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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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TRANSPARENCY PRINT MAKING (COLOR) sa PHOTOGRAPHIC PAPER (COLOR) sa PHOTOGRAPHIC PRINT PROCESSING (COLOR) xx PHOTOGRAPHIC PRINT MAKING (COLOR) xx TRANSPARENCY PRINT MAKING Tips on making internegatives of Kodachromes without using a densitometer. Snapshots from slides. Using Fujicolor Reala film and a slide duplicator to produce a color internegative from which a color print can be easily made using a local one-hour lab. Using Kodalith film processed in T-Max developer as a substitute for Kodak pan-masking film when making contrast masks for printing color slides on reversal color paper. The results of one user's experience in making Aeroprint color prints from 35mm color slides. Making color prints directly from transparencies using Kodak's new RD chemistry and Ektachrome RC type 1993 paper. How to make color prints from either negatives or transparencies on the same paper (GAF's Type A) using Uniprint chemistry. Making color prints from slides using the Cibachrome process is described and evaluated. Answers to the 24 basic questions which are most often asked about color printing from slides. How to make color prints from 35mm slides using a Xerox 6500 color copying machine. Ed Scully recommends essential equipment for making color prints from slides or negatives. Basic color course. Part 6. Making color prints from color slides is a good way to learn the basics of color printing. How to select a good slide for doing the printing, preparing the chemicals and making the print. The easiest way to make your own color prints from color slides is with an enlarger and Kodak or Polaroid instant print material. Cibachrome masking for contrast control. Make and use a contrast reducing mask when making color prints from color slides with a wide density range. Omni prints, an alternative process for producing unusually brilliant Kodak Type-C color prints from color transparencies. Uses 3 B&W color separation negatives. Ektachrome 22 color reversal paper and chemistry. Tips on making color prints from color slides using this new paper. Color prints from color slides. Testing two papers (Unichrome and Agfa) and two chemistries (Freestyle and Unicolor). Tips on controlling contrast when making color prints from slides using Ektachrome-type color reversal paper. Cibachrome printing using the Beseler/Minolta 45A enlarger light source. Tips on the use of vesicular films and diazo films to make contrast reduction masks for Cibachrome printing. Previsualizing color. No-Mask Cibachrome contrast control. Techniques for custom color reversal exposure and development to produce a transparency designed for printing with Cibachrome. Part 1. Film tests to provide corrected exposure index and measurable changes in contrast for different first-developer times. Previsualising color. No-Mask Cibachrome contrast control. Part 2. Determining the contrast range required for the print material. Previsualizing color. No-Mask Cibachrome contrast control. Part 3. A highlight-based exposure system to ensure accurate subject exposure. Techniques for lowering contrast in color prints made from slides. Tips on complex masking of color slides before printing, with emphasis on the problem of masking whites. Masterful internegatives revisited. Fine-tuning a process for making color internegatives from slides on Kodak VIF 6011 internegative film. Sources of information on making contrast-reducing masks for Ilfochrome (formerly Cibachrome) printing. Getting color balance right on the first try when making color prints from transparencies. Using the Xerox 6500 color copier to add color to black & white originals or to make 8x10 color copies of color slides. Some tips. Getting started making good color prints from slides requires that you understand the basics of color. How to make color prints from color slides using the Agfachrome-Speed processing system. Quick and dirty color internegatives. An exploration of the various home darkroom techniques to produce a color negative from a slide which can then be used with C-print material. Ilford's Standard and Professional Cibachrome Sytems are compared. Tips on taking exposure readings when making color prints from slides. Tips on making color prints from 8mm movie film. A zone system approach to E-6. How to make beautiful Cibachrome prints from transparencies by exposing for the shadows and developing for the highlights. Color prints from color slides. Part 1. A look at (1) Cibachrome, (2) Kodak 2203 paper and (3) use of internegatives and any paper intended for use with color negatives. Color prints from color slides. Part 2. (1) Kodak 2203 paper with Unicolor RP-1000 chemistry. (2) Beseler 3-Step Chemistry. Make instant color prints from slides by using your enlarger to expose the slide onto Polaroid Type 58-Polacolor 2 film. How to make color internegatives from slides. Advantage of making Cibachrome prints and how to save money and improve quality. Masking, the ultimate dodge. How to use a b&w film mask of the original color slide to control contrast when making color prints on Cibachrome, Kodak 2203, or Unichrome. Cibachrome II paper. Two articles look at both the professional and amateur versions of this new color paper for making prints from slides. Instant photography in the darkroom. Part 1. Use an inexpensive Polaroid camera and SX-70 films to produce color prints from 35mm slides. Instant photography in the darkroom. Part 2. How to make manipulated exposures on SX-70 film packs using an enlarger and color slides. A Cibachrome primer for b&w holdouts. Getting into color printing. Slide printers. A review of commercial printers designed to make colored prints from colored slides onto Polaroid or Kodak instant print material. Cibichrome II printing tips. Converting color transparencies to black-and-white or color negatives. Part 2. Image masking. Using the Aeroprint colorprinting kit to make a color print from a color slide. Make color prints from color slides on Polaroid Polacolor film using an