (2) 35mm Kodacolor VR-G 200. (3) 120 roll Kodachrome 64. (4) 120 roll Vericolor HC.
DARKROOM PHOTOGRAPHY Mar-Apr 1987 (v.9#2) pg. 33

Konica's speed demon. Using Konica's new SR-V3200 color negative film for night photography.
DARKROOM PHOTOGRAPHY Nov 1987 (v.9#7) pg. 59

User test of Kodak Ektachrome 100 Plus color slide film.
DARKROOM PHOTOGRAPHY Dec 1988 (v.10#5) pg. 9

Kodak Vericolor 400 Professional film is compared with other Kodak color films used by professionals.
DARKROOM PHOTOGRAPHY Feb 1989 (v.11#2) pg. 9

Kodak Ektar 25 and 1000 color negative films, designed for professionals and advanced amateurs, are tested.
DARKROOM PHOTOGRAPHY Mar 1989 (v.11#3) pg. 49

Ektapress Gold. Kodak's new professional color negative films are tested.
DARKROOM PHOTOGRAPHY Apr 1989 (v.11#4) pg. 53

Test of four Fuji Super HRII and Super HG films that replace the Super HR film, and a test of the new Reala color negative film.
DARKROOM PHOTOGRAPHY Jun 1989 (v.11#6) pg. 9

Spanning the speed range. Introducing Kodak's three new films (Ektar 125, Gold 400, Gold 1600).
DARKROOM PHOTOGRAPHY Sep 1989 (v.11#9) pg. 44

Tip on film choice for making color slides from color negatives.
DARKROOM PHOTOGRAPHY Jul 1990 (v.12#7) pg. 4

Fujichrome's new Velvia color slide film is compared with Fujichrome 50, Kodachrome 25, and four Ektachromes.
DARKROOM PHOTOGRAPHY Jul 1990 (v.12#7) pg. 13

Rating the Fujicolor Super HG 100 and 1600 films.
DARKROOM PHOTOGRAPHY Aug 1990 (v.12#8) pg. 54

Ektar 25 grows up. Kodak's Ektar 25 Professional in 120 roll format is evaluated.
DARKROOM PHOTOGRAPHY Sep 1990 (v.12#9) pg. 22

Kodak Color Negative II Film 5247. Six articles tell you the advantages and disadvantages of using 5247 film, correct exposure, processing, printing, bulk loading, etc.
DARKROOM TECHNIQUES Mar 1981 (v.2#1) pg. 10

How to get the best out of Kodacolor VR films in the darkroom. Part 1.
DARKROOM TECHNIQUES Sep-Oct 1983 (v.4#5) pg. 20

Exhibition transparencies. Tips on making large color transparencies designed for viewing by rear illumination. Both Kodak Duratrans and Cibachrome Display film are described.
DARKROOM TECHNIQUES Nov-Dec 1983 (v.4#6) pg. 20

How to get the best out of Kodacolor VR films in the darkroom. Part 2.
DARKROOM TECHNIQUES Nov-Dec 1983 (v.4#6) pg. 22

Film and filtration for long time exposures. Includes a reciprocity data table for 27 different 35mm color films.
INDUSTRIAL PHOTOGRAPHY Aug 1984 (v.33#8) pg. 28

Working with translucent color print material (Duratrans and similar materials). Some tips.
INDUSTRIAL PHOTOGRAPHY Feb 1986 (v.35#2) pg. 25

Slow-to-medium speed "professional" color slide films compared. Kodachrome (25, 64, 200), Ektachrome (64, 100, 200), Agfachrome (50, 100, 200), and Fujichrome (50, 100).
INDUSTRIAL PHOTOGRAPHY Oct 1987 (v.36#10) pg. 33

Positives on color negatives. A look at the advantages of using color print film, rather than color transparency film, especially when taking a wide variety of subjects with a limited amount of lighting equipment.
INDUSTRIAL PHOTOGRAPHY Jul 1988 (v.37#7) pg. 18

Check the facts before you point the finger. Tips on determining which of four primary causes (film, film storage, lab or photographer) are the real cause of bad color negatives or slides.
INDUSTRIAL PHOTOGRAPHY Nov 1990 (v.39#11) pg. 7

Comparison test between Kodak Lumiere Ektachrome and Kodak Kodachrome.
INDUSTRIAL PHOTOGRAPHY Feb 1994 (v.43#2) pg. 12

The pink Kodachrome disease and what to do. Some causes and cures when color film results are off.
MODERN PHOTOGRAPHY Feb 1966 (v.30#2) pg. 72

How to shoot Kodachrome at more than double ASA speed. There is an extra charge for special processing.
MODERN PHOTOGRAPHY Apr 1968 (v.32#4) pg. 68

