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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

RUG -- WOVEN
xx   RUG
xx   WEAVING

How to make a diamond motif Indian rug, 36"x60". Instructions for making a nail frame loom and for weaving the rug are included.
BETTER HOMES & GARDENS Aug 1973 (v.51#8) pg. 68, 102

How to construct a box loom 63" long by 35" wide and use it to weave a felt-strip rug.
BETTER HOMES & GARDENS Jan 1975 (v.53#1) pg. 52

Two-color jute rug to weave using a macrame board instead of a loom. Finished rug is 26"x40". Estimated cost: $39.
BETTER HOMES & GARDENS Jul 1981 (v.59#7) pg. 29, 44

Tips on using plastic bags to make drip-dry handwoven rugs.
COUNTRYSIDE & SMALL STOCK JOURNAL Sep-Oct 1994 (v.78#5) pg. 38

Dramatic black and white rug woven in Krobragd, a Norwegian weft-faced pattern. Blacks and whites reverse at the center of the rug. Finished size: 5 ft. x 5 ft.3".
HANDMADE Jul-Sep 1981 (v.1#2) pg. 47, 58

How to weave a 47"x77" shaft-switch rug. Requires 4-harness loom at least 48" wide.
HANDMADE Jul-Sep 1981 (v.1#2) pg. 52, 44

Twill cable rug to weave on a four-harness loom.
HANDMADE #17 Jan-Feb 1985 pg. 28, 36

Relief texture reversible rug is woven on a 45", 2-harness loom.
HANDMADE #18 Mar-Apr 1985 pg. 81, 68

Textured tapestry rug to weave on a 36" 2-harness loom.
HANDWOVEN Fall-Winter 1979 (v.1#1) pg. 30

Broken twill rug is woven on a 4-harness loom that is at least 36" wide. Rug is 36"x60".
HANDWOVEN Fall-Winter 1979 (v.1#1) pg. 31, 58

Inkle rug to weave is 22"x44", plus fringe. Rug is made up of 5 bands sewn together. Each band is woven on an inkle loom with rows of rya knots.
HANDWOVEN Fall-Winter 1979 (v.1#1) pg. 31, 58

Shades of a desert sunset. A pair of plain weave wool rugs with subtle color changes.
HANDWOVEN Spring-Summer 1980 (v.1#2) pg. 32, 58

Stripped rug woven in alternating plain weave and twill.
HANDWOVEN Fall-Winter 1980 (v.2#1) pg. 32, 77

A guide to weaving krobragd, a three-shaft rug weave from Norway.
HANDWOVEN Mar 1981 (v.2#2) pg. 33
Correction HANDWOVEN Sep 1981 (v.2#4) pg. 22

Woven fleece rug. Can be woven on a 20"-wide rigid heddle loom. Locks of fleece are knotted in place using a Ghiordes knot. Rows of locks are separated by narrow bands of plain weave.
HANDWOVEN Mar 1981 (v.2#2) pg. 52

Ripsmatta, a traditional Scandinavian rep weave for rugs and table mats. Instructions for both are furnished.
HANDWOVEN May 1981 (v.2#3) pg. 45
Correction HANDWOVEN Sep 1981 (v.2#4) pg. 22

Plaid throw-rug woven in linen, with linen roving for weft.
HANDWOVEN May 1981 (v.2#3) pg. 50

An overview of rug finishes. Includes instructions for twisted warps, Damascus edge and cardwoven edge.
HANDWOVEN Nov 1981 (v.2#5) pg. 32

Weft-face wool rug to weave on a rigid heddle loom with a pickup stick.
HANDWOVEN Jan 1982 (v.3#1) pg. 28, 81

Clasped weft technique is used to achieve tapestry effects on a weft faced rug or placemats.
HANDWOVEN Jan 1982 (v.3#1) pg. 34, 84

Boundweave rug is a rosepath sampler.
HANDWOVEN Jan 1982 (v.3#1) pg. 38, 83

Absorbant cotton weaves for the bath. (1) Japanese hippari bathrobe. (2) Linen back scrubber. (3) Bath mitt. (4) Deep cotton pile rug. (5) Cotton twill bath towel.
HANDWOVEN Mar 1982 (v.3#2) pg. 50, 90, 92
Correction HANDWOVEN Sep 1982 (v.3#4) pg. 81

