Correction HANDMADE #15 Jul-Aug 1984 pg. 120
Strapless sundress with elastic back and three-tiered skirt. Printed bodice is over-embroidered.
HANDMADE #14 May-Jun 1984 pg. 84, 69
The Big Dress. Four styles from one pattern.
HANDMADE #15 Jul-Aug 1984 pg. 33, 47
1920's style flapper dress is made from silk and features a deft sprinkling of tiny glass beads.
HANDMADE #16 Sep-Oct 1984 pg. 89, 77
Dramatic Pierrot-inspired chamise. An easy slip over dress with a bold triangle in the front and a detachable multi-colored silk ruff that ties in the back.
HANDMADE #16 Sep-Oct 1984 pg. 100, 87
Woman's long-sleeved T-dress with a crocheted yoke.
HANDMADE #20 Fall 1985 pg. 26, 33
Classic 1940s cocktail dress with a square neckline has elbow-length sleeves that are pleated along the seam and puffed up with shoulder pads. The full skirt is gathered with a belt. Six-piece pattern is furnished.
HANDMADE 1/1986 pg. 40, 60
Two spring/summer dresses constructed from four basic pieces. One features a dropped waist and gathered skirt. The second features a pleated skirt. Both dresses have flutter sleeves.
HANDMADE 3/1986 pg. 19, 30
Egyptian-inspired dress is painted with textile markers in a "glass inlay" pattern.
LADIES HOME JOURNAL NEEDLE & CRAFT Spring-Summer 1978 (v.8#2) pg. 74, 109
Summer dress to make from 22 delicate handkerchiefs.
McCALLS NEEDLEWORK & CRAFTS May-Jun 1981 (v.26#3) pg. 31, 82
"Dark Shadows" dress features a shadow-quilted panel on the bodice, short sleeves, a round neckline and dropped-waist.
NEEDLE & CRAFT Apr 1989 (v.12#2) pg. 25, 65, 34
Sundresses for women and girls start with purchased tank tops. On the woman's dress, shoulder straps are replaced by a band of fabric that matches the skirt. One girl's dress has a tier of ruffles added for a skirt. A second one has an eyelet skirt and bands of gathered eyelet over the shoulders.
NEEDLE & CRAFT Jun 1989 (v.12#3) pg. 40, 33
Simple "little black dress" with long sleeves and a tapered body shape. Photos give tips on ways to accessorize it.
NEEDLE & CRAFT Oct 1989 (v.12#5) pg. 42, 36
Loose-fitting dress with square neckline, elbow-length sleves and trimmed with embroidered sunflowers.
NEEDLE & THREAD Jul-Aug 1981 (v.1#3) pg. 11
Woman's appliqued shirtdress and a matching appliqued dress for a girl.
NEEDLE & THREAD Jul-Aug 1983 (v.3#4) pg. 10, 37, 22
Smocked mother-daughter matching dresses are simple rectangles with the smocking adding shape and definition.
NEEDLE & THREAD Jul-Aug 1983 (v.3#4) pg. 11, 37, 21
Unstructured "geometric" dress is shown in both sleeveless and roll-sleeve style.
NEEDLE & THREAD Jul-Aug 1983 (v.3#4) pg. 12, 42, 25
Decorative stitchery dress. Use the decorative stitches on your sewing machine to add colorful stripes to a simple dress made from pillow ticking.
NEEDLE & THREAD Jul-Aug 1983 (v.3#4) pg. 13, 42
Woman's Ribband-trimmed dress features embroidered motifs on cuffs, collar and belt.
NEEDLE & THREAD Sep-Oct 1983 (v.3#5) pg. 12, 43, 21
Woman's easy patchwork ethnic "nomad" dress features a yoke embellished with quilt blocks. Uses only squares and rectangles for the main pieces. No snaps, zippers, or buttons required.
NEEDLE & THREAD Sep-Oct 1983 (v.3#5) pg. 13, 43, 23
Mother-daughter Sunrise dresses. Loose fitting dresses with V necks and long sleeves are made from stripped material. Shoulders are tucked along the lines of the stripes.
NEEDLE & THREAD Jan-Feb 1984 (v.4#1) pg. 11, 42
Sew a woman's long-sleeve dress with a woven yoke and yarn couching around sleeves and neck.
NEEDLE & THREAD May-Jun 1984 (v.4#3) pg. 14, 21, 45
Sew a woman's short-sleeve stripe-shirred pullover puff dress.
NEEDLE & THREAD May-Jun 1984 (v.4#3) pg. 15, 46
Sew a woman's long-sleeve prairie dress with an embroidered yoke in Alberta wild rose design, done with a punchneedle.
