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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.


Tapestry jacket makes an inexpensive and portable weaving project. Uses a simple cardboard loom.
CREATIVE CRAFTS #82 Aug 1981 (v.7#10) pg. 25

A simple jacket to weave.
GOOD HOUSEKEEPING NEEDLECRAFT Spring-Summer 1979 pg. 77, 139

Knubby textured jacket and sweater woven on the same warp. Jacket has point twill patterning on collar, cuffs and around the bottom. Sweater has boat neck and elasticized waist and cuffs.
HANDMADE Apr-Jun 1981 (v.1#1) pg. 21, 32

Quilted woman's jacket in striped double weave. Area between layers is stuffed with fiberfill while on the loom. Can be woven to coat length if loom is wide enough. Jacket requires 28" wide loom.
HANDMADE Apr-Jun 1981 (v.1#1) pg. 22, 34

Woman's cocoon jacket, a loose fitting garment made from one length of fabric. Lower side edges are gathered and then joined to gathered shoulder edges to form "bat wing" sleeves. Warp width is 40".
HANDMADE Apr-Jun 1981 (v.1#1) pg. 22, 36

Woman's bolaro jacket with full sleeves that are gathered at the wrists. Woven in herringbone pattern.
HANDMADE Apr-Jun 1981 (v.1#1) pg. 23, 35

Woman's handwoven jacket with bands of Fair Isle designs.
HANDMADE Winter 1982-83 (v.2#4) pg. 101, 66

Loom-shaped parka to weave with natural wool. Requires a 22" wide, 4-harness loom.
HANDWOVEN Fall-Winter 1979 (v.1#1) pg. 18, 53

Dramatic woven jacket is made from a 36"x108" rectangle. Patterns bands in the back are pleated. Instructions for jackets in chenille and silk are included.
HANDWOVEN Spring-Summer 1980 (v.1#2) pg. 42

A plain weave hooded jacket that can be woven on a 2-harness or rigid heddle loom 16" wide.
HANDWOVEN Fall-Winter 1980 (v.2#1) pg. 28, 66

Loom-shaped coat and jacket, woven in boundweave on rosepath threading, have seaming technique that eliminates bulk. Requires 22" wide 4-harness loom.
HANDWOVEN Fall-Winter 1980 (v.2#1) pg. 31, 74, 75

Handwoven Bethlehem jacket of handspun wool and a handspun silk lining.
HANDWOVEN Mar 1981 (v.2#2) pg. 29

Clothing woven from rags. Includes instructions for a hooded jacket and log-cabin vest.
HANDWOVEN May 1981 (v.2#3) pg. 49

How to weave on a knitting machine using handspun yarn. Includes pattern for a jacket.
HANDWOVEN May 1981 (v.2#3) pg. 62

Modified chiola jacket in handwoven plaid.
HANDWOVEN Sep 1981 (v.2#4) pg. 54

How to produce handspun variegated yarns that simulate ikat when woven. Includes instructions for spinning and weaving a lap robe and a vest, a shrug and a bog jacket.
HANDWOVEN Sep 1981 (v.2#4) pg. 65

Three approaches to finishing wool. Includes instructions for weaving and finishing fabric for a plaid shawl, a woman's cord-trimmed twill jacket and two rainbow shawls.
HANDWOVEN Nov 1981 (v.2#5) pg. 50
Added Info HANDWOVEN May-Jun 1985 (v.6#3) pg. 94

Woman's loom-shaped western jacket is made from long basket weave strips.
HANDWOVEN Mar 1982 (v.3#2) pg. 46
Correction HANDWOVEN May-Jun 1983 (v.4#3) pg. 79

Tips on spinning dog hair. Includes patterns for (1) Woman's jacket woven from Samoyed. (2) Tote bag woven from dog hair. (3) Toy dog woven in tapestry technique using handspun dog hair.
HANDWOVEN Mar 1982 (v.3#2) pg. 62, 87

Woman's waist-length jacket is embellished with dainty embroidery.
HANDWOVEN May 1982 (v.3#3) pg. 35, 97