Notes from a rug weaver's journal. Includes instructions for two rugs. (1) Desert brush. (2) Desert sunset.
HANDWOVEN Sep 1982 (v.3#4) pg. 35

Weft-faced rug is woven in a summer-and-winter pattern.
HANDWOVEN Nov-Dec 1982 (v.3#5) pg. 48, 87

Weft face rib weave rug measures 43"x75". Features vertical stripes one-half inch wide.
HANDWOVEN Mar-Apr 1983 (v.4#2) pg. 47, 84
Correction HANDWOVEN Sep-Oct 1983 (v.4#4) pg. 92

Handwoven rug is a twill woven on opposites.
HANDWOVEN Sep-Oct 1983 (v.4#4) pg. 61, 105

Point twill throw rug.
HANDWOVEN Mar-Apr 1984 (v.5#2) pg. 57, 95

Maine Coast rug is woven in weft-faced plain weave. Blending is accomplished by alternating weft colors in a pick-and-pick sequence using two shuttles.
HANDWOVEN Nov-Dec 1984 (v.5#5) pg. 72, I-14

Weave a textured rug from wool strips and soumak on a four shaft loom.
HANDWOVEN Sep-Oct 1985 (v.6#4) pg. 41, I-4

Weave a 28"x46" rug in straight twill on a four shaft loom.
HANDWOVEN Nov-Dec 1985 (v.6#5) pg. Cover, I-5

Warp-faced rug is woven in an eight-shaft shadow weave. Pattern is emphasized by alternating thick and thin wefts. Finished rug is 41"x68", plus 1" fringe on each end.
HANDWOVEN Sep-Oct 1986 (v.7#4) pg. 40, I-7
Correction HANDWOVEN Sep-Oct 1987 (v.8#4) pg. I-3

"Rug For All Seasons" features four-harness summer-and-winter technique with a modified treadling. Finished rug is 35"x60".
HANDWOVEN Sep-Oct 1986 (v.7#4) pg. 42, I-8

Double corduroy rug is woven with two wefts, a pattern weft for the pile and a ground weft that provides structure. Finished rug is 29"x45".
HANDWOVEN Sep-Oct 1986 (v.7#4) pg. 45, I-9

Double corduroy rugs with varied pile lengths. (1) A two-level corduroy with long and short tufts that create longitudinal stripes. (2) Diagonal lines in pile. (3) Double-cutting corduroy pile to produce twill lines in the center of a rug with an area of contrasting, inlaid colors. (4) Combining long and short floats with off-center cutting.
HANDWOVEN Sep-Oct 1986 (v.7#4) pg. 47

Black and White rug (or wall hanging) in tapestry weave has a motif of diagonals and diamonds that create a three-dimensional effect. Each end is set off with a narrow band of red. Requires a heavy-duty loom. Finished rug measures 38"x75".
HANDWOVEN May-Jun 1987 (v.8#3) pg. 50, I-8

Bound rosepath rug.
HANDWOVEN May-Jun 1987 (v.8#3) pg. 58, I-11

Weft-faced weaving of block weaves. Includes instructions for a reversible rug woven in a three-end unit weave that is similar to summer-and-winter weave.
HANDWOVEN Nov-Dec 1987 (v.8#5) pg. 58, I-14

"January Rug", 40"x64", is woven in slit-tapestry techniques using rag weft. Horizontal bands containing diamond motifs separate areas in which two colors meet on a diagonal.
HANDWOVEN Mar-Apr 1988 (v.9#2) pg. 50, I-6

Fabrics for interiors, designed by Constance LaLena. (1) Curtain fabric in plain weave with stripes created by dense areas of sett and beat. (2) Warp rep rug woven in a block design in three colors. (3) Slipcover fabric woven in Ms and Os. (4) Plain-weave accent fabric in a plaid.
HANDWOVEN May-Jun 1988 (v.9#3) pg. 18, 76

"Sock-Top" rug, woven in plain weave, uses sock-top loops of knit cotton fabric for weft. Rug measures 35"x46". Est. cost: $16.
HANDWOVEN May-Jun 1988 (v.9#3) pg. 66, 89

