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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

xx   VIDEO

Microphones for video cameras. How to make low-cost electret capsule mikes and attach them to a video camera for professional quality sound.
AUDIO ELECTRONICS 3/1997 [Jun 1997] (v.28#3) pg. 30
Added Info AUDIO ELECTRONICS 6/1997 [Dec 1997] (v.28#6) pg. 48

Line-to-mike pad for a video camera. Use it to send music from a line-level source into the external microphone input jack or to connect a mixing console's outputs to the video camera.
AUDIO ELECTRONICS 4/1997 [Aug 1997] (v.28#4) pg. 16

Wireless camcorder microphone (a short-range, low-power FM transmitter). Est. cost: $15.

Wireless camcorder microphone. A short-range, low-power FM transmitter. Est. cost: $15 (kit).
ELECTRONICS NOW Feb 1993 (v.64#2) pg. 31

Four-input stereo line mixer complements the sound on a video editing deck.
GLASS AUDIO 1/1991 (v.3#1) pg. 12
Correction GLASS AUDIO 2/1991 (v.3#2) pg. 52
Added Info GLASS AUDIO 1/1993 (v.5#1) pg. 30

Tips on obtaining the best audio for voice-over narration or on-camera sound-bites.
PHOTOMETHODS Jan 1990 (v.33#1) pg. 20

Sweet sounds of matrimony. How to avoid potential mistakes in audio recording when videotaping a wedding.
VIDEOMAKER Dec 1994 (v.9#6) pg. 31

The right reading. Advice on finding and using "professional voices" to improve the audio quality of your video production. Looks at recording equipment, scripts, etc.
VIDEOMAKER Dec 1994 (v.9#6) pg. 79

How to record clear, quality audio when filming outdoors. Some tips.
VIDEOMAKER Jan 1995 (v.9#7) pg. 26

Camcorder sounds. Understanding the way camcorders record audio.
VIDEOMAKER Jan 1995 (v.9#7) pg. 118

Interview audio. Selecting and placing microphones to get the best possible audio recording in an interview situation.
VIDEOMAKER Feb 1995 (v.9#8) pg. 28

Music and sound effects libraries for video. What is available, who makes them, how to use them, and typical costs for including professional music or sound effects in video productions.
VIDEOMAKER Feb 1995 (v.9#8) pg. 79

Headphone lessons. How to make sure your video audio recording is of good quality by monitoring the recording via a pair of lightweight earphones.
VIDEOMAKER Mar 1995 (v.9#9) pg. 27

Audio sweetening. Integrating sound and music in video post production.
VIDEOMAKER Mar 1995 (v.9#9) pg. 85
Added Info VIDEOMAKER Aug 1995 (v.10#2) pg. 8

Audio tracks and editing. An explanation of where and how a VHS or 8mm camcorder and VCR record their audio tracks.
VIDEOMAKER May 1995 (v.9#11) pg. 26

Recording stereo sound. Advice on selecting cables and microphones, microphone placement, etc.
VIDEOMAKER Jun 1995 (v.9#12) pg. 25

Better audio from your built-in camcorder mike using simple techniques.
VIDEOMAKER Jul 1995 (v.10#1) pg. 26

Wired for sound. Advice on choosing and using a separate microphone instead of the one on the camcorder.
VIDEOMAKER Jul 1995 (v.10#1) pg. 55

Audio mixers. What they do, how they do it, and their application in video sound recording.
VIDEOMAKER Aug 1995 (v.10#2) pg. 26

Techniques to correct and improve your audio.
VIDEOMAKER Sep 1995 (v.10#3) pg. 26

Working with acoustics. How sound behaves in various spaces. Learning to control audio effects.
VIDEOMAKER Oct 1995 (v.10#4) pg. 26

Audio accessories to improve your video sound recording. What is available and tips on their use.
VIDEOMAKER Oct 1995 (v.10#4) pg. 93

Using an equalizer to pinpoint a range of audible frequencies and adjust the level of sounds within that range. Use it to minimize noise, boost volume, add clarity, and generally improve the sound captured by a camcorder's built-in microphone.
VIDEOMAKER Nov 1995 (v.10#5) pg. 29

Hear no evil. A location audio primer. An accomplished audio-for-video specialist shares his advice on preparing for and recording on-site audio.
VIDEOMAKER Nov 1995 (v.10#5) pg. 83

Audio monitoring improvements can be as simple as adding low-cost speakers and headphones. Some tips.
VIDEOMAKER Dec 1995 (v.10#6) pg. 87

The techniques of using lavalier mikes.
VIDEOMAKER Jan 1996 (v.10#7) pg. 28

The basics of balanced and unbalanced audio signals. How to translate this understanding into better audio for video recordings.
VIDEOMAKER Feb 1996 (v.10#8) pg. 28

A guide to techniques and equipment for making a direct connection to an audio source.
VIDEOMAKER Mar 1996 (v.10#9) pg. 29

Digital audio basics. How it works for videomaking.
VIDEOMAKER Apr 1996 (v.10#10) pg. 25

A look at the characteristics of sound and the basic techniques that can be used to solve audio problems.
VIDEOMAKER Apr 1996 (v.10#10) pg. 79

How to create or find sound effects, record them and edit them into a videotape.
VIDEOMAKER Apr 1996 (v.10#10) pg. 95

Multi-track audio for video. A look at the latest software-based systems and how to produce complex audio soundtracks.
VIDEOMAKER May 1996 (v.10#11) pg. 29

Ten common audio mistakes in video productions and how to avoid them.
VIDEOMAKER Jun 1996 (v.10#12) pg. 26

Choosing the right external microphone to use when filming a video. A comparison of the various pickup patterns and other physical qualities.
VIDEOMAKER Jul 1996 (v.11#1) pg. 57

A primer on audio mixers for videomaking.
VIDEOMAKER Jul 1996 (v.11#1) pg. 80

Answers to ten common questions about capturing clean, clear audio when videotaping weddings.
VIDEOMAKER Aug 1996 (v.11#2) pg. 29

Basic principles of choosing and using microphones for videomaking.
VIDEOMAKER Sep 1996 (v.11#3) pg. 29

List of 11 leading audio accessories for videomakers and how to use them.
VIDEOMAKER Sep 1996 (v.11#3) pg. 108

Outboard gear, the stand-alone devices that process audio signals. How to use outboard gear to solve some of the most common audio problems of videomakers.
VIDEOMAKER Oct 1996 (v.11#4) pg. 29

Answers to some of the most common questions posed about microphones for videomaking.
VIDEOMAKER Oct 1996 (v.11#4) pg. 97

How to use audio dubbing to make changes or add new sound to a videotape.
VIDEOMAKER Nov 1996 (v.11#5) pg. 29