Correction ARTIST'S MAGAZINE Apr 1995 (v.12#4) pg. 10
An explanation of standards for lightfastness of artists' watercolors and advice on precautions to avoid unnecessary fading and bleaching.
ARTIST'S MAGAZINE Feb 1995 (v.12#2) pg. 76
Keys to commanding light. Watercolor techniques that create rich contrasts with strong areas of light and shadow.
ARTIST'S MAGAZINE Mar 1995 (v.12#3) pg. 78
Capture the mystery of light. Five ways to build mood, drama and intensity in watercolor paintings.
ARTIST'S MAGAZINE Apr 1995 (v.12#4) pg. 46
How quick sketches done on site can combine with abstraction to create brilliant watercolors.
ARTIST'S MAGAZINE Apr 1995 (v.12#4) pg. 58
Tips for turning a less-than-perfect watercolor into a success through the addition of new color or removing existing color.
ARTIST'S MAGAZINE May 1995 (v.12#5) pg. 52
A simple approach to sketching and painting a watercolor in about an hour.
ARTIST'S MAGAZINE Jun 1995 (v.12#6) pg. 62
How to integrate layers in a watercolor painting. (1) "Soup up" watercolors using lightly tinted water as an underground to unify the composition. (2) "Carve" shapes that come forward or recede. (3) Blur edges to make distinction between foreground, middle ground and background less distinct.
ARTIST'S MAGAZINE Jul 1995 (v.12#7) pg. 44
How to give watercolors strength and harmony by pushing the possibilities of just a few colors.
ARTIST'S MAGAZINE Aug 1995 (v.12#8) pg. 42
Five keys to handling the sparkling whites that make watercolor paintings sing.
ARTIST'S MAGAZINE Nov 1995 (v.12#11) pg. 50
A streamlined approach to producing a batch of watercolor hand-painted note cards.
ARTIST'S MAGAZINE Jan 1996 (v.13#1) pg. 38
Suggestions on ways to use spongework in watercolor paintings.
ARTIST'S MAGAZINE Jan 1996 (v.13#1) pg. 47
Combining pastel and watercolor on sanded watercolor paper for maximum effect.
ARTIST'S MAGAZINE Feb 1996 (v.13#2) pg. 48
How to "take control" of watercolor. Describes editing composition, limiting the palette, and seven techniques for building the image.
ARTIST'S MAGAZINE Apr 1996 (v.13#4) pg. 54
Depicting weathered wood in watercolors. Tips show how to render old siding, suggest moss on a tree, aging paint on wood, a lichen-covered tree and tree trunks.
ARTIST'S MAGAZINE May 1996 (v.13#5) pg. 51
Think big, start small. How to make preliminary watercolor sketches. Includes basic rules for composition.
ARTIST'S MAGAZINE May 1996 (v.13#5) pg. 58
Tips on how to use varigated washes.
ARTIST'S MAGAZINE Jun 1996 (v.13#6) pg. 47
A lesson on keeping values consistent in a watercolor painting.
ARTIST'S MAGAZINE Jun 1996 (v.13#6) pg. 54
Examples of watercolor techniques to create varied foliage effects.
ARTIST'S MAGAZINE Jul 1996 (v.13#7) pg. 47
A practical approach to pointillism in watercolor. How to use masking and spattering to create the effect.
ARTIST'S MAGAZINE Jul 1996 (v.13#7) pg. 54
Tips on common methods for saving white spots in watercolor paintings and a few methods for regaining highlights in previously painted areas.
ARTIST'S MAGAZINE Aug 1996 (v.13#8) pg. 47
Watercolor composition that leads viewers to the center of interest. The use of washes that create a glow through the final colors.
ARTIST'S MAGAZINE Aug 1996 (v.13#8) pg. 48
Tips for watercolorists on what can be done with the round brush.
ARTIST'S MAGAZINE Sep 1996 (v.13#9) pg. 46
Several watercolor tricks that use various types of colored resists and liquid mask to suggest sharp accents of contrasting color or fine lines of light.