Choosing the right color film for a given subject. Eleven films tested on four different subjects to show reproductions of red, flesh, white and green.
MODERN PHOTOGRAPHY May 1968 (v.32#5) pg. 70

Ed Scully's short course in testing color films for yourself.
MODERN PHOTOGRAPHY Dec 1969 (v.33#12) pg. 16

How to convert Kodak High Speed Ektachrome film into unmasked color film.
MODERN PHOTOGRAPHY May 1970 (v.34#5) pg. 29

Using Kodak Ektachrome-X film as a print film to make positive transparencies from color negatives.
MODERN PHOTOGRAPHY Jun 1970 (v.34#6) pg. 84

A comparison of 35mm color slide films.
MODERN PHOTOGRAPHY Oct 1970 (v.34#10) pg. 82

Compatible color and black and white sheet film photography using Ektacolor Professional Type S and Type L and Ektapan 4162.
MODERN PHOTOGRAPHY Mar 1971 (v.35#3) pg. 56

Comparison of color film results on rainy, overcast days.
MODERN PHOTOGRAPHY May 1971 (v.35#5) pg. 76

Ed Skully tests Kodak 5254 color negative film.
MODERN PHOTOGRAPHY Oct 1971 (v.35#10) pg. 56

A simple formula for mentally calculating a correct exposure speed and f/stop for a given color film.
MODERN PHOTOGRAPHY Apr 1972 (v.36#4) pg. 38

A comparison of how the 35mm daylight balanced transparency films compare. Ten films tested.
MODERN PHOTOGRAPHY Apr 1972 (v.36#4) pg. 76

Complete chart of color 35mm and roll film available today, along with sizes, prices, processing, characteristics and rendition.
MODERN PHOTOGRAPHY Apr 1972 (v.36#4) pg. 94

Comparison of Kodak's new color micrographic film with the color and sharpness of Kodachrome II.
MODERN PHOTOGRAPHY Jun 1972 (v.36#6) pg. 80

Series of test exposures illustrate what effect fluorescent lights have on Kodachrome color film.
MODERN PHOTOGRAPHY Mar 1973 (v.37#3) pg. 86

Series of test exposures illustrate the effect of under and over exposure on twelve different color transparency films.
MODERN PHOTOGRAPHY Apr 1973 (v.37#4) pg. 94

A look at Kodak 5254 color film and a comparison with Kodacolor-X.
MODERN PHOTOGRAPHY May 1974 (v.38#5) pg. 84

Tips on color slide duplicating using Kodak Ektachrome slide duplicating film 5038. Save money by processing and mounting yourself.
MODERN PHOTOGRAPHY Jun 1974 (v.38#6) pg. 34
Added Info MODERN PHOTOGRAPHY Jul 1974 (v.38#7) pg. 16

More information on using Kodak Ektachrome Duplicating Film 5038.
MODERN PHOTOGRAPHY Jul 1974 (v.38#7) pg. 16

Using both conventional and unconventional color films to produce "supercolors", those colors with extra depth or saturation.
MODERN PHOTOGRAPHY Oct 1974 (v.38#10) pg. 71

Test results on color, grain and exposure latitude of slide film.
MODERN PHOTOGRAPHY Oct 1974 (v.38#10) pg. 108

A look at the criteria that should be considered in choosing color film.
MODERN PHOTOGRAPHY Dec 1974 (v.38#12) pg. 68

Kodacolor II is compared to Ektacolor in these side-by-side photos.
MODERN PHOTOGRAPHY Jan 1975 (v.39#1) pg. 88

Discussion of color-image stability and techniques for lengthening the life of color films.
MODERN PHOTOGRAPHY Feb 1976 (v.40#2) pg. 31

Which 35mm color slide film is best? Results of using nine films compared.
MODERN PHOTOGRAPHY Apr 1976 (v.40#4) pg. 80

Five private-label color slide films tested.
MODERN PHOTOGRAPHY Sep 1976 (v.40#9) pg. 98

Table of exposure and filter compensation for the reciprocity characteristics of Kodak color films.
MODERN PHOTOGRAPHY Sep 1976 (v.40#9) pg. 137

A look at Kodak's new E-6 process color films. Comparison photos and charts.
MODERN PHOTOGRAPHY Dec 1976 (v.40#12) pg. 106

Photos illustrate the result of pushing color print film. Fugi 400 shot at E.I. 400, 800, and 1600 and Kodacolor II shot at E.I. 80, 160 and 320.
MODERN PHOTOGRAPHY Feb 1977 (v.41#2) pg. 78

Designing an experiment to test Ektachrome 5071 color slide duplicating film which uses the new E-6 process.
MODERN PHOTOGRAPHY Mar 1977 (v.41#3) pg. 56