"Lace" eight-shaft warp rep rug, 30" wide, is woven from an old Swedish pattern. The central design of diamonds is set off by deeply pointed borders and spots of a complimentary color. Balance of pattern and border make this equally suited for a long hall runner or a short rug.
HANDWOVEN Sep-Oct 1988 (v.9#4) pg. 34, 94

Four pile techniques. Two are loom-controlled (corduroy and chenille) and two are hand-controlled (rya and boutonne). Includes instructions for (1) Throw rugs woven using commercially produced selvedge strips for warp. (2) Corduroy pillow. (3) Rya pillow. (4) Boutonne pillow.
HANDWOVEN Jan-Feb 1990 (v.11#1) pg. 53, 80

Rug (22"x42") in a block weave based on a three-shaft twill is double sided. The back shows a reversal of the colors which appear on the front.
HANDWOVEN Jan-Feb 1990 (v.11#1) pg. 91, 86

Shadow weave. Describes how to design and weave a "Blue Shadows Rug" that uses paired thick and thin warp and weft threads. A 4-shaft point-twill threading is used for this 24"x42" rug.
HANDWOVEN Mar-Apr 1990 (v.11#2) pg. 40
Correction HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 84

"Ice and Sky" rug (29"x54") is woven in weft-faced plain weave. Two shuttles are used throughout to ensure smooth selvedges on this 2-shaft weave.
HANDWOVEN Nov-Dec 1990 (v.11#5) pg. 43, 70

Tip on how to get extra yarn into the shed and evenly distributed in each shot when weaving a weft-faced rug.
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 38

Wave Crest rug in summer & winter threading and a treadling which has a double tabby after every pattern shot.
HANDWOVEN Mar-Apr 1991 (v.12#2) pg. 48, 91

Rug finishes by Peter Collingwood. (1) Weft protector. (2) Large braids. (3) Whipping.
HANDWOVEN May-Jun 1991 (v.12#3) pg. 68

Flower Garden rug (22"x34") is woven in corduroy technique with both cut and uncut pile.
HANDWOVEN Sep-Oct 1992 (v.13#4) pg. 60, 83

Flying Carpet rug (31"x64") is woven in three-shaft Krokbragd technique. Features a central band of design and a ribbed background. One motif from the central band is repeated at each end.
HANDWOVEN Nov-Dec 1992 (v.13#5) pg. 43, 81

An idea for making rug weft from lengths of multicolored spool-knitting.
HANDWOVEN Jan-Feb 1993 (v.14#1) pg. 61

Double warp overlay for rugs, a technique that combines three-shaft twill draft with an overlay warp in Theo Moorman technique. It results in a sturdy, double-faced fabric with added inlaid designs on one side. Advice on designing a cartoon, threading, weaving and finishing. Includes instructions for Blue Pathways rug (35"x70").
HANDWOVEN Nov-Dec 1993 (v.14#5) pg. 64, 90
Correction HANDWOVEN Nov-Dec 1994 (v.15#5) pg. 89

Two rugs with bands and bars motifs are woven on four shafts in a weft-faced, 6-end, 2-tie unit weave.
HANDWOVEN Nov-Dec 1994 (v.15#5) pg. 58, 92

Some suggestions on how to weave rugs on a lightweight loom.
HANDWOVEN Nov-Dec 1994 (v.15#5) pg. 62

Monk's belt bath set. Cotton bath towel and rug are both woven on four shafts in the same monk's belt threading.
HANDWOVEN Mar-Apr 1995 (v.16#2) pg. 64, 86

"Frank Lloyd Wright" rug inspired by an iron gate designed by the architect. Rug (58"x 82") is warp-faced with strong geometric motifs.
HANDWOVEN Nov-Dec 1995 (v.16#5) pg. 37, 82

"Trellis" floor runner (28"x68") is woven in a warp-faced rep weave using a traditional Scandinavian pattern.
HANDWOVEN Nov-Dec 1995 (v.16#5) pg. 39, 93
Correction HANDWOVEN Jan-Feb 1996 (v.17#1) pg. 84

Diversified plain weave, similar to summer & winter, has colors in design blocks but the same texture throughout. Three projects demonstrate the versatility of this weave. (1) "Sampler" pillow (9"x10") demonstrates four-shaft diversified plain weave with pattern warp pick-up and pattern weft inlay. (2) An version of the "Sampler" is used, with different treadling and pick-up, is used to weave an "Oriental Rug" (26"x48"). (3) "Mosaic" table mat (12"x18") is woven in an 8-shaft diversified plain weave.
HANDWOVEN Nov-Dec 1996 (v.17#5) pg. 62, 80

