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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.


Dodge and burn. Image processing on the edge. How a little darkroom craftsmanship can release the great images hidden in your astro negatives. Includes tips on making simple dodging tools.
ASTRONOMY May 1991 (v.19#5) pg. 68

Applying dodging and burning-in to improve on the "basic exposure time" print.
CAMERA & DARKROOM Apr 1991 (v.13#4) pg. 8

Subtle salvage. The art of burning and dodging b&w prints.
CAMERA & DARKROOM Mar 1994 (v.16#3) pg. 50

David Vestal's Book of Craft. Chapter 14. Print control: burn and dodge. How and why to burn and dodge prints to improve the final image.
CAMERA 35 Sep-Oct 1973 (v.17#7) pg. 49

Controlling local print density with the Beseler/Minolta 45A enlarging light source. Using hairline burning-in technique to salvage a badly overexposed area of a color negative.

Dye dodging. Local control that's precise and easy. Using liquid dyes to control the density and local contrast in black-and-white printing. Liquid dye is applied to a clear sheet of film atop your image negative.

Tip: A paper funnel fits over your enlarger lens and is pointed toward the print area requiring extra exposure (burn-in).
DARKROOM PHOTOGRAPHY Mar-Apr 1979 (v.1#1) pg. 16

How and why to dodge and burn. Basic tips including making your own dodging tools.
DARKROOM PHOTOGRAPHY Jul-Aug 1979 (v.1#3) pg. 25

Tip: Make dodging tools with clear plastic handles to eliminate shadows.
DARKROOM PHOTOGRAPHY Nov 1979 (v.1#6) pg. 14

Tip: Make a neutral density filter to slow down rapid enlarging papers for dodging.
DARKROOM PHOTOGRAPHY Dec 1979 (v.1#7) pg. 12

Dodging and burning color prints. Tips from a professional lab.
DARKROOM PHOTOGRAPHY Dec 1979 (v.1#7) pg. 59

Dodging and burning-in : one secret to printing success.
DARKROOM PHOTOGRAPHY Sep 1980 (v.2#5) pg. 28

Tip: Use a hemostat or forcep as a dodging tool.
DARKROOM PHOTOGRAPHY Jan-Feb 1981 (v.3#1) pg. 12

Tip: A pair of L-shaped pieces of cardboard are useful when burning-in b&w prints.
DARKROOM PHOTOGRAPHY Jul-Aug 1981 (v.3#4) pg. 14

Tip: Convert a flashlight into a burning-in tool by covering the end with a funnel of black paper to direct the light into a small beam.
DARKROOM PHOTOGRAPHY Jul-Aug 1981 (v.3#4) pg. 15

Tip: Make dodging tools using replacement bicycle wheel spokes as the handles.
DARKROOM PHOTOGRAPHY Feb 1982 (v.4#2) pg. 12

How to burn in and eliminate a busy background in a photographic print. Requires the use of a paper mask to protect the central object in the photograph.
DARKROOM PHOTOGRAPHY Jan-Feb 1984 (v.6#1) pg. 84

Handsome and versatile burning-in board is made from dark red acrylic. It features a sliding template with preformed circles and squares of various sizes which are easily positioned underneath the lens.
DARKROOM PHOTOGRAPHY Jan-Feb 1986 (v.8#1) pg. 70

Strategies for printing. Part 3. Controls in black-and-white printing including conventional dodging and burning methods.
DARKROOM PHOTOGRAPHY Oct 1989 (v.11#10) pg. 10

Using graded filters to do major dodging and burning-in during film exposure using a process called "differential exposure".
DARKROOM PHOTOGRAPHY Oct 1989 (v.11#10) pg. 22

Tip on using neutral density filter material to lengthen enlarging times to allow for dodging and burning.
DARKROOM PHOTOGRAPHY Oct 1990 (v.12#10) pg. 17

Master printing. Lesson 3. Advanced printing controls: Dodging and burning.
DARKROOM TECHNIQUES Nov-Dec 1983 (v.4#6) pg. 33

The art of dodging.
INDUSTRIAL PHOTOGRAPHY Nov 1971 (v.20#11) pg. 8

Tips on printing negatives that were taken with direct flash. Involves the use of dodging, burning-in and bleaching.
INDUSTRIAL PHOTOGRAPHY Feb 1979 (v.28#2) pg. 14

Tips on using your hands as dodging tools.
MODERN PHOTOGRAPHY Jan 1968 (v.32#1) pg. 30

Using dodging, burning in, and bleaching on the same print to overcome the effect of a negative with predominantly thin areas and/or a great range of tones.
MODERN PHOTOGRAPHY Jan 1968 (v.32#1) pg. 81

How to make an acceptable print from problem negatives using the three key techniques of dodging, burning-in and ferricyaniding.
MODERN PHOTOGRAPHY Mar 1975 (v.39#3) pg. 108

Simple dodging frame consists of a 16"x20" picture frame, painted black and fitted with glass top. This frame is held about 7" above a plywood base. Lay your paper easel on the plywood base, lay dodging cutouts on the glass over the easel, and jiggle the picture frame to soften the dodging.
MODERN PHOTOGRAPHY Nov 1978 (v.42#11) pg. 133

