PRINTING & DUPLICATING
sa BLOCK PRINTING
sa BLUEPRINTING
sa COPY MACHINE
sa DIGITAL PRINTING
sa FISH PRINTING & RUBBING
sa LASER PRINTING
sa LEAF PRINTING & RUBBING
sa MONOTYPE
sa PUBLISHING
sa RUBBER STAMP PRINTING
sa SILK SCREENING
sa VEGETABLE PRINTING & RUBBING
x DUPLICATING
xx ARTS & CRAFTS
Color and texture to a new degree. How to get a tactile surface from collagraph printmaking, adding color with pastel and colored pencil. ARTIST'S MAGAZINE May 1992 (v.9#5) pg. 60
Printmaking made easy. A description of a "jigsaw-puzzle" method for making prints without a press. ARTIST'S MAGAZINE Oct 1992 (v.9#10) pg. 52
Multiple choices for reproducing art. A guide to help decide on an appropriate method. Covers photo lithography, canvas transfer, repligraph, serigraph and Artagraph. ARTIST'S MAGAZINE Aug 1995 (v.12#8) pg. 34
Lithography made easy. The basics of the printmaking process are explained so they can be applied at home. ARTIST'S MAGAZINE Mar 1996 (v.13#3) pg. 81
Exploring aquatint. How to use this printmaking technique. ARTIST'S MAGAZINE Oct 1999 (v.16#10) pg. 38
Homemade duplicator uses hectograph gelatin in a metal baking pan, hectograph carbon paper (or pencils or ink) and duplicator paper. BOYS' LIFE Aug 1970 (v.60#8) pg. 44
How to tailor your photographic prints for halftone reproduction. Some tips. DARKROOM TECHNIQUES Fall 1979 pg. 30
Wood type. Photos show how a router, templates, and pantograph are used to carve wooden type used in printing. FINE WOODWORKING #50 Jan-Feb 1985 pg. 52
Using a multi-screen tint sample negative to test the efficiency of an offset duplicator. INDUSTRIAL EDUCATION Oct 1978 (v.67#7) pg. 52
Four-color process work made simple. How to make color separations in your 35mm camera without the need for total darkness. INDUSTRIAL EDUCATION May-Jun 1979 (v.68#5) pg. 48
Tips on making unique certificates of award by photographic means. INDUSTRIAL PHOTOGRAPHY Mar 1976 (v.25#3) pg. 32
The influence of paper on color printing. An introduction to the perception of color and the vaguaries of color printing in books and magazines. INDUSTRIAL PHOTOGRAPHY Feb 1990 (v.39#2) pg. 33
Post card printer uses mimeograph principle. Est. cost: $1. MECHANIX ILLUSTRATED #435 Aug 1964 (v.60) pg. 104
Conventional vs. digital halftones. An explanation of the process for preparing a continuous-tone image for reproduction by printing press. PHOTO ELECTRONIC IMAGING Feb 1997 (v.40#2) pg. 14
Megapixel magic. Tutuorial shows how to use Photoshop and an image captured by a megapixel camera to produce a color separation suitable for publication. PHOTO ELECTRONIC IMAGING Aug 1999 (v.42#8) pg. 26
Considerations which must be given to photographic prints which will be reproduced by graphic art printing. PHOTOGRAPHIC Apr 1979 (v.7#12) pg. 54
Make color covers for a report, brochure or proposal using photographic methods. Suitable for a limited number of duplicates (15-50 copies). PHOTOMETHODS Mar 1977 (v.20#3) pg. 46
Black-and-white printing for reproduction. How to make photographs that will reproduce well as halftones. PHOTOMETHODS Jun 1984 (v.27#6) pg. 15
Toy rotary duplicator. POPULAR MECHANICS Jul 1963 (v.120#1) pg. 140
Table-top printing press. Does a top-quality job of reproducing type, linoleum blocks, woodcuts, etchings, and , with a special cylinder, lithographs. Maximum printing size 14" wide by any length (depends on bed size). Plans call for 14"x24" bed. Part 1. POPULAR MECHANICS Nov 1966 (v.126#5) pg. 152
Table-top printing press. Part 2. POPULAR MECHANICS Dec 1966 (v.126#6) pg. 150
How to set up a home print shop using a small letterpress. A general discussion and names and addresses of suppliers. POPULAR SCIENCE Jul 1966 (v.189#1) pg. 124
Printing b&w photos suitable for reproduction in printed publications. SHUTTERBUG #293 Feb 1995 (v.24#4) pg. 48
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