More tips on using Kodak Ektachrome Duplicating film 5071, process E-6.
MODERN PHOTOGRAPHY Apr 1977 (v.41#4) pg. 36

Reciprocity tables for the new Kodak professional color transparency films.
MODERN PHOTOGRAPHY Jul 1977 (v.41#7) pg. 99

A comparison of Kodacolor 400 with Fujicolor F-II 400.
MODERN PHOTOGRAPHY Aug 1977 (v.41#8) pg. 88

Annual color slide-film comparison test compares Agfachrome, Fujichrome, GAF, Kodachrome and Ektachrome.
MODERN PHOTOGRAPHY Sep 1977 (v.41#9) pg. 94
Correction MODERN PHOTOGRAPHY Dec 1977 (v.41#12) pg. 28

Comparison of two new Kodak color negative films, Vericolor II and Kodacolor II.
MODERN PHOTOGRAPHY Nov 1977 (v.41#11) pg. 118

Eight daylight color 35mm slide films compared.
MODERN PHOTOGRAPHY Jan 1979 (v.43#1) pg. 102

Exhaustive test of Kodak's 5247 color print film.
MODERN PHOTOGRAPHY Mar 1980 (v.44#3) pg. 90

Comparison test of 27 different color films, both slide and print films, to determine the grain patterns visible at 12X and 36X magnification.
MODERN PHOTOGRAPHY Nov 1980 (v.44#11) pg. 110

Should indoor color slide film be used outdoors with a filter -or- should outdoor slide film be used indoors with a filter. A look at the controversy.
MODERN PHOTOGRAPHY Feb 1981 (v.45#2) pg. 82

Which color slide film for you? A comparison test of 11 different films.
MODERN PHOTOGRAPHY Jul 1981 (v.45#7) pg. 88

A comparison of two Kodak Ektachrome slide duplicating films (5071 and SO-366) and advice on choosing the correct film for use with your equipment.
MODERN PHOTOGRAPHY Oct 1981 (v.45#10) pg. 42

The pitfalls of shooting color negative film. A comparison of the results obtained with Kodachrome 64 and Kodacolor II.
MODERN PHOTOGRAPHY Oct 1982 (v.46#10) pg. 84

10 color slide films compared.
MODERN PHOTOGRAPHY Feb 1983 (v.47#2) pg. 62

Thirteen color slide films are compared.
MODERN PHOTOGRAPHY Feb 1985 (v.49#2) pg. 54

When it's right to use the wrong film. Create interesting color pictures by using daylight film indoors and tungsten film outdoors.
MODERN PHOTOGRAPHY Jan 1986 (v.50#1) pg. 28

Konica 1600 SR 1600 high-speed color negative film is compared with Fuji, Kodak, and Agfacolor equivalents.
MODERN PHOTOGRAPHY Jan 1986 (v.50#1) pg. 40

Tip: Exposure compensation systems in newer cameras may require the use of slide film instead of print film.
MODERN PHOTOGRAPHY Feb 1986 (v.50#2) pg. 34
Added Info MODERN PHOTOGRAPHY Aug 1986 (v.50#8) pg. 15

Reciprocity failure. How compensating for RF in color film may produce the wrong exposure.
MODERN PHOTOGRAPHY Mar 1986 (v.50#3) pg. 42

Kodak's new VR-G Kodacolor film is compared with the older VR films.
MODERN PHOTOGRAPHY Apr 1986 (v.50#4) pg. 36

New Kodachrome 200 roll film is compared with Ektachrome 200 and Kodachrome 64 and 25.
MODERN PHOTOGRAPHY May 1986 (v.50#5) pg. 40

Good color slides at speeds of 1600, 3200, and 4800. Fujichrome 1600 D film is compared with Ektachrome P800/1600 film.
MODERN PHOTOGRAPHY Jun 1986 (v.50#6) pg. 46

Fujicolor HR Super 100 and 400 color negative films are compared with Kodacolor VR-G films.
MODERN PHOTOGRAPHY Jul 1986 (v.50#7) pg. 48

How to choose and use color film. Covers both slide and print films.
MODERN PHOTOGRAPHY Aug 1986 (v.50#8) pg. 35

Complete test of the new Kodacolor VR-G 200 film.
MODERN PHOTOGRAPHY Sep 1986 (v.50#9) pg. 10

New Ektachrome 64 EPV is compared with Ektachrome 64 EPR.
MODERN PHOTOGRAPHY Oct 1986 (v.50#10) pg. 6

How good is your favorite color film? How to shoot a comparison test.
MODERN PHOTOGRAPHY May 1987 (v.51#5) pg. 28