Woman's short jacket woven in a nubby cotton yarn.
HANDWOVEN May 1982 (v.3#3) pg. 36, 97

Three women's jackets woven from hand-dyed yarns.
HANDWOVEN May 1982 (v.3#3) pg. 46, 96

Woman's handwoven twill jacket.
HANDWOVEN Sep 1982 (v.3#4) pg. 46

Woman's handwoven "bomber" jacket.
HANDWOVEN Sep 1982 (v.3#4) pg. 47, 83

Weaving in the fur weft. How to incorporate "antique fur" pieces into woven clothing. Instructions for (1) woman's long sleeve jacket and (2) woman's wool plaid vest.
HANDWOVEN Jan-Feb 1983 (v.4#1) pg. 33, 80

Woman's long sleeve, handwoven silk jacket features handpainted silk lining and handpainted silk scarf.
HANDWOVEN Jan-Feb 1983 (v.4#1) pg. 50, 90

Woman's batwing sweater-jacket is woven with loopy wool.
HANDWOVEN Jan-Feb 1983 (v.4#1) pg. 64

Bolivian milkmaid's jacket (a form of the traditional Spencer jacket). Woven from top-dyed leftover yarn.
HANDWOVEN Mar-Apr 1983 (v.4#2) pg. 60, 97

Woman's tapestry technique rag jacket is woven from pre-cut "Poppana" cotton bias strips.
HANDWOVEN May-Jun 1983 (v.4#3) pg. 48, 84

Weaving on a board. Drive nails into a board, wrap the warp around them, and insert the weft using a needle. Instructions included for making a longsleeve jacket.
HANDWOVEN Sep-Oct 1983 (v.4#4) pg. 46, 92

Woman's jacket is handwoven in double weave. Both a 4-shaft and 8-shaft version are detailed. The checkerboard pattern in various colors is achieved by using up many small skeins of hand-dyed samples.
HANDWOVEN Sep-Oct 1983 (v.4#4) pg. 48, 99

Woman's blouson knit jacket with softly gathered full sleeves and a high neckline, dropped shoulder and a stand-up collar. Jacket is woven in shadow weave twill.
HANDWOVEN Jan-Feb 1984 (v.5#1) pg. 14

Woman's cotton/linen overshirt that can substitute for a blazer. Jacket is hip length with long cuffed sleeves and a dropped shoulder.
HANDWOVEN Jan-Feb 1984 (v.5#1) pg. 43, 110

Woman's bolaro style jacket with long sleeves woven in twill and edged with Danish walking braid trim.
HANDWOVEN Jan-Feb 1984 (v.5#1) pg. 46, 108

Weave a woman's jacket with long sleeves, a stand up collar and button front from odds and ends of handspun yarn.
HANDWOVEN Jan-Feb 1984 (v.5#1) pg. 74

A woman's handspun, handwoven cocoon jacket.
HANDWOVEN Mar-Apr 1984 (v.5#2) pg. 88

Woman's jacket woven in Atwater-Bronson lace stripes.
HANDWOVEN May-Jun 1984 (v.5#3) pg. 58, 104

Woman's cotton jacket with vertical stripes.
HANDWOVEN May-Jun 1984 (v.5#3) pg. 61, 106

Woman's "snakeskin" jacket has zebra-like markings. Woven on an undulating twill threading. Knitted trim finishes the jacket and adds accents to the full set in sleeves.
HANDWOVEN Sep-Oct 1984 (v.5#4) pg. 54, 96

Autumn Pleasures bog jacket. Woven in a modified twill, the jacket buttons at the waist with two buttons, has a V-neck and dolman sleeves.
HANDWOVEN Sep-Oct 1984 (v.5#4) pg. 76, 109

Womans bulky Fall jacket woven in plain weave with warp stripes.
HANDWOVEN Nov-Dec 1984 (v.5#5) pg. 69, I-12

Weave a woman's long-sleeve jacket in plain weave on a two or four shaft loom using novelty yarn.
HANDWOVEN Jan-Feb 1985 (v.6#1) pg. 31, I-5