Boundweave rosepath rug (33"x49").
HANDWOVEN Jan-Feb 1997 (v.18#1) pg. 55, 83

Arrows Krokbragd rug (27"x57").
HANDWOVEN Jan-Feb 1997 (v.18#1) pg. 56, 80

Rhapsody 2 Raanu rug (36"x62") features black and white alternating symmetrically in a thick-and-thin pattern of columns and rows.
HANDWOVEN Jan-Feb 1997 (v.18#1) pg. 57, 81

Game plan for rugs. Tips on designing and weaving one-of-a-kind rugs that are strong, durable and tightly woven.
HANDWOVEN Jan-Feb 1997 (v.18#1) pg. 58

Twin-sized checked duvet cover and coordinated striped pillow (18"x29") are woven in double-weave shadow weave. A matching striped mat (25"x33") is woven in single-layer shadow weave. Eight shafts are used for all three.
HANDWOVEN Sep-Oct 1998 (v.19#4) pg. 46, 74

Trio of hand-dyed, bound-weave rugs. (1) Twill Rainbows (31"x53"). (2) Rosepath Garden (31"x50"). (3) Krokbragd Geometrics (31"x61"). Includes instructions for dyeing the wool for the weft-faced rugs.
HANDWOVEN Nov-Dec 1998 (v.19#5) pg. 56, 75

Ripsmatta, a Swedish rug weave. Includes instructions for weaving two rugs. (1) Serpentine Rep Rug. An eight-shaft rug with a pointillist effect. (2) Bold Block Rug woven on four shafts.
HANDWOVEN May-Jun 1999 (v.20#3) pg. 48, 71, 73

An assortment of pillows, rugs and table runners to weave.
LADIES HOME JOURNAL NEEDLE & CRAFT Spring-Summer 1979 (v.9#2) pg. 68, 108

Green and white double-weave rug with a pick-up design of a frog after an insect and potted plants. Woven on a four-harness loom.
McCALLS NEEDLEWORK & CRAFTS Summer 1979 (v.24#2) pg. 58, 122

Two rugs to weave using an open repp technique with rags as the weft. (1) "Color" version features horizontal bands of color intersected by three vertical stripes. (2) "Form" version features bold black and white irregular checks.
SCANDINAVIAN WEAVING MAGAZINE (VavMagasinet) 4/1990 pg. 17

Repp rug in bold blocks of color set off by bands of black is woven on four shafts.
SCANDINAVIAN WEAVING MAGAZINE (VavMagasinet) 4/1990 pg. 23

The Handwoven Flocati of Epirus. A description of how the unique Flocati rugs or bed coverings from the Balkan region of Eastern Europe are produced.
SHUTTLE, SPINDLE & DYEPOT #47 Summer 1981 (v.12#3) pg. 35

Rya rugs. A history of the technique and instructions on weaving a rug.
SHUTTLE, SPINDLE & DYEPOT #51 Summer 1982 (v.13#3) pg. 36

Double-faced, double-woven, three-harness krokbragd, a new weaving technique particularly suited for rugs.
SHUTTLE, SPINDLE & DYEPOT #56 Fall 1983 (v.14#4) pg. 47

Weave a rug in three-color weft-faced block weave using shaft-switching.
SHUTTLE, SPINDLE & DYEPOT #58 Spring 1984 (v.15#2) pg. 74, 75

The 2-tie threading unit for rugs: Part 1: The double-faced stuffer weave and summer-and-winter.
SHUTTLE, SPINDLE & DYEPOT #61 Winter 1984 (v.16#1) pg. 82

The two tie threading unit for rugs. Part 2. Warping and weaving methods.
SHUTTLE, SPINDLE & DYEPOT #62 Spring 1985 (v.16#2) pg. 35

Designing rep weave. Includes a checkerboard rug and placemat woven on an eight harness loom.
SHUTTLE, SPINDLE & DYEPOT #63 Summer 1985 (v.16#3) pg. 28