How to perform dodging, burning-in and contrast changing when making color prints from slides.
MODERN PHOTOGRAPHY Apr 1979 (v.43#4) pg. 110

Tip for keeping track of the times spent in dodging and burning so that a duplicate print can be made.
MODERN PHOTOGRAPHY Jul 1980 (v.44#7) pg. 105

Advanced dodging technique saves time and paper. Involved using a grease pencil to draw on a piece of glass above the areas you want to hold back during printing.
MODERN PHOTOGRAPHY Jul 1986 (v.50#7) pg. 50

Make moderately-sized graduated background prints in your darkroom by pre-exposing (fogging) using dodging techniques.
MODERN PHOTOGRAPHY Mar 1988 (v.52#3) pg. 26

Dodging tool. A glass plate between enlarger lens and easel can be moved up or down with opaque shapes on it to fine-tune your prints.
MODERN PHOTOGRAPHY Nov 1988 (v.52#11) pg. 90

Dodging and burning. How they affect the tones in a print from a good negative. A comprehensive look at an important tool in the repertoire of a proficient darkroom worker.
PHOTO TECHNIQUES May-Jun 1999 (v.20#3) pg. 52

Build the fantastic jiggle machine for precision dodging and burning. Features a glass plate above the paper frame which serves to suspend any variety of dodging or burning devices or masks. Allows multiple copies of involved prints to be made "semi-automatically".
PHOTOGRAPHIC Jan 1978 (v.6#9) pg. 35

Basic darkroom. Contrast control when making enlargements. Tips on selecting correct paper, plus dodging and burning-in.
PHOTOGRAPHIC Jul 1980 (v.9#3) pg. 73

Tip: Make dodging and burning-in masks from empty foil-lined chemical packages and thin wire.
PHOTOGRAPHIC Mar 1983 (v.11#11) pg. 33

Successful burning and dodging. How to manipulate black-and-white prints to perfection.
PHOTOGRAPHIC Mar 1990 (v.18#11) pg. 24

Dodge and burn many duplicate prints of the same negative by using an overlay of matte acetate. Use a red china marker on the plastic to "dodge" and mineral oil to "burn".
PHOTOMETHODS Jun 1979 (v.22#6) pg. 29

How to utilize a B&W computer monitor (CRT) as the light source for a photographic enlarger. When combined with a computer graphics program, this CRT tube becomes a sophisticated light source capable of performing dodging and burning operations without the use of any other tools.
PHOTOMETHODS Apr 1984 (v.27#4) pg. 6

Make a dodging tool by gluing a paper clip to a stiff wire, and inserting paper cutouts into paper clip.
POPULAR MECHANICS Nov 1978 (v.150#5) pg. 65

Tip: Use a red plastic funnel as a dodging tool.
POPULAR MECHANICS Mar 1981 (v.155#3) pg. 70

The Hattersley Class: The manipulated print. Pros and cons of dodging, burning, bleaching and other manipulations.
POPULAR PHOTOGRAPHY Sep 1972 (v.71#3) pg. 92

The use of clear plastic handles on dodging tools eliminates the shadow cast by metal or wire handles.
POPULAR PHOTOGRAPHY Feb 1974 (v.74#2) pg. 133

Basic print making. Dodging and burning-in.
POPULAR PHOTOGRAPHY Mar 1974 (v.74#3) pg. 86

How to improve your basic printing controls: Dodging and burning in.
POPULAR PHOTOGRAPHY May 1975 (v.76#5) pg. 38

Using a kneaded rubber eraser, which can be molded to any shape, to make dodging tools for specific needs.
POPULAR PHOTOGRAPHY Nov 1975 (v.77#5) pg. 141

The Hattersley class for beginners. Dodging and burning.
POPULAR PHOTOGRAPHY Sep 1976 (v.79#3) pg. 112

Tip: Make dodging tools from paper, tape and wire.
POPULAR PHOTOGRAPHY Mar 1982 (v.89#3) pg. 77

The fine art of dodging and burning-in. Techniques of lighting and darkening selective parts of photographic prints.
POPULAR PHOTOGRAPHY Feb 1983 (v.90#2) pg. 74

Tips on making wire dodging tools.
POPULAR PHOTOGRAPHY Aug 1984 (v.91#8) pg. 31

How to dodge and burn-in when making color prints.
POPULAR PHOTOGRAPHY Nov 1984 (v.91#11) pg. 36

Local Color. Use traditional black & white techniques (dodging and burning-in) for adjusting color relationships within a print. Multiple exposures with selective filtration and color correcting filters, combined with dodging and burning-in, can correct individual area values.
POPULAR PHOTOGRAPHY Jan 1989 (v.96#1) pg. 64

Make an 11"x14" burn-in (dodging) card with interchangable patterns.
POPULAR PHOTOGRAPHY May 1993 (v.57#1) pg. 88

Black-and-white darkroom primer. Part 1. (1) Dust control. (2) Burning and dodging.
SHUTTERBUG #262 Jul 1992 (v.21#9) pg. 28

Creating the final print. Part 3. Accent with burning and dodging.
SHUTTERBUG #328 Jan 1998 (v.27#3) pg. 68

Dodging and burning-in using Photoshop imaging software.
SHUTTERBUG #372 Sep 2001 (v.30#11) pg. 112