Color slide film test. Results of testing 19 different films ranging in speed from ISO 25-3200 and in price from $6.54 to $12.72 per 36-exposure cartridge. Each film is tested six different ways.
MODERN PHOTOGRAPHY Aug 1987 (v.51#8) pg. 39

Comparison test between Kodacolor VR 400 and VR-G 400 color print films.
MODERN PHOTOGRAPHY Nov 1987 (v.51#11) pg. 46

New Fujichrome 50 and 100 D color slide films are compared with old Fuji and Ektachrome.
MODERN PHOTOGRAPHY Feb 1988 (v.52#2) pg. 28

Great print film test compares 15 different color print films.
MODERN PHOTOGRAPHY Apr 1988 (v.52#4) pg. 33

Consumer version of Kodachrome 200 is compared with K25 and K64.
MODERN PHOTOGRAPHY Oct 1988 (v.52#10) pg. 40

Ektachrome HC 100 color slide film is compared with Fujichrome 100.
MODERN PHOTOGRAPHY Nov 1988 (v.52#11) pg. 48

User test of Fuji Provia 100 professional color slide film.
PHOTO ELECTRONIC IMAGING 1994 (v.37#8) pg. 28

Meeting the color challenge. How to choose the right film for the job.
PHOTO ELECTRONIC IMAGING 1994 (v.37#9) pg. 22

High speed color film. A discussion of its applications in industrial photography.
PHOTO METHODS FOR INDUSTRY Mar 1972 (v.15#3) pg. 47

Pre-fogging color transparency film. A technique to enhance shadow contrast.
PHOTO TECHNIQUES Mar-Apr 1997 (v.18#2) pg. 52

What is available in color film for medium format cameras.
PHOTOGRAPHIC Jul 1980 (v.9#3) pg. 58

The wonders of Kodachrome. How to get the most out of the "best" slide film on the market.
PHOTOGRAPHIC Aug 1982 (v.11#4) pg. 54

Which color slide film is right for you? A critical comparison of the ten E-6 transparency films available today.
PHOTOGRAPHIC Dec 1982 (v.11#8) pg. 45

How to photograph outdoor landscapes using tungsten-balanced (indoor) color slide films.
PHOTOGRAPHIC Nov 1984 (v.13#7) pg. 66

High-contrast for high impact. Tips on using Kodak's new High Contrast Ektagraphic slide film.
PHOTOGRAPHIC Jan 1985 (v.13#9) pg. 16

Grain is beautiful. How to use the grainy effect of the latest high-speed color film to your advantage.
PHOTOGRAPHIC Jan 1985 (v.13#9) pg. 40

Color infrared photography. Using filters and Ektachrome Infrared Film 2236 to create interesting colored slides.
PHOTOGRAPHIC Apr 1986 (v.14#12) pg. 22

The secrets of using Ektachrome Duplicating Film Type 5071.
PHOTOGRAPHIC Jun 1986 (v.15#2) pg. 38

When and when not to use Kodachrome slide film.
PHOTOGRAPHIC Dec 1986 (v.15#8) pg. 52

35mm film buyer's guide. What is currently available in color slide films, color print films, professional films, black-and-white films, and special films.
PHOTOGRAPHIC Sep 1987 (v.16#5) pg. C

Negative vision. Staying on the reverse side of Vericolor slide film. Using Vericolor as an ideal negative film to use in creating reversed densities and colors for slide projection and Type R printing.
PHOTOGRAPHIC Oct 1987 (v.16#6) pg. 20

35mm film buyers guide. A overview of all available films from Agfa, Fuji, Ilford, Kodak, Konica, Polaroid and 3M.
PHOTOGRAPHIC Feb 1989 (v.17#10) pg. 40+

1990 35mm film buyer's guide.
PHOTOGRAPHIC Jan 1990 (v.18#9) pg. 44+

Ten best 35mm films which represent the full spectrum of photographic tools from the finest grain and highest resolution, to unusual special-effects films.
PHOTOGRAPHIC Jan 1990 (v.18#9) pg. 45

User test of the new XRS family of Agfacolor films (100, 200, 400, and 1000).
PHOTOGRAPHIC Jan 1990 (v.18#9) pg. 80

User test of Kodak Ektachrome 50HC slide film.
PHOTOGRAPHIC Jun 1990 (v.19#2) pg. 52

User test of Fujichrome's Velvia, an ISO 50 professional color-slide film.
PHOTOGRAPHIC Jun 1990 (v.19#2) pg. 60

Superfilm shootout. Kodak Kodachrome 25 vs. Fujichrome Velvia. A comparison test.
PHOTOGRAPHIC Jul 1990 (v.19#3) pg. 86

User test of 120-size Kodak Ektar 25 professional color-negative film.
PHOTOGRAPHIC Sep 1990 (v.19#5) pg. 50

