Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

Color and weave on rosepath. How to use two colors to create intricate patterns on a simple four-shaft warp.
HANDWOVEN Jan-Feb 1991 (v.12#1) pg. 52

Swatch collection No. 24 featuring autumnal colors. (1) Lightweight coat fabric in a large plaid is woven in 2/2 twill. (2) Jacket outerwear fabric in basket and plain weave is woven on six shafts. (3) Plaid suit or skirt fabric woven in an eight-shaft twill variation. Color and weave create a strong diagonal. (4) Jacket fabric with strong vertical stripes made by weaving a Bedford cord.
HANDWOVEN Sep-Oct 1991 (v.12#4) pg. 38, 87

Color in plain weave. An explanation of color-and-weave effect and samples to weave to explore possibilities.
HANDWOVEN Nov-Dec 1991 (v.12#5) pg. 52

Color-and-weave effects. Part 1. How to do a drawdown (draft) on paper.
HANDWOVEN Mar-Apr 1993 (v.14#2) pg. 30

Swatch collection No. 27. (1) Jacket fabric is woven on five shafts in a color-and-weave-effect novelty weave. (2) Jacket fabric is woven on six shafts in a striped color-and-weave-effect plain weave with 2/2/ twill squares. (3) Lightweight plaid fabric suitable for skirt, blouse or dress is woven on four shafts in plain weave with three-end huck lace squares. (4) Striped jacket fabric is woven on five shafts in a warp-striped satin.
HANDWOVEN Mar-Apr 1993 (v.14#2) pg. 76, 90

Color-and-weave effects. Part 2. How to move from an idea for a color-and-weave-effect fabric to the draft which will produce it.
HANDWOVEN May-Jun 1993 (v.14#3) pg. 30

Swatch collection #28. (1) Suit fabric with a strong diagonal is woven in eight-shaft interrupted twill. (2) Skirt or slacks fabric is woven in a four-shaft 2/2 twill with color-and-weave-effect. (3) Jacket fabric in an six-shaft 2/2 twill is woven in an ombre plaid with overcheck. (4) Coat fabric in Curly Stars eight-shaft pattern is woven in color-and-weave-effect.
HANDWOVEN Sep-Oct 1993 (v.14#4) pg. 47, 84
Correction HANDWOVEN Jan-Feb 1994 (v.15#1) pg. 83
Correction HANDWOVEN Sep-Oct 1994 (v.15#4) pg. 82

How to weave overshot patterns as color-and-weave-effect double weave.
HANDWOVEN Jan-Feb 1994 (v.15#1) pg. 62

Swatch collection #29 of fabrics inspired by natural dyestuffs. (1) Lacy blouse or dress fabric. (2) Plain-weave jacket fabric with an overcheck of fine threads in three colors. (3) Two-block twill fabric for dress, skirt or light jacket, features alternating blocks of color and weave. (4) Plain-weave jacket or skirt fabric with a fine overcheck.
HANDWOVEN Mar-Apr 1994 (v.15#2) pg. 62, 87

More dots. Eight fabrics based on four weaves that create "dots" (small areas in the cloth that are separated from each other by a ground of some other color, yarn or weave structure). (1) Color-and-weave effects. (2) Double-weave dots. (3) Dots made with floats. (4) Dots made of floats formed by supplementary warps or wefts.
HANDWOVEN May-Jun 1995 (v.16#3) pg. 80, 85

Playing with color-and-weave effect in plain weave and balanced twills.
HANDWOVEN Sep-Oct 1998 (v.19#4) pg. 42

Berry Festival fabric swatch woven in two-shaft basket weave with color-and-weave-effect on a rigid-heddle loom.
HANDWOVEN Sep-Oct 1998 (v.19#4) pg. 44, 68

Big and little threads. Fabrics that rely on using contrasting sizes of threads to add textural interest. (1) Plain log cabin weave color-and-weave effect fabric woven on four shafts. (2) A simple windowpane overcheck in plain weave on four shafts. Vertical and horizontal lines of heavier thread outline areas of finer thread. (3) Six-shaft 3/3 basket weave. (4) Shadow weave based on twill structure and woven on eight shafts has raised diagonal ridges.
HANDWOVEN Nov-Dec 1998 (v.19#5) pg. 50, 72

Plain weave color-and-weave effects. Threading and treadling drafts for two samples.
SHUTTLE, SPINDLE & DYEPOT #95 Summer 1993 (v.24#3) pg. 44

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