Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

Three terrific effects using Photoshop to add to the low-res images produced by digital consumer cameras. (1) Create a wood grain texture. (2) Give a soft glow to the image. (3) Give the edges a torn-paper look.
PHOTO ELECTRONIC IMAGING Aug 1998 (v.41#8) pg. 53

Can digital cameras be calibrated? How to apply color management to digitally captured files. Using the eyedropper tool and Photoshop Level controls to correct a bad color print in just 3 steps.
PHOTO ELECTRONIC IMAGING Oct 1998 (v.41#10) pg. 48

Converting color images into black-and-white images digitally. How to choose a preferred distribution of tones when converting from color to grayscale.
PHOTO TECHNIQUES Nov-Dec 1998 (v.19#6) pg. 70

Photography and the computer. Part 12. Using cloning tools to remove unwanted objects from digital images.
PHOTOGRAPHIC Feb 1998 (v.26#10) pg. 33

Digital editing. How to remove distracting elements using cloning, filling, magic wand, and similar tools. A brief introduction to the process.
PHOTOGRAPHIC Mar 1999 (v.27#11) pg. D14

Using digital techniques to convert bad photos into usable images. Some tips.
PHOTOGRAPHIC Nov 1999 (v.28#7) pg. 40

Mastering digital color. Using color management techniques to guarantee that what you see on a monitor will correspond to the final print.
POPULAR PHOTOGRAPHY May 2001 (v.65#5) pg. 70

Mastering black and white. Four techniques for working digitally with black and white photographs. (1) Converting a color image to B&W. (2) How to achieve a full, rich tonal range. (3) How to create a pattern simulating film grain. (4) How to enchance B&W photos by adding a subtle tone, such as sepia brown.
SHUTTERBUG #353 Feb 2000 (v.29#4) pg. 32

Black and white in digital. Learning about the gray scale is the key to understanding how a B&W photo is manipulated digitally.
SHUTTERBUG #353 Feb 2000 (v.29#4) pg. 88

Using Photoshop 7.0 to create the image of a photograph inside a picture frame.
SHUTTERBUG #385 Oct 2002 (v.31#12) pg. 34

Using the Quick Mask mode in Photoshop to remove a distracting background.
SHUTTERBUG #387 Dec 2002 (v.32#2) pg. 38

Using the "Info Tool" to create better highlights, shadows and color in your digital prints.
SHUTTERBUG #390 Mar 2003 (v.32#5) pg. 32

Infinite backgrounds. How to select, cut and paste to replace the background in a digital photo.
SHUTTERBUG #390 Mar 2003 (v.32#5) pg. 72

Photo retouching techniques. A step by step guide for making big digital prints from 35mm film.
SHUTTERBUG #391 Apr 2003 (v.32#6) pg. 68

Dealing with dynamic range. How to use Photoshop to combine two identical digital images, one with good shadow detail and the other with good highlight detail.
SHUTTERBUG #392 May 2003 (v.32#7) pg. 44

Making digital photos sing. Basic image optimization techniques using Photoshop.
SHUTTERBUG #394 Jul 2003 (v.32#9) pg. 72

Create a torn effect in Photoshop. How to use basic tools for a special effect.
SHUTTERBUG #398 Nov 2003 (v.33#1) pg. 14

Using Photoshop to correct for color casts.
SHUTTERBUG #400 Jan 2004 (v.33#3) pg. 30

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