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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

TRANSPARENCY PRINT MAKING (COLOR)
sa   PHOTOGRAPHIC PAPER (COLOR)
sa   PHOTOGRAPHIC PRINT PROCESSING (COLOR)
xx   PHOTOGRAPHIC PRINT MAKING (COLOR)
xx   TRANSPARENCY PRINT MAKING

Tips on making internegatives of Kodachromes without using a densitometer.
CAMERA & DARKROOM Nov 1991 (v.13#11) pg. 16
Added Info CAMERA & DARKROOM May 1992 (v.14#5) pg. 8

Snapshots from slides. Using Fujicolor Reala film and a slide duplicator to produce a color internegative from which a color print can be easily made using a local one-hour lab.
CAMERA & DARKROOM May 1993 (v.15#5) pg. 10

Using Kodalith film processed in T-Max developer as a substitute for Kodak pan-masking film when making contrast masks for printing color slides on reversal color paper.
CAMERA & DARKROOM Jun 1994 (v.16#6) pg. 5

The results of one user's experience in making Aeroprint color prints from 35mm color slides.
CAMERA 35 Feb-Mar 1974 (v.18#1) pg. 48

Making color prints directly from transparencies using Kodak's new RD chemistry and Ektachrome RC type 1993 paper.
CAMERA 35 Aug-Sep 1974 (v.18#6) pg. 50

How to make color prints from either negatives or transparencies on the same paper (GAF's Type A) using Uniprint chemistry.
CAMERA 35 Oct 1974 (v.18#7) pg. 8

Making color prints from slides using the Cibachrome process is described and evaluated.
CAMERA 35 Nov 1976 (v.20#8) pg. 52

Answers to the 24 basic questions which are most often asked about color printing from slides.
CAMERA 35 Jan 1977 (v.20#10) pg. 36

How to make color prints from 35mm slides using a Xerox 6500 color copying machine.
CAMERA 35 Feb 1977 (v.21#1) pg. 30

Ed Scully recommends essential equipment for making color prints from slides or negatives.
CAMERA 35 Aug 1978 (v.23#7) pg. 20

Basic color course. Part 6. Making color prints from color slides is a good way to learn the basics of color printing. How to select a good slide for doing the printing, preparing the chemicals and making the print.
CAMERA 35 Dec 1978 (v.23#11) pg. 66

The easiest way to make your own color prints from color slides is with an enlarger and Kodak or Polaroid instant print material.
CAMERA 35 Mar 1981 (v.26#3) pg. 51

Cibachrome masking for contrast control. Make and use a contrast reducing mask when making color prints from color slides with a wide density range.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1984 (v.5#2) pg. 19

Omni prints, an alternative process for producing unusually brilliant Kodak Type-C color prints from color transparencies. Uses 3 B&W color separation negatives.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1984 (v.5#2) pg. 36

Ektachrome 22 color reversal paper and chemistry. Tips on making color prints from color slides using this new paper.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1985 (v.6#2) pg. 42

Color prints from color slides. Testing two papers (Unichrome and Agfa) and two chemistries (Freestyle and Unicolor).
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1985 (v.6#6) pg. 42

Tips on controlling contrast when making color prints from slides using Ektachrome-type color reversal paper.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1988 (v.9#2) pg. 16

Cibachrome printing using the Beseler/Minolta 45A enlarger light source.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1988 (v.9#2) pg. 31

Tips on the use of vesicular films and diazo films to make contrast reduction masks for Cibachrome printing.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1988 (v.9#3) pg. 8, 44
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1988 (v.9#4) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1988 (v.9#5) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1988 (v.9#6) pg. 2, 32
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 2
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1990 (v.11#1) pg. 3

Previsualizing color. No-Mask Cibachrome contrast control. Techniques for custom color reversal exposure and development to produce a transparency designed for printing with Cibachrome. Part 1. Film tests to provide corrected exposure index and measurable changes in contrast for different first-developer times.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1989 (v.10#1) pg. 20
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1989 (v.10#4) pg. 3
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1991 (v.12#3) pg. 30 (Simplified testing & calibration)

Previsualising color. No-Mask Cibachrome contrast control. Part 2. Determining the contrast range required for the print material.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1989 (v.10#2) pg. 28

Previsualizing color. No-Mask Cibachrome contrast control. Part 3. A highlight-based exposure system to ensure accurate subject exposure.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1989 (v.10#3) pg. 22

Techniques for lowering contrast in color prints made from slides.
DARKROOM & CREATIVE CAMERA TECHNIQUES Nov-Dec 1989 (v.10#6) pg. 14

Tips on complex masking of color slides before printing, with emphasis on the problem of masking whites.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1990 (v.11#2) pg. 2