NEEDLE & THREAD Jul-Aug 1984 (v.4#4) pg. 12, 24, 44
Sew a woman's 3/4 sleeve patternless 1920's-style dress.
NEEDLE & THREAD May-Jun 1985 (v.5#3) pg. 13, 31, 42
Sew a woman's 3/4 sleeve, T-dress with flower applique and patchwork.
NEEDLE & THREAD Nov-Dec 1985 (v.5#4) pg. 9, 20, 40
Painted silk dress is sewn from a Vogue pattern. Article includes the instructions for painting a tulip design.
NEEDLECRAFT FOR TODAY Mar-Apr 1979 (v.2#2) pg. 15
Needlework of Mexico. Embroidered cross-stitch dress in the Oaxaca style.
NEEDLECRAFT FOR TODAY May-Jun 1979 (v.2#3) pg. 14, 50
A one-piece wrap dress with block-printed patterns on the lower skirt.
NEEDLECRAFT FOR TODAY Sep-Oct 1980 (v.3#5) pg. 21, 54
Brazilian embroidery decorates a street-length dress with roll-up sleeves, side-seam pockets, and a wrap belt.
NEEDLECRAFT FOR TODAY Jan-Feb 1982 (v.5#1) pg. 11, 26, 47
Smocked silk evening dress embellished with floral embroidery.
NEEDLECRAFT FOR TODAY Sep-Oct 1982 (v.5#5) pg. 17, 29, 48
Woman's long-sleeved applique-on-black "festival dress".
NEEDLECRAFT FOR TODAY Jul-Aug 1983 (v.6#4) pg. 19, 52, 26
Ethnic-style dress with appliqued yoke in muted fall colors. Designed for the fuller figured woman.
NEEDLECRAFT FOR TODAY Sep-Oct 1983 (v.6#5) pg. 10, 42, 23
Norwegian mother and daughter dresses are patterned after the traditional "Bunad" costume.
NEEDLECRAFT FOR TODAY Sep-Oct 1983 (v.6#5) pg. 12, 45, 26
Sew a woman's bare midriff rayon dress with short-sleeves.
NEEDLECRAFT FOR TODAY May-Jun 1984 (v.7#3) pg. 12, 40
Painted-silk clothing. Peggy Juve describes planning, fabric choice and preparation, painting, cutting and construction of a garment. Inset describes how to make a panel dress.
THREADS #12 Aug-Sep 1987 pg. 24
How to adapt a vintage dress style to a modern fit. Explains measuring the pieces of an original garment and making a rescaled pattern, sewing a prototype and tips on final fitting details.
THREADS #18 Aug-Sep 1988 pg. 38
Kiowa-style dress made from buckskin. Includes tips on strip and edge beading.
THREADS #24 Aug-Sep 1989 pg. 62
Akira on bias. Patterns and techniques from Halston's chief assistant designer of evening wear. Includes patterns for two evening gowns. (1) One-piece bias gown made of three layers of silk chiffon cut and sewn as one. (2) Basic bias shift and a spiral variation.
THREADS #37 Oct-Nov 1991 pg. 60
American haute couture. How designer Arnold Scaasi builds a gown on a custom dress form. Sketches show how to construct boning channel, apply horsehair to hems and hem a deep pleat.
THREADS #38 Dec 1991-Jan 1992 pg. 40
A strapless that stays put. An explanation of the engineering of a strapless garment and how to adjust a typical pattern. Explains preparation of the inner-layers, seams, bones and waistband of a bustier.
THREADS #46 Apr-May 1993 pg. 52
Construction secrets that helped make Hillary Rodham Clinton's inaugural ball gown a comfortable fit. (1) Cut-on sleeve gussets that frees arms to lift. (2) A-shaped insert in the back of the sheath skirt to allow freer movement. (3) Built-in "ballet bodice" foundation allows raising arms high without pulling garment out of place.
THREADS #51 Feb-Mar 1994 pg. 36
Making embroidered garments from inexpensive table linens. Suggestions on experimenting with design ideas, layout of pattern pieces and finishing techniques. (1) Sundress with a full-circle skirt is made from a round tablecloth and napkins. (2) Two-piece dress is made from a rectangular cloth.
THREADS #54 Aug-Sep 1994 pg. 62
Details to die for. Unique construction techniques for one-layer fashions in which seams and hems blend unobtrusively into the garment. Includes instructions for making the seams, for shaping using holes instead of darts and for making figure-eight tacks at seam junctions. Also includes the pattern for a bias camisole and variations that add cape sleeves, extend it to a shift dress, a flared bias dress with spiral sleeves, a bias tank top and a short draped jacket.
