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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

STILL LIFE PHOTOGRAPHY
xx   PHOTOGRAPHY

Lessons in light. Two basic setups for studio still life. (1) Single backlight. (2) Translucent subjects.
CAMERA 35 Oct 1981 (v.26#10) pg. 48

35mm tabletop (still life) photography. Ideas on equipment, lighting, films, etc.
DARKROOM & CREATIVE CAMERA TECHNIQUES Sep-Oct 1987 (v.8#5) pg. 29

Advice on how to photograph three-dimensional artwork and craft projects for submission to a publisher.
DECORATIVE ARTIST'S WORKBOOK Aug 1999 (v.26#4) pg. 16

Small product photography. How imaginative sets and good lighting makes the ordinary look unique.
INDUSTRIAL PHOTOGRAPHY Oct 1987 (v.36#10) pg. 24

Anatomy of a shoot. Photograph of a portion of an electronic circuit board with a starburst in one corner.
INDUSTRIAL PHOTOGRAPHY Aug 1990 (v.39#8) pg. 26

Photographing sculpture. Perspective, lighting and background are the three keys to the secret.
MODERN PHOTOGRAPHY Apr 1967 (v.31#4) pg. 100

Retouch the subject before you shoot. Tips on adding highlights, subduing highlights, and outlining or emphasizing the object before taking the picture.
MODERN PHOTOGRAPHY Jan 1987 (v.51#1) pg. 33

Tabletop fantasies. Let your imagination run wild with an unlikely combination of color gels, folded paper and Mylar.
MODERN PHOTOGRAPHY Jul 1987 (v.51#7) pg. 38

Natural selections. An ingenious use of design elements creates worlds within a frame. Tips on arranging still lifes from Karen Schuld.
MODERN PHOTOGRAPHY Dec 1987 (v.51#12) pg. 8

How to incorporate shadows underneath "floating" objects to enliven an otherwise dull subject.
MODERN PHOTOGRAPHY Dec 1988 (v.52#12) pg. 12

Photographing the great indoors. Suggestions on making still life photographs of fruit, glassware, jewelry, etc. Tips on background and lighting.
PHOTOGRAPHIC Feb 1978 (v.6#10) pg. 86

How to shoot a tabletop setup using only two colors in the scene (bichrome).
PHOTOGRAPHIC Nov 1983 (v.12#7) pg. 108

Table-top photography. High quality illustration at home with small and medium format. An introduction to table-top illustration and how to utilize smaller formats.
PHOTOGRAPHIC Jan 1984 (v.12#9) pg. 52

How to create a strong product illustration using only two basic colors.
PHOTOGRAPHIC Mar 1986 (v.14#11) pg. 70

Photographing craftsmanship. Tips on producing an illustration for the theme of "Old World Craftsmanship" which shows the quality in a crafted piece.
PHOTOGRAPHIC Jun 1986 (v.15#2) pg. 68

The five qualities of light. Design and photograph a still life which depects a traditional occupation and takes into account the five qualities of photographic lighting.
PHOTOGRAPHIC Jul 1986 (v.15#3) pg. 74

Photograph an ordinary household object using one of its inate design qualities as the primary focal point for a strong and appealing graphic image. Object chosen for this example is a length of flexible clothes dryer hose.
PHOTOGRAPHIC Aug 1986 (v.15#4) pg. 70

Producing a moody still-life with a strong center of interest. All objects in the scene must relate to each other.
PHOTOGRAPHIC Dec 1986 (v.15#8) pg. 58

Comp book. Photograph a still life with a traditional feeling to it. The photo should evoke an era other than modern-day life.
PHOTOGRAPHIC Jan 1987 (v.15#9) pg. 42

Setup for a tabletop photograph of three wrist watches is designed to show how to use very low light levels coupled with longer exposures.
PHOTOGRAPHIC Feb 1987 (v.15#10) pg. 26

Comp book. Create a photo that illustrates the industrial work place, but is created in the studio.
PHOTOGRAPHIC Jun 1987 (v.16#2) pg. 66

Masters of railroad miniatures. Picture-taking advice from professional photographers who shoot model railroads for a living.
PHOTOGRAPHIC Dec 1987 (v.16#8) pg. 54

Junkyard abstracts. A self-assignment in the realm of photographic alchemy makes treasures out of rust. Tips on photographing unique images found in a junkyard.
PHOTOGRAPHIC May 1988 (v.17#1) pg. 52

