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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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SHAWL -- WOVEN xx CLOTHING -- WOVEN xx SHAWL An assortment of weaving projects for beginners includes a fringed white wool shawl. A tote bag, two shawls, and a pillow that can be woven on a rigid heddle table-top loom. Tweed sweep is woven in a broken twill using Dornik threading. Warp width is 33". Woven mohair shawl and matching gathered skirt. V-shaped shawl is woven in plain weave. Warp from one side is used as the weft for the back of a second side, thus eliminating seams. Rectangular cotton shawl, 30"x78", is woven in three lengths that are joined. The seam is embellished with a herringbone stitch. A ruana to finger-weave without a loom. Striped shawls to weave on a rigid heddle loom using loopy, variegated yarns. Long wrap skirt and matching stole are woven with traditional overshot borders. Requires a 36" wide 4-harness loom. Soft wool stole to weave on a rigid heddle loom. Warp painting with Inko dyes. Includes instructions for a rectangular shawl with floral designs. Large woven textured shawl. Elegant shawl woven in soft wools in a Saxon-Transylvania pattern using half-satin technique on a rigid heddle loom. South American ruana to weave in stripes. How to make a color wheel and weave a color blanket/shawl. Handwoven silk and wool shawl to weave using rigid heddle or four harness loom. How to produce handspun variegated yarns that simulate ikat when woven. Includes instructions for spinning and weaving a lap robe and a vest, a shrug and a bog jacket. Three approaches to finishing wool. Includes instructions for weaving and finishing fabric for a plaid shawl, a woman's cord-trimmed twill jacket and two rainbow shawls. A handwoven stole is based on a Colonial shawl pattern. Requires an 8-harness loom. White shawl is woven white-on-white using an old coverlet threading in an overshot, Maple Leaf pattern. Easy-to-weave cotton coverup combines the lines of a shawl and poncho in a variety of novelty yarns. How to sew a simple skirt and matching shawl from handwoven fabric. How to weave a plaid triangular shawl on a simple frame loom. How to weave a right-angle stole on a loom. A spring bouquet of shawls. Three shawls that are varied by using different overshot borders and different colors of dye. Includes dying procedure using Cushing dyes. Ikat techniques are used to produce a shawl or ruana, and matching skirt. Includes instructions on Ikat. Jaspe shawl features inserted stripes of yarn in the warp that twist two yarns of different colors together. These twists form a chevron design. Degas-inspired shawl. Weave cotton shawls, sashes, and scarves all in plain weave on a two or four shaft loom. Two articles. Weave a woman's shawl in plain weave with "tracking" on a two or four shaft loom. Tracking is the change in the surface and apparent structure that takes place during wet finishing. Weave a woman's oversized plaid shawl in plain weave with skipped dents on a four or two shaft loom. Two "Keep It Simple" shawls. (1) "Nubby and Nice" is woven in huck lace. (2) "White on White" is woven in alternating stripes of plain weave and Bronson lace. Designing handwoven garments. Tips are excerpted from "Designing to Weave and Sew" by Handwoven Designer Patterns. Instructions are included for weaving the fabric for five projects. Patterns for each must be ordered from Handwoven Designer Patterns. (1) A woman's jacket in plain weave fabric with twill stripes and inlaid V-motifs. (2) Woman's blouse with a square neckline, drop shoulders and elbow-length sleeves is sewn from fabric woven in spot Bronson with a silk warp and textured cotton warp. (3) Woman's tube dress with a boat neckline and long sleeves is made from a silk fabric woven in shadow weave on an undulating twill threading. (4) Fabric for a woman's dress-length ruana is woven in Dornick twill. (5) Dornick twill and basket weave fabric for a woman's skirt. Cocoon shawl is woven in a lacy block pattern. Sleeves are cuffed for a polished finish. Black and white plaid shawl, in plain weave, features a reversal of colors at the halfway point to produce a design that's predominately white on one end and black on the other. Four-season stole, 21"x82", in plain weave with seven-row knotted fringe. A ruana that is easy to weave and assemble, a good project for beginning weavers. A look at experiments with nontraditional color arrangements to give block weaves both color and texture effects. Includes instructions for a stole and pillow in crackle weave. Summer-and-winter weave stole is woven using a nontraditional treadling and a variation in weft shots. Woman's ruana-style "car coat" is made from handwoven fabric woven in a huck variation. A complimentary neckscarf is woven on the same warp, with a change in the color order of the weft. An easy project that weaves up quickly. "Forest" chenille shawl in plain weave, is constructed of narrow strips that are laced together, selvedge to selvedge, into panels. Two panels, 21"x64" and 21"x44", are sewn together at right angles. Est. cost: $12. "Black lace" shawl, 25"x80", is woven in undulating twill. Warp stripes in black, lavender, tan, plum, rust and brown are given movement with the wavy pattern created by black weft. One face of the fabric has more black, the other has more color. Striped shawl, 26"x65", is woven in a two-block double-faced twill on a painted warp. Silk lace shawl. More than ten treadles are needed for this 16-shed fabric that features a dimond