Added Info VIDEOMAKER Aug 1995 (v.10#2) pg. 8
Audio tracks and editing. An explanation of where and how a VHS or 8mm camcorder and VCR record their audio tracks.
VIDEOMAKER May 1995 (v.9#11) pg. 26
Recording stereo sound. Advice on selecting cables and microphones, microphone placement, etc.
VIDEOMAKER Jun 1995 (v.9#12) pg. 25
Better audio from your built-in camcorder mike using simple techniques.
VIDEOMAKER Jul 1995 (v.10#1) pg. 26
Wired for sound. Advice on choosing and using a separate microphone instead of the one on the camcorder.
VIDEOMAKER Jul 1995 (v.10#1) pg. 55
Audio mixers. What they do, how they do it, and their application in video sound recording.
VIDEOMAKER Aug 1995 (v.10#2) pg. 26
Techniques to correct and improve your audio.
VIDEOMAKER Sep 1995 (v.10#3) pg. 26
Working with acoustics. How sound behaves in various spaces. Learning to control audio effects.
VIDEOMAKER Oct 1995 (v.10#4) pg. 26
Audio accessories to improve your video sound recording. What is available and tips on their use.
VIDEOMAKER Oct 1995 (v.10#4) pg. 93
Using an equalizer to pinpoint a range of audible frequencies and adjust the level of sounds within that range. Use it to minimize noise, boost volume, add clarity, and generally improve the sound captured by a camcorder's built-in microphone.
VIDEOMAKER Nov 1995 (v.10#5) pg. 29
Hear no evil. A location audio primer. An accomplished audio-for-video specialist shares his advice on preparing for and recording on-site audio.
VIDEOMAKER Nov 1995 (v.10#5) pg. 83
Audio monitoring improvements can be as simple as adding low-cost speakers and headphones. Some tips.
VIDEOMAKER Dec 1995 (v.10#6) pg. 87
The techniques of using lavalier mikes.
VIDEOMAKER Jan 1996 (v.10#7) pg. 28
The basics of balanced and unbalanced audio signals. How to translate this understanding into better audio for video recordings.
VIDEOMAKER Feb 1996 (v.10#8) pg. 28
A guide to techniques and equipment for making a direct connection to an audio source.
VIDEOMAKER Mar 1996 (v.10#9) pg. 29
Digital audio basics. How it works for videomaking.
VIDEOMAKER Apr 1996 (v.10#10) pg. 25
A look at the characteristics of sound and the basic techniques that can be used to solve audio problems.
VIDEOMAKER Apr 1996 (v.10#10) pg. 79
How to create or find sound effects, record them and edit them into a videotape.
VIDEOMAKER Apr 1996 (v.10#10) pg. 95
Multi-track audio for video. A look at the latest software-based systems and how to produce complex audio soundtracks.
VIDEOMAKER May 1996 (v.10#11) pg. 29
Ten common audio mistakes in video productions and how to avoid them.
VIDEOMAKER Jun 1996 (v.10#12) pg. 26
Choosing the right external microphone to use when filming a video. A comparison of the various pickup patterns and other physical qualities.
VIDEOMAKER Jul 1996 (v.11#1) pg. 57
A primer on audio mixers for videomaking.
VIDEOMAKER Jul 1996 (v.11#1) pg. 80
Answers to ten common questions about capturing clean, clear audio when videotaping weddings.
VIDEOMAKER Aug 1996 (v.11#2) pg. 29
Basic principles of choosing and using microphones for videomaking.
VIDEOMAKER Sep 1996 (v.11#3) pg. 29
List of 11 leading audio accessories for videomakers and how to use them.
VIDEOMAKER Sep 1996 (v.11#3) pg. 108
Outboard gear, the stand-alone devices that process audio signals. How to use outboard gear to solve some of the most common audio problems of videomakers.
VIDEOMAKER Oct 1996 (v.11#4) pg. 29
Answers to some of the most common questions posed about microphones for videomaking.
VIDEOMAKER Oct 1996 (v.11#4) pg. 97
How to use audio dubbing to make changes or add new sound to a videotape.
VIDEOMAKER Nov 1996 (v.11#5) pg. 29