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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.


Alternative processes. SPECIAL SECTION provides an introduction to alternatives in the making of photographic prints. Topics covered include platinum/palladium, salted paper, gum dichromate, the Photographer's Formulary company, cyanotypes, and handmade printing papers.
CAMERA & DARKROOM Dec 1990 (v.12#12) pg. 22
Added Info CAMERA & DARKROOM Mar 1991 (v.13#3) pg. 7

Gum printing. Part 1. A step-by-step guide to gum bichromate printing.
CAMERA & DARKROOM Mar 1993 (v.15#3) pg. 46

Gum printing. Part 2. Multiple printing from color separations.
CAMERA & DARKROOM Apr 1993 (v.15#4) pg. 30
Added Info CAMERA & DARKROOM Jun 1993 (v.15#6) pg. 13

Sans silver. A do-it-yourself guide to non-silver printing processes. Part 3. Gum Bichromate.
CAMERA 35 Dec 1974 (v.18#9) pg. 56

Gum/oil printing. Monochromatic and polychromatic techniques. This obscure process can form the basis for printing in Cyanotype, Van Dyke and gum bichromate.

Gum bichromate process for making contact prints.
DARKROOM PHOTOGRAPHY Sep-Oct 1982 (v.4#6) pg. 30

Making color prints with the unconventional pigment process called "Kwik-Print". It is similar to gum bichromate printing popular around 1900.
DARKROOM PHOTOGRAPHY Oct 1985 (v.7#6) pg. 16

Gum bichromate printing.
DARKROOM PHOTOGRAPHY Oct 1986 (v.8#6) pg. 52

Gum evolutions. The magic, mystery, and mastery of gum printing.
DARKROOM PHOTOGRAPHY Oct 1987 (v.9#6) pg. 32
Added Info DARKROOM PHOTOGRAPHY Jan-Feb 1988 (v.10#1) pg. 8

Places of magic. Combining non-silver processes and hand work to produce special photographs. Includes emulsion formulas for cyanotype and gum bichromate.
DARKROOM PHOTOGRAPHY Dec 1987 (v.9#8) pg. 30

Basic gum bichromate printing.
DARKROOM TECHNIQUES Jun 1981 (v.2#2) pg. 40

Recipes and formulas for five photographic processes that can be used to transfer images onto handmade paper. (1) Heat transfer. (2) Cyanotype. (3) Van Dyke. (4) Gum printing. (5) Liquid Light silver nitrate emulsion. Article assumes familiarity with hand papermaking and darkroom photography. Only general guidelines are offered on fibers and additives when making the paper.
HAND PAPERMAKING Summer 1991 (v.6#1) pg. 12

How to do gum-bichromate printing, the grandaddy of all almost-forgotten print control processes.
MODERN PHOTOGRAPHY Jan 1970 (v.34#1) pg. 46

TechniqueS of gum printing. Part 1. History, principles, why it works and how to do it.
PHOTO TECHNIQUES Jan-Feb 1996 (v.17#1) pg. 34

Techniques of gum printing. Part 2. Refinements, advanced techniques, and digital separation negatives.
PHOTO TECHNIQUES May-Jun 1996 (v.17#3) pg. 41

Gum printing, a non-silver printing technique. How to mix the chemicals, select and size the paper, prepare and coat the emulsion, expose, develop and wash the print.
PHOTOGRAPHIC Apr 1981 (v.9#12) pg. 42

Bichromate printing. A venerable and fascinating photographic process for making color prints is shown, step-by-step.
POPULAR PHOTOGRAPHY Oct 1973 (v.73#4) pg. 124