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PHOTODRAWING entries in Index to How To Do It Information
Norman Lathrop Enterprises  
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTODRAWING
sa   POSTERIZATION (PHOTOGRAPHIC)
sa   SOLARIZATION (PHOTOGRAPHIC)
xx   DRAWING & PAINTING
xx   PHOTOGRAPHIC PRINT MAKING
xx   SOLARIZATION (PHOTOGRAPHIC)

Chemicals change photographs into pen and ink drawings.
BOYS' LIFE Mar 1964 (v.54#3) pg. 75

A study in contrasts. Adding visual interest to your photographs with litho film. High-contrast photography processes (posterization, bas relief, and tone line) which require only basic darkroom equipment. Includes a homemade copy stand for copying large transparencies onto 35mm slides.
CAMERA & DARKROOM Mar 1991 (v.13#3) pg. 34

Controlling special effects. Solarization and the "tone line technique" are compared. Includes instructions for making line prints using the tone line technique.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1986 (v.7#6) pg. 50

Photo-transfers using copier materials. Simple three-step process for transfering a photographic image to artist's paper.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1994 (v.15#2) pg. 38

Drawing with light. Convert conventional photographs to high contrast "line drawings" and then color them with various dyes.
DARKROOM PHOTOGRAPHY Jan-Feb 1980 (v.2#1) pg. 68

Tip: How to ink over a photograph with a non-water-soluble ink and then bleach out the original photograph.
DARKROOM PHOTOGRAPHY May-Jun 1981 (v.3#3) pg. 15

Technique for creating B&W prints which are partially posterized and partially converted to "tone-lines".
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 55
Added Info DARKROOM PHOTOGRAPHY Jan-Feb 1985 (v.7#1) pg. 16

Everything you always wanted to know about photographic line effects. How to convert continuous-tone negatives and slides into photographic "line drawings".
DARKROOM PHOTOGRAPHY Jul-Aug 1985 (v.7#4) pg. 16

How to make high-impact color graphics from your original slides or negatives using the bleach/etch techniques. High contrast black-and-white photos are colored using food coloring.
DARKROOM PHOTOGRAPHY Sep 1985 (v.7#5) pg. 57

Tone line shortcut. How to convert a continuous-tone image to a line image by photographic means.
DARKROOM TECHNIQUES Spring 1980 (v.1#2) pg. 37

Image outlining. Vary the normal full-tonal image by eliminating the range of grays to produce an etched-like line image similar to pen and ink drawings.
INDUSTRIAL PHOTOGRAPHY May 1970 (v.19#5) pg. 22

How to do "image outlining". Convert continuous tone images to a variety of sharply defined line effects which accent the photo. Complete instructions.
INDUSTRIAL PHOTOGRAPHY Jul 1975 (v.24#7) pg. 28

How to make photographs suitable for use in making photodrawings. A review of the steps involved in getting from photograph to photodrawing.
INDUSTRIAL PHOTOGRAPHY Jul 1977 (v.26#7) pg. 25

How to use the tone-line process to enhance photographs of linear design objects. Results in high-contrast images more similar to line drawings than photographs.
INDUSTRIAL PHOTOGRAPHY Aug 1980 (v.29#8) pg. 34

How to produce a "negative" Sabattier effect which produces a print very similar to a pen-and-ink drawing.
MODERN PHOTOGRAPHY Mar 1977 (v.41#3) pg. 95

Make a tone line for graphic impact. How to convert a continuous tone photo into an image which resembles a pen-and-ink drawing or lithograph.
MODERN PHOTOGRAPHY Nov 1987 (v.51#11) pg. 54

How to make photosketches for profit. Black and white print is sketched over with India ink and the photo image is bleached away.
MOTHER EARTH NEWS #55 Jan-Feb 1979 pg. 72

The bromoil process. Part 1. Use the bromoil process to make prints that look like etchings rather than photographs.
PHOTOGRAPHIC Sep 1980 (v.9#5) pg. 50

The bromoil process. Part 2. The transfer method.
PHOTOGRAPHIC Oct 1980 (v.9#6) pg. 94

Paper: A creative tool. How to create photographic "paintings" from your negatives and transparencies. How to make paper negatives and retouch them with charcoal sticks before making the final print.
PHOTOGRAPHIC Jun 1981 (v.10#2) pg. 36

Classic etchings. This simple photographic darkroom technique will make photographic prints appear like fine old etchings.
PHOTOGRAPHIC Jun 1982 (v.11#2) pg. 30

Photodrawings. Technique of solarization makes it simple to create finished images that resemble pen-and-ink or scratchboard drawings.
PHOTOGRAPHIC Jan 1987 (v.15#9) pg. 38

How to make pen & ink drawings out of mediocre black-and-white photos. Using India ink, you draw directly on the photograph and then erase the photographic image.
PHOTOGRAPHIC Jul 1988 (v.17#3) pg. 58

Creative in-house graphics. An innovative technique combines photographs and technical drawings in one reproduction.
PHOTOMETHODS May 1984 (v.27#5) pg. 26

Imitation woodcuts and etchings from tranparencies.
POPULAR MECHANICS Mar 1963 (v.119#3) pg. 182

Produce pen and ink sketches by tracing on a photograph and then bleaching out the photographic image.
POPULAR MECHANICS Dec 1967 (v.128#6) pg. 156

The art of photo sketching. Making custom postcards consisting of pencil sketches of small towns derived from field photographs. Part 1.
SHUTTERBUG #288 Sep 1994 (v.23#11) pg. 60

The art of photo sketching. Part 2.
SHUTTERBUG #289 Oct 1994 (v.23#12) pg. 30

The personal touch. Creating pencil tracings or sketches from photos.
SHUTTERBUG #329 Feb 1998 (v.27#4) pg. 30