Weaving for the church. Looks at seasonal colors, alter clothes, vestments, symbolism, and weaving techniques.
HANDWOVEN Jan-Feb 1984 (v.5#1) pg. 32
Lenten Pulpit Antependium is woven in half-dukagang in which dukagang is worked on a plain weave background. Three bands of color curve diagonally across the lower left corner, accenting an off-centered cross.
HANDWOVEN May-Jun 1987 (v.8#3) pg. 57, I-10
Reversible Advent pulpit fall is woven in four-shaft rep weave with a candle motif on each of the four panels. When hung from the pulpit, one panel is reversed each week during Advent.
HANDWOVEN Sep-Oct 1993 (v.14#4) pg. 78, 95
Correction HANDWOVEN Jan-Feb 1994 (v.15#1) pg. 83
Sanctuary wall hanging is woven on a frame or tapestry loom and is worked entirely in the Soumak technique.
NEEDLECRAFT FOR TODAY Mar-Apr 1979 (v.2#2) pg. 37, 50
Ecclesiastical weaving. Part 4. Weaving for the Jewish synagogue or home.
SHUTTLE, SPINDLE & DYEPOT #38 Spring 1979 (v.10#2) pg. 65
Weaving traditional items for Jewish celebrations. Three techniques (weft twisting, brocade and inlay tabby) are used to create motifs on items for Passover and the Sabbath meal. Emphasis is on the techniques.
SHUTTLE, SPINDLE & DYEPOT #74 Spring 1988 (v.19#2) pg. 30
Weaving ecclesiastical tapestries and hangings. Suggestions for design and preparation of color samples.
WEAVER'S JOURNAL #21 Summer 1981 (v.6#1) pg. 40