THREADS #64 Apr-May 1996 pg. 64
The magic ruffled pocket, an intriguing design that hides hips. A poufed pocket with piping to trim the opening is set into the hipline of a dress. Includes instructions for making a loose-fitting, one-piece dress with set-in sleeve.
THREADS #71 Jun-Jul 1997 pg. 56
Added Info THREADS #73 Oct-Nov 1997 pg. 6
How to adjust a dress pattern to eliminate gaping at a scoop neckline. Shows how to narrow a chest and to add a bust dart to a sheath dress.
THREADS #79 Oct-Nov 1998 pg. 22
How to make an endless variety of dresses from a basic T-shirt pattern.
THREADS #84 Aug-Sep 1999 pg. 35
"Happy dress" is a blend of several ethic styles, especially Japanese and Seminole Indian. Long-sleeved, empire-waist dress dress features Seminole patchwork and a woven yoke with a floral pattern.
WEAVER'S JOURNAL #31 Winter 1983-84 (v.8#3) pg. 46
Wrap-tie quickie dress in any length is sewn from one piece of knit fabric. Pattern and instructions furnished.
WOMAN'S DAY Feb 3 1978 (v.41#6) pg. 6, 100
Six gauzy seperates to sew. Patterns for tie-top skirt, peasant blouse, tunic dress, pull-on pants, camisole top, and long gathered skirt.
WOMAN'S DAY Mar 1 1978 (v.41#7) pg. 102, 121
Two-piece middy dress. Pattern furnished.
WOMAN'S DAY Aug 7 1978 (v.41#13) pg. 68, 110
Drawstring straight evening gown in panne velvet.
WOMAN'S DAY Oct 23 1978 (v.42#2) pg. 112, 154
Three dresses to sew from rectangles. Cutting diagrams and directions furnished.
WOMAN'S DAY Feb 20 1979 (v.42#6) pg. 86, 145
Three easy-to-sew summer dresses to make for under $10. Cutting diagrams and instructions furnished.
WOMAN'S DAY Jun 26 1979 (v.42#11) pg. 94
Floor-length gown is easy to sew from Qiana with one seam in the back and front gathers that attach to the tube straps.
WOMAN'S DAY Nov 1 1979 (v.43#2) pg. 77, 126
Woman's V-top jacket and twin-pleat skirt are sewn from pattern furnished with article. With center jacket seam sewn up, it becomes a two-piece dress.
WOMAN'S DAY Feb 12 1980 (v.43#6) pg. 76, 116
Pattern for eyelet top and tie-back skirt suit. Change in fabric and addition of a belt creates a dress.
WOMAN'S DAY Feb 12 1980 (v.43#6) pg. 78, 116
A trio to sew from knit fabric. No pattern required.
WOMAN'S DAY Apr 22 1980 (v.43#9) pg. 10, 126
Summer woman's clothes made from towels.
WOMAN'S DAY Jun 10 1980 (v.43#11) pg. 4, 140
Seafaring outfit for a woman is made from a man's white T-shirt fitted with a blue ruffle (skirt) and collar.
WOMAN'S DAY Jul 14 1981 (v.44#12) pg. 96, 132
Woman's "big dress" is sewn from two T-shaped pieces of broadcloth.
WOMAN'S DAY Jul 13 1982 (v.45#12) pg. 73, 148
Halter dress sewn from pastel polyester-jersey.
WOMAN'S DAY Jul 13 1982 (v.45#12) pg. 76, 150
Country clothes to sew. Includes dress/blouse, wrap skirt, tabard, skirt/petticoat.
WOMAN'S DAY Sep 1 1982 (v.45#14) pg. 72, 106
Jiffy jerseys. Large pieces of fabric and straignt seams speed up sewing a (1) batwing dress, (2) kimono coat or jacket, and (3) pull-on skirt.
WOMAN'S DAY Nov 16 1982 (v.46#3) pg. 100, 145
Sew yourself a romantic "country" dress. Three variations shown.
WOMAN'S DAY Mar 8 1983 (v.46#7) pg. 44, 173
Cool-and-easy shirt dresses are simply rectangles you cut to the length you like, stitch together, and fasten with snap tape.
WOMAN'S DAY Apr 26 1983 (v.46#9) pg. 46, 157
Three lacy designer dresses to make. (1) Nostalgic smock dress. (2) Dainty shift. (3) Airy shirtdress.
WOMAN'S DAY Jun 7 1983 (v.46#11) pg. 104, 167
Three great looks from two fabric rectangles and no pattern. Wear as a halter dress, strapless dress or a skirt with its own belt.
WOMAN'S DAY Apr 24 1984 (v.47#9) pg. 24