Flat-woven warp-faced rug has an off-center stripe which grows darker toward the edges. This 45" wide rug, designed by Dini Moes, is woven with the warp set at 20 ends per inch. Warp is bundles of yarn so that two shots, one fine and one heavy, produce almost an inch of weaving.
SHUTTLE, SPINDLE & DYEPOT #66 Spring 1986 (v.17#2) pg. 58

Boundweave rug is woven on an overshot threading. Includes four-harness draft, treadling chart and color sequences for a rug that uses 14 colors of weft yarn.
SHUTTLE, SPINDLE & DYEPOT #67 Summer 1986 (v.17#3) pg. 58

Corded rep weave and velvet rugs. Includes instructions for a corded rep table mat, 12"x18" and both cut and uncut pile velvet rugs.
SHUTTLE, SPINDLE & DYEPOT #67 Summer 1986 (v.17#3) pg. 80

Secret treasures of Tibet. A look at the wool pile carpets of Tibet. Includes instructions for making a simple frame loom like those traditionally used for making Tibetan carpets, for warping the loom and tying the pile knots.
SHUTTLE, SPINDLE & DYEPOT #71 Summer 1987 (v.18#3) pg. 60

Sticking together, a family/fiber weaving project. "Ruglet" is made by weaving wool or scrap fabrics in a figure-8 pattern around weaving sticks that carry the warp. The resulting strip is sewn into a coiled rug.
SHUTTLE, SPINDLE & DYEPOT #107 Summer 1996 (v.27#3) pg. 53

Modified rug or runner woven from mohair with bands of mohair tufts.
SPIN-OFF Fall 1983 (v.7#3) pg. 57

Weaving a fleece floor rug, New Zealand style. Pieces of washed long-staple fleece are laid in as weft, with binder weft used after every four picks of fleece.
SPIN-OFF Spring 1989 (v.13#1) pg. 39

Six articles on handspun rugs. (1) A spinner's delight. Covers sorting and preparing the wool, spinning and weaving striped, plain-weave rugs. (2) Dogwood blossom runner in locker hooking. (3) A hooked rug, Australian style. An explanation of the locker hooking technique. (4) A black-ground Marasalli prayer rug. (5) A plain-weave rug made from hand-spun California Red sheep wool. (6) How to spin horsehair and incorporate it into a rug.
SPIN-OFF Spring 1993 (v.17#1) pg. 74
Added Info SPIN-OFF Summer 1993 (v.17#2) pg. 2
Added Info SPIN-OFF Fall 1993 (v.17#3) pg. 3
Added Info SPIN-OFF Spring 1994 (v.18#1) pg. 3

Why bother with natural dyeing. A look at the pros and cons of using natural dyes to prepare fibers for carpets and rugs.
THREADS #5 Jun-Jul 1986 pg. 32

Special issue devoted to rug weaving techniques.
WEAVER'S JOURNAL #16 Apr 1980 (v.4#4) pg. 1

Shaft switching techniques. Explanation of the technique and how the tie-ins work. Includes threading for three end and four end block drafts for rugs.
WEAVER'S JOURNAL #16 Apr 1980 (v.4#4) pg. 11

Shadow-weave rug on four harnesses.
WEAVER'S JOURNAL #16 Apr 1980 (v.4#4) pg. 24

Designing rugs for harness-controlled weaving.
WEAVER'S JOURNAL #16 Apr 1980 (v.4#4) pg. 27

Shaft switching technique. How to weave a two block Summer and Winter rug on a 4-harness loom using shaft switching.
WEAVER'S JOURNAL #17 Summer 1980 (v.5#1) pg. 5

Corkscrew weave, a twill derivative woven into a warp face fabric. Includes instructions for (1) Corkscrew rug woven on 4 harnesses. (2) Corkscrew placemats woven on 7 harnesses. (3) Corkscrew wall hanging on 12 harnesses.
WEAVER'S JOURNAL #17 Summer 1980 (v.5#1) pg. 16

Shaft-switch rugs with pinstripe pattern areas.
WEAVER'S JOURNAL #18 Fall 1980 (v.5#2) pg. 28

Shaft switching on boundweave rugs. Drafts for three rug designs furnished.
WEAVER'S JOURNAL #19 Winter 1981 (v.5#3) pg. 38

Pattern for a rug based on 3-shaft straight twill. Threading resembles Crackle.
WEAVER'S JOURNAL #20 Spring 1981 (v.5#4) pg. 20