ARTIST'S MAGAZINE Oct 1996 (v.13#10) pg. 46
Three-step process for doing simple watercolor sketches in 15 minutes.
ARTIST'S MAGAZINE Dec 1996 (v.13#12) pg. 47
Intensify spatial relationships in watercolor paintings. Tips on variation of edges, overlapping of forms and consistent value changes.
ARTIST'S MAGAZINE Jan 1997 (v.14#1) pg. 20
Handling backlit subjects in watercolor paintings. Rules for rendering cast shadows and advice on integrating the background.
ARTIST'S MAGAZINE Feb 1997 (v.14#2) pg. 20
Make your colors move. How to build energetic watercolors by limiting your palette and controlling color temperature.
ARTIST'S MAGAZINE Mar 1997 (v.14#3) pg. 84
Trying out drybrush. Basic techniques noted.
ARTIST'S MAGAZINE Apr 1997 (v.14#4) pg. 23
Moving beyond the brush. A description of brush-free water media techniques.
ARTIST'S MAGAZINE Apr 1997 (v.14#4) pg. 65
Painting figures with impact. How to combine simplified forms and economical brushwork to create a watercolor painting with figures that tell a story.
ARTIST'S MAGAZINE May 1997 (v.14#5) pg. 70
Tips on transparent glazing in watercolors.
ARTIST'S MAGAZINE Jun 1997 (v.14#6) pg. 80
Transforming the ordinary. Secrets for turning reference photos into warm, inviting watercolor scenes.
ARTIST'S MAGAZINE Jul 1997 (v.14#7) pg. 54
Tips on using variations of the liner brush with watercolors.
ARTIST'S MAGAZINE Jul 1997 (v.14#7) pg. 80
Painting with sponges to bring texture to watercolors.
ARTIST'S MAGAZINE Sep 1997 (v.14#9) pg. 26
Save your whites. Two simple approaches that help preserve light areas on watercolor paper.
ARTIST'S MAGAZINE Sep 1997 (v.14#9) pg. 53
Ten tips for adding tantalizing texture and character to water media paintings.
ARTIST'S MAGAZINE Sep 1997 (v.14#9) pg. 56
Expanding the watercolor repertoire of the flat brush.
ARTIST'S MAGAZINE Oct 1997 (v.14#10) pg. 88
Close in on your subjects. Discover the subtleties of painting close-focus watercolor scenes.
ARTIST'S MAGAZINE Nov 1997 (v.14#11) pg. 74
Watercolor texture tip that uses aluminum foil.
ARTIST'S MAGAZINE Dec 1997 (v.14#12) pg. 96
Incorporating expressive color wisely in watercolor paintings. How to use light and apply color consistently while varying shapes.
ARTIST'S MAGAZINE Jan 1998 (v.15#1) pg. 30
Painting with confidence. How to give watercolor subjects a stronger look by combining them with gouache.
ARTIST'S MAGAZINE Jan 1998 (v.15#1) pg. 42
Adding the feeling of weight, power and drama to watercolors by using acrylic or gouache and Caran D'Ache crayons.
ARTIST'S MAGAZINE Mar 1998 (v.15#3) pg. 40
Wet-into-wet. Tips on producing diffused effects in watercolor paintings.
ARTIST'S MAGAZINE Mar 1998 (v.15#3) pg. 65
Don't be afraid of the darks. How to create lively, vibrant darks in watercolor.
ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 46
How to render realistic transparent objects in watercolor.
ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 68
Getting the light right. How to energize watercolor landscapes with a subtle approach to re-creating the effects of sunlight.
ARTIST'S MAGAZINE May 1998 (v.15#5) pg. 22
How to use stencils as a source of interesting shapes in a watercolor.
ARTIST'S MAGAZINE May 1998 (v.15#5) pg. 36
Building a studio without walls. A guide to equipment and working methods for painting with watercolors outdoors.
ARTIST'S MAGAZINE Jun 1998 (v.15#6) pg. 20
Clean up your color. Simple secrets to produce vibrant, clean watercolor paintings.