Weave a woman's long-sleeve sweater jacket with warp and weft stripes in a huckaback weave on an eight shaft loom.
HANDWOVEN Jan-Feb 1985 (v.6#1) pg. 40, I-12

Weave a woman's short-sleeve sweater in twill and a matching jacket in plain weave with overshot on an eight shaft loom. Features a "sand dunes and dune grass" overshot flamepoint pattern.
HANDWOVEN Mar-Apr 1985 (v.6#2) pg. 57, I-14

Weave a woman's plaid jacket in plain weave with windowpane check on a four shaft loom.
HANDWOVEN Sep-Oct 1985 (v.6#4) pg. 60, I-10

Woman's "Sheep Jacket" is woven in four-harness plain weave with inlays to create loopy sheep grazing in a meadow of wildflowers. Pattern furnished is for a woman's size 10. Jacket has a zippered front and knitted neckband. Finished width of the fabric is 23".
HANDWOVEN Mar-Apr 1986 (v.7#2) pg. 70, I-13

Weaving with space-dyed yarns. Ikat effect in a woman's "Adobe Jacket" is achieved by manipulating space-dyed yarn while making the warp. Warp is 22" wide for this plain-weave fabric. Includes cutting layout and instructions for sewing the jacket in a women's small size.
HANDWOVEN May-Jun 1986 (v.7#3) pg. 49, I-11

Designing handwoven garments. Tips are excerpted from "Designing to Weave and Sew" by Handwoven Designer Patterns. Instructions are included for weaving the fabric for five projects. Patterns for each must be ordered from Handwoven Designer Patterns. (1) A woman's jacket in plain weave fabric with twill stripes and inlaid V-motifs. (2) Woman's blouse with a square neckline, drop shoulders and elbow-length sleeves is sewn from fabric woven in spot Bronson with a silk warp and textured cotton warp. (3) Woman's tube dress with a boat neckline and long sleeves is made from a silk fabric woven in shadow weave on an undulating twill threading. (4) Fabric for a woman's dress-length ruana is woven in Dornick twill. (5) Dornick twill and basket weave fabric for a woman's skirt.
HANDWOVEN Nov-Dec 1986 (v.7#5) pg. 41, I-3, I-4, I-8
Correction HANDWOVEN Jan-Feb 1987 (v.8#1) pg. I-16

"Sahara Jacket" for a woman is reminiscent of Bedouin garments of Africa. The shoulders are accented by deep folds. The fabric is woven in striped plain weave.
HANDWOVEN Mar-Apr 1987 (v.8#2) pg. 56, I-11

Woman's jacket, woven in two four-shaft twills has point-twill pattern strips down the front and around the sleeves. This fabric requires eight shafts. The draft for a similar fabric which can be woven on four shafts is also included.
HANDWOVEN May-Jun 1987 (v.8#3) pg. 56, I-9

Woman's jacket is made from "Vadmal," a handwoven twill wool that is fulled in a washing machine so that it shrinks nearly 50 percent. Long-sleeved jacket without closures in the front is edged with handwoven twill tape.
HANDWOVEN Sep-Oct 1987 (v.8#4) pg. 44, I-7

Woman's jacket, made using a commercial pattern, is sewn from handwoven 3/1 twill and edged with knit trim. The front placket is embellished with cross-stitch.
HANDWOVEN Sep-Oct 1987 (v.8#4) pg. 46, I-7

Woman's plaid jacket with over-the-shoulder flanges and a tuck at each wrist. Article describes how to weave the fabric and lay out the pieces for a commercial jacket pattern.
HANDWOVEN Jan-Feb 1988 (v.9#1) pg. 56, I-7

Woman's twill-striped jacket with stand-up collar and three-quarter-length sleeves. Article describes how to weave the fabric and lay out the pieces for a commercial jacket pattern.
HANDWOVEN Jan-Feb 1988 (v.9#1) pg. 60, I-8

