Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

General information on ballpoint inks' resistance to fading and suggestions on ways to preserve drawings done in ballpoint pen.
ARTIST'S MAGAZINE Jul 1989 (v.6#7) pg. 35

The basics of markers. General guidelines on selecting among a variety of brands and types and how to select a paper to use with markers. Illustrations show how to build up tones; lay in an area of flat color without tonal variation; achieve a crisp edge; render wood-type surfaces; produce metal, plastic and glass effects; marbleize; and render flesh and hair.
ARTIST'S MAGAZINE Jul 1989 (v.6#7) pg. 68

Techniques for making precision drawings in pen and ink.
ARTIST'S MAGAZINE Aug 1989 (v.6#8) pg. 36

Techniques for producing lifelike textures in pen and ink. (1) Feathers. (2) Glass and metal. (3) Water drops. (4) Deeply veined leaves. (5) Wooden shingles. (6) Wood grain patterns.
ARTIST'S MAGAZINE Jan 1990 (v.7#1) pg. 12

Tips on using water-based markers as a simple art medium. Insert gives tips on three ways to extend the useful life of old pens.
ARTIST'S MAGAZINE Feb 1990 (v.7#2) pg. 12

Tips on mastering the finer points of water reflections in pen and ink.
ARTIST'S MAGAZINE Feb 1990 (v.7#2) pg. 57

Tips on testing the lightfastness of black ink.
ARTIST'S MAGAZINE Mar 1990 (v.7#3) pg. 118

The art of scribbling. How to create crisp pen-and-ink renderings with loose lines.
ARTIST'S MAGAZINE Oct 1990 (v.7#10) pg. 67

Exploring pen and ink drawing. Tips on equipment and techniques.
ARTIST'S MAGAZINE May 1991 (v.8#5) pg. 94

Drawing with a creative twist. Taking liberties with scale, perspective and logic.
ARTIST'S MAGAZINE Aug 1991 (v.8#8) pg. 51

Getting acquainted with pen and ink drawing. A guide to equipment, exercises that teach what a pen will produce by variations in pressure and examples of how to create tone and texture.
ARTIST'S MAGAZINE Nov 1991 (v.8#11) pg. 68

How to put visual punch into a painting with felt-tip markers.
ARTIST'S MAGAZINE Jul 1992 (v.9#7) pg. 54

Pushing the range of pen and ink. Six ways to expand the power of a line. (1) Drawing on frosted Mylar. (2) Combining India ink and watercolor. (3) Using a variety of pens. (4) Combining pen and brush work. (5) Using cold-pressed watercolor paper. (6) High contrast in quickly rendered drawings. Includes a primer on dip pen drawing nibs.
ARTIST'S MAGAZINE Jul 1992 (v.9#7) pg. 61
Added Info ARTIST'S MAGAZINE Sep 1992 (v.9#9) pg. 8
Added Info ARTIST'S MAGAZINE Nov 1992 (v.9#11) pg. 10

Discovering the versatility of ordinary fiber-tipped pens.
ARTIST'S MAGAZINE Jul 1992 (v.9#7) pg. 84

Tip on making travel sketches in ink and enlivened them with watercolor.
ARTIST'S MAGAZINE Oct 1994 (v.11#10) pg. 4A

Advice on how to select black inks for lightfastness and permanence.
ARTIST'S MAGAZINE Feb 1996 (v.13#2) pg. 76

Finding freedom in pen and ink. Processes that allow works to be changed or restructured during the drawing process.
ARTIST'S MAGAZINE Oct 1997 (v.14#10) pg. 56

Exploring pen and ink. Tips and techniques to try.
ARTIST'S MAGAZINE Sep 1998 (v.15#9) pg. 68

How to use crosshatching in drawing to model form and texture, build values and create a shaded area.
ARTIST'S MAGAZINE Mar 1999 (v.16#3) pg. 65

Getting started with stippling, a drawing technique in which areas of light and shadow are created using dots.
ARTIST'S MAGAZINE Aug 1999 (v.16#8) pg. 21

Paper and ink "cross-stitch" drawings made on graph paper using felt tip pens.
BETTER HOMES & GARDENS Jan 1982 (v.60#1) pg. 40, 49

Pen-and-ink art that can be used to decorate any object. Instructions for crosshatching, use of parallel lines, stippling and abstract or "signature" techniques to create shading. Watercolor washes are used to add color to the finished drawing.
DECORATIVE ARTIST'S WORKBOOK Mar-Apr 1994 (v.21#2) pg. 14

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