Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 4

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 5

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 6

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 7

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 8

Warning: Cannot modify header information - headers already sent by (output started at /home/content/25/9105325/html/index.php:2) in /home/content/25/9105325/html/index.php on line 86
PHOTOGRAPHIC PAPER (COLOR) entries in Index to How To Do It Information
Norman Lathrop Enterprises  
nleindex.com | Norman Lathrop Enterprises
Index To How To Do It Information
Lathrop Report On Newspaper Indexes
A profile of Norman Lathrop Enterprises
 
NLEIndex.com
Last Updated
03/31/2019
 
Sitemap
 
  Index Home  |   A-Z Subject Heading Guide    |   Keyword Search  |   Union List 

Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC PAPER (COLOR)
xx   PHOTOGRAPHIC PAPER
xx   PHOTOGRAPHY (COLOR)
xx   TRANSPARENCY PRINT MAKING (COLOR)

User test of cut-sheet color-reversal papers (from Kodak, Ilford, Agfa and Fuji) for printing from slides.
CAMERA & DARKROOM May 1994 (v.16#5) pg. 61

Results of color reciprocity tests on three color papers (Ektacolor professional, Unicolor, and Ektacolor 37RC), plus a test of the Luminos Roto-Wing Enlarging calculator.
CAMERA 35 Sep-Oct 1973 (v.17#7) pg. 54

A technical description of Cibachrome color paper translated into layman's terms.
CAMERA 35 May 1974 (v.18#3) pg. 24

Kodak offers better data and more printing materials than ever before for the color print maker. A review of what is available.
CAMERA 35 Feb 1981 (v.26#2) pg. 68

Comparison between Cibachrome Process P-3 professional paper and chemistry and Cibachrome-A II amateur paper and Process P-30 chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1984 (v.5#4) pg. 18

Testing color negative enlarging papers.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1985 (v.6#3) pg. 24
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1985 (v.6#4) pg. 20
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1986 (v.7#1) pg. 2

Agfa Type 7 color print paper is viewed.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1985 (v.6#4) pg. 25

Agfa Type 8 color printing paper is evaluated.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1985 (v.6#5) pg. 20

Comparing color prints from slides and negatives. Four papers/chemistries tested.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1987 (v.8#5) pg. 24

Discussion of the Cibachrome color dye formation processes from a chemical-reaction point of view.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1988 (v.9#2) pg. 12

Photographer's guide to most films, papers and display materials available in the USA.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 34

Photographer's guide to wet-process film and paper. Both color and B&W are included.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1990 (v.11#3) pg. 38
Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 3

Photographer's guide to wet-process films, papers, and display materials.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1994 (v.15#3) pg. 32

Darkroom worker's guide to color and black-and-white papers.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1995 (v.16#4) pg. 31

A review of Kodak's 2203 paper used to make direct prints from color slides. Some helpful hints on processing and using.
DARKROOM PHOTOGRAPHY Nov 1979 (v.1#6) pg. 76

Comparison of Kodak 74RC and the newer 78RC Ektacolor paper.
DARKROOM PHOTOGRAPHY Nov 1980 (v.2#7) pg. 20

Tip: How to tell the emulsion side of Cibachrome paper in the dark.
DARKROOM PHOTOGRAPHY Jul-Aug 1981 (v.3#4) pg. 15

Surface sense. Tips on when to select glossy, matte, or semi-matte surfaces for color paper.
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 62

Tips and tricks you may find handy in your color darkroom. (1) Conserving on paper. (2) Freeing film of fingerprints. (3) On-easel enlarger metering. (4) Warming chemicals.
DARKROOM PHOTOGRAPHY Jan-Feb 1987 (v.9#1) pg. 57

A tale of many Cibachrome tests. A look at the multiplicity of Cibachrome print materials.
DARKROOM PHOTOGRAPHY Aug 1989 (v.11#8) pg. 40

Kodak's new Ektachrome Prestige print material is tested. Used to make direct prints from slides or transparencies.
DARKROOM PHOTOGRAPHY Sep 1989 (v.11#9) pg. 24

Cibachrome II paper. Two articles look at both the professional and amateur versions of this new color paper for making prints from slides.
DARKROOM TECHNIQUES Dec 1981 (v.2#4) pg. 26, 30

Using frost-free refrigerators to store color film and paper.
INDUSTRIAL PHOTOGRAPHY Oct 1978 (v.27#10) pg. 32

Wisely choosing a color paper. Tips for photo labs on evaluating color papers.
INDUSTRIAL PHOTOGRAPHY Jun 1990 (v.39#6) pg. 6

How to use Cibachrome paper as the camera original without the need for an intermediate transparency. Project the camera image directly onto Cibachrome paper and process it to get the print. Requires some method of keeping extraneous light from striking paper.
MODERN PHOTOGRAPHY Jul 1979 (v.43#7) pg. 96

Which color paper is best? A comparision of Kodak Ektacolor 74 & 78, 3M High Speed, and Unicolor RC.
MODERN PHOTOGRAPHY Apr 1980 (v.44#4) pg. 112

A convenient, rapid method for dealing with the problems of reciprocity law failure in Ilfochrome Classic print material.
PHOTO TECHNIQUES Mar-Apr 1999 (v.20#2) pg. 29

Using Kodak's new 2203 reversal color paper in the small darkroom. The paper is cheaper and faster than Cibachrome.
PHOTOMETHODS May 1980 (v.23#5) pg. 57

User test of Kodak and Beseler RA-4 process color paper, chemistry and equipment.
PHOTOMETHODS Sep 1990 (v.33#9) pg. 34

Using Kodak Ektamatic paper with tray processing cuts exposure and development time.
POPULAR PHOTOGRAPHY Sep 1972 (v.71#3) pg. 44

A working pro looks at Cibachrome. Why and how to use both amateur and professional versions for top-quality color prints. Includes darkroom tips to help make better color prints.
POPULAR PHOTOGRAPHY Apr 1977 (v.80#4) pg. 112

How to tell when your color chemicals and printing papers go bad, and how to make them last longer.
POPULAR PHOTOGRAPHY Apr 1986 (v.93#4) pg. 18

A new generation of 5 reversal papers for printing from color slides are compared.
POPULAR PHOTOGRAPHY Aug 1992 (v.99#8) pg. 28

Ektachrome Prestige color reversal print material. User test of an alternative to Ektachrome 22 for producing premium-quality prints from transparencies.
PROFESSIONAL PHOTOGRAPHER #2132 Jan 1990 (v.117) pg. 44

How RA-4 paper works to make prints from color negatives.
SHUTTERBUG #384 Sep 2002 (v.31#11) pg. 78