Woman's jacket with drop-shoulders, a stand-up collar, large patch pockets and long, cuffed sleeves. Design is inspired by a Peruvian pullover shirt. Fabric is woven in plain weave using yarn that gives it a homespun look.
HANDWOVEN Sep-Oct 1988 (v.9#4) pg. 65, 102

Draft blending to combine weave patterns or structures. An explanation of how a weaver combined an undulating twill and a diamond motif. The resulting 13-shaft fabric is woven for a woman's jacket with elbow-length sleeves and a deep V-neck. Instructions describe how to weave the fabric and gives the layout of pieces for a commercial pattern.
HANDWOVEN Sep-Oct 1988 (v.9#4) pg. 83, 105

Fabric for a woman's bomber-style jacket is woven in crackle and overshot. A commercial pattern was used for the jacket, but the article does describe how to consider the shape of a garment when selecting an appropriate weave structure and yarns.
HANDWOVEN Nov-Dec 1988 (v.9#5) pg. 50, 80

Designing surface-interest fabrics. Includes instructions for a woman's jacket and matching hat in a plain-weave fabric with layered spots of angora.
HANDWOVEN Jan-Feb 1989 (v.10#1) pg. 67, 83

Woman's tailored linen jacket has a deep V-neckline and one button at the waist opening. Fabric is woven in a huck weave variation called "turned M's and O's". Matching plain weave is used for facings, hems, button covering and bias covering of cording used as piping around all edges. Commercial pattern is used for the jacket.
HANDWOVEN Mar-Apr 1989 (v.10#2) pg. 47, 82

Jacket-length cocoon wrap in plain-weave fabric.
HANDWOVEN May-Jun 1989 (v.10#3) pg. 56, 84

Woman's jacket made from plain weave handwoven fabric has knitted cuffs butt-jointed steams covered with knitted bias braid. No pattern for the jacket is finished, only threading and treadling for the fabric and finishing techniques.
HANDWOVEN May-Jun 1989 (v.10#3) pg. 107

Woman's Mardi Gras evening jacket is handwoven in black wool and features an inlay of multicolored silk threads that create a collar effect. Jacket is sewn from a commercial pattern.
HANDWOVEN Jan-Feb 1990 (v.11#1) pg. 40, 75

Woman's wool and mohair jacket in 8-shaft twill blocks. Jacket is sewn using a commercial pattern.
HANDWOVEN Jan-Feb 1990 (v.11#1) pg. 48, 80

Bauhaus-inspired woman's jacket is woven in double-weave with pick-up to create geometric abstractions on jacket's front, shoulder and one lower sleeve.
HANDWOVEN May-Jun 1990 (v.11#3) pg. 64, 92
Correction HANDWOVEN Sep-Oct 1990 (v.11#4) pg. 75

Woman's jacket, sewn using a commercial pattern, is made from 4-shaft handwoven plaid fabric with color-and-weave twill background and basket weave stripes.
HANDWOVEN Sep-Oct 1990 (v.11#4) pg. 46, 77

Woman's jacket is made from felted fabric woven in rosepath pattern. Jacket has knitted ribbing for collar, front placket, bottom band and cuffs, and crocheted trim made from matching yarn. It has dolman sleeves, deep pockets in the side seams and a generous cut, but is snug at the hips.
HANDWOVEN Jan-Feb 1991 (v.12#1) pg. 47, 70

Loose-fitting woman's sweater-weight jacket is made from fabric handwoven with distorted warp and weft.
HANDWOVEN Jan-Feb 1991 (v.12#1) pg. 50, 74

Kumihimo coat. A Japanese-inspired jacket trimmed with bright inlays and kumihimo braid. The cloth is woven in a six-shaft version of a texture weave. Optional 4-shaft version in plain weave furnished. Rectangular panels of inlay trim the front plackets.
HANDWOVEN May-Jun 1991 (v.12#3) pg. 56, 84

Woman's kimono-style jacket with tapered sleeve and crocheted seams is made from 7" wide strips of plain weave. Fabric strips are edged and jointed with single crocket.
HANDWOVEN May-Jun 1991 (v.12#3) pg. 65, 93