Special section: Film and exposure. Topics include film speed, exposure indexes, color sensitivity and balance, etc.
PHOTOGRAPHIC Nov 1990 (v.19#7) pg. 59

User test of Konica Super SR color-print films (ISO 100, 200, 400).
PHOTOGRAPHIC Dec 1990 (v.19#8) pg. 86

Reciprocity failure in color films. An explanation of what it is. Describes a test procedure to construct a correction chart for exposures longer than those recommended.
PHOTOGRAPHIC May 1991 (v.20#1) pg. 50

Making perfect slide duplicates. What is available in color duping films and how to best use them.
PHOTOGRAPHIC Oct 1991 (v.20#6) pg. 46

User test of Fujicolor SuperG 800 film for press professionals.
PHOTOGRAPHIC Jan 1994 (v.22#9) pg. 56

35mm film buyer's guide to color-print films, color-slide films, black-and-white films, and special-purpose films.
PHOTOGRAPHIC Jan 1994 (v.22#9) pg. 59

Everything you need to know about today's 400-speed color negative films.
PHOTOGRAPHIC Mar 1994 (v.22#11) pg. 54

User test of Kodak Elite 50 Ektachrome slide film.
PHOTOGRAPHIC May 1994 (v.23#1) pg. 46

User test of Agfacolor Optima 400 color-print film.
PHOTOGRAPHIC Jun 1994 (v.23#2) pg. 78

User test of Fujichrome Provia color-slide film (ISO 100, 400, and 1600).
PHOTOGRAPHIC Jul 1994 (v.23#3) pg. 40

User test of Agfacolor Optima 400 color-print film.
PHOTOGRAPHIC Aug 1994 (v.23#4) pg. 35

User test of Kodak Royal Gold color-print film family (ISO 25, 100, 400, 1000).
PHOTOGRAPHIC Sep 1994 (v.23#5) pg. 78

Users report on Fuji Sensia color-slide films (100, 200, and 400 speeds).
PHOTOGRAPHIC Nov 1994 (v.23#7) pg. 32

Convert your negatives. Using Kodak Vericolor Slide Film SO-279 to turn color or black-and-white negatives into slides. Also used to reverse type for slide shows and generate special effects from ordinary transparencies.
PHOTOGRAPHIC Mar 1996 (v.24#11) pg. 40

Tests illustrate that kodak Ektacolor I.D. Copy Film 5022 is a good choice for reproducing colored artwork, like pastel drawings. Tips on its use.
PHOTOMETHODS May 1977 (v.20#5) pg. 49

Experiment with reverse color for your AV slides by making copies of both color and b&w negatives onto Vericolor Slide Film Type 5072. Filters may be used to add color to copies of b&w negatives.
PHOTOMETHODS Oct 1980 (v.23#10) pg. 56

Tips on using Kodak's Vericolor III film which is processed in C-41 chemistry. This color negative film may also be used to generate color slides and B&W prints.
PHOTOMETHODS Feb 1984 (v.27#2) pg. 11

Fuji Super HR 35mm color negative film. Test results, exposure information, storage tips, etc.
PHOTOMETHODS Dec 1986 (v.29#12) pg. 18

User test of Kodachrome 64 120 roll film.
PHOTOMETHODS Jan 1987 (v.30#1) pg. 21

Fujichrome P1600 very high-speed professional slide film is tested.
PHOTOMETHODS Aug 1987 (v.30#8) pg. 28

User test of Kodak Ektar films (25, 125, 1000).
PHOTOMETHODS Jan 1990 (v.33#1) pg. 26

User test of Fujichrome Velvia E6 color slide film.
PHOTOMETHODS Jul 1990 (v.33#7) pg. 26
Added Info PHOTOMETHODS Nov 1990 (v.33#11) pg. 9

How to use Kodak's new Vericolor Slide Film SO-279 to make your own color title slides.
POPULAR MECHANICS Jul 1981 (v.156#1) pg. 36

How to get the most out of the Anscochrome films.
POPULAR PHOTOGRAPHY Feb 1966 (v.58#2) pg. 58

How to get the most out of the Ektachrome films.
POPULAR PHOTOGRAPHY Mar 1966 (v.58#3) pg. 80

How to get the most out of Agfachrome film.
POPULAR PHOTOGRAPHY Aug 1966 (v.59#2) pg. 80

Anscochrome Type 5470 low-cost color film reviewed.
POPULAR PHOTOGRAPHY Jan 1971 (v.68#1) pg. 101

Comments on the use of Kodak's high resolving power color film, Photomicrography Color Film SO-456.
POPULAR PHOTOGRAPHY Feb 1972 (v.70#2) pg. 96

