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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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PHOTOGRAPHIC PRINT PROCESSING (COLOR) sa PHOTOGRAPHIC PRINT DEVELOPER (COLOR) xx PHOTOGRAPHIC PRINT MAKING (COLOR) xx PHOTOGRAPHIC PRINT PROCESSING xx TRANSPARENCY PRINT MAKING (COLOR) Tip on eliminating streaks when drum processing color prints. Pre-wetting tip for avoiding water stains on color prints processed in a drum. Tips on processing large Cibachrome (Ilfochrome) prints in the home darkroom. A comparison of the step-by-step process and the results of developing Kodak 37RC Ektacolor paper with three different chemistries (Kodak, Beseler and Unicolor). Photochemistry VIII. Color reversal papers. The processing of conventional color reversal papers, such as Kodak type 2203 and R14. Comparison between Cibachrome Process P-3 professional paper and chemistry and Cibachrome-A II amateur paper and Process P-30 chemistry. Questions and answers concerning E-6, C-41, and Ektaprint-2 color processing. Color prints from color slides. Testing two papers (Unichrome and Agfa) and two chemistries (Freestyle and Unicolor). Suggestions for using separate bleach and fix solutions when processing color prints. Basics of the Cibachrome dye-bleach process. Intensify your C-prints. Boost color print saturation and contrast when printing color negatives by re-development with EP-2 color developer. Color print contrast control. Boost contrast and color saturation easily by processing and fixing in black-and-white chemistry before bleaching and redeveloping in color chemistry. Reasons behind the speed of Kodak's RA-4 color printing process. A look at the lack of compatibility between EP-2 paper and RA-4 chemistry. Tip on eliminating a blue-cyan stain on Kodak Ektacolor Professional paper processed in Beseler A chemistry. Lowering contrast in RA-4 color prints by bleaching the latent image before development. Combining black-and-white and color images using selective colorization. Modified processing of color prints lets you retain the black-and-white images which are normally bleached away in a later process step. Advice on customizing time/temperature when processing RA-4 materials in a drum. Method for using Selectol Soft developer to reduce Cibachrome contrast. Tips on avoiding magenta streaks that are typically caused by developer carry-over in the bleach-fix when drum processing. Modifying Cibachrome development to reduce print contrast. Troubleshooting color and/or density shifts when using drum processing. Tips on getting the proper amount of bleach/fix when processing color prints. Tips on replenishment rate when processing RA-4 prints in a drum processor. Chromoskedasic (colored by light scattering) duotone pseudosolarization. A novel method for producing color images on black-and-white photo paper by treating with both Ektamatic S30 Stabilizer and Dektol developer. Suggestions for avoiding edge stains on drum-processed color prints. Solution of Epsom Salts and water will "harden" Cibachrome prints. Comparison test of four leading brands of two-step color print processing kits. How to make color prints from color slides using the Agfachrome-Speed processing system. Control strips. How to make and use pre-exposed control strips for use in checking your color processing equipment and/or techniques. Tips on printing and processing on Kodak Ektacolor Pro paper using Kodak EP-2 chemistry. Tips on eliminating yellow stains along the edge of Cibachrome prints developed in a rotary-drum processor. Low contrast Cibachrome. Results of experiments which utilize various chemicals and techniques for developing Cibachrome Type A-Pearl paper. Color prints from color slides. Part 2. (1) Kodak 2203 paper with Unicolor RP-1000 chemistry. (2) Beseler 3-Step Chemistry. How to develop color prints in room light. Simple answers to your color questions. Part 3. Print processing. Get the most production out of your color print processor by gang-printing. Doubles capacity and cuts chemical costs. Tips on using the daylight processing drum and nomograph charts to make home color processing easier. Tables indicate processing times for ten different color printing methods. How to make color prints in the $20 Heath/Mitchell color canoe that are comparable to those made in a $250 drum processor. Color printing with Unicolor Chemicals. Tips on using Aeroprint Color to make color prints from slides or color negatives without filters or critical temperatures. Getting into color printing using black and white equipment and Aeroprint Color Spray processing. Make your own prints from color slides using Kodak's Ektachrome 1993 Positive-to-positive printing material with Kodak or Unicolor chemicals. Tips on when and how to choose a 1 hour color photo lab. Tips on using RT Color Laboratories RT802 processing kit for making color prints from slides. This kit operates at "room temperature". Cibachrome primer. It's easy to make great color prints from your slides at home using the P-30 process. Double-duty labs. Slides, prints, and negs from the same roll of color film. A review of three laboratories which offer C-41 processing and will deliver the results as prints, slides, or both. Color process monitoring. What it is and who needs it. Handling in-house processing quality. Tips on attitude, organization and ongoing preventive maintenance to solve and eliminate problems. Processing Cibachrome CPSA, CF, and CPS papers in P-30 chemistry. This "not recommended" process produces interesting special effects and contrast control. A look at color printing with Aeroprint spray chemicals. Color processing, anytime, anywhere. A description of what is needed and even tips on processing while traveling. Three color-print processes compared. Beseler, Kodak and Unicolor neg-to-pos kits tested. Tips on using each included. A review of Kodak's recommendations for home processing of Ektacolor 37 RC paper and Ektachrome RC paper. How to test your commercial laboratory to determine the quality of their color processing. Tips on how and why to use the standard negative or transparency manufactured by Kodak (called a Shirley) in establishing your own color processing and color printing procedures. A look at using Kodak's Ektaflex printing-processing system. Some problems you may encounter while processing color prints and how to conquer them. Looks at wrong filter pack, old chemicals, light-struck paper, fingerprints, etc. Ektaflex revisited. A look at Kodak's single-solution color process for making prints from slides and negatives. How to get the most from your processing lab. Tips on identifying common color print problems. Which colorlabs are best? A comparison of minilabs, big processors, and mail-order photofinishers. Breaking the APS code. How to decipher the information printed on the back of your Kodak prints. How to test a color-print photofinisher. Seven steps to selecting a professional photography lab. Troubleshooting your RA-4 processing problems. RA-4 processing. A review of the procedures necessary to guarantee perfect prints from color negatives in the home darkroom. | |||||||||
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