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PHOTOGRAPHIC PRINT PROCESSING (COLOR) entries in Index to How To Do It Information
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC PRINT PROCESSING (COLOR)
sa   PHOTOGRAPHIC PRINT DEVELOPER (COLOR)
xx   PHOTOGRAPHIC PRINT MAKING (COLOR)
xx   PHOTOGRAPHIC PRINT PROCESSING
xx   TRANSPARENCY PRINT MAKING (COLOR)

Tip on eliminating streaks when drum processing color prints.
CAMERA & DARKROOM Apr 1991 (v.13#4) pg. 5

Pre-wetting tip for avoiding water stains on color prints processed in a drum.
CAMERA & DARKROOM Apr 1992 (v.14#4) pg. 13

Tips on processing large Cibachrome (Ilfochrome) prints in the home darkroom.
CAMERA & DARKROOM Mar 1993 (v.15#3) pg. 4

A comparison of the step-by-step process and the results of developing Kodak 37RC Ektacolor paper with three different chemistries (Kodak, Beseler and Unicolor).
CAMERA 35 Feb-Mar 1974 (v.18#1) pg. 44

Photochemistry VIII. Color reversal papers. The processing of conventional color reversal papers, such as Kodak type 2203 and R14.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1984 (v.5#3) pg. 35

Comparison between Cibachrome Process P-3 professional paper and chemistry and Cibachrome-A II amateur paper and Process P-30 chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1984 (v.5#4) pg. 18

Questions and answers concerning E-6, C-41, and Ektaprint-2 color processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1985 (v.6#6) pg. 13

Color prints from color slides. Testing two papers (Unichrome and Agfa) and two chemistries (Freestyle and Unicolor).
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1985 (v.6#6) pg. 42

Suggestions for using separate bleach and fix solutions when processing color prints.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1987 (v.8#1) pg. 5

Basics of the Cibachrome dye-bleach process.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1987 (v.8#2) pg. 12
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1987 (v.8#3) pg. 7

Intensify your C-prints. Boost color print saturation and contrast when printing color negatives by re-development with EP-2 color developer.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 26, 18
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 54
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1989 (v.10#5) pg. 6

Color print contrast control. Boost contrast and color saturation easily by processing and fixing in black-and-white chemistry before bleaching and redeveloping in color chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 34

Reasons behind the speed of Kodak's RA-4 color printing process. A look at the lack of compatibility between EP-2 paper and RA-4 chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1990 (v.11#3) pg. 2

Tip on eliminating a blue-cyan stain on Kodak Ektacolor Professional paper processed in Beseler A chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 18

Lowering contrast in RA-4 color prints by bleaching the latent image before development.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1991 (v.12#1) pg. 40

Combining black-and-white and color images using selective colorization. Modified processing of color prints lets you retain the black-and-white images which are normally bleached away in a later process step.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1991 (v.12#2) pg. 45

Advice on customizing time/temperature when processing RA-4 materials in a drum.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1991 (v.12#4) pg. 9

Method for using Selectol Soft developer to reduce Cibachrome contrast.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1991 (v.12#5) pg. 8

Tips on avoiding magenta streaks that are typically caused by developer carry-over in the bleach-fix when drum processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1991 (v.12#5) pg. 73

Modifying Cibachrome development to reduce print contrast.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1992 (v.13#2) pg. 28

Troubleshooting color and/or density shifts when using drum processing.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1992 (v.13#3) pg. 14

Tips on getting the proper amount of bleach/fix when processing color prints.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1992 (v.13#3) pg. 19

Tips on replenishment rate when processing RA-4 prints in a drum processor.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1992 (v.13#5) pg. 16

Chromoskedasic (colored by light scattering) duotone pseudosolarization. A novel method for producing color images on black-and-white photo paper by treating with both Ektamatic S30 Stabilizer and Dektol developer.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1992 (v.13#6) pg. 30
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1993 (v.14#5) pg. 28

Suggestions for avoiding edge stains on drum-processed color prints.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1994 (v.15#2) pg. 8
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1994 (v.15#6) pg. 17

Solution of Epsom Salts and water will "harden" Cibachrome prints.
DARKROOM PHOTOGRAPHY Mar-Apr 1980 (v.2#2) pg. 12

Comparison test of four leading brands of two-step color print processing kits.
DARKROOM PHOTOGRAPHY Jul-Aug 1982 (v.4#5) pg. 39

How to make color prints from color slides using the Agfachrome-Speed processing system.
DARKROOM PHOTOGRAPHY Mar-Apr 1984 (v.6#2) pg. 52

Control strips. How to make and use pre-exposed control strips for use in checking your color processing equipment and/or techniques.
DARKROOM PHOTOGRAPHY May-Jun 1987 (v.9#3) pg. 54

Tips on printing and processing on Kodak Ektacolor Pro paper using Kodak EP-2 chemistry.
DARKROOM PHOTOGRAPHY Feb 1989 (v.11#2) pg. 5

Tips on eliminating yellow stains along the edge of Cibachrome prints developed in a rotary-drum processor.
DARKROOM PHOTOGRAPHY Sep 1990 (v.12#9) pg. 8
Added Info CAMERA & DARKROOM Dec 1990 (v.12#12) pg. 5

Low contrast Cibachrome. Results of experiments which utilize various chemicals and techniques for developing Cibachrome Type A-Pearl paper.
DARKROOM TECHNIQUES Fall 1979 pg. 24

Color prints from color slides. Part 2. (1) Kodak 2203 paper with Unicolor RP-1000 chemistry. (2) Beseler 3-Step Chemistry.
DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 30

How to develop color prints in room light.
DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 47

