LEGAL PHOTOGRAPHY
sa PHOTOGRAMMETRY
x EVIDENCE PHOTOGRAPHY
x FORENSIC PHOTOGRAPHY
xx PHOTOGRAMMETRY
xx PHOTOGRAPHY
How to use your camera for legal protection. Tips on taking pictures to nail down facts in an accident, fire, when moving and to take inventory for insurance purposes. BETTER HOMES & GARDENS Apr 1974 (v.52#4) pg. G13 (146+)
Sources of information for using infrared photography to detect forgeries. DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1994 (v.15#4) pg. 11
Crime doesn't pay. Law enforcement photography tips from the Ocean County (New Jersey) Sheriff's Department. INDUSTRIAL PHOTOGRAPHY Oct 1985 (v.34#10) pg. 30
Proof positive. In evidence photography, a picture is not always worth a thousand words. Advice on equipment, materials, and techniques that should be used in forensic photography. INDUSTRIAL PHOTOGRAPHY May 1988 (v.37#5) pg. 29
The photographer as an expert witness. Examines aspects of qualifications, conduct, legal implications and compensation. INDUSTRIAL PHOTOGRAPHY Oct 1989 (v.38#10) pg. 44
It it evidence? Requirements for a photograph to be admitted in evidence in a court trial. INDUSTRIAL PHOTOGRAPHY Aug 1990 (v.39#8) pg. 22
Tips on legal photography. Looks at clarity, consistency and scale. PHOTO ELECTRONIC IMAGING Jun 1992 (v.35#6) pg. 27
The eye, brain, and camera in nighttime accident reconstruction. A look at the numerious physical, physiological, and psychological pitfalls in representing nighttime scenes in a true and accurate way. PHOTO ELECTRONIC IMAGING Feb 1993 (v.36#2) pg. 8
Added Info PHOTO ELECTRONIC IMAGING Jun 1993 (v.36#6) pg. 10
An overview of forensic photography. A chart shows 23 photo technqiues and their typical forensic applicatons. PHOTO ELECTRONIC IMAGING Feb 1993 (v.36#2) pg. 16
Forensic evidence documentation using reflective ultraviolet photography. PHOTO ELECTRONIC IMAGING Feb 1993 (v.36#2) pg. 18
Problem of truly replicating human vision in forensic photography is discussed. PHOTO ELECTRONIC IMAGING 1996 (v.39#9) pg. 46
Added Info PHOTO ELECTRONIC IMAGING 1996 (v.39#11) pg. 46
Added Info PHOTO ELECTRONIC IMAGING 1996 (v.39#12) pg. 46 (Photos in fog, rain or snow)
Digital detective. How to convert 12 photographic images into a 360-degree panorama for crime scene documentation using Photoshop and image-stitching software from Live Picture PhotoVista. PHOTO ELECTRONIC IMAGING Jun 1998 (v.41#6) pg. 36
Tips on getting started in forensic photography of fires. PHOTOGRAPHIC Mar 1994 (v.22#11) pg. 34
Special issue: Using photography in gathering evidence in criminal and legal proceedings. PHOTOMETHODS Aug 1975 (v.18#8) pg. 23
Tips on using photography in forensic pathology. PHOTOMETHODS Dec 1976 (v.19#12) pg. 42
Fingerprint recording and enhancement. Includes tips on building contrast without loss of detail. PHOTOMETHODS Aug 1979 (v.22#8) pg. 40
Correction PHOTOMETHODS Nov 1979 (v.22#11) pg. 51
Advice to photographers assigned to photograph an accident scene or to produce any photographs that may later be used as evidence in court. PHOTOMETHODS Apr 1982 (v.25#4) pg. 10
Problems of utilizing photographs to simulate what the eye actually sees under low-light-level conditions, particularly for legal purposes. Part 1. PHOTOMETHODS May 1983 (v.26#5) pg. 5
Problems of utilizing photographs to simulate what the eye actually sees under low-light-level conditions, particularly for legal purposes. Part 2. PHOTOMETHODS Jun 1983 (v.26#6) pg. 16
Civil forensic photography. Some tips. PHOTOMETHODS Apr 1985 (v.28#4) pg. 26
Discriminate and indiscriminate use of distance scales in scientific, legal, forensic and archaeological photography. PHOTOMETHODS Sep 1986 (v.29#9) pg. 10
Added Info PHOTOMETHODS Nov 1987 (v.30#11) pg. 15
Modeling the magic of vision. Tips on processes and techniques capable of faithfully depicting low-light-level scenes as they actually appear to the human eye. Especially important with photos used in law enforcement and legal proceedings. Part 1. PHOTOMETHODS Mar 1987 (v.30#3) pg. 8
Modeling the magic of vision. Part 2. More on matching the characteristics of the eye. PHOTOMETHODS Apr 1987 (v.30#4) pg. 12
Added Info PHOTOMETHODS Nov 1987 (v.30#11) pg. 14
Modeling the magic of vision. Part 3. Contrast degradation in image projection. PHOTOMETHODS May 1987 (v.30#5) pg. 8
Modeling the magic of vision. Part 4. Accurate color rendition in scene reproductions. PHOTOMETHODS Jun 1987 (v.30#6) pg. 12
Photography as evidence. An overview of the skills and techniques used by forensic photographers. PHOTOMETHODS Jul 1987 (v.30#7) pg. 10
Photo interpretation. A look at what is involved in garnering information from historical photos. Such information might include identification of objects, size, location, authenticity, etc. PHOTOMETHODS Jan 1988 (v.31#1) pg. 8
Three-dimensional scales. Using calibrated shadows to measure depth allows a three-dimensional reconstruction when preparing photos for legal purposes. PHOTOMETHODS Mar 1988 (v.31#3) pg. 14
Added Info PHOTOMETHODS Jul 1988 (v.31#7) pg. 10
Building a forensic video service business. Some tips. PHOTOMETHODS May 1988 (v.31#5) pg. 47
Direct and cross-examination of photographer as an expert witness. What to expect when photographs are introduced as evidence in a court trial using the photographer as the witness. PHOTOMETHODS Jun 1990 (v.33#6) pg. 38
A description of a police photographers job. POPULAR PHOTOGRAPHY Feb 1976 (v.78#2) pg. 103
Careers in evidence photography. Advice on what makes a good forensic photographer. POPULAR PHOTOGRAPHY Apr 1998 (v.62#4) pg. 44
Opportunities in legal photography. Examples of evidence photography assignments and how they should be handled. PROFESSIONAL PHOTOGRAPHER #2183 Apr 1994 (v.121) pg. 56
Capturing the crime scene. Interview with a police photographer contains information about forensic photography. SHUTTERBUG #293 Feb 1995 (v.24#4) pg. 128
The business of videotaping legal depositions. Advice on the equipment and attitudes that are needed and tips on how to get started. VIDEOMAKER Jul 1996 (v.11#1) pg. 113
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