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PHOTOGRAPHIC ENLARGER FILTER entries in Index to How To Do It Information
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
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The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC ENLARGER FILTER
sa   PHOTOGRAPHIC ENLARGER FILTER (COLOR)
sa   TEXTURE SCREEN (PHOTOGRAPHIC)
xx   PHOTOGRAPHIC ENLARGER
xx   PHOTOGRAPHIC FILTER

Tip on using a step wedge to determine the exact exposure differences when using the various b&w multigrade paper filters.
CAMERA & DARKROOM Sep 1991 (v.13#9) pg. 8

Tip on making a diffusion filter for an enlarger from frosted drafting mylar or thin translucent acrylic.
CAMERA & DARKROOM Sep 1992 (v.14#9) pg. 6

Tip on using #47B and #58 filters for printing variable-contrast paper with a cold light.
CAMERA & DARKROOM Jan 1994 (v.16#1) pg. 6

How to determine the correct filter factor by making a series of test exposures and selecting the best image from a properly made contact sheet.
CAMERA 35 Nov 1973 (v.17#8) pg. 24

Using multiple-filter printing as an efficient method of producing routine prints. Two exposures of the print, one with a blue and one with a yellow filter, combine to produce the finished print.
CAMERA 35 May 1974 (v.18#3) pg. 8

Contrasting opinions. A look into printing Polycontrast, Varigam and Varilour papers using PC, VC, CP and Beseler's and Omega's dichroic filters.
CAMERA 35 Jul 1974 (v.18#5) pg. 64

Chart shows equivalents between the old seven-filter Kodak Polycontrast filter set and the new eleven-filter Polycontrast II set.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1986 (v.7#3) pg. 6

Chart of Besseler/Minolta 45A Enlarging Light Source color packs which match the Ilford Multigrade FB filters.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 8
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 3

Suggested starting color pack for exposing Ilford Multigrade FB paper with a Beseler dichroic enlarger.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1987 (v.8#1) pg. 2

Calibrating variable-contrast papers. Color sensitivity of variable contrast papers explained and a procedure for comparing various light source and filters effects in printing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 41

Tip: Dichroic color filtration settings for Multigrade Fiber Base paper in 1/3 grade increments.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 2

A look at dichroic subtractive and additive color light source design with tips on the use and storage of dichroic filters.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 8

Advice on using a diffuser in an enlarger.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1990 (v.11#3) pg. 20

Updated filter packs for Kodak and Ilford variable-contrast black-and-white papers when using a Durst enlarger with a CLS colorhead.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1991 (v.12#4) pg. 22

Tips on calibrating black-and-white variable-contrast filtration when using an additive color enlarger.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1991 (v.12#5) pg. 73

Tips on printing variable-contrast papers with multiple filters.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1995 (v.16#2) pg. 20

How to double expose a print through a #1 and #4 filter in order to get the correct highlights and shadow detail missing in the original negative.
DARKROOM PHOTOGRAPHY Mar-Apr 1979 (v.1#1) pg. 12

Solve contrast problems by multi-filter printing. One method of getting the full tonal range from hard-to-print negatives.
DARKROOM PHOTOGRAPHY Jul-Aug 1979 (v.1#3) pg. 54

Tip: Cellophane from a pack of cigarettes or clear food wrap makes a soft-focus diffusion filter.
DARKROOM PHOTOGRAPHY Sep 1979 (v.1#4) pg. 12

Tip: Make a neutral density filter to slow down rapid enlarging papers for dodging.
DARKROOM PHOTOGRAPHY Dec 1979 (v.1#7) pg. 12

Chart shows the corresponding Durst color head filter settings which are suitable for black-and-white variable contrast paper (Kodak and Ilford).
DARKROOM PHOTOGRAPHY Mar-Apr 1982 (v.4#3) pg. 16

Variable contrast printing with dichronic heads: Facts and fallacies. Includes a chart of dichronic equivalents for variable contrast filters for 6 different enlargers.
DARKROOM PHOTOGRAPHY Nov 1982 (v.4#7) pg. 34

Build a custom in-front-of-the-lens filter holder for your enlarger from scrap matboard.
DARKROOM PHOTOGRAPHY May-Jun 1983 (v.5#4) pg. 44

Splitting the difference. An exercise in multiple-filter variable-contrast B&W printing. How to use two different filters and two separate exposures to achieve both good blacks and low contrast.
DARKROOM PHOTOGRAPHY Jul-Aug 1986 (v.8#4) pg. 58

Tip: Suggested Nikor 6x7 colorhead filter settings for making B&W prints on Kodak Polycontrast (variable-contrast) paper.
DARKROOM PHOTOGRAPHY Sep 1986 (v.8#5) pg. 8