motif. Batwing stole in plain weave is a cross between a shawl and a cocoon. Square shawl, woven in an M's and O's pattern, is fringed on all four sides. Undulating twill, an analysis of the structure and factors that will make the slope of the twill line flatter or steeper. Includes drafts for two eight-shaft undulating twill fabrics. The first has a herringbone effect; the second has ovals. Also includes instructions for an undulating-twill shawl and a scarf with undulating twill and spaced warp. Textured plain weave stole (28"x112") is woven from brushed wool and mohair and has a 4" fringe on each end. Black, White and Red Shawl (29"x73"), inspired by a 1957 Danish textile pattern, is handwoven in plain weave. Three shawls are woven in log cabin plain weave and combine different weights and colors of yarns in both warp and weft to create complicated-looking color interactions on just two shafts. Summer stole with stripes on each side is woven on four shafts. Basket-weave stripes set off the plain-weave background. Shawl with sparkle is woven in eight-shaft huck lace and plain weave. Metallic novelty yarn forms a windowpane check on a fine wool ground. Huck lace diamonds fill some of the panes. Luscious chenille shawl (24"x 60") is woven in plain weave and designed around space-dyed rayon chenille to create an ikat effect. Tricolor chenille shawl (24"x78") in plain weave uses single ends of variegated ribbon novelty yarn and a few ends of black chenille to accent the transition between the three panels of color. White scarf dress and mobius-strip shawl are woven on one warp. Dress is woven in one piece with a vertical slit neckline. Supplementary warp is positioned on the dress fabric to resemble a shawl thrown over the shoulder. The shawl is woven on the same warp, using a novelty boucle in alternative weft picks. Textured rayon cocoon is woven in hand-painted, textured rayon yarn. Made from a rectangle, it features long fringe around the edges and across the shoulders at the back. Homage to Erte shawl (18"x82") is woven in a six-shaft twill variation and has long, elaborate fringe finishes on each end. A color-and-weave-effect plaid shawl (27"x67") is woven in log cabin on four shafts. Twentieth Anniversary Shawl woven in Ms and Os on four shafts. Instructions for weaving a 50" wide, 108" long mantle. Woven stole in brushed wool is 82" long, plus fringe. Two elegant shawls to weave from hand-dyed yarns. Includes dyeing instructions. Two stoles woven in damask using soft wool. One features an hourglass motif, the other a medallion design. Square shawl with irregular checks and fringe on four edges is woven in two-block "drall" weave using 10 shafts. Weave a shawl from mohair and silk in a Bronson lace pattern. Measures 22"x70", including the fringe. How to weave a V-shaped shawl without a seam. Warp only needs to be 21" to 25" wide. "Groom's mother" handwoven dress. Commercial pattern is used to make the dress. Instructions are included for a matching ruana-headdress decorated with rya-knotted fringe. Details furnished for weaving the dress fabric. Sheep-to-shawl competitions. How to prepare a team for participation. Covers team signs and banners, shearing, fleece choice, fiber preparation, spinning and weaving techniques, and shawl design. The weaving of Kashmir shawls. Characteristics of tapestry-woven shawls explained. Details of designing and weaving a sample. An introduction to four-shaft double weave. Basic instructions, tie-up, four basic forms of cloth and a discussion of warp color choices. Two sample projects are included, a ruana and a tubular pillow. Twill-woven shawl with border-inset band is woven with 2-ply handspun yarn. Cocoon evening wrap is handspun and handwoven. Complete instructions and pattern included. Handwoven afghan or great shawl woven from handspun mohair. Tips on handspinning and weaving a silk shawl on an eight harness loom. Five articles on sheep-to-shawl contests. Tip for preparing and competing. Different types of contests and requirements assessed. Planning a V-shaped shawl for a sheep-to-shawl contest. Angora and silk shawl (18"x67") woven in twill weave. The warp has alternating ends of silk yarn and angora yarn. Angora yarn singles are used for the weft. The design potential of Jacob fleece which produces white, black and gray fiber on a single animal. Projects using handspun Jacob fleece include (1) Shawl of Many Colors woven in eight-shaft twill, (2) Small Pocket for Dreams worked in nalbinded technique, (3) a crocheted shawl worked in scalloped pattern rows, (4) a felted vest with petroglyph motifs, and (5) fan-shaped accents to knit and applique on a sweater. Large rectangular shawl, 28"x85", woven in an 8-harness Goose-Foot pattern. Ruana woven in point twill was designed to utilize mill ends. Handwoven stole with attached hood. Textured weaving for fabrics to be fashioned into garments. Includes instructions for a jacket, a cocoon, and a bateau. Handwoven plaid shawl. Lace shawl is woven from textured cotton yarns in doup leno. Two styles of half shawls. The larger is made from a 72" length of fabric; the smaller from a 38" length. Both sizes are woven so the fringed diagonal edge divides the weaving. Two collar treatments are suggested, a knitted turtleneck and a fringed collar that replicates the shawl. Weaving a triangular shawl with handpun yarn. Requires a reed of at least 40" and a loom with a depth of at least 45" from breast beam to warp beam. Warp ends are cut, one at a time, and used as weft. | |||||||||
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