Daylight 35mm color films compared.
POPULAR PHOTOGRAPHY Jun 1972 (v.70#6) pg. 84

A comparison of daylight and tungsten color slide film used in the wrong kind of light, with and without filters, and the results you can expect.
POPULAR PHOTOGRAPHY Jan 1974 (v.74#1) pg. 120

A look at uses for Kodak Photomicrography Color 2483 film.
POPULAR PHOTOGRAPHY Nov 1975 (v.77#5) pg. 104

Six negative-color films tested and compared.
POPULAR PHOTOGRAPHY May 1976 (v.78#5) pg. 74

The differences between professional and amateur color film and some suggestions on the proper storage of film for long life.
POPULAR PHOTOGRAPHY Dec 1976 (v.79#6) pg. 64

Tests of the new E-6 Ektachrome.
POPULAR PHOTOGRAPHY Holiday 1976 (v.79#7) pg. 100

Fujicolor F-11 400 is compared with other color negative films and with Kodak Tri-X.
POPULAR PHOTOGRAPHY Mar 1977 (v.80#3) pg. 83

The art of color exposure. The latitude of color transparency film can be used to make exposures which suit your taste and the mood of your pictures. Effect of under, normal and overexposure is shown.
POPULAR PHOTOGRAPHY Apr 1977 (v.80#4) pg. 116

An in-depth look at new Kodacolor 400, plus a comparison with Fuji, Sakura and 3M fast color-negative films.
POPULAR PHOTOGRAPHY Aug 1977 (v.81#2) pg. 82

The amateur E6 Ektachromes. The new Ektachrome 64, 200, and 160 (tungsten) are compared with Kodachrome and their "professional" counterparts.
POPULAR PHOTOGRAPHY Oct 1977 (v.81#4) pg. 112

When to shoot indoor color-slide film outdoors, without a filter.
POPULAR PHOTOGRAPHY May 1980 (v.86#5) pg. 110

Daylight vs. tungsten slide films. Fitting the film to the light.
POPULAR PHOTOGRAPHY Apr 1981 (v.88#4) pg. 104

Kodachrome 25 and Kodachrome 64 compared.
POPULAR PHOTOGRAPHY Jul 1981 (v.88#7) pg. 86

A comparison of Ektachrome 160 Professional film and 3M Color Slide 640-T film.
POPULAR PHOTOGRAPHY Sep 1981 (v.88#9) pg. 80

Kodachrome 64 is compared with Professional Kodachrome 64.
POPULAR PHOTOGRAPHY Apr 1984 (v.91#4) pg. 46

Kodak Professional Ektachrome P800/1600 film designed for E-6 push processing is evaluated.
POPULAR PHOTOGRAPHY May 1984 (v.91#5) pg. 52

Comparison between Fujichrome 1600, Ektachrome P800/1600 and 3M ColorSlide 1000.
POPULAR PHOTOGRAPHY Jul 1984 (v.91#7) pg. 56

Test of the new Ektachrome 100 E6 slide film.
POPULAR PHOTOGRAPHY Aug 1984 (v.91#8) pg. 50

Tests of the new Agfachrome 1000 RS slide film and Agfacolor XRS 1000 color print film.
POPULAR PHOTOGRAPHY Sep 1984 (v.91#9) pg. 54

Review of "slow" ISO 100 and 200 high-tech color-print films capable of making excellent enlargements up to 20X or beyond.
POPULAR PHOTOGRAPHY Oct 1984 (v.91#10) pg. 56

Review of the new Professional Kodachrome 25.
POPULAR PHOTOGRAPHY Nov 1984 (v.91#11) pg. 52

Slow down for ultimate quality chromes (color slides). An argument for using 35mm films rated below ISO 100. Includes a comparison of several different color slide films and tips on achieving the best quality slide.
POPULAR PHOTOGRAPHY Jan 1986 (v.93#1) pg. 42
Added Info POPULAR PHOTOGRAPHY May 1986 (v.93#5) pg. 94, 108

Fujichrome P1600 daylight-balanced color-slide film. Includes a comparison of four superspeed slide films at six ISO exposure indexes with eight E-6 processing times.
POPULAR PHOTOGRAPHY Feb 1986 (v.93#2) pg. 40

Saturation points. A comparison between two new color-negative films. Fujicolor Super HR film compared with Kodacolor VR-G film.
POPULAR PHOTOGRAPHY Jun 1986 (v.93#6) pg. 46

Kodachrome speeds up. Tests of the new Kodachrome 200 professional slide film.
POPULAR PHOTOGRAPHY Aug 1986 (v.93#8) pg. 30

Balancing act. Using tungsten slide films to get the color right in difficult light.
POPULAR PHOTOGRAPHY Mar 1987 (v.94#3) pg. 31
Added Info POPULAR PHOTOGRAPHY Jun 1987 (v.94#6) pg. 11