Third-Time-Around woman's jacket is made from log cabin plain-weave fabric. Rags from old shirts are used for the weft. Collar, cuffs and waist band are knitted.
HANDWOVEN Sep-Oct 1991 (v.12#4) pg. 46, 88

Kimono jacket for a woman has kangaroo pockets and is made from plain-weave fabric with brightly colored stripes.
HANDWOVEN Nov-Dec 1991 (v.12#5) pg. 42, 85

Quilted double-weave woman's jacket woven on four shafts. Layers of blue and white are alternated in stripes for front plackets and collar. Sleeves and body have solid areas with pick-up quilting.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 54, 87

Double-weave woman's parka with hood, zipper front, four front pockets and a drawstring around the waist. Windowpane checks, stripes and dots are woven on a single eight-shaft double-weave threading.
HANDWOVEN May-Jun 1992 (v.13#3) pg. 57, 88

Woman's jacket with patch pockets and a tuxedo collar is woven using bias-cut denim rag strips, alternating with shots of cotton yarn, for weft.
HANDWOVEN Sep-Oct 1992 (v.13#4) pg. 67, 85

Woman's poppana jacket is made from plain weave fabric. Poppana used as weft creates random stripes in a variety of related colors.
HANDWOVEN Mar-Apr 1993 (v.14#2) pg. 47, 81

Woman's double-weave reversible jacket woven on eight shafts is quilted at intervals. Accent stripes on the bottom layer appear as dashed lines on the upper layer.
HANDWOVEN May-Jun 1993 (v.14#3) pg. 42, 78

Woman's jacket is made from handwoven plain-weave fabric in which warp-dominant stripes in rainbow colors create the front and back panels. Purchased cotton broadcloth is used for the sleeves, collar band and triangular button tabs.
HANDWOVEN May-Jun 1993 (v.14#3) pg. 53, 83

Woman's EZ jacket (sewn using a Vogue Ultra EZ garments commercial pattern.) Fabric for the jacket is woven in a four-shaft summer & winter treadling with a two-block pattern on the right front and pocket.
HANDWOVEN Sep-Oct 1993 (v.14#4) pg. 51, 85

Turned overshot jacket, inspired by a knitted Icelandic sweater, has areas of pattern weave in wide and narrow stripes. This six-shaft fabric's pattern stripes are threaded in a supplementary warp.
HANDWOVEN Sep-Oct 1993 (v.14#4) pg. 52, 86

Woman's striped jacket combines plain weave and simple design. Armhole and side-seam selvedges are joined by hand. A separately woven band with corded edge finishes the edges.
HANDWOVEN Sep-Oct 1993 (v.14#4) pg. 53, 88

Three-season outfit. Woman's lined jacket with button front and slit pockets is woven in a four-shaft miniature overshot threading with treadling variations to form the patterns. Coordinating slacks are treadled in twill and the pullover blouse has a front panel treadled in a skip twill.
HANDWOVEN Sep-Oct 1993 (v.14#4) pg. 54, 89

Autumn Leaves woman's reversible jacket. A cascade of leaves is worked in double-weave over one shoulder and down the back of the long-sleeved jacket with mandarin collar. Background fabric on one side is striped, and plain on the other.
HANDWOVEN Nov-Dec 1993 (v.14#5) pg. 43, 81

Angora cocoon (woman's wrap) is woven in a six-shaft irregular satin-weave. Satin edge bands and lining, and a trim of braided cords and faux pearls accent the soft angora.
HANDWOVEN Nov-Dec 1993 (v.14#5) pg. 48, 84

"Hint of Spring" woman's jacket is woven in waffle weave with plain weave facing for the collar and lapels. Includes instructions for space-dyeing the yarn and for layout of commercial pattern pieces on the handwoven fabric.
HANDWOVEN Mar-Apr 1994 (v.15#2) pg. 60, 86

"Shimmering Waters" woman's jacket is woven in eight-shaft crackle.
HANDWOVEN Sep-Oct 1994 (v.15#4) pg. 38, 86

