WEAVING GUILDS & EXHIBITIONS
xx EXHIBITION
xx WEAVING
How the Fort Worth Weaver's Guild made the transition from a social/lecture club to an active weaving group. HANDWOVEN Spring-Summer 1980 (v.1#2) pg. 15
What's in a name? A look at the benefit of creating titles for fiber works. Suggestions for ways to arrive at names. HANDWOVEN Mar-Apr 1988 (v.9#2) pg. I-15
Suggestions for displaying fiber works in an art show. HANDWOVEN Mar-Apr 1988 (v.9#2) pg. 78
How to judge a textile competition. HANDWOVEN Jan-Feb 1999 (v.20#1) pg. 24
A look at how light can enhance a fiber display. INTERWEAVE Summer 1980 (v.5#3) pg. 34
Evening the odds in juried competition. How to meet the show's requirements, pack your work so it will arrive in perfect condition and select an appropriate display method. Includes tips on the criteria judges consider. SHUTTLE, SPINDLE & DYEPOT #67 Summer 1986 (v.17#3) pg. 63
Strutting your stuff. How to run a successful weaving guild show. SHUTTLE, SPINDLE & DYEPOT #91 Summer 1992 (v.23#3) pg. 14
How to organize and plan guild workshops and lectures. SHUTTLE, SPINDLE & DYEPOT #97 Winter 1993-94 (v.25#1) pg. 54
Suggestions on how to form a study group to broaden your knowledge of weaving. SHUTTLE, SPINDLE & DYEPOT #103 Summer 1995 (v.26#3) pg. 12
Non-profit incorporation. Items for fiber arts guild to consider on whether or not to seek non-profit status. SHUTTLE, SPINDLE & DYEPOT #115 Summer 1998 (v.29#3) pg. 16
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