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Last Updated
03/31/2019
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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
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PHOTOGRAPHIC PRINT MAKING -- BURNING & DODGING x BURNING (PHOTOGRAPHIC) x DODGING (PHOTOGRAPHIC) xx PHOTOGRAPHIC PRINT MAKING Dodge and burn. Image processing on the edge. How a little darkroom craftsmanship can release the great images hidden in your astro negatives. Includes tips on making simple dodging tools. Applying dodging and burning-in to improve on the "basic exposure time" print. Subtle salvage. The art of burning and dodging b&w prints. David Vestal's Book of Craft. Chapter 14. Print control: burn and dodge. How and why to burn and dodge prints to improve the final image. Controlling local print density with the Beseler/Minolta 45A enlarging light source. Using hairline burning-in technique to salvage a badly overexposed area of a color negative. Dye dodging. Local control that's precise and easy. Using liquid dyes to control the density and local contrast in black-and-white printing. Liquid dye is applied to a clear sheet of film atop your image negative. Tip: A paper funnel fits over your enlarger lens and is pointed toward the print area requiring extra exposure (burn-in). How and why to dodge and burn. Basic tips including making your own dodging tools. Tip: Make dodging tools with clear plastic handles to eliminate shadows. Tip: Make a neutral density filter to slow down rapid enlarging papers for dodging. Dodging and burning color prints. Tips from a professional lab. Dodging and burning-in : one secret to printing success. Tip: Use a hemostat or forcep as a dodging tool. Tip: A pair of L-shaped pieces of cardboard are useful when burning-in b&w prints. Tip: Convert a flashlight into a burning-in tool by covering the end with a funnel of black paper to direct the light into a small beam. Tip: Make dodging tools using replacement bicycle wheel spokes as the handles. How to burn in and eliminate a busy background in a photographic print. Requires the use of a paper mask to protect the central object in the photograph. Handsome and versatile burning-in board is made from dark red acrylic. It features a sliding template with preformed circles and squares of various sizes which are easily positioned underneath the lens. Strategies for printing. Part 3. Controls in black-and-white printing including conventional dodging and burning methods. Using graded filters to do major dodging and burning-in during film exposure using a process called "differential exposure". Tip on using neutral density filter material to lengthen enlarging times to allow for dodging and burning. Master printing. Lesson 3. Advanced printing controls: Dodging and burning. The art of dodging. Tips on printing negatives that were taken with direct flash. Involves the use of dodging, burning-in and bleaching. Tips on using your hands as dodging tools. Using dodging, burning in, and bleaching on the same print to overcome the effect of a negative with predominantly thin areas and/or a great range of tones. How to make an acceptable print from problem negatives using the three key techniques of dodging, burning-in and ferricyaniding. Simple dodging frame consists of a 16"x20" picture frame, painted black and fitted with glass top. This frame is held about 7" above a plywood base. Lay your paper easel on the plywood base, lay dodging cutouts on the glass over the easel, and jiggle the picture frame to soften the dodging. How to perform dodging, burning-in and contrast changing when making color prints from slides. Tip for keeping track of the times spent in dodging and burning so that a duplicate print can be made. Advanced dodging technique saves time and paper. Involved using a grease pencil to draw on a piece of glass above the areas you want to hold back during printing. Make moderately-sized graduated background prints in your darkroom by pre-exposing (fogging) using dodging techniques. Dodging tool. A glass plate between enlarger lens and easel can be moved up or down with opaque shapes on it to fine-tune your prints. Dodging and burning. How they affect the tones in a print from a good negative. A comprehensive look at an important tool in the repertoire of a proficient darkroom worker. Build the fantastic jiggle machine for precision dodging and burning. Features a glass plate above the paper frame which serves to suspend any variety of dodging or burning devices or masks. Allows multiple copies of involved prints to be made "semi-automatically". Basic darkroom. Contrast control when making enlargements. Tips on selecting correct paper, plus dodging and burning-in. Tip: Make dodging and burning-in masks from empty foil-lined chemical packages and thin wire. Successful burning and dodging. How to manipulate black-and-white prints to perfection. Dodge and burn many duplicate prints of the same negative by using an overlay of matte acetate. Use a red china marker on the plastic to "dodge" and mineral oil to "burn". How to utilize a B&W computer monitor (CRT) as the light source for a photographic enlarger. When combined with a computer graphics program, this CRT tube becomes a sophisticated light source capable of performing dodging and burning operations without the use of any other tools. Make a dodging tool by gluing a paper clip to a stiff wire, and inserting paper cutouts into paper clip. Tip: Use a red plastic funnel as a dodging tool. The Hattersley Class: The manipulated print. Pros and cons of dodging, burning, bleaching and other manipulations. The use of clear plastic handles on dodging tools eliminates the shadow cast by metal or wire handles. Basic print making. Dodging and burning-in. How to improve your basic printing controls: Dodging and burning in. Using a kneaded rubber eraser, which can be molded to any shape, to make dodging tools for specific needs. The Hattersley class for beginners. Dodging and burning. Tip: Make dodging tools from paper, tape and wire. The fine art of dodging and burning-in. Techniques of lighting and darkening selective parts of photographic prints. Tips on making wire dodging tools. How to dodge and burn-in when making color prints. Local Color. Use traditional black & white techniques (dodging and burning-in) for adjusting color relationships within a print. Multiple exposures with selective filtration and color correcting filters, combined with dodging and burning-in, can correct individual area values. Make an 11"x14" burn-in (dodging) card with interchangable patterns. Black-and-white darkroom primer. Part 1. (1) Dust control. (2) Burning and dodging. Creating the final print. Part 3. Accent with burning and dodging. Dodging and burning-in using Photoshop imaging software. | |||||||||
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