ARTIST'S MAGAZINE Jun 1998 (v.15#6) pg. 48
Five simple techniques for applying resists in watercolors.
ARTIST'S MAGAZINE Jun 1998 (v.15#6) pg. 63
Tip on a method for handling water when painting with watercolors outdoors.
ARTIST'S MAGAZINE Jun 1998 (v.15#6) pg. 67
An exercise in color value is taught by rendering a watercolor painting with a monochromatic color scheme.
ARTIST'S MAGAZINE Aug 1998 (v.15#8) pg. 24
Little bits of color, lots of mood. How to preserve the whites in a watercolor painting.
ARTIST'S MAGAZINE Aug 1998 (v.15#8) pg. 48
Getting the scoop on scumbling, a technique that can work in oil, watercolor or acrylic in which a semi-transparent layer of color is brushed over a darker layer of dry paint.
ARTIST'S MAGAZINE Aug 1998 (v.15#8) pg. 61
Watercolor 101. A primer on basic tools and techniques. Covers brushes, paper surfaces, stretching watercolor paper, choosing your essential paint colors, filling a palette, applying paint to paper, wet-into-wet vs. wet-into-dry methods, keeping whites bright, and learning to view values.
ARTIST'S MAGAZINE Sep 1998 (v.15#9) pg. 44
A fresh look at stamping. Tips on some ways to use the technique to create interesting effects in watercolor art.
ARTIST'S MAGAZINE Oct 1998 (v.15#10) pg. 41
Revising watercolor tradition. A dark-to-light approach to watercolor that can be used to build deeper, more clearly defined images.
ARTIST'S MAGAZINE Nov 1998 (v.15#11) pg. 34
How to create realistic textural effects in a watercolor painting by using a few simple tools and techniques.
ARTIST'S MAGAZINE Jan 1999 (v.16#1) pg. 64
A technique for applying transparent watercolor washes.
ARTIST'S MAGAZINE Jan 1999 (v.16#1) pg. 72
Creating form with glazes. Technique to build deeper, richer watercolors. Glazing basics.
ARTIST'S MAGAZINE Feb 1999 (v.16#2) pg. 20
A simple, two-pronged approach to creating watercolors with vigorous, glowing colors.
ARTIST'S MAGAZINE Mar 1999 (v.16#3) pg. 60
Breaking the watercolor taboo of opaque white. Five tips for using it.
ARTIST'S MAGAZINE Mar 1999 (v.16#3) pg. 71
Using variation to add interest to a watercolor painting. Advice on creating depth with shadows, interest by varying color temperature and using light placement to establish a focal point.
ARTIST'S MAGAZINE May 1999 (v.16#5) pg. 14
Gearing up for the great outdoors. An introduction to the supplies needed to paint in oil or watercolor outdoors.
ARTIST'S MAGAZINE May 1999 (v.16#5) pg. 20
An alternative approach to watercolor that involves building up areas of thick, opaque hues.
ARTIST'S MAGAZINE May 1999 (v.16#5) pg. 48
Scratching out the details. How to use sgraffito to create special effects in a watercolor painting.
ARTIST'S MAGAZINE May 1999 (v.16#5) pg. 61
Express yourself with light. A value-based approach to watercolor paintings.
ARTIST'S MAGAZINE Jun 1999 (v.16#6) pg. 46
The watercolor technique of lifting color described.
ARTIST'S MAGAZINE Jul 1999 (v.16#7) pg. 62
Aspiring to new heights. The techniques of four master watercolor painters. John Singer Sargent, J.M.W. Turner, John Martin, and James Abbott McNeill Whistler's techniques examined.
ARTIST'S MAGAZINE Sep 1999 (v.16#9) pg. 45
Spattering. How to energize watercolors with this basic, easy-to-master technique.
ARTIST'S MAGAZINE Sep 1999 (v.16#9) pg. 69
Unexpected color. Four ways to inject rich color into watercolor paintings.
ARTIST'S MAGAZINE Nov 1999 (v.16#11) pg. 29
Personalizing your pallet. Five watercolorists explain how they make color work for them and how you can make it work for you.