Woman's collarless chenille jacket features full sleeves with pleated cuffs. It is woven in plain weave with basket weave floats of novelty yarn that create vertical stripes.
HANDWOVEN Sep-Oct 1994 (v.15#4) pg. 70, 96

Woman's classic tailored jacket is woven in four-shaft waffle weave and edged with cording.
HANDWOVEN Jan-Feb 1995 (v.16#1) pg. 49, 84

Designing easy patterns to fit any body. Explains how to make key measurements, how to make a pattern and a muslin trial garment. Includes specifics on making a simple jacket that fits and flatters any figure, using fabric woven in a lace-weave variation.
HANDWOVEN Mar-Apr 1995 (v.16#2) pg. 37, 95

"Aegean Sunset" hooded jacket is sewn from warp-dominant plain weave using six colors for stripes. Inkle-woven bands decorate each side of the front zipper. A wide box pleat at each hip forms a pocket.
HANDWOVEN Jan-Feb 1996 (v.17#1) pg. 58, 88

"Cocoon on a Tilt" shoulder wrap. Rectangle of plain weave fabric is folded and has a offset neck opening.
HANDWOVEN Mar-Apr 1996 (v.17#2) pg. 43, 81

Rose ensemble. Woman's softly bloused jacket has a deep V-neck and four-button closure at the waist. Fabric is woven in Brighton honeycomb. Special ribbing technique is used for the waist and cuffs. Complimentary skirt fabric is woven in a color-and-weave-effect point twill.
HANDWOVEN Mar-Apr 1996 (v.17#2) pg. 44, 84

Amethyst ensemble fabrics in complementary stripes and plaids are used for a totally handwoven outfit of a jacket, skirt and skirt. Plain-weave jacket in a large plaid has drop shoulders, cuffed sleeves and a V-neckline. Plain-weave skirt is woven in a color-and-weave-effect stripe, with colors switched periodically to create color blocks. The lacy shell blouse with cowl neckline and cuffed short sleeves is woven in a lace Bronson.
HANDWOVEN May-Jun 1996 (v.17#3) pg. 44, 86

Fulled and embroidered jacket with shawl collar is woven in plain weave and twill. Embroidered motif is added at the cuffs.
HANDWOVEN Jan-Feb 1997 (v.18#1) pg. 33, 77

Garden Wall jacket is handwoven in English tabby using space-dyed weft on a painted warp. It is embellished with cascades of ribbon flowers, silk embroidery and braids.
HANDWOVEN Jan-Feb 1997 (v.18#1) pg. 40, 75

Cashmere jacket with Celtic knot. Jacket has a dolman sleeve and draped collar and front placket. It is sewn from handwoven fabric of cashmere weft on a silk warp. Collar, cuffs and pocket welt are bound in UltraLeather, which is also used for a large applique of a Celtic knot on one shoulder.
HANDWOVEN Jan-Feb 1997 (v.18#1) pg. 42, 79

Hip-banded rag jacket is sewn from three complementary fabrics woven with cloth strips in different treadlings. Plain weave has alternating blocks of cloth-strip weft woven in 1/3 twill for the body. Collar, cuffs and front placket are in plain weave.
HANDWOVEN May-Jun 1997 (v.18#3) pg. 40, 78

Woman's Big Jacket with raglan sleeves, a mandarin collar and zipper closure. Polyester fleece, cut into strips, is used for weft in this plain-weave rag-strip fabric that is used for the front and back panels of the jacket. Commercial fabric is used for the remainder of the jacket.
HANDWOVEN Jan-Feb 1998 (v.19#1) pg. 34, 74

Woven jacket with a wrap front is made from strip-woven black polyester fleece in two densities, heavier for the body and lighter for the sleeves. Four bright colors in the warp are accented by the black fleece weft in the plain-weave fabric. Edges are bound with strips of polyester fleece.
HANDWOVEN Jan-Feb 1998 (v.19#1) pg. 36, 75

Lilac Mist woman's loose-fitting jacket is woven on eight shafts in a shadow weave variation. Three colors are rotated in both warp and weft to create an iridescent effect.
HANDWOVEN Sep-Oct 1998 (v.19#4) pg. 37, 72

