Correction DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1990 (v.11#4) pg. 3
Photographer's guide to wet-process films, papers, and display materials.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1994 (v.15#3) pg. 32
Darkroom worker's guide to color and black-and-white papers.
DARKROOM & CREATIVE CAMERA TECHNIQUES Jul-Aug 1995 (v.16#4) pg. 31
A review of Kodak's 2203 paper used to make direct prints from color slides. Some helpful hints on processing and using.
DARKROOM PHOTOGRAPHY Nov 1979 (v.1#6) pg. 76
Comparison of Kodak 74RC and the newer 78RC Ektacolor paper.
DARKROOM PHOTOGRAPHY Nov 1980 (v.2#7) pg. 20
Tip: How to tell the emulsion side of Cibachrome paper in the dark.
DARKROOM PHOTOGRAPHY Jul-Aug 1981 (v.3#4) pg. 15
Surface sense. Tips on when to select glossy, matte, or semi-matte surfaces for color paper.
DARKROOM PHOTOGRAPHY Oct 1984 (v.6#6) pg. 62
Tips and tricks you may find handy in your color darkroom. (1) Conserving on paper. (2) Freeing film of fingerprints. (3) On-easel enlarger metering. (4) Warming chemicals.
DARKROOM PHOTOGRAPHY Jan-Feb 1987 (v.9#1) pg. 57
A tale of many Cibachrome tests. A look at the multiplicity of Cibachrome print materials.
DARKROOM PHOTOGRAPHY Aug 1989 (v.11#8) pg. 40
Kodak's new Ektachrome Prestige print material is tested. Used to make direct prints from slides or transparencies.
DARKROOM PHOTOGRAPHY Sep 1989 (v.11#9) pg. 24
Cibachrome II paper. Two articles look at both the professional and amateur versions of this new color paper for making prints from slides.
DARKROOM TECHNIQUES Dec 1981 (v.2#4) pg. 26, 30
Using frost-free refrigerators to store color film and paper.
INDUSTRIAL PHOTOGRAPHY Oct 1978 (v.27#10) pg. 32
Wisely choosing a color paper. Tips for photo labs on evaluating color papers.
INDUSTRIAL PHOTOGRAPHY Jun 1990 (v.39#6) pg. 6
How to use Cibachrome paper as the camera original without the need for an intermediate transparency. Project the camera image directly onto Cibachrome paper and process it to get the print. Requires some method of keeping extraneous light from striking paper.
MODERN PHOTOGRAPHY Jul 1979 (v.43#7) pg. 96
Which color paper is best? A comparision of Kodak Ektacolor 74 & 78, 3M High Speed, and Unicolor RC.
MODERN PHOTOGRAPHY Apr 1980 (v.44#4) pg. 112
A convenient, rapid method for dealing with the problems of reciprocity law failure in Ilfochrome Classic print material.
PHOTO TECHNIQUES Mar-Apr 1999 (v.20#2) pg. 29
Using Kodak's new 2203 reversal color paper in the small darkroom. The paper is cheaper and faster than Cibachrome.
PHOTOMETHODS May 1980 (v.23#5) pg. 57
User test of Kodak and Beseler RA-4 process color paper, chemistry and equipment.
PHOTOMETHODS Sep 1990 (v.33#9) pg. 34
Using Kodak Ektamatic paper with tray processing cuts exposure and development time.
POPULAR PHOTOGRAPHY Sep 1972 (v.71#3) pg. 44
A working pro looks at Cibachrome. Why and how to use both amateur and professional versions for top-quality color prints. Includes darkroom tips to help make better color prints.
POPULAR PHOTOGRAPHY Apr 1977 (v.80#4) pg. 112
How to tell when your color chemicals and printing papers go bad, and how to make them last longer.
POPULAR PHOTOGRAPHY Apr 1986 (v.93#4) pg. 18
A new generation of 5 reversal papers for printing from color slides are compared.
POPULAR PHOTOGRAPHY Aug 1992 (v.99#8) pg. 28
Ektachrome Prestige color reversal print material. User test of an alternative to Ektachrome 22 for producing premium-quality prints from transparencies.
PROFESSIONAL PHOTOGRAPHER #2132 Jan 1990 (v.117) pg. 44
How RA-4 paper works to make prints from color negatives.
SHUTTERBUG #384 Sep 2002 (v.31#11) pg. 78