Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

Color and texture to a new degree. How to get a tactile surface from collagraph printmaking, adding color with pastel and colored pencil.
ARTIST'S MAGAZINE May 1992 (v.9#5) pg. 60

Printmaking made easy. A description of a "jigsaw-puzzle" method for making prints without a press.
ARTIST'S MAGAZINE Oct 1992 (v.9#10) pg. 52

Multiple choices for reproducing art. A guide to help decide on an appropriate method. Covers photo lithography, canvas transfer, repligraph, serigraph and Artagraph.
ARTIST'S MAGAZINE Aug 1995 (v.12#8) pg. 34

Lithography made easy. The basics of the printmaking process are explained so they can be applied at home.
ARTIST'S MAGAZINE Mar 1996 (v.13#3) pg. 81

Exploring aquatint. How to use this printmaking technique.
ARTIST'S MAGAZINE Oct 1999 (v.16#10) pg. 38

Homemade duplicator uses hectograph gelatin in a metal baking pan, hectograph carbon paper (or pencils or ink) and duplicator paper.
BOYS' LIFE Aug 1970 (v.60#8) pg. 44

How to tailor your photographic prints for halftone reproduction. Some tips.
DARKROOM TECHNIQUES Fall 1979 pg. 30

Wood type. Photos show how a router, templates, and pantograph are used to carve wooden type used in printing.
FINE WOODWORKING #50 Jan-Feb 1985 pg. 52

Using a multi-screen tint sample negative to test the efficiency of an offset duplicator.
INDUSTRIAL EDUCATION Oct 1978 (v.67#7) pg. 52

Four-color process work made simple. How to make color separations in your 35mm camera without the need for total darkness.
INDUSTRIAL EDUCATION May-Jun 1979 (v.68#5) pg. 48

Tips on making unique certificates of award by photographic means.
INDUSTRIAL PHOTOGRAPHY Mar 1976 (v.25#3) pg. 32

The influence of paper on color printing. An introduction to the perception of color and the vaguaries of color printing in books and magazines.
INDUSTRIAL PHOTOGRAPHY Feb 1990 (v.39#2) pg. 33

Post card printer uses mimeograph principle. Est. cost: $1.
MECHANIX ILLUSTRATED #435 Aug 1964 (v.60) pg. 104

Conventional vs. digital halftones. An explanation of the process for preparing a continuous-tone image for reproduction by printing press.
PHOTO ELECTRONIC IMAGING Feb 1997 (v.40#2) pg. 14

Megapixel magic. Tutuorial shows how to use Photoshop and an image captured by a megapixel camera to produce a color separation suitable for publication.
PHOTO ELECTRONIC IMAGING Aug 1999 (v.42#8) pg. 26

Considerations which must be given to photographic prints which will be reproduced by graphic art printing.
PHOTOGRAPHIC Apr 1979 (v.7#12) pg. 54

Make color covers for a report, brochure or proposal using photographic methods. Suitable for a limited number of duplicates (15-50 copies).
PHOTOMETHODS Mar 1977 (v.20#3) pg. 46

Black-and-white printing for reproduction. How to make photographs that will reproduce well as halftones.
PHOTOMETHODS Jun 1984 (v.27#6) pg. 15

Toy rotary duplicator.
POPULAR MECHANICS Jul 1963 (v.120#1) pg. 140

Table-top printing press. Does a top-quality job of reproducing type, linoleum blocks, woodcuts, etchings, and , with a special cylinder, lithographs. Maximum printing size 14" wide by any length (depends on bed size). Plans call for 14"x24" bed. Part 1.
POPULAR MECHANICS Nov 1966 (v.126#5) pg. 152

Table-top printing press. Part 2.
POPULAR MECHANICS Dec 1966 (v.126#6) pg. 150

How to set up a home print shop using a small letterpress. A general discussion and names and addresses of suppliers.
POPULAR SCIENCE Jul 1966 (v.189#1) pg. 124

Printing b&w photos suitable for reproduction in printed publications.
SHUTTERBUG #293 Feb 1995 (v.24#4) pg. 48

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