Tip on using neutral density filters to lengthen enlarging times.
DARKROOM PHOTOGRAPHY Jul-Aug 1987 (v.9#4) pg. 8

Protect Ilford Multigrade II variable-contrast filters from damp fingers by laminating in plastic.
DARKROOM PHOTOGRAPHY Sep 1987 (v.9#5) pg. 12

Guide for converting both the Kodak polycontrast and Ilford multigrade filters to CC filter packs.
DARKROOM PHOTOGRAPHY Jul 1988 (v.10#3) pg. 9

Tips on converting additive filter data to subtractive filter data through experimentation.
DARKROOM PHOTOGRAPHY Apr 1989 (v.11#4) pg. 12

Tip on using neutral density filter material to lengthen enlarging times to allow for dodging and burning.
DARKROOM PHOTOGRAPHY Oct 1990 (v.12#10) pg. 17

How to create "soft focus" images by using filters. Both darkroom and camera filter techniques are detailed.
DARKROOM TECHNIQUES Jan-Feb 1983 (v.4#1) pg. 53

How to use dichronic enlarger head (instead of filters) to vary the contrast on variable contrast b&w printing papers.
DARKROOM TECHNIQUES Jul-Aug 1983 (v.4#4) pg. 41

Chart of CP (color printing) and CC (color compensating) filter equivalents for Kodak Polycontrast filters. Tips on exposing Polycontrast paper.
MODERN PHOTOGRAPHY May 1970 (v.34#5) pg. 18

Tip: Use a piece of white trash bag material as a diffuser for an enlarger.
MODERN PHOTOGRAPHY Nov 1983 (v.47#11) pg. 121

How to fine tune the contrast in variable contrast printing by using split filter printing for results far richer than anything obtainable from a single contrast paper.
MODERN PHOTOGRAPHY Feb 1985 (v.49#2) pg. 66

For a soft, open feeling or a moody, mysterious print, try diffusing with a nylon stocking.
MODERN PHOTOGRAPHY Nov 1985 (v.49#11) pg. 67

Cause and cure for fading in variable-contrast filters.
PHOTO TECHNIQUES Jan-Feb 1998 (v.19#1) pg. 20

Tips on using dichroic filters in a color enlarger to print on variable contrast black-and-white papers.
PHOTOGRAPHIC Jan 1978 (v.6#9) pg. 112

Chart gives the color filter combinations which will approximate the different grades of contrast used with variable contrast b&w enlarging papers.
PHOTOGRAPHIC Mar 1984 (v.12#11) pg. 96

Chart shows which combination of colorhead CC values are equivalent to the light balancing and conversion filters 80 (A,B,C,D), 81 (A,B,C,D), 82 (A,B,C), 85 (B,C) and FL-B.
PHOTOGRAPHIC Mar 1987 (v.15#11) pg. 78

Chart of color head filter settings that correspond to both Ilford Multigrade filters and Kodak Polycontrast filters.
PHOTOGRAPHIC Jul 1988 (v.17#3) pg. 82

Creative darkroom diffusion. Using camera or homemade diffusion filters on the enlarger.
PHOTOGRAPHIC Sep 1999 (v.28#5) pg. 14

Tips on cleaning and using multigrade-paper filters to get the best print quality.
PHOTOMETHODS Mar 1989 (v.32#3) pg. 8

Ilford Multigrade III Deluxe RC Paper. Includes a conversion chart showing the Durst color head, Omega color head, and Kodak CC filter equivalents of the Ilford Multigrade Filters.
PHOTOMETHODS Aug 1989 (v.32#8) pg. 33

Nylon stocking and hoop form diffuser for enlarger.
POPULAR MECHANICS Oct 1963 (v.120#4) pg. 170

Swing-out holder for variable contrast filters fits below enlarger lens.
POPULAR MECHANICS May 1972 (v.137#5) pg. 47

Use a neutral density filter to slow down very fast enlarging paper.
POPULAR MECHANICS Oct 1976 (v.146#4) pg. 12

Tip: Attach a step-down filter ring to your enlarger's swing-away filter holder. This will allow you to attach any of your cameras special effect filters to the enlarger.
POPULAR MECHANICS May 1984 (v.161#5) pg. 34

How to introduce diffusion into your prints in the darkroom. Several homemade diffusers are illustrated.
POPULAR PHOTOGRAPHY Jun 1976 (v.78#6) pg. 84

Soften prints when enlarging by making your own diffuser.
POPULAR PHOTOGRAPHY Nov 1981 (v.88#11) pg. 15

Comparing the new and the old Kodak Polycontrast filters used with their variable-contrast black-and-white enlarging papers.
POPULAR PHOTOGRAPHY Aug 1986 (v.93#8) pg. 60

Using diffusion filters with your enlarger.
SHUTTERBUG #334 Jul 1998 (v.27#9) pg. 92