Silk kimono-style woman's jacket is woven in four-shaft plain weave. The color-and-weave effect is created by alternating two blue threads with one gold thread in both warp and weft.
HANDWOVEN Sep-Oct 1998 (v.19#4) pg. 43, 71

Woman's jacket is made from 4" squares woven on a hand loom and then sewn together. Cuffs and waist squares are padded.
LADIES HOME JOURNAL NEEDLE & CRAFT Fall-Winter 1979 (v.10#1) pg. 59, 102

Woven bog jacket. To be woven on a 40" 4-harness loom.
NEEDLECRAFT FOR TODAY Sep-Oct 1979 (v.2#5) pg. 12, 43

Woman's woven "Aran Knit" jacket with knotted fringe collar trim.
SHUTTLE, SPINDLE & DYEPOT #54 Spring 1983 (v.14#2) pg. 48

Weave and felt a woman's long-sleeve hip length jacket. Size 10-12.
SHUTTLE, SPINDLE & DYEPOT #58 Spring 1984 (v.15#2) pg. 10

Woman's long-sleeve reversible double-faced twill jacket.
SHUTTLE, SPINDLE & DYEPOT #59 Summer 1984 (v.15#3) pg. 62

Weave a woman's hooded, 3/4-sleeve "bog jacket" on a four harness loom, in a summmer-and-winter stripe pattern.
SHUTTLE, SPINDLE & DYEPOT #65 Winter 1985 (v.17#1) pg. 26
Added Info SHUTTLE, SPINDLE & DYEPOT #69 Winter 1986 (v.18#1) pg. 60

Woman's jacket is made from felted handspun fabric woven in a broken twill. A commercial pattern is used. Companion reversible vest, handwoven in fine cotton, is lined with milkweed down. Instructions for gathering and harvesting the down from milkweed pods are included.
SHUTTLE, SPINDLE & DYEPOT #68 Fall 1986 (v.17#4) pg. 24

Cocoon jackets. (1) Woven in plain weave using chenille weft. (2) Woven on Rosepath threading with straight twill treadling and has grosgrain ribbon accents in the weft.
SHUTTLE, SPINDLE & DYEPOT #80 Fall 1989 (v.20#4) pg. 24

Weaving and tailoring handspun yardage. Includes plans for a yarn blocker and a pattern for a blouson jacket.
SPIN-OFF 1978 (v.2) pg. 48

Boucle jacket made from handspun mohair/wool blend.
SPIN-OFF Fall 1983 (v.7#3) pg. 59

Handspun plain weave women's jacket with a border of mohair loop.
SPIN-OFF Winter 1983 (v.7#4) pg. 48

Weave a handspun long-sleeve woman's jacket in a twill pattern fabric trimmed with ultrasuede.
SPIN-OFF Spring 1985 (v.9#1) pg. 28

Project ideas for using odds and ends of yarn. Includes instructions for woven plaid woman's jacket.
SPIN-OFF Spring 1988 (v.12#1) pg. 27

A jacket that didn't quite work. A look at a handwoven jacket, made from handspun wool, that droops under its own weight. An evaluation of the problems and suggestions on how to correct them and avoid them in the future.
SPIN-OFF Winter 1988 (v.12#4) pg. 18

Handspun, handwoven woman's cocoon jacket is fabricated from a rectangle of plain weave fabric.
SPIN-OFF Winter 1990 (v.14#4) pg. 36, 40

Log-cabin jacket. Fabric is woven from a combination of handspun and commercially spun yarns. Spinning and weaving instructions included. A commercial sewing pattern is required.
SPIN-OFF Fall 1991 (v.15#3) pg. 95

Twice-woven bolero. Colorful narrow inkle-woven bands are interlaced in a plain weave.
WEAVER'S JOURNAL #15 Jan 1980 (v.4#3) pg. 24