Simple answers to your color questions. Part 3. Print processing.
DARKROOM TECHNIQUES Oct 1980 (v.1#3) pg. 59

Get the most production out of your color print processor by gang-printing. Doubles capacity and cuts chemical costs.
INDUSTRIAL PHOTOGRAPHY Sep 1970 (v.19#9) pg. 30

Tips on using the daylight processing drum and nomograph charts to make home color processing easier.
MECHANIX ILLUSTRATED #574 Mar 1976 (v.72) pg. 96

Tables indicate processing times for ten different color printing methods.
MODERN PHOTOGRAPHY Oct 1968 (v.32#10) pg. 112

How to make color prints in the $20 Heath/Mitchell color canoe that are comparable to those made in a $250 drum processor.
MODERN PHOTOGRAPHY Dec 1968 (v.32#12) pg. 22

Color printing with Unicolor Chemicals.
MODERN PHOTOGRAPHY Jul 1969 (v.33#7) pg. 12

Tips on using Aeroprint Color to make color prints from slides or color negatives without filters or critical temperatures.
MODERN PHOTOGRAPHY Jan 1972 (v.36#1) pg. 90

Getting into color printing using black and white equipment and Aeroprint Color Spray processing.
MODERN PHOTOGRAPHY Oct 1972 (v.36#10) pg. 60

Make your own prints from color slides using Kodak's Ektachrome 1993 Positive-to-positive printing material with Kodak or Unicolor chemicals.
MODERN PHOTOGRAPHY Aug 1975 (v.39#8) pg. 78

Tips on when and how to choose a 1 hour color photo lab.
PHOTOGRAPHIC Feb 1983 (v.11#10) pg. 55, 75

Tips on using RT Color Laboratories RT802 processing kit for making color prints from slides. This kit operates at "room temperature".
PHOTOGRAPHIC Jul 1985 (v.14#3) pg. 8

Cibachrome primer. It's easy to make great color prints from your slides at home using the P-30 process.
PHOTOGRAPHIC Feb 1987 (v.15#10) pg. 28

Double-duty labs. Slides, prints, and negs from the same roll of color film. A review of three laboratories which offer C-41 processing and will deliver the results as prints, slides, or both.
PHOTOGRAPHIC Feb 1988 (v.16#10) pg. 42

Color process monitoring. What it is and who needs it.
PHOTOMETHODS Apr 1984 (v.27#4) pg. 21

Handling in-house processing quality. Tips on attitude, organization and ongoing preventive maintenance to solve and eliminate problems.
PHOTOMETHODS Jun 1988 (v.31#6) pg. 32

Processing Cibachrome CPSA, CF, and CPS papers in P-30 chemistry. This "not recommended" process produces interesting special effects and contrast control.
PHOTOMETHODS Aug 1988 (v.31#8) pg. 6

A look at color printing with Aeroprint spray chemicals.
POPULAR MECHANICS Jan 1973 (v.139#1) pg. 157

Color processing, anytime, anywhere. A description of what is needed and even tips on processing while traveling.
POPULAR PHOTOGRAPHY Jul 1971 (v.69#1) pg. 90

Three color-print processes compared. Beseler, Kodak and Unicolor neg-to-pos kits tested. Tips on using each included.
POPULAR PHOTOGRAPHY Mar 1976 (v.78#3) pg. 92

A review of Kodak's recommendations for home processing of Ektacolor 37 RC paper and Ektachrome RC paper.
POPULAR PHOTOGRAPHY Apr 1976 (v.78#4) pg. 102

How to test your commercial laboratory to determine the quality of their color processing.
POPULAR PHOTOGRAPHY May 1976 (v.78#5) pg. 54

Tips on how and why to use the standard negative or transparency manufactured by Kodak (called a Shirley) in establishing your own color processing and color printing procedures.
POPULAR PHOTOGRAPHY Mar 1977 (v.80#3) pg. 50

A look at using Kodak's Ektaflex printing-processing system.
POPULAR PHOTOGRAPHY Dec 1981 (v.88#12) pg. 104

Some problems you may encounter while processing color prints and how to conquer them. Looks at wrong filter pack, old chemicals, light-struck paper, fingerprints, etc.
POPULAR PHOTOGRAPHY Jan 1984 (v.91#1) pg. 16

Ektaflex revisited. A look at Kodak's single-solution color process for making prints from slides and negatives.
POPULAR PHOTOGRAPHY Dec 1985 (v.92#12) pg. 14

How to get the most from your processing lab. Tips on identifying common color print problems.
POPULAR PHOTOGRAPHY Oct 1991 (v.98#10) pg. 45
Correction POPULAR PHOTOGRAPHY Dec 1991 (v.98#12) pg. 51

Which colorlabs are best? A comparison of minilabs, big processors, and mail-order photofinishers.
POPULAR PHOTOGRAPHY Jun 1994 (v.58#6) pg. 34

Breaking the APS code. How to decipher the information printed on the back of your Kodak prints.
POPULAR PHOTOGRAPHY Aug 1996 (v.60#8) pg. 28

How to test a color-print photofinisher.
POPULAR PHOTOGRAPHY Sep 1996 (v.60#9) pg. 52

Seven steps to selecting a professional photography lab.
PROFESSIONAL PHOTOGRAPHER #2182 Mar 1994 (v.121) pg. 41

Troubleshooting your RA-4 processing problems.
SHUTTERBUG #269 Feb 1993 (v.22#4) pg. 82

RA-4 processing. A review of the procedures necessary to guarantee perfect prints from color negatives in the home darkroom.
SHUTTERBUG #291 Dec 1994 (v.24#2) pg. 60