|
 |
 |
 |
|
 |
|
 |
|
|
Last Updated
03/31/2019
Sitemap
|
|||||||||
Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION. |
|||||||||
|
COPY PHOTOGRAPHY LIGHTING xx COPY PHOTOGRAPHY xx PHOTOGRAPHIC LIGHTING Build a light box to illuminate large-format plate negatives so that they may be copied in slide format. Also includes instructions for building a device to align the copy camera film plane exactly parallel with the negative being copied. Tips on using the Kaiser Copy Lighting System which consists of four special fluorescent tubes in two fixtures. Lighting reflection control. Part 1. Lighting and reflections, surface reflections and how to use them, and direct light. Lighting reflection control. Part 2. Light source and size, reflections from glass surfaces, and color saturation. Lighting reflection control. Part 3. Reflection intensity, polarizers, common conversions (sprays, etc.), windows and glass, using mirror images, red-eye, and using creative reflections. How to use one light source plus a mirror to produce uniform illumination on both sides of a document (or other item) being copied. Tips on removing unwanted reflections when photographing a glass-covered print. Illumination for copying. A review of good reproduction lighting techniques for graphic arts and copy cameras. Illuminating your copyboard mathematically. A system to measure light distribution pattern on a graphic arts process camera with lighting that travels with the copyboard. Polarized light for high fidelity reproduction. The use of polarized light can be especially useful in solving some copying problems. Tips on avoiding reflections when copying subjects under glass or glossy photos. Tip on making sure that copy lights give even illumination. Tips on positioning and lighting wall-hung paintings for copying. Using a small, hand-held electronic flash unit and multiple exposure to copy artwork which is hung in places that make the placement of lightstands impractical. Tips on adjusting a copy lighting setup consisting of two 150-watt floods. Stop reflections from copystand post by covering it with a stocking. Build this "daylight" color copy unit. Simple wooden copy stand for making color pictures on Kodachrome or black and white film uses plant-grow fluorescent lights instead of hot incandescent lights. Est. cost: $40. How to improve a Polaroid MP-4 copy camera by adding tungsten-halogen lamps for accurate color. How to use four "A.C. Slave" screw-in strobe units for illumination on Polaroid's MP-4 copy camera system. Tips on eliminating reflections when photographing glass-covered artwork. Tip on metering the light on a copyboard using an incident light meter. Tip: Eliminating equipment-reflection hot spots when copying photographs. | |||||||||
Copyright © by Norman Lathrop Enterprises. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means (electronic, mechanical, print photocopying, recording or otherwise) without the prior expressed permission of Norman Lathrop Enterprises, except as permitted by law. |
|||||||||