Masterful internegatives revisited. Fine-tuning a process for making color internegatives from slides on Kodak VIF 6011 internegative film.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1993 (v.14#1) pg. 24
Added Info DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1993 (v.14#5) pg. 3

Sources of information on making contrast-reducing masks for Ilfochrome (formerly Cibachrome) printing.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1994 (v.15#1) pg. 8

Getting color balance right on the first try when making color prints from transparencies.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1994 (v.15#4) pg. 33

Using the Xerox 6500 color copier to add color to black & white originals or to make 8x10 color copies of color slides. Some tips.
DARKROOM PHOTOGRAPHY Nov 1979 (v.1#6) pg. 61

Getting started making good color prints from slides requires that you understand the basics of color.
DARKROOM PHOTOGRAPHY Nov 1981 (v.3#7) pg. 62

How to make color prints from color slides using the Agfachrome-Speed processing system.
DARKROOM PHOTOGRAPHY Mar-Apr 1984 (v.6#2) pg. 52

Quick and dirty color internegatives. An exploration of the various home darkroom techniques to produce a color negative from a slide which can then be used with C-print material.
DARKROOM PHOTOGRAPHY Sep 1984 (v.6#5) pg. 59

Ilford's Standard and Professional Cibachrome Sytems are compared.
DARKROOM PHOTOGRAPHY Nov 1985 (v.7#7) pg. 32

Tips on taking exposure readings when making color prints from slides.
DARKROOM PHOTOGRAPHY Jan-Feb 1987 (v.9#1) pg. 10

Tips on making color prints from 8mm movie film.
DARKROOM PHOTOGRAPHY Sep 1987 (v.9#5) pg. 8

A zone system approach to E-6. How to make beautiful Cibachrome prints from transparencies by exposing for the shadows and developing for the highlights.
DARKROOM PHOTOGRAPHY Feb 1990 (v.12#2) pg. 22

Color prints from color slides. Part 1. A look at (1) Cibachrome, (2) Kodak 2203 paper and (3) use of internegatives and any paper intended for use with color negatives.
DARKROOM TECHNIQUES Fall 1979 pg. 32

Color prints from color slides. Part 2. (1) Kodak 2203 paper with Unicolor RP-1000 chemistry. (2) Beseler 3-Step Chemistry.
DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 30

Make instant color prints from slides by using your enlarger to expose the slide onto Polaroid Type 58-Polacolor 2 film.
DARKROOM TECHNIQUES Winter 1980 (v.1#1) pg. 54

How to make color internegatives from slides.
DARKROOM TECHNIQUES Spring 1980 (v.1#2) pg. 42

Advantage of making Cibachrome prints and how to save money and improve quality.
DARKROOM TECHNIQUES Dec 1980 (v.1#4) pg. 47

Masking, the ultimate dodge. How to use a b&w film mask of the original color slide to control contrast when making color prints on Cibachrome, Kodak 2203, or Unichrome.
DARKROOM TECHNIQUES Jun 1981 (v.2#2) pg. 27

Cibachrome II paper. Two articles look at both the professional and amateur versions of this new color paper for making prints from slides.
DARKROOM TECHNIQUES Dec 1981 (v.2#4) pg. 26, 30

Instant photography in the darkroom. Part 1. Use an inexpensive Polaroid camera and SX-70 films to produce color prints from 35mm slides.
DARKROOM TECHNIQUES Jun 1982 (v.3#2) pg. 22

Instant photography in the darkroom. Part 2. How to make manipulated exposures on SX-70 film packs using an enlarger and color slides.
DARKROOM TECHNIQUES Sep 1982 (v.3#3) pg. 66

A Cibachrome primer for b&w holdouts. Getting into color printing.
DARKROOM TECHNIQUES Dec 1982 (v.3#4) pg. 21

Slide printers. A review of commercial printers designed to make colored prints from colored slides onto Polaroid or Kodak instant print material.
DARKROOM TECHNIQUES Mar-Apr 1983 (v.4#2) pg. 22

Cibichrome II printing tips.
DARKROOM TECHNIQUES Jul-Aug 1983 (v.4#4) pg. 22

Converting color transparencies to black-and-white or color negatives. Part 2. Image masking.
INDUSTRIAL PHOTOGRAPHY Jan 1977 (v.26#1) pg. 25

Using the Aeroprint colorprinting kit to make a color print from a color slide.
MECHANIX ILLUSTRATED #531 Aug 1972 (v.68) pg. 90

Make color prints from color slides on Polaroid Polacolor film using an enlarger.
MODERN PHOTOGRAPHY Aug 1970 (v.34#8) pg. 80