Color slide film sampler. Ten color transparency films and advice on matching them with your personal photographic tastes.
POPULAR PHOTOGRAPHY May 1987 (v.94#5) pg. 46

The color controversy. Negative film versus transparency film. The merits of shooting the two types of color are debated.
POPULAR PHOTOGRAPHY Jul 1987 (v.94#7) pg. 45
Added Info POPULAR PHOTOGRAPHY Oct 1987 (v.94#10) pg. 12, 84

Traveling with color. Get great pictures on the road with these 10 tips on the care and choosing of color film.
POPULAR PHOTOGRAPHY Aug 1987 (v.94#8) pg. 50
Added Info POPULAR PHOTOGRAPHY Nov 1987 (v.94#11) pg. 8

Comparison tests of the four ISO 100 color slide films.
POPULAR PHOTOGRAPHY Oct 1987 (v.94#10) pg. 46

Polaroid's instant 35mm slide films offer fast processing and a wide range of creative image options. What is available and tips on their use.
POPULAR PHOTOGRAPHY Nov 1987 (v.94#11) pg. 82

Shifting speeds. To get the best picture quality with almost any color print film, change its ISO setting. A look at the impact on color images of changing the ISO rating.
POPULAR PHOTOGRAPHY Feb 1988 (v.95#2) pg. 44
Correction POPULAR PHOTOGRAPHY Apr 1988 (v.95#4) pg. 6
Added Info POPULAR PHOTOGRAPHY May 1988 (v.95#5) pg. 6

Advice on when and how much to bracket your exposures when using color slide film.
POPULAR PHOTOGRAPHY Feb 1988 (v.95#2) pg. 66

A bracketing strategy to match today's color films.
POPULAR PHOTOGRAPHY Apr 1988 (v.95#4) pg. 32

Three ways to beat high contrast when shooting color slides. (1) Use a polarizer, (2) use fill flash, or (3) meter for the highlights.
POPULAR PHOTOGRAPHY Jun 1988 (v.95#6) pg. 14
Added Info POPULAR PHOTOGRAPHY Oct 1988 (v.95#10) pg. 78

Exposure tips for Eastman 5247 and 5249 color-negative film.
POPULAR PHOTOGRAPHY Oct 1988 (v.95#10) pg. 140

Choosing and using films under artifical and mixed lighting sources to get the best color results. A comparison of tungsten-balanced and daylight-balanced slide and color negative film.
POPULAR PHOTOGRAPHY Jan 1989 (v.96#1) pg. 32

Advice on choosing an all-around color print film.
POPULAR PHOTOGRAPHY Feb 1989 (v.96#2) pg. 20

Comprehensive analysis of eight new films: Kodak Ektar 25, Kodak Ektapress Gold 100 Professional, Agfacolor XRC 100, Scotch Color Print HR 100, Agfacolor XRC 200, Kodak Ektapress Gold 400 Professional, Kodak Ektar 1000 and Kodak Ektapress Gold 1600 Professional. Color accuracy, sharpness and exposure latitude are examined, along with the effects of push processing.
POPULAR PHOTOGRAPHY Feb 1989 (v.96#2) pg. 31
Correction POPULAR PHOTOGRAPHY May 1989 (v.96#5) pg. 40

Examining five new Fuji films: Super HR-II 100 and 1600, Super HG 200 and 400, and Reala. Includes observations on color and printing characteristics.
POPULAR PHOTOGRAPHY May 1989 (v.96#5) pg. 52

Examination of Polaroid OneFilm, a "universal", single-emulsion color-print film.
POPULAR PHOTOGRAPHY Jun 1989 (v.96#6) pg. 26

Comprehensive analysis of three new Kodak films: Ektar 125, Kodacolor Gold 400 and Kodacolor Gold 1600. Color accuracy, sharpness and exposure latitude are examed, along with examples of comparitive films.
POPULAR PHOTOGRAPHY Jul 1989 (v.96#7) pg. 46

Shooting color. A user test of Konica's new "G" series color-print films.
POPULAR PHOTOGRAPHY Apr 1990 (v.97#4) pg. 26

User test of Fujichrome Velvia color slide film.
POPULAR PHOTOGRAPHY Jul 1990 (v.97#7) pg. 24

Is Kodachrome still the king? A comparison test of ten color-slide films.
POPULAR PHOTOGRAPHY Aug 1990 (v.97#8) pg. 46
Added Info POPULAR PHOTOGRAPHY Oct 1990 (v.97#10) pg. 6, 7
Added Info POPULAR PHOTOGRAPHY Nov 1990 (v.97#11) pg. 37

User test of new Scotch/3M 100 color-print film.
POPULAR PHOTOGRAPHY Sep 1990 (v.97#9) pg. 23