Shaft-switching on 3-end drafts, a Peter Collingwood technique. Principal applied to rug design. Includes instructions for using a safety snap to link a floating pattern warp end to alternate heddles.
WEAVER'S JOURNAL #20 Spring 1981 (v.5#4) pg. 24

Weft Ikat for rugs. Instructions for dyeing and weaving weft ikat in a weft-faced weave and density suitable for a rug.
WEAVER'S JOURNAL #20 Spring 1981 (v.5#4) pg. 31

Shaft-switching on 3-end drafts. Striped patterns. Part 1.
WEAVER'S JOURNAL #21 Summer 1981 (v.6#1) pg. 7

Rug weaving: How to avoid drawing-in of the warp.
WEAVER'S JOURNAL #22 Fall 1981 (v.6#2) pg. 10

Shaft-switching on 3-end drafts. Striped patterns. Part 2.
WEAVER'S JOURNAL #22 Fall 1981 (v.6#2) pg. 16

How to evaluate a yarn for use in rugs.
WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 44

Instructions for weaving a rep weave floor covering.
WEAVER'S JOURNAL #24 Spring 1982 (v.6#4) pg. 15

All white overshot rug.
WEAVER'S JOURNAL #24 Spring 1982 (v.6#4) pg. 23
Correction WEAVER'S JOURNAL #25 Summer 1982 (v.7#1) pg. 36B

Super rug: a chenille "twice-woven" rug. Includes instructions for weaving doup leno chenille and then for using that as the weft for a 60"x100" rug.
WEAVER'S JOURNAL #24 Spring 1982 (v.6#4) pg. 26

Observations on the six-end block draft for rug weaving.
WEAVER'S JOURNAL #24 Spring 1982 (v.6#4) pg. 30

Rug techniques, an overview.
WEAVER'S JOURNAL #24 Spring 1982 (v.6#4) pg. 34

A card woven selvedge for weft-faced rugs.
WEAVER'S JOURNAL #25 Summer 1982 (v.7#1) pg. 48

A perspective on rug design for the handweaver.
WEAVER'S JOURNAL #26 Fall 1982 (v.7#2) pg. 66

An introduction to warp faced and weft faced rep weaves (weaves with a ribbed effect). Seven articles including rug weaving, computer design, etc.
WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 8+

Rep weaves for rugs. Two, four and eight block patterns and multi block designs.
WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 10

Four-shaft, two-block warp faced rep weave floor covering. Can be woven on a two-shaft loom.
WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 15

A four-block warp rep weave and instructions for making a rug and a table runner.
WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 17
Correction WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 50

Double-warp overlay, a design tool for weaving rugs.
WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 32

A thick rug in Summer and Winter weave.
WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 43

Rug of dyed cotton yarns is woven in overshot orange-peel pattern.
WEAVER'S JOURNAL #28 Spring 1983 (v.7#4) pg. 81

Flamepoint rug woven on a honeysuckle threading, requires a four harness loom.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 12

Floor rug in a sequence of diamond shapes on a striped background using the meet-and-separate technique, woven in a weft-faced plain weave.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 14

Rug woven in the three end block draft, requires a four harness loom.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 19

A rug in summer-and-winter (four end block draft) weave, requires a four harness loom.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 22

Weave a shaft-switched rug in an undulating twill.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 35

"Arizona sunset" rug with geometric shapes woven in double faced shaft switching and finished to hang with either side visible.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 36

Seven block twill and plain weave rugs. Requires a sixteen harness loom, but includes instructions for duplicating the structure on a two harness loom.
WEAVER'S JOURNAL #32 Spring 1984 (v.8#4) pg. 58

Three summer-and-winter weave rugs, including a Maltese cross pattern, "snails trails", and Colonial overshot design.
WEAVER'S JOURNAL #33 Summer 1984 (v.9#1) pg. 37

(1) Weave a double-faced three-shaft krokbragd rug on a six-shaft loom. (2) Weave a double-faced krokbragd and angled double-weave rug on an eight-shaft loom.
WEAVER'S JOURNAL #36 Spring 1985 (v.9#4) pg. 59

Double corduroy rug is woven with worn bed sheet rags and linen thrums as the pile weft. Designed to be woven in one weekend.
WEAVER'S JOURNAL #42 Fall 1986 (v.11#2) pg. 42