Understanding the color shifts which occur in printing from negatives and slides.
MODERN PHOTOGRAPHY Sep 1970 (v.34#9) pg. 78

Tips on using Aeroprint Color to make color prints from slides or color negatives without filters or critical temperatures.
MODERN PHOTOGRAPHY Jan 1972 (v.36#1) pg. 90

Making color prints from color slides using the Cibachrome Type A process.
MODERN PHOTOGRAPHY May 1975 (v.39#5) pg. 94

Make your own prints from color slides using Kodak's Ektachrome 1993 Positive-to-positive printing material with Kodak or Unicolor chemicals.
MODERN PHOTOGRAPHY Aug 1975 (v.39#8) pg. 78

Make color prints from slides by inserting the slide into your enlarger and exposing the image directly onto a Polacolor II film pack. Insert film pack back into camera for normal processing.
MODERN PHOTOGRAPHY Jan 1977 (v.41#1) pg. 134

Making copies in an instant. Part 3. How to copy slides and transparencies onto color prints using Polaroid film and a copy camera setup.
MODERN PHOTOGRAPHY Sep 1977 (v.41#9) pg. 66

How to perform dodging, burning-in and contrast changing when making color prints from slides.
MODERN PHOTOGRAPHY Apr 1979 (v.43#4) pg. 110

Make color prints from slides by exposing the slides directly onto one of the instant camera films. Use an enlarger and the back from an instant camera.
MODERN PHOTOGRAPHY Nov 1979 (v.43#11) pg. 14

Make color prints from slides by projecting the slide onto an instant camera film pack using your enlarger. The slide is put in the enlarger, and the film pack is placed on the copy board. The camera is not needed.
MODERN PHOTOGRAPHY Feb 1980 (v.44#2) pg. 54

How to print your color negatives on Cibachrome. You must first duplicate your negative on Vericolor Slide Film using a 3200K light source.
MODERN PHOTOGRAPHY Nov 1982 (v.46#11) pg. 44

How to make color prints from Kodachrome slides.
MODERN PHOTOGRAPHY Oct 1985 (v.49#10) pg. 40

A discussion of the technique and equipment needed to make color prints from color transparencies using the Cibachrome print material.
PHOTO METHODS FOR INDUSTRY Apr 1974 (v.17#4) pg. 23

Tips on getting started in making color prints from color slides.
PHOTO TECHNIQUES Jan-Feb 1996 (v.17#1) pg. 18

Brif overview of techniques for reducing contrast in color reversal prints.
PHOTO TECHNIQUES Sep-Oct 1999 (v.20#5) pg. 67

Tips for making color prints from color slides. Tips on equipment, lenses, filters, processing, mounting and other things learned from experience.
PHOTOGRAPHIC Mar 1978 (v.6#11) pg. 91

Making internegatives from colored slides on Kodak Vericolor Internegative film 4112. Requires only standard slide-copying equipment or an enlarger.
PHOTOGRAPHIC Feb 1979 (v.7#10) pg. 30

Basic color darkroom. How to make color prints from color slides using the two basic methods: (1) Kodak Ektachrome 2203 paper and (2) Cibachrome Color Print Material.
PHOTOGRAPHIC Jul 1981 (v.10#3) pg. 49

Tips on using RT Color Laboratories RT802 processing kit for making color prints from slides. This kit operates at "room temperature".
PHOTOGRAPHIC Jul 1985 (v.14#3) pg. 8

Cibachrome primer. It's easy to make great color prints from your slides at home using the P-30 process.
PHOTOGRAPHIC Feb 1987 (v.15#10) pg. 28

Conceptual Cibachromes. Techniques for creating multi-image prints.
PHOTOGRAPHIC Aug 1989 (v.18#4) pg. 34

Internegative production. Part 1. How to make a color internegative from a transparency by exposure onto Ektacolor Internegative Film 6110.
PHOTOMETHODS Mar 1975 (v.18#3) pg. 10

Internegative production. Part 2. Using a densitometer to achieve basic color balance.
PHOTOMETHODS Apr 1975 (v.18#4) pg. 23

Corrective masks for Cibachrome II. Making and using contrast-reducing masks to preserve shadow detail.
PHOTOMETHODS May 1987 (v.30#5) pg. 45

Make color prints from slides using Cibachrome materials. An explanation of the process along with a list of recommended materials and equipment to make your own color prints.
POPULAR MECHANICS Jan 1976 (v.145#1) pg. 79

How to make color internegatives from transparencies on Ektacolor film in order to make color prints on Ektacolor paper.
POPULAR PHOTOGRAPHY Sep 1968 (v.63#3) pg. 8