enlarger. Understanding the color shifts which occur in printing from negatives and slides. Tips on using Aeroprint Color to make color prints from slides or color negatives without filters or critical temperatures. Making color prints from color slides using the Cibachrome Type A process. Make your own prints from color slides using Kodak's Ektachrome 1993 Positive-to-positive printing material with Kodak or Unicolor chemicals. Make color prints from slides by inserting the slide into your enlarger and exposing the image directly onto a Polacolor II film pack. Insert film pack back into camera for normal processing. Making copies in an instant. Part 3. How to copy slides and transparencies onto color prints using Polaroid film and a copy camera setup. How to perform dodging, burning-in and contrast changing when making color prints from slides. Make color prints from slides by exposing the slides directly onto one of the instant camera films. Use an enlarger and the back from an instant camera. Make color prints from slides by projecting the slide onto an instant camera film pack using your enlarger. The slide is put in the enlarger, and the film pack is placed on the copy board. The camera is not needed. How to print your color negatives on Cibachrome. You must first duplicate your negative on Vericolor Slide Film using a 3200K light source. How to make color prints from Kodachrome slides. A discussion of the technique and equipment needed to make color prints from color transparencies using the Cibachrome print material. Tips on getting started in making color prints from color slides. Brif overview of techniques for reducing contrast in color reversal prints. Tips for making color prints from color slides. Tips on equipment, lenses, filters, processing, mounting and other things learned from experience. Making internegatives from colored slides on Kodak Vericolor Internegative film 4112. Requires only standard slide-copying equipment or an enlarger. Basic color darkroom. How to make color prints from color slides using the two basic methods: (1) Kodak Ektachrome 2203 paper and (2) Cibachrome Color Print Material. Tips on using RT Color Laboratories RT802 processing kit for making color prints from slides. This kit operates at "room temperature". Cibachrome primer. It's easy to make great color prints from your slides at home using the P-30 process. Conceptual Cibachromes. Techniques for creating multi-image prints. Internegative production. Part 1. How to make a color internegative from a transparency by exposure onto Ektacolor Internegative Film 6110. Internegative production. Part 2. Using a densitometer to achieve basic color balance. Corrective masks for Cibachrome II. Making and using contrast-reducing masks to preserve shadow detail. Make color prints from slides using Cibachrome materials. An explanation of the process along with a list of recommended materials and equipment to make your own color prints. How to make color internegatives from transparencies on Ektacolor film in order to make color prints on Ektacolor paper. Making color internegatives from transparencies in order to produce color prints without fancy equipment or even a darkroom. Simple wooden jigs hold camera back (like the Hasselblad magazine, a Calumet 120, or a Polaroid film holder) in order to make dups, internegs, or color prints from slides using your enlarger. Simple wooden jigs hold camera backs (like the Hasselbad magazine, a Calumet 120 or a Polaroid film holder) in order to make dups, internegs or color prints from slides using your enlarger. How to make top quality color prints from your color slides. Step-by-step instructions for using Ektachrome 1993 print paper. Easiest way yet to make color prints from color slides. Making Cibachrome prints is shown step-by-step. More tips on making color prints using the Cibachrome process. How to make an 8x10 color print from a slide by using a Xerox 6500 color copier and a slide projector. How to use the Kodak 4x5 instant film back to make color prints from color slides using your enlarger. Using your instant camera to make interesting color prints in your darkroom. Project image onto color film pack (using enlarger) and then develop it in the camera. Getting the most out of Cibachrome. Lighting, enlarging equipment, and choice of developer all help bring contrast under control. Tips and devices for making a photographic print from a single frame of motion picture film. The old and new Cibachrome slide printing kits compared. How to reduce excessive print contrast when making color prints from slides. How to get top quality prints from color slides on Cibachrome-A II glossy paper. How to make color negatives from color slides. The color darkroom. A review of the Cibachrome process for making color prints from color slides. Includes tips on printing and processing. Product review of the Daylab 300 self-contained darkroom, enlarger and print processor to make Cibachrome prints from slides. Includes tips on operating the unit off of a 12-volt source (such as a car battery). Slides into prints. An overview of the available techniques for making a color print from a color slide. The big blow-up. Tips on creating large color prints (20"x24" up to 30"x40") from single slides or sandwiched transparencies that have been photographed by existing light on Kodachrome 25 using simple equipment. Ektachrome Prestige color reversal print material. User test of an alternative to Ektachrome 22 for producing premium-quality prints from transparencies. User test of Ilfochrome Classic CLM.1K polyester-based color reversing enlarging paper. Positive printing techniques. Making good quality prints from color slides. Converting slides to prints. Daylab and Polaroid offers an economical solution. Making prints from slides using Type R color positive paper and R-3000 chemistry. Making Polaroid color prints from slides using an enlarger and the back from a cheap Polaroid camera. Used to make color corrected copies from astronomical photographs taken with a telescope using Ektachrome slide film. | |||||||||
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