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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

INDIAN FIGURE -- CERAMIC
xx   INDIAN FIGURE

Southwest Indian girl greenware figurine is painted with non-firing stains.
CERAMIC ARTS & CRAFTS Apr 1990 (v.35#8) pg. 111

Indian warrior and Indian maiden greenware busts are painted with non-firing acrylic stains.
CERAMIC ARTS & CRAFTS Jul 1990 (v.35#11) pg. 127

Greenware busts of various Indians are painted with non-firing stain and attached to a common base.
CERAMIC ARTS & CRAFTS Aug 1990 (v.35#12) pg. 127

Plains dwellers. Greenware relief image of an Indian head and a buffalo head against a background of rock is painted with non-firing stains using the drybrushing technique.
CERAMIC ARTS & CRAFTS Dec 1990 (v.36#4) pg. 53

Indian couple. Greenware figurines are painted with non-firing stains.
CERAMIC ARTS & CRAFTS Dec 1990 (v.36#4) pg. 109

Bearskin family. Greenware combines two Indian faces, wolf head, eagle head and bear skin in a symbolic Native American figurine. Painted with nonfiring stains.
CERAMIC ARTS & CRAFTS Feb 1994 (v.39#6) pg. 31

Majestic eagles decorate ceramic cattle skulls. Painted with nonfiring stains. Leather straps, beads and feathers complete the Indian motif.
CERAMIC ARTS & CRAFTS Apr 1994 (v.39#8) pg. 31

Ceramic totem pole ornament features three Indian heads wearing three different animal headdress. Painted with nonfiring stain.
CERAMIC ARTS & CRAFTS Apr 1994 (v.39#8) pg. 81

Southwestern motif greenware jar uses the faces of three Indian chiefs to form the base and a tepee shape for the lid. Painted with nonfiring stain.
CERAMIC ARTS & CRAFTS May 1994 (v.39#9) pg. 85

Greenware rock is painted to simulate desert sandstone and features the image of an Indian woman approaching a mission building.
CERAMIC ARTS & CRAFTS Jun 1994 (v.39#10) pg. 85

Fetish bear. A stylized ceramic bear has a large opening in its side. Inside the bear is a scene which includes an Indian figure, coyote figure, bluffs, etc. Leather lacing, bear claws, shields and pieces of fur add to the decoration on the bear.
CERAMIC ARTS & CRAFTS Jun 1994 (v.39#10) pg. 111

Greenware figurine of an Indian girl sitting on the rim of a stone well. Painted with nonfiring stains.
CERAMIC ARTS & CRAFTS Jul 1994 (v.39#11) pg. 53

Realistic ceramic tomahawk looks like an antique artifact of stone and wood. Painted with nonfiring stains.
CERAMIC ARTS & CRAFTS Jul 1994 (v.39#11) pg. 107

Crow Mother Kachina. Carve the symbolic face of the Hopi Indian kachina in the center of an 11" ceramic plate. Gridded pattern included.
CERAMIC ARTS & CRAFTS Oct 1994 (v.40#2) pg. 71

Native American storyteller is surrounded by children. Painted with nonfiring stains.
CERAMIC ARTS & CRAFTS Nov 1994 (v.40#3) pg. 75

Far view mission. Cutaway version of a ceramic water flask depicts an Indian woman looking toward a Southwestern-style mission building. Painted with underglaze. Gridded pattern included.
CERAMIC ARTS & CRAFTS Nov 1994 (v.40#3) pg. 131

Family love. Instructions for painting a greenware figurine featuring a female indian and her two children. Uses non-firing opaque stains and assorted chalks.
CERAMICS Jan 1990 (v.25#4) pg. 74

Casting and finishing a replica of the "End of the Trail" statue by James Earle Fraser. Combines drybrushing technique with non-firing stains.
CERAMICS Feb 1990 (v.25#5) pg. 40

The Indian's bounty. Painting a greenware piece which features the head of a Indian against the head of a buffalo and framed by a large rock in the background. Uses the drybrushing technique.
CERAMICS May-Jun 1990 (v.25#8) pg. 16
Correction CERAMICS Jul 1990 (v.25#9) pg. 5

Buffalo memories. Painting the ceramic bust of an Indian with a pedestal that includes buffalo heads and skull.
CERAMICS Aug 1990 (v.25#10) pg. 74

Mountain warrior. Ceramic figure of a girl on a horse is finished with nonfiring stain and suede powder (to simulate animal hair/fur).
CERAMICS Jan 1994 (v.30#5) pg. 4