Are slides really better? Comparison between using color-slide film and color-print film to achieve the best color images.
POPULAR PHOTOGRAPHY Oct 1990 (v.97#10) pg. 54

Differences between amateur and professional color films explained.
POPULAR PHOTOGRAPHY Nov 1991 (v.98#11) pg. 76

Benefits of slide film over print film for color photos.
POPULAR PHOTOGRAPHY Feb 1992 (v.99#2) pg. 16

Ringing the changes. How to test color slide films and processing labs for consistency.
POPULAR PHOTOGRAPHY Feb 1993 (v.100#2) pg. 42

Store-brand films. A look at who really makes the color print film in store brands and how it compares with name-brand film.
POPULAR PHOTOGRAPHY Jan 1994 (v.58#1) pg. 40
Added Info POPULAR PHOTOGRAPHY Mar 1994 (v.58#3) pg. 53

User test of Kodak Royal Gold 100 and 400 premium print films.
POPULAR PHOTOGRAPHY May 1994 (v.58#5) pg. 26

User test of Fujichrome Provia 100 color slide film.
POPULAR PHOTOGRAPHY Jul 1994 (v.58#7) pg. 26

User test of three color print films. (1) Agfa Optima 400. (2) Kodak Pro 400 MC. (3) Kodak Royal Gold 1000.
POPULAR PHOTOGRAPHY Oct 1994 (v.58#10) pg. 30

User test of two color slide films. (1) Kodak Panther 50X. (2) Fujichrome 1600.
POPULAR PHOTOGRAPHY Oct 1994 (v.58#10) pg. 30

How to choose between color slide and print film.
POPULAR PHOTOGRAPHY Sep 1996 (v.60#9) pg. 59

Read a good negative lately? Interpreting what you see upon close inspection of processed color-negative film. Includes picture taking advice dealing with overexposure, color filtration, fluorescent lighting, color conversion filters, and unsharp negatives.
POPULAR PHOTOGRAPHY Jun 1997 (v.61#6) pg. 82

How to choose between color-slide and color-print film. A look at the strengths of each.
POPULAR PHOTOGRAPHY Oct 1997 (v.61#10) pg. 68

How to choose the right color film to match a given scene and lighting conditions.
POPULAR PHOTOGRAPHY Nov 1997 (v.61#11) pg. 47

Best how-to tips on choosing between color-slide and color-print film.
POPULAR PHOTOGRAPHY Oct 1998 (v.62#10) pg. 91

Tips to boost color saturation on slide film images.
POPULAR PHOTOGRAPHY Oct 1999 (v.63#10) pg. 83

The pros and cons of shooting color slide film.
POPULAR PHOTOGRAPHY Apr 2002 (v.66#4) pg. 68, 76

Pros and cons of shooting color print film.
POPULAR PHOTOGRAPHY May 2002 (v.66#5) pg. 62, 68

Use color negative film to produce color prints, color slides and black and white prints from a single negative.
POPULAR SCIENCE Apr 1967 (v.190#4) pg. 126

Fujichrome Velvia. A user test of a new transparency film which offers ultra-saturated colors.
PROFESSIONAL PHOTOGRAPHER #2139 Aug 1990 (v.117) pg. 34

Rating color negative films. Sensitometry experts tell how to make correct exposures.
PROFESSIONAL PHOTOGRAPHER #2142 Nov 1990 (v.117) pg. 38

Kodak Ektachrome Elite and Ektachrome Lumiere films are tested.
SHUTTERBUG #290 Nov 1994 (v.24#1) pg. 10

New transparency films from Fuji (Provia and Sensia) are tested.
SHUTTERBUG #290 Nov 1994 (v.24#1) pg. 14

Color slide films from Agfa, Konica and Scotch (3M) are tested.
SHUTTERBUG #290 Nov 1994 (v.24#1) pg. 18

Tips to maximize color print and slide film selection.
SHUTTERBUG #294 Mar 1995 (v.24#5) pg. 78

An evaluation of 5 color films and 3 B&W films suitable for astrophotography. All are commercially available from Kodak.
SKY & TELESCOPE May 1980 (v.59#5) pg. 433

"Slow" color films for astrophotography. What is available and tips on their use.
SKY & TELESCOPE Aug 1988 (v.76#2) pg. 207

Comparing color films for astrophotography. Six films are compared.
SKY & TELESCOPE Aug 1988 (v.76#2) pg. 209

Tips on using ScotchChrome 800/3200P color slide film in astrophotography.
SKY & TELESCOPE Feb 1994 (v.87#2) pg. 106

Using Kodak Ektachrome P1600 professional color slide film in astrophotography. Some tips.
SKY & TELESCOPE Sep 1994 (v.88#3) pg. 48