ARTIST'S MAGAZINE Nov 1999 (v.16#11) pg. 36
We love Mom! picture to paint in watercolor in a simplified Southwestern theme shows a mother giving her daughter a hug for the handmade heart she holds in her hand. Can also be painted on the cover of a purchased canvas note pad cover.
CRAFTS May 1991 (v.14#5) pg. 58, 45
How to paint a watercolor of "Journey's End", a picture of a sailboat silhouetted against the water, the setting sun, and an island or cove.
CREATIVE CRAFTS #85 Feb 1982 (v.8#1) pg. 48
Watercolor instructions for painting a woodland barn scene.
CREATIVE CRAFTS & MINIATURES #92 Apr 1983 (v.8#8) pg. 34
Watercolor wet-into-wet painting technique and tips for mastering it.
DECORATIVE ARTIST'S WORKBOOK Mar-Apr 1991 (v.18#2) pg. 18
A watercolor painting lesson on using four techniques (dry-on-dry, wet-on-dry, dry-into-wet, wet-into-wet) to paint a rustic barn.
DECORATIVE ARTIST'S WORKBOOK May-Jun 1991 (v.18#3) pg. 26, 45
Tips on ways to transfer a design to watercolor paper.
DECORATIVE ARTIST'S WORKBOOK May-Jun 1992 (v.19#3) pg. 24
Bringing the white out. How to keep watercolor paintings bright with a simple masking technique.
DECORATIVE ARTIST'S WORKBOOK Jul-Aug 1992 (v.19#4) pg. 62
How to add texture to watercolor paintings using sponges, paper imprints and soft color washes.
DECORATIVE ARTIST'S WORKBOOK Mar-Apr 1994 (v.21#2) pg. 20
An explanation of how to lift color off watercolor paintings to create realistic textures such as wood grains and cracking paint.
DECORATIVE ARTIST'S WORKBOOK May-Jun 1994 (v.21#3) pg. 70
Pointers on using frisket to mask out white areas when painting with watercolors.
DECORATIVE ARTIST'S WORKBOOK Sep-Oct 1994 (v.21#5) pg. 10
How to recreate textures in watercolor paintings by building up layers of glazes and by lifting color. Specific instructions are given for mossy rocks, a rusty hinge and textured tree trunk.
DECORATIVE ARTIST'S WORKBOOK Sep-Oct 1994 (v.21#5) pg. 68
Watercolor painting uses dark accents on top of light glazes of pale color to create a feeling of brilliant color for both floral painting and a cityscape.
DECORATIVE ARTIST'S WORKBOOK Nov-Dec 1994 (v.21#6) pg. 80
How to capture the look of realistic lighting by placing shadows and highlights in believable patterns.
DECORATIVE ARTIST'S WORKBOOK Jan-Feb 1996 (v.23#1) pg. 20
An explanation of how careful handling of lines creates interest in watercolor paintings.
DECORATIVE ARTIST'S WORKBOOK Sep-Oct 1996 (v.23#5) pg. 16
Tricks and techniques for capturing underwater textures in a watercolor painting of two fancy goldfish. A lesson in how to use alcohol spattering, rock salt and bruising techniques.
DECORATIVE ARTIST'S WORKBOOK Sep-Oct 1997 (v.24#5) pg. 64, 36
Advice on paints, paper, brushes and palette for the beginning watercolorist.
DECORATIVE ARTIST'S WORKBOOK Jul-Aug 1998 (v.25#4) pg. 6
Less is more. How to create beautiful watercolor compositions with just a few colors.
DECORATIVE ARTIST'S WORKBOOK Sep-Oct 1998 (v.25#5) pg. 28
Tip explains how the crawling technique is used to create a mottled look in a painting done in waterbased paint.
TOLE WORLD #114 Jan-Feb 1992 (v.16#1) pg. 51
Glorious Morning. Picture of a birdhouse wrapped with a morning glory vine is painted using fabric paints in place of watercolors. Beginner to intermediate skill level.
TOLE WORLD #116 May-Jun 1992 (v.16#3) pg. 43