Native American (Indian) brave is finished using nonfiring stains, antiquing on top of antiquing and buffing to give a rich looking skin tone.
CERAMICS Feb 1994 (v.30#6) pg. 74

Ceramic vase with a Native American girl embossed on one side is finished with glaze and nonfiring stains.
CERAMICS Apr 1994 (v.30#8) pg. 20

Wind woman and man busts are finished with texture glazes and resemble Indian sand painting.
CERAMICS Apr 1994 (v.30#8) pg. 60

Ceramic busts of an American Indian shaman and a medicine woman features owl headdresses. Painted with nonfiring stains.
CERAMICS May 1994 (v.30#9) pg. 32

Family of Native American ceramic figures are painted with nonfiring stains.
CERAMICS Jun 1994 (v.30#10) pg. 26

Native American (Indian) shield mask greenware is painted with nonfiring stains.
CERAMICS Jul 1994 (v.30#11) pg. 16

Native American (Indian) eagle dancer figurine is painted using nonfiring stains.
CERAMICS Sep 1994 (v.31#1) pg. 20

Native American wall masks are painted with nonfiring stains. The man features a wolf headdress.
CERAMICS Nov 1994 (v.31#3) pg. 18

Mother's courage ceramic figurine. An Indian mother holding a rifle is depicted defending her two children. Painted with nonfiring stains.
CERAMICS Dec 1994 (v.31#4) pg. 30

Navajo lady greenware figurine is painted with textured glazes and non-firing stains.
POPULAR CERAMICS #488 Mar 1990 (v.40#8) pg. 50

Bronze patina. Applying bronze luster glaze to a ceramic Indian figure to emulate a Frederick Remington cast bronze.
POPULAR CERAMICS #490 May 1990 (v.40#10) pg. 62

Storyteller. An Indian woman with 8 small "children" represents the concept of the ancient storyteller.
POPULAR CERAMICS #493 Aug 1990 (v.41#1) pg. 34

Sun worshippers. A ceramic Navajo couple is decorated by carving sunburst designs into the clay and outlining them with fired gold.
POPULAR CERAMICS #494 Sep 1990 (v.41#2) pg. 48

Navajo maiden porcelain figure is shown wearing the traditional squaw dress, silver concho belt and turquoise jewelry. Fabric is processed and applied using the "drip method."
POPULAR CERAMICS #494 Sep 1990 (v.41#2) pg. 58

Chief Yellowhorn and his son White Eagle. Ceramic Indian busts are shown in traditional Papago ceremonial dress. Painted with non-firing stains.
POPULAR CERAMICS #495 Oct 1990 (v.41#3) pg. 42

Study in wood tone. The head of a Mohawk Indian with a long neck (pedestal) that curves and forms the base. Painted with non-firing ceramic stains to simulate a wood carving.
POPULAR CERAMICS #495 Oct 1990 (v.41#3) pg. 56

Tribal teller of tales. A greenware Indian woman cradles four small children in her arms. Painted with regular and texture stains.
POPULAR CERAMICS #497 Dec 1990 (v.41#5) pg. 54

Sisters of the pueblo ceramic figures. Tips on painting and firing.
POPULAR CERAMICS #534 Feb 1994 (v.44#7) pg. 64

Chief Rock. Painting the colorful head of an Indian chief in full feathered headdress against the background of a ceramic "rock".
POPULAR CERAMICS #534 Feb 1994 (v.44#7) pg. 70

Wisdom of the elders. Diorama of an adult Indian telling stories to three children. Background includes a tent, tepee, full moon, etc. Tips on painting with stains.
POPULAR CERAMICS #536 Apr 1994 (v.44#9) pg. 62

Storyteller vase. Ceramic vase is decorated with the image of a pueblo man with five children on his lap and shoulders. Pattern included.
POPULAR CERAMICS #536 Apr 1994 (v.44#9) pg. 64, 41

Bust of an Indian applying war paint is painted with stains.
POPULAR CERAMICS #539 Jul 1994 (v.44#12) pg. 30

Embracing dreams. A twin-spout vase is decorated with a print of two Indian lovers. A miniature woven "dream catcher" is placed in the opening between the spouts.
POPULAR CERAMICS #540 Aug 1994 (v.45#1) pg. 70, 45

Southwest splendor. Finishing tips for three Indian motif ceramic objects. (1) Mesa Verde eagle figure. (2) Engagement vase. (3) Duck-shaped vessel.
POPULAR CERAMICS #540 Aug 1994 (v.45#1) pg. 73