Making color internegatives from transparencies in order to produce color prints without fancy equipment or even a darkroom.
POPULAR PHOTOGRAPHY Dec 1968 (v.63#6) pg. 136

Simple wooden jigs hold camera back (like the Hasselblad magazine, a Calumet 120, or a Polaroid film holder) in order to make dups, internegs, or color prints from slides using your enlarger.
POPULAR PHOTOGRAPHY Feb 1973 (v.72#2) pg. 82

Simple wooden jigs hold camera backs (like the Hasselbad magazine, a Calumet 120 or a Polaroid film holder) in order to make dups, internegs or color prints from slides using your enlarger.
POPULAR PHOTOGRAPHY Feb 1973 (v.72#2) pg. 82

How to make top quality color prints from your color slides. Step-by-step instructions for using Ektachrome 1993 print paper.
POPULAR PHOTOGRAPHY Nov 1974 (v.75#5) pg. 133

Easiest way yet to make color prints from color slides. Making Cibachrome prints is shown step-by-step.
POPULAR PHOTOGRAPHY May 1975 (v.76#5) pg. 58

More tips on making color prints using the Cibachrome process.
POPULAR PHOTOGRAPHY May 1975 (v.76#5) pg. 87

How to make an 8x10 color print from a slide by using a Xerox 6500 color copier and a slide projector.
POPULAR PHOTOGRAPHY Mar 1976 (v.78#3) pg. 88

How to use the Kodak 4x5 instant film back to make color prints from color slides using your enlarger.
POPULAR PHOTOGRAPHY May 1979 (v.84#5) pg. 120

Using your instant camera to make interesting color prints in your darkroom. Project image onto color film pack (using enlarger) and then develop it in the camera.
POPULAR PHOTOGRAPHY Feb 1980 (v.86#2) pg. 101

Getting the most out of Cibachrome. Lighting, enlarging equipment, and choice of developer all help bring contrast under control.
POPULAR PHOTOGRAPHY Jul 1980 (v.87#1) pg. 94

Tips and devices for making a photographic print from a single frame of motion picture film.
POPULAR PHOTOGRAPHY Nov 1980 (v.87#5) pg. 86

The old and new Cibachrome slide printing kits compared.
POPULAR PHOTOGRAPHY Nov 1981 (v.88#11) pg. 107

How to reduce excessive print contrast when making color prints from slides.
POPULAR PHOTOGRAPHY Apr 1983 (v.90#4) pg. 45

How to get top quality prints from color slides on Cibachrome-A II glossy paper.
POPULAR PHOTOGRAPHY Jan 1984 (v.91#1) pg. 52

How to make color negatives from color slides.
POPULAR PHOTOGRAPHY Jul 1984 (v.91#7) pg. 92

The color darkroom. A review of the Cibachrome process for making color prints from color slides. Includes tips on printing and processing.
POPULAR PHOTOGRAPHY Jan 1986 (v.93#1) pg. 23

Product review of the Daylab 300 self-contained darkroom, enlarger and print processor to make Cibachrome prints from slides. Includes tips on operating the unit off of a 12-volt source (such as a car battery).
POPULAR PHOTOGRAPHY Mar 1986 (v.93#3) pg. 12

Slides into prints. An overview of the available techniques for making a color print from a color slide.
POPULAR PHOTOGRAPHY Oct 1990 (v.97#10) pg. 58

The big blow-up. Tips on creating large color prints (20"x24" up to 30"x40") from single slides or sandwiched transparencies that have been photographed by existing light on Kodachrome 25 using simple equipment.
POPULAR PHOTOGRAPHY Nov 1992 (v.99#11) pg. 46

Ektachrome Prestige color reversal print material. User test of an alternative to Ektachrome 22 for producing premium-quality prints from transparencies.
PROFESSIONAL PHOTOGRAPHER #2132 Jan 1990 (v.117) pg. 44

User test of Ilfochrome Classic CLM.1K polyester-based color reversing enlarging paper.
RANGEFINDER Feb 1994 (v.43#2) pg. 32

Positive printing techniques. Making good quality prints from color slides.
SHUTTERBUG #258 Mar 1992 (v.21#5) pg. 32

Converting slides to prints. Daylab and Polaroid offers an economical solution.
SHUTTERBUG #313 Oct 1996 (v.25#12) pg. 174

Making prints from slides using Type R color positive paper and R-3000 chemistry.
SHUTTERBUG #357 Jun 2000 (v.29#8) pg. 210

Making Polaroid color prints from slides using an enlarger and the back from a cheap Polaroid camera. Used to make color corrected copies from astronomical photographs taken with a telescope using Ektachrome slide film.
SKY & TELESCOPE Jul 1979 (v.58#1) pg. 87