Comp book. Backlighting a black object on a black background. Tips on photographing a still-life that is predominatly black, but also includes a spot of color.
PHOTOGRAPHIC Mar 1990 (v.18#11) pg. 102

One light does it all. Using a single light source to achieve quality photographs of small products suitable for advertising purposes.
PHOTOGRAPHIC Apr 1990 (v.18#12) pg. 44

"Still-life" photograph of a totally-white oscillating fan preserves the feeling that the blades are rotating.
PHOTOGRAPHIC Jun 1990 (v.19#2) pg. 18

Comp book. Tips on photographing an object so that it appears to be floating in space against a multicolor background.
PHOTOGRAPHIC Jul 1990 (v.19#3) pg. 102

Pure light. Studies in translucence. A single bare bulb shinning through antique glass and brown wrapping paper and reflected off a mirror is used to illuminate a still life of a plant.
PHOTOGRAPHIC Sep 1990 (v.19#5) pg. 92

Comp book. Bichrome transparency. Composing, lighting and photographing an image composed of only two colors
PHOTOGRAPHIC Dec 1990 (v.19#8) pg. 82

Comp book. Nostalgic theme assemblage still-life includes a "Wall-o-matic" jukebox selector. Emphasis is on the lighting setup.
PHOTOGRAPHIC May 1994 (v.23#1) pg. 44

Blacklight photography. Photographing tabletop still lifes using ultraviolet light to enhance the colors.
PHOTOGRAPHIC Feb 1996 (v.24#10) pg. 32

Mylar magic. Using a sheet of reflective Mylar to add interest to still life photos.
PHOTOGRAPHIC Jun 1998 (v.27#2) pg. 52

Lighting tips for photographing a three-dimensional diorama.
PHOTOMETHODS Sep 1989 (v.32#9) pg. 12

The Hattersley class for beginners. Junk can be beautiful. How to find it, light it, shoot it and print it.
POPULAR PHOTOGRAPHY Nov 1977 (v.81#5) pg. 118

Tips on photographing reflections off water, glass, shiny surfaces, etc.
POPULAR PHOTOGRAPHY Feb 1978 (v.82#2) pg. 112

Set shots. Make striking still life photos by using the right accessories and a little know-how. Some tips.
POPULAR PHOTOGRAPHY Feb 1987 (v.94#2) pg. 36

Tips on using a point-and-shoot camera to photograph indoor still lifes.
POPULAR PHOTOGRAPHY May 1991 (v.98#5) pg. 18

How to achieve large-format results when making 35mm still lifes.
POPULAR PHOTOGRAPHY May 1999 (v.63#5) pg. 94

Tip on using WD-40 on metallic and painted objects when photographing still life subjects to create more intense, enriched colors and produce a "wet" look.
PROFESSIONAL PHOTOGRAPHER #2137 Jun 1990 (v.117) pg. 12

Well-controlled lighting for small-product tabletop photography utilizes versatile reflectors.
PROFESSIONAL PHOTOGRAPHER #2141 Oct 1990 (v.117) pg. 36

Product lighting. Using existing studio equipment to take advertising photos that make a product appear three-dimensional.
PROFESSIONAL PHOTOGRAPHER #2184 May 1994 (v.121) pg. 45

The art of light. Making design and color sing. Lighting and composition ideas from the "Art As Food Series" of still life photos.
PROFESSIONAL PHOTOGRAPHER #2189 Oct 1994 (v.121) pg. 62

Just go natural. Photographing "found" still life outside the studio. Tips on equipment, lighting, and techniques.
SHUTTERBUG #315 Dec 1996 (v.26#2) pg. 32

Setting the framework. Bringing backgrounds into the foreground. How to choose and light studio backgrounds for product photography.
SHUTTERBUG #317 Feb 1997 (v.26#4) pg. 206

Total control. Tips on how to create the subject and make the image in still life photography.
SHUTTERBUG #330 Mar 1998 (v.27#5) pg. 74

Still life, the forgotten photographic subject. Tips on equipment and techniques.
SHUTTERBUG #360 Sep 2000 (v.29#11) pg. 78

Photographing fiber works. Two common problems and their solutions. Technical aspects of poor color balance and blurry pictures and how to overcome them.
SHUTTLE, SPINDLE & DYEPOT #36 Fall 1978 (v.9#4) pg. 20