Woman's ethnic inspired jacket is woven on a pointed twill (rosepath) threading. Border designs are woven with colored weft.
WEAVER'S JOURNAL #16 Apr 1980 (v.4#4) pg. 43

Handwoven cardigan jacket. Includes pattern instruction for fabric 20 inches wide.
WEAVER'S JOURNAL #19 Winter 1981 (v.5#3) pg. 10

Pattern for cocoon wrap jacket. Includes suggestions for eight different fabrics to handweave.
WEAVER'S JOURNAL #19 Winter 1981 (v.5#3) pg. 18

Woman's jacket inspired by West African narrow strip weaving is woven in double weave to create the checkerboard appearance and illusion of narrow strips sewn together. Warp width is 30".
WEAVER'S JOURNAL #19 Winter 1981 (v.5#3) pg. 31

Three color progressions and their use in sweater jackets. Includes instructions for weaving, fulling and assembling a black and white sweater jacket.
WEAVER'S JOURNAL #20 Spring 1981 (v.5#4) pg. 38

Free and casual look wool jacket is woven with bands of overshot patterning. Designed to be woven on a small 4-harness loom. Jacket has a hood and zipper front.
WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 8

Textured woman's jacket is handwoven with a boucle pattern weft. Yolk is lambskin. Sleeves are elbow length and front closure is three buttons at the yolk.
WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 15

Woman's double woven reversible jacket. Includes weaving instructions. Commercial pattern is used to sew the jacket.
WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 16

Raglan-sleeved woman's jacket is handwoven with fabric strips and novelty yarns as weft to produce textured stripes.
WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 31

Woman's cardigan jacket with patch pockets is handwoven using handspun wool for the pattern weft. Uses commercial pattern.
WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 35

Woman's hooded folkloric jacket has accent stripes in Rosepath pattern. Requires commercial pattern.
WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 37

Reversible Matelasse woman's jacket.
WEAVER'S JOURNAL #25 Summer 1982 (v.7#1) pg. 41

Woman's woven cotten jacket with pleated back.
WEAVER'S JOURNAL #27 Winter 1982-83 (v.7#3) pg. 68

Woman's Moroccan cocoon with a wide collar that can form a hood.
WEAVER'S JOURNAL #31 Winter 1983-84 (v.8#3) pg. 10

A basic pattern for a woman's jacket. Suggested as appropriate for a beginner at sewing clothing from handwoven fabric.
WEAVER'S JOURNAL #31 Winter 1983-84 (v.8#3) pg. 14

Tailored woman's jacket with buttoned front and patch pockets.
WEAVER'S JOURNAL #31 Winter 1983-84 (v.8#3) pg. 16

Woman's Scandia jacket has raglan sleeves and a Scandinavian-patterned yoke.
WEAVER'S JOURNAL #31 Winter 1983-84 (v.8#3) pg. 42

Woman's turned Summer and Winter weave jacket with a hood. Binding on all edges is knitted.
WEAVER'S JOURNAL #31 Winter 1983-84 (v.8#3) pg. 58

Woman's handwoven plaid hiking jacket with a hood, zippered front and slit pockets.
WEAVER'S JOURNAL #31 Winter 1983-84 (v.8#3) pg. 69

A woman's felted jacket in a five shaft satin weave.
WEAVER'S JOURNAL #33 Summer 1984 (v.9#1) pg. 49

Wrist-to-wrist garment is created by two lengths of fabric, the main piece that forms sleeves and yolk and another for the body. How to determine length and fit, plus suggestions for finishing cuffs, neck, and front.
WEAVER'S JOURNAL #35 Winter 1985 (v.9#3) pg. 19

Ribbon wefts. How to weave the fabric for a ribbon jacket and coordinating skirt in an eight-harness twill. Jacket is a modified commercial pattern. Skirt is made from from three rectangular panels.
WEAVER'S JOURNAL #39 Winter 1986 (v.10#3) pg. 40

Woman's loom-shaped jacket in cannele weave, a 4-shaft surface texture float weave done in chemille and perle cotton.
WEAVER'S JOURNAL #39 Winter